View allAll Photos Tagged parallax
Monstrously large locomotives oversee Kenefick Park in Omaha. There really is no way to convey the size of these beasts if you have not seen them in person.
Third attempt at using Blender, so again thanks to the following 3 tutorials;
www.d0kt0r0.net/teaching/blender-3dview-basics.html
Blender navigation basics
by David Ogborn
blog.patdavid.net/2014/02/25d-parallax-animated-photo-tut...
Blender 2.5d tutorial
by Patrick David
2.5d Parallax After Effects tutorial
by Joe Fellows
And now mine
Tutorial - youtu.be/BiUguu-24co
What is real and what is reflection in this picture? Is the photographer inside looking out, or outside looking in?
More interestingly, what is he taking a picture of? (Hint: this is all about viewing angles and parallax view...he is not taking a picture of his OWN reflection....).
There is a slight crop in this picture which has been adjusted for white balance and contrast. There is no "trick processing" like adding/removing elements. Taken at Hoover Dam, Nevada.
HOW THIS PICTURE WAS TAKEN:
(OK, I'll tell...the building wall is not at right angles, and has reflective glass that we are also able to see through. Most of what is seen here is a reflection of what is behind the photographer, and some of it is a reflection of a reflection. Since the building wall is at an obtuse angle, we see reflections of two different scenes as well as a "ghostly image" of what we can see inside. BUT THE ANSWER TO THE INTERESTING QUESTION: he was taking a picture at another angle, of a reflection that can't be seen from the angle I was shooting at, one that included me, hence the "parallax view" reference...we both used the same area of the "mirror" to get a completely different picture.)
*CINELLI* mash parallax complete bike
BLUE LUG custom
SPEC
Frame: *CINELLI* mash parallax
Wheels: *ROLF PRIMA* vigor fx wheelset
Tire:*CONTINENTAL* gatorskin
Brake lever:*CANE CREEK*
Crankset: *SRAM* omnium crankset
Brake:*CAMPAGNOLO* veloche
Handle:*CINELLI* mash bullhorn bar
Stem:*THOMSON* elite x2 stem
Seat post: *THOMSON* elite seatpost (black)
Saddle:*SELLE SAN MARCO×MASH* concor
Seatclamp:*PHILWOOD* seat post collar (black)
Parallax by Alys Adamantium
From a commissioned shoot at Dragon Con.
Lighting: Twin speed lights in a 51-inch Extreme Silver PLM camera right, and another speed light in a 5-inch honl snoot, camera left.
To animate view the image at original resolution (click all sizes) or simply scroll down.
Okinawa Soba posted several CC licensed stereoimages life in late 19th & early 20th century Japan (the Meiji period). His photostream and website devoted to T. Enami are a wealth of images augmented by important historical context and analysis. You'd be hard pressed to find these details any where else. The original hand tinted image used for this gif, presented for parallel viewing and showing a geisha on the veranda, dates to the early 20th century. Images like this are composed very well from a technical perspective, encouraging the eye to roam and experience the stereo effect. The animated gif version shows so much parallax that it is difficult to appreciate the composition fully.
Addendum
My first effort to generate an animated gif did not properly compensate for different sized images. An improved version has been added below the original. To copy that image, click it to obtain the source page then copy the original size (only original sized gifs animate on Flickr)
Animated gif generated with StereoPhotoMaker, a freeware program by Masuji Suto & David Sykes
I did not found that mentioned anywhere yet:
There is a significant parallax error, depending on how you look through your viewfinder.
So: if you look from the side instead of centered, then of course the AF will still work, but you will focus on the wrong point in the scene. :-(
two pound laguna with intense parallax; cut not yet polished; a few cracks but amazing shadow especially in the tubes
Playing with motion parallax for fun. No photoshopping. Just physics....
For more images like this you can go to my Parallax Set flic.kr/s/aHsjC5GgNN
Copyright Wes Taylor Photography