View allAll Photos Tagged negative

The Pier shown as a colour negative.

I took this during a family gathering. We had taken over the top floor of a Bar on Montpellier Walk. I liked the sun streaming through the window and it added to the warmth in the room. And as the street is predominately faced with our famous Cotswold stone, the sun bouncing off my side of the street was causing a sort of "honey glow" . So why I hear you ask, have I converted it into negative format?

Well by accident if I'm honest. I often play around with pictures, and more often than not, end up leaving them more or less alone. But this one caught me.

For those of you who have never shot film, this will be lost on you! When I was about 14, I was lucky enough to have a rudimentary darkroom at home. And I taught myself to develop my own B & W film, and print my own photos. I will never forget the feeling of excitement, when the time came to take the developed film out, hold it up to the light and be able to look at the results. So seeing this photo in this format, instantly transported me back 40 odd years. And at my age, that feeling is pretty good!!

The Library of Congress Girl in Washington, D.C. slum area 1937

 

I claim no rights other than colorizing this image if you wish to use let me know and always give due credit to The Library of Congress. I have no commercial gain in publishing this image.

 

Title

Girl in Washington, D.C. slum area

Names

Vachon, John, 1914-1975, photographer

Created / Published

1937 Dec.

Headings

- United States--District of Columbia--Washington (D.C.)

- Children--District of Columbia

Headings

Nitrate negatives.

Genre

Nitrate negatives

Notes

- Title and other information from caption card.

- Transfer; United States. Office of War Information. Overseas Picture Division. Washington Division; 1944.

- More information about the FSA/OWI Collection is available at hdl.loc.gov/loc.pnp/pp.fsaowi

Medium

1 negative : nitrate ; 35 mm.

Call Number/Physical Location

LC-USF33- 001045-M1 [P&P] LOT 1396 (corresponding photographic print)

Source Collection

Farm Security Administration - Office of War Information Photograph Collection (Library of Congress)

Repository

Library of Congress Prints and Photographs Division Washington, DC 20540 USA hdl.loc.gov/loc.pnp/pp.print

Digital Id

fsa 8a02984 //hdl.loc.gov/loc.pnp/fsa.8a02984

Library of Congress Control Number

2017716802

Reproduction Number

LC-USF33-T01-001045-M1 (b&w film dup. neg.) LC-DIG-fsa-8a02984 (digital file from original neg.)

Rights Advisory

No known restrictions. For information, see U.S. Farm Security Administration/Office of War Information Black & White Photographs www.loc.gov/rr/print/res/071_fsab.html

Online Format

image

LCCN Permalink

lccn.loc.gov/2017716802

Hello everyone! I've gotten a several flickrmails from people asking about what the best kind of film for landscapes might be so I figured I should just go ahead and write a blog post about it here: www.alexburkephoto.com/blog/2013/02/25/color-film-choices...

 

Also, just so everyone knows, I launched a facebook page a few months ago. You can follow me there to keep updated on blog posts like this one.

This photo was taken with a film camera in 1991 and scanned from a negative. It was just after the start of the walk along the Overland Track (80 kms).

 

Thanks for any comments, views or favorites for this or any of my other images!

 

Copyright © Paul Hollins. All my images are protected under international authors copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without my explicit written permission.

I purchased these glass negatives from an estate of an old photo studio in Millville, PA. There were a couple hundred negatives, and I went through almost all of them. I picked out all of the negatives with the cat, as well as, the one of the famers bailing hay.

The lip of a dish with 'negative' tomatoes.

July monthly challenge for the "five fall into adventure" group

Super Takumar 50mm f/1.4 (8 element version)

 

Fujifilm CLASSIC NEGATIVE

Sunrise at the fishing pier at Belmar, NJ

   

A little SlidersSunday offering... :)

Zero Image 4x5 pinhole camera,FP4, developed in Ilfosol 3 and negative digitised using a Fuji X100s.

couple of shots from this morning

Leica M-A, Zeiss ZM 35mm f/2, Kodak Portra 800, scanned from negative with a Plustek 8200i

Instagram: @andorcover

Website: andor.cool

Leica M-A, Zeiss ZM 35mm f/2, Kodak Ultramax 400, scanned from negative with a Plustek 8200i

Instagram: @andortheinfluence

Website: polgarand.org

France. Stopped bike-ride to take photo of donkey.

After a crop to straighten window, saw the shadows were strong enough to hold up the negative space.

Detroit Institute of Arts

I'm almost ashamed to post this, but for those who haven't quite decided what negative painting is...well, this is it. I must have been practicing that when this was done years ago. Notice that all shapes are painted by painting around them...not by putting color to form the inside of the shape. This is about as negatively painted as you can get, showing that too much of any method in a painting is just that...too much!!

Rollei 35 Classic, Ilford HP5+ 400, scanned from negative with a Plustek 8200i

Instagram: @andorcover

Website: andor.cool

The autumn tree negative has ghostly quality!

New!! Challenge 84.0 ~ Autumn Textures~

Autumn Textures - The Award Tree

The film has been just developed by my friend, and I’m anxiously looking through the transparencies..

Das Thema für Macro Mondays - Negative Space ("negativen Raum")

Digital bodycap pinhole. No lens used.

at the edge of the frame

Minolta X-700,

MD W.ROKKOR 35mm 1:1.8,

Ilford FP4,

Scan from negative with Epson V550

 

The maw of the storm that just rolled through Kalamazoo. Heids and I were scurrying out to pick some raspberries and I took a few extra moments to observe the sky.

Ilford HP5 shot with my Olympus OM10 at 800 ISO.

"If I make dark my countenance,

I shut my life from happier chance."

Lord Tennyson

 

taken @ Cupcake

textures: lesbrumes flickr

 

Am I dreaming?

  

________________________________

© Talha Saad Photography. All Rights Reserved.

Digitized with Negative Lab Pro v2.1.0

 

Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Tri-X 400

 

Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.0 | Lomography

 

Ilford DDX

Day 284 (v 8.0) - with sticktoitiveness

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