View allAll Photos Tagged parallax
two pound laguna with intense parallax; cut not yet polished; a few cracks but amazing shadow especially in the tubes
Playing with motion parallax for fun. No photoshopping. Just physics....
For more images like this you can go to my Parallax Set flic.kr/s/aHsjC5GgNN
Copyright Wes Taylor Photography
Hinter dem etwas gewöhnungsbedürftigen Design (diese „Briketts“ waren seinerzeit recht verbreitet) verbirgt sich hochwertige, damals (1985) fortschrittliche Technik:
Rikenon-Objektiv, 2,8/35mm, 5 Linsen in 5 Gruppen
Automatische Scharfeinstellung mit Schärfenvorwahl-Funktion
Entfernungsmessbereich: 0,8 m bis unendlich
Elektronischer Programmverschluss, gekoppelt mit Belichtungsautomatik, 2-1/500 Sek.
Automatische Einstellung von Blende und Verschlusszeit
Eingebauter elektronischer Selbstauslöser mit akustischer und visueller Anzeige.
Heller Leuchtrahmensucher mit Parallax-Korrekturmarken
Messbereich bei ISO 100: Film-Lichtwert 2 bis 17
Belichtungskorrektur: +2
Filmempfindlichkeiten: ISO 25 bis ISO 1600 (in 1/3 Stufen), DX-Codesystem
Filmtransport und Rückwickeln durch eingebauten Motor
Automatisches Rückspulen am Filmende
Elektronik-Blitz mit automatischer Einschaltung bei schwacher Beleuchtung
120 mm (B) x 70 mm (H) x 41 mm (T), 290 g (ohne Batterien)
Dass hier ein Fünflinser verbaut wurde, finde ich bemerkenswert. Auch das deutlich ablesbare LCD-Display ist zu erwähnen, viele Informationen stehen hier zur Verfügung:
Film eingelegt, Filmtransport, Film von der Filmfang-Walze aufgenommen, Bildzählwerk, Filmrückwickeln und Ende des Rückwickeins, DX-Film, Belichtungskorrektur, Anzahl Bilder des Films (bei DX-Filmen), Batterien eingelegt, Batteriewarnung, Objektivschutzdeckel geöffnet/geschlossen
Der Film wird beim Rückspulen nicht komplett zurückgespult, ein Zipfel bleibt noch draußen. Das schätze ich besonders, da ich manchmal einen Film in mehreren Kameras verwende. Wenn man den automatisch eingeschalteten Blitz nicht benutzen will, drückt man einfach die Blitztaste wieder zurück. Umgekehrt geht’s auch: Will man Blitz erzwingen (z. B. zum Aufhellen) deckt man einfach die Belichtungsmesszelle kurz ab.
Bei fehlender DX-Codierung kann man die Filmempfindlichkeit auch von Hand einstellen. Auch die Gegenlichtkorrektur (+2) macht Sinn.
Als Pluspunkt verbuche ich noch, dass man ganz normale Mignon-Batterien verwenden kann.
This ancient archive photo shows the crash of the LL314, during its approach to the geothermal research centre on the Parallax.
Gravitational anomalies bent and twisted the light around the asteroid, meaning that pilots had to trust their instruments and not their eyes. Unfortunately many of the visual distortions were so convincing that spacemen would disbelieve their radars, fly by sight and hit the ground.
This experiment would have been impossible without Lego Jim's work on MOCpages.
The construction of this mughal monument was done in 1784. This labyrinth has 1024 similar looking doorways, 4 floors, walkways in the walls.
My very first photograph on my Mamiya C330 system. I share this as a remark on the importance of parallax compensation when shooting a TLR camera. As evident through the "interesting" compositions throughout this first roll in the Mamiya, I certainly underestimated the discrepancy in framing between the viewfinder and taking lens. Nonetheless every photo from this roll encompasses the majority of the intended composition.
Kodak T-Max 400, Mamiya C330, 80mm f2.8
Developed in Kodak D76 at home.
'Parallax' - Perception changes according to the angle of view, just like our identity according to circumstances. This series from my 'Mirage' project plays with light leaks to reveal the multiple facets of being. My model explores here how our different inner perspectives coexist. Between original poses and luminous accidents, these photos question: which version of ourselves do we reveal depending on the gaze cast upon us?
Animation (see below in comments) between panoramas taken on sols 2826 and 2829 after a 20m drive. The parallax is clearly visible.
Parallax: Former Green Lantern Hal Jordan transformed into a murderous, destructive force of evil, with all of Jordan's skills and abilities plus large-scale reality distortion powers and some control over time.
Q: A hyper-intelligent being from the Q Continuum, an extradimensional plane of existence beyond the comprehension of mere humans, with nearly omnipotent power over the physical laws of the universe.
If they had to fight, who would win?
#225 in the Duel 365 series.
Playing with motion parallax for fun. No photoshopping. Just physics....
For more images like this you can go to my Parallax Set flic.kr/s/aHsjC5GgNN
Got lots of good work done this weekend but the post processing will have to wait. I have several photo jobs that need to get finished...
Copyright Wes Taylor Photography
while we're fine with going on the occasional anonymous field trip to the local big box store, winter's coming soon and we probably won't be making too many treks outdoors during the height of cold/flu/rsv season, so it's important to get out while the getting is good.
it was a beautiful fall day today, so we took a quick trip around the block in our baby trend expedition jogging stroller travel system ( parenthetically, the "insert" you see in the car seat/stroller is a kiddopotamus snuzzler which does a great job of keeping micropreemies feeling bundled ).
incidentally, the stroller isn't the kind of thing you'd want to take for a quick trips that involve lugging it into and out of a car, since it's pretty weighty, but since autie diane trained for the chicago marathon with ruby sitting in it, we know it's fairly durable which is what we need should we ever get around to training for more marathons.
on the short walk we met a woman walking her dog and she commented as she walked by, "oh, a new one."
"well, he's actually over three months old. born quite early he was, " i said in my best impression of yoda.
"oh. one of those miracle babies then," she said in a wierdly nonchalant tone.
To see the animated image source scroll down to the first comment below or right click and view original size.
Details and History
The Library of Congress website offers a multitude of historical images, many with no known restrictions on use. This image of Poole and his teammate, racing a simplex in Brighton Beach (5/14/1910) from two separate images taken during different laps around the track. This is an example of accidental parallax arising from redundant exposures with coincidentally similar subject orientation. The "leaning" wheels are an artifact of the focal plane shutter used in the camera.
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Quick Links to related Animated Stereo Images
Browse the 19th century or by decade: 1850s, 1860s, 1870s, 1880s, 1890s.
Browse the 20th century or by decade: 1900s, 1910s, 1920s, 1930s, 1940s.
Copyright Advisory
The purpose here is not to duplicate the original image, from the Library of Congress website, but to generate a downloadable animated gif to assist viewing and presentation. The original images in the Bain News Service photograph collection have no known restrictions on use:
Technical trivia
Image manipulations and gif generation done with StereoPhotoMaker, a freeware program by Masuji Suto & David Sykes.
SPEC
Frame : *CINELLI* MASH 10yearLTD Parallax
Wheels : *GRAN COMPE* small track hub × *H PLUS SON* archetype rim
Tire : *CONTINENTAL* gator skin tire
Crankset : *SUGINO* SG75 crank
Chainrings: *AARN* track chainrings
Handle : *CINELLI* vai drop handle
Stem : *CINELLI* mash stem
Saddle :*SELLE SAN MARCO* zoncolan urban saddle
Seatpost : *THOMSON* elite seatpost
Bartape:*CINELLI* mash parallax bartape
Lights in Front of Me -Playing with Parallax, a Light Installation by Tank Design Collective at Nuit Blanche- (Toronto, Canada. Gustavo Thomas © 2013)
Manufactured by Canon Camera Company, Inc.
Model: 1951, (Produced between 1951-52)
35 mm film Rangefinder camera
Lens: Canon Serenar 50mm f/1.9, M39 Leica mount, collapseable, serial no.46369
Aperture: f/1.9 - f/11 setting: ring and dial on the lens
Focusing: coincidence rangefinder, yellow images in viewfinder, via a lever and ring on the back side of the lens, distance and DOF scales,
when lens changing the focusing lever must be locked in the Infinity Catch
Focus range: 3.5 - 50 feet (1-15m), +inf.
Shutter: double rubber and cloth focal plane shutter, horizontaly travelling
Speeds: 1) High speeds: 1/40 - 1/1000, +B, settings: via the high speeds dial (HSD) on the top plate, lift and turn, dial turns when winding
2) Slow speeds: stepless but there are marks on the dial, 1/2-1/4-1/6-1/25 +T,
setting: via the low speed dial (LSD) on front of the camera, for closing the diaphragm on T mode turn the dial to 1
When using HSD, set the LSD on 25, on the contrary set the HSD on 25-1, and for 1/25 shutter speed set both of the dials on 25 and 25-1
Winding knob: also cocks the shutter, double exposure prevention, on the top plate, right
Film counter: manual setting, advance type, beneath the winding knob
Shutter release: on the top plate, just beside the winding knob, turns when re-winding
Viewfinder: coupled view and range-finder, no parallax correction
Range-viewfinder magnification selector: beneath the re-winding knob, marks F, 1x, 1,5x.
This feature helps to sharp focusing, also for 100 and 135mm Serenar lense's field-of-views
Re-winding knob: on the left of the top plate, turns when winding
Re-wind release lever: marks A and R, just beside the shutter release
Film loading: drop-in bottom loading, the bottom plate opens by a lock-knob on it,
follow the loading instruction drawing on the inside of the camera, Special removable take-up spool, (there was the Canon Film Magazine for bulk film )
Flash PC socket: none, synchro: none
Cold-shoe
Strap lugs
Body: heavy metal, 720g
serial no. 54783
+ Old leather strap
The early Leica cameras, and almost any other Leica inspired cameras that winding on also causes the film speed selector to turn, always cock the shutter before changing film speeds.
The Canon III is a very close copy of a Leica IIIc. But there are some differences, mainly Canon's combined view/rangefinder which surpasses the Leica, straight body edges, and lots of other technical features. Its finish is fully up to Leica standards.
There are some 500 individual camera models originate from about 21 original Leica inspired cameras. Many of these were prototypes or produced low numbers. Main brands that produced large quantities are FED, Minolta 35, Nicca, Yashica YE, Zorki, Canon III.