View allAll Photos Tagged negative
This is the actual window at Lacock Abbey, UK which formed the subject of the first ever negative produced by William Henry Fox Talbot the inventor of the salted paper and calotype processes
Summer solstice to winter solstice, 6 month pinhole exposure in paint can pinhole camera. Facing due west or thereabouts.
Library of Congress Blanche Satchel
I claim no rights other than colorizing this image if you wish to use let me know
Title
Blanche Satchel
Contributor Names
Bain News Service, publisher
Created / Published
[no date recorded on caption card]
Format Headings
Glass negatives.
Notes
- Title from unverified data provided by the Bain News Service on the negatives or caption cards.
- Forms part of: George Grantham Bain Collection (Library of Congress).
- General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Medium
1 negative : glass ; 5 x 7 in. or smaller.
Call Number/Physical Location
LC-B2- 6431-5 [P&P]
Repository
Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA hdl.loc.gov/loc.pnp/pp.print
Digital Id
ggbain 38624 //hdl.loc.gov/loc.pnp/ggbain.38624
Control Number
ggb2006014029
Reproduction Number
LC-DIG-ggbain-38624 (digital file from original negative)
Rights Advisory
No known restrictions on publication.
Online Format
image
Description
1 negative : glass ; 5 x 7 in. or smaller.
Circa: 1890's
This negative had gotten wet at some point in its lifetime. You can see the mold that had formed along the edges attempting to work its way to the center. Lucky for me it never made it and this lovely face was spared.
In 1978, after 110 years of business, the Childs Art Gallery went out of business. Founded in 1868 by Brainard F. Childs (1841/1842 – 1921), Childs Art Gallery operated photographic studios in Marquette, Houghton and Ishpeming Michigan. Famous for his stereoscopic views, “Gems of Lake Superior”, Child’s Art Gallery went on to dominate the portrait business and win many awards. This Glass Negative represents the quality of their art form and I’m pleased to have it in my collection.
Image derived from the original Glass Negative.
60 year old photographic paper used as negative in old camera's
The paper is 1962 Russian Аерофотобумага
Matson Photo Service,, photographer.
[Cedars of Lebanon in snow and skier]
1946 March.
1 negative : safety ; 35 mm.
Notes:
Title devised by Library staff.
Title from photographer's logbook: Matson Registers, v. 2, [1940-1946], misidentifies scene as "Skier rounding a corner at high speed."
Date from: photographer's logbook: Matson Registers, v. 2, [1940-1946].
Negative is a frame from roll of film.
Gift; Episcopal Home; 1978.
Subjects:
Lebanon.
Format: Safety film negatives.
Rights Info: No known restrictions on publication. For information see: "G. Eric and Edith Matson Photograph Collection," hdl.loc.gov/loc.pnp/res.258.mats
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Matson photograph collection (DLC) 2005676184
General information about the G. Eric and Edith Matson Photograph Collection is available at: hdl.loc.gov/loc.pnp/pp.matpc
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/matpc.22635
Call Number: LC-M315- R2-13456-A-25
Bain News Service,, publisher.
Gillham
[no date recorded on caption card]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Bain News Service photograph collection (DLC) 2005682517
General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.38426
Call Number: LC-B2- 6407-1
Reversed process from a print thru PS. Nikon FE2, Nikkor 35-105mm f/3.5-4.5 manual lens, Fujifilm Acros 100
Leica MP
Leica Elmarit 28mm f/2.8 III
Ilford Delta 100
Ars Imago FD 1+59
5 min 45 sec 20°C
Scan from negative film
Guess who didn't watch their step (because they were looking through the viewfinder rather than where they put their feet) and took a tumble down the rocks to the left? Me. That was me. I also focused on protecting the camera rather than breaking my own fall. The camera survived. My ankle, knees and wrist didn't fare as well..
Ramsvikslandet, Sweden (2023).
24th roll of film
Lomography color negative 100
Canon EOS 5
Canon EF 50mm f/1.8 II
Scanned with Plustek Opticfilm 8200i
It's hard to be in a bad mood when you're standing in the spray of a waterfall. These massive water flows are set in some of the most beautiful locations....but it turns out that the spray itself might be what creates those feelings of happiness, not simply their awe inspiring beauty.
Researchers have found that negative ions, like the ones created within the spray of a waterfall, can "boost your energy, relieve stress, and create a more euphoric state of mind overall." The negative ions get in your bloodstream and form a reaction releasing increased levels of the mood chemical serotonin. They are also thought to attach to and kill circulating disease causing pathogens through the electric charge.
So next time you're out in nature, standing next to a thunderous waterfall, stop to breath it in.....literally.
Here, Sarah is getting negatively charged and positively uplifted at the base of Chatterbox Falls. The final section of the larger James Bruce Falls (2755 ft), Chatterbox Falls tumbles 120 feet in spectacular fashion, leaving countless negative ions in its wake.
Image with my Hasselblad 500cm.
Lubitel 2.
Ilford XP2 Super 400 (120) B&W film, cross processed in E6 chemistry (normally C-41 process).
Rated at 400 ISO then pushed by 1 stop in processing.
Not sure what the red colouring in some frames is caused by - light leak maybe?...not sure. The blue cast is from the anti-halation layer, i think? (The water from after the pre-development soak was blue-green).
Processed at home with Tetenal E6 kit.
Bain News Service,, publisher.
[Chief] Bald Eagle on RECRUIT
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.25012
Call Number: LC-B2- 4285-9
For this series I shot a few 35mm rolls of KODAK Tri-X 400 of the model, Kela, then processed those rolls in D76 to use to wrap around her.
Next I shot her with a black backdrop using a Pentax 67 and 400TX for the “Negative”.
I then made contact sheets of the 35mm frames and changed to a white backdrop for the “Positive” using the P67 again.
Film galore!
{positive vibes!}
For Macro Mondays one of the mini VW models that live in my kitchen
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Images may not be copied or used in any way without my written permission.
Negative space is something I use in my general photography, but not in my portraits. I wonder why...