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raw depth values from the kinect, originally 11 bit unsigned short, so in the range 0-2048, but generally only 0-1100 or so. converted to 32 bit floating point values. saved as a headerless stream of floats. opened in photoshop as a 4-channel 640x480 image. this way CMY inherits from the mantissa and K from the exponent (i think).
the scene is originally from indoors at makerbot industries, two computers and some electronics.
multiple kinects on the same computer sending skeleton tracking data from openni. working on aligning the kinects to each other next...
Tim Gfrerer is a desinger and coder who explores new ways to create narrative experiences. He works in public service broadcasting and new media. His professional origins rooted in concept development for radio and in journalism, with an academic background in design and new media, his practice seeks ways to broaden and connect these fields. Before moving over to London and to writing mainly stuff for machines, he wrote for human beings and lived in Vienna; there keeping himself busy as a Journalist for ORF, and as a creative producer for Radio FM4.
codedcultures.net/page/tim-gfrerer
5uper.net Over two days we’ll walk through complete examples introducing the OpenFrameworks system. Together we’ll build a simple drawing application, do image processing, learn how to network an installation using OSC, and program interactivity using real time face detection. The second day will be an open coding jam where participants will be free to begin pursuing bigger projects. We’ll be there to debug and give guidance on tackling your ideas.
codedcultures.net/page/tim-gfrerer
codedcultures.net/page/james-geroge
Sensorial installation to bridge the gap between digital and digitally designed physical environments. The installation invites participants to engage with the tear-drop-like structure which is made out of paper and carefully crafted using parametric principles and computational methods. Participants use sound (noises) to engage with Capillary and it responds with visuals that remind viewers of natural phenomena when liquid flows against gravity.
built with Rhinoceros and openFrameworks
Special thanks to Behnaz Babazadeh for the video editing work
Music:
Electrons by Frank Marino
Worked with O Cubo in creating an interactive floor for GNR (the portuguese national guard) as part of the celebrations for the centenary of the portuguese republic.
It allowed the visitors to look through several historical archive images.
The exhibition ran for 3 weeks during April at GNR's headquarters in Largo do Carmo, Lisbon.
It was created in C++ using OpenFrameworks with OpenCV and OpenGL
O Cubo: www.ocubo.com
10kx10k pixels, i can't go any bigger without crashing the app due to memory constraints.
flickr also doesn't want to let me upload anything bigger than 20 mb...
This activity was part of V&A half term activities celebrating the theatricality of the exhibition Diaghilev and the Golden Age of the Ballets Russes. Visitors were invited to experience a magic world of digital animal masks using the computers in our Digital Studio.
This installation by Hellicar&Lewis uses Openframeworks to create a system that appears to act as an augmented mask-making mirror.
The code is written to be both cross platform (PC, Mac, Linux, iPhone) and cross compiler.
The piece uses an Open Source library called OpenCV (Open Computer Vision) to track viewers faces, and augment the reflection with masks. In addition, the piece is audio reactive, which can be observed by an animation effect that happens when you make a noise. What kind of noise should
your animal mask make?
For more information, and other projects, see: hellicarandlewis.com
openFrameworks: