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Object" van Margot Zanstra.
Haar werk toont veel geometrisch geïnspireerde figuren met een sterke ritmiek en balans.
bron wikipedia
// unidentified flying object bx8 // one of the tribes youth brought me to see this vessel as it sat silently still // data recon sci mission j14 //
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soundcloud.com/eceertrey/likes
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Lets try flickr since facefuck is effing around with my posts on orbiting space objects . how dare i.
I have not taken an image of this type of object in a while
the color is true and again the only thing done was enlarging cropping and a little brightness reduction and contrast .
the following image was done the same but inverted which sometimes brings features within the object but never shows a color change to this degree .
a depiction of our desire for material goods- there's always just one more item out of reach, and once we get it, we feel that we will be complete. But once we grab it, we forget its value as we just want another object. Our quest for happiness must be fulfilled in another way
LARKIN WERNER
Untitled (2010)
found objects, duratran
Happiness is not a place, it’s a direction.
The arrow is probably the oldest and most basic of graphic symbols. It is universal in it’s simple command, “Go this way,” - the primary metaphor of direction that we use everyday to navigate through our physical and virtual worlds.
The lighted roadside arrow was probably invented first, and had to wait around for Edison and Ford to catch up. Meant to be viewed at 60 miles an hour and 30 feet away, they are part huckster, part ad, part message board; it’s the every-man’s sure-fire solution to getting attention, making a sale, driving business. Drive down the street and it’s the everywhere, everyday object. But so ubiquitous are these today that they go largely unnoticed. The only thing that differentiates one from another are the words and letters on the illuminated panel backdrop, authored by a hurried entrepreneur.
Larkin collects arrows. Mainly pictures. Hundreds of them. Some artifacts. Start to look for them and they are everywhere. It’s a distraction, just ask his wife.
Larkin Werner is a partner and creative director of Wall-to-Wall Studios, a graphic design studio with offices in Pittsburgh, PA, and Honolulu, HI, that creates exciting and meaningful branding for print, web and motion. He earned a BFA in Communication Design from Syracuse University and has over seventeen years of graphic design and brand strategy experience.
His work has received accolades from various publications and organizations, including Print Magazine, Communication Arts, Graphis, Step, AIGA 100, Sappi International, and The Ad Federation, among others. He was named one of Pittsburgh’s Magazine’s 40 Under 40 in 2006, and has work exhibited in galleries natonally. He is a current member and past President of the American Institute of Graphic Art (AIGA), Pittsburgh Chapter, and currently a adjunct faculty member of Robert Morris University’s Media Arts Department. Larkin has been with W|W since 2000.
He lives in Pittsburgh with his wife (a metals artist) and two children. He still believes that good design can save the world.
One more with the Vivitar 35 EF.
This was also shot wide open at f2.8 and I'd say the lens is sharp enough. Could be much worse for a non-professional camera like this.
Vivitar 35 EF
Foma Fomapan 100 at ISO 200
Compard R09 One Shot 1+100
60 min semi-stand at 19°C
Agitation: 1 minute + 10s at 30 min
Tikkala, Sysmä, Finland 2024.
Another backyard… I had to capture this throught the holes in the metal gates, because it is closed from the trespassers' eyes. No, it is not an abandoned object, it is a back yard of an old, though still functioning, hospital. Right in the city center! I get sick when I see this...
This figure depicts a man on one side and a woman on the other, reflecting the importance of duality in the Andean world view.
Inka double-sided figurine. AD 1470–1532. Lima, Peru. Silver-copper alloy. 9.9 × 6.8 × 3.5 cm. 19/9105. Photo by Ernest Amoroso, National Museum of the American Indian, Smithsonian Institution
Images and captions from The Great Inka Road: Engineering an Empire, edited by Ramiro Matos Mendieta and José Barreiro. Published by the Smithsonian’s National Museum of the American Indian in association with Smithsonian Books. © 2015 Smithsonian Institution
CAMERA: Canon NEW F1
LENS: Canon fd lens 28mm f/2,8 S.S.C.
FILM: Kodak color ISO 400 36 exp.
[cross processing + negative scanning]
FILM DEVELOPMENT: Developing Colour Film with the E6 Process
FILM SCANNED: OpticFilm Plustek 7400 with SilverFast Software
SHOOTING DATE: 09/2015
DEVELOPER DATE: 10/2015
TECHNIQUE: Multiple Exposure unedited.
NUMBER OF EXPOSURES: 2
NO POST-PROCESSING
OBJECT: Lenin's Library
PLACE: Moscow, Russia 2015
This thing is visibly from the road between Berneck and Heerbrugg. Today I tried to disclose the secret. I always thought that it would be a tank, but it isn't. It's from polyester and has no affiliated components. I bet on a object of art that was disposed here. Berneck, Switzerland, Aug 27, 2007.
Shaking and grinning like a twisted calcobrena,
this farce provokes our mocking
so it won't be real.
Mosaïque d'un champ de ciel avec la Lune, dans la constellation du Taureau, composée de 3 images.
Paramètres de prises de vue de chaque image :
* 48 photos : 2 secondes de pose, f/3.5, ISO 200 , objectif 105 mm
* 11 darks : même paramètres de prise de vue.
* 10 offsets : même paramètres de prise de vue, temps de pose : 1/8000 s.
Tout a été compilé avec DeepSkyStacker.