View allAll Photos Tagged negative
8x10 Paper Negative
Testing the 14" Goerz Apochromat Artar
Shot at F16 with 5 flashes from the strobes
Developed with paRodinal 50+1
Brilliant light
everyone sees
illuminated
emphasized
glorified.
Yet why
is it?
That
my eyes
see nothing
but
empty
negative
space?
Oscar's Pizza and Ice Cream
Perkins Road
Baton Rouge, Louisiana
Copyright © G.DelaCruzPhotography. All Rights Reserved.
FUJI NEOPAN100 ACROS.
Self develop: 9"00' in Ilford DD-X 1:4, 20C.
Leica M2.
Carl Zeiss Planar T* 2/50.
Straight negative scan
© Jeff R. Clow
I find the application of a negative parabola software filter to be striking in certain circumstances.....like this one.
The filter converts the original image to an infrared like image and it seems to blur the distinction between photography and art.
The purists may not like it, but I find that the only way to expand one's horizons is to push the boundaries once in awhile.....
TRUMP INAUGURATION DISASTER ZOMBIE 2017: Episode I
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I took this during a family gathering. We had taken over the top floor of a Bar on Montpellier Walk. I liked the sun streaming through the window and it added to the warmth in the room. And as the street is predominately faced with our famous Cotswold stone, the sun bouncing off my side of the street was causing a sort of "honey glow" . So why I hear you ask, have I converted it into negative format?
Well by accident if I'm honest. I often play around with pictures, and more often than not, end up leaving them more or less alone. But this one caught me.
For those of you who have never shot film, this will be lost on you! When I was about 14, I was lucky enough to have a rudimentary darkroom at home. And I taught myself to develop my own B & W film, and print my own photos. I will never forget the feeling of excitement, when the time came to take the developed film out, hold it up to the light and be able to look at the results. So seeing this photo in this format, instantly transported me back 40 odd years. And at my age, that feeling is pretty good!!
OK,
I got you to look at it..!
That was the easy part of the equation.
The harder part of the equation is to elicit an emotional response, to ask you to exit your comfort zone.
Less Is More..!
* The idea behind this image is to expose less information, to allow the imagination to fill in the empty space; the dark spaces on the screen..
* The object of utilizing Negative Space is to reveal a striking visual, using minimal information, but to do it in a way that asks the mind of the viewer to participate in the illusion; to create it's own dream about the information in the image.. Negative Space can help accomplish the task..
* Don't tell the entire story, let the viewer tell their own story about what they see, through the interface of their emotions...
* Let the viewer conjure their own emotions, instead of requiring the viewer to feel something specific..
* Ambiguity with a hint of Specificity in Juxtaposition.
* Let the viewer feel something for themselves, rather than dictating which emotions the viewer should experience..
* Stimulate reaction, but don't dictate the emotion.
* Keep it simple, and let the experience of simplicity be strong.
Art is a stain upon the mind... Let that stain be memorable, emotional and vibrant..
Give the participant something to feel...
Hello everyone! I've gotten a several flickrmails from people asking about what the best kind of film for landscapes might be so I figured I should just go ahead and write a blog post about it here: www.alexburkephoto.com/blog/2013/02/25/color-film-choices...
Also, just so everyone knows, I launched a facebook page a few months ago. You can follow me there to keep updated on blog posts like this one.
Die Schachspieler
Scan from glass negative (9 x 12 cm), minmal image processing.
The picture is not mirrored, even if the label suggest it :-)
Photographed with the plate camera of my grandfather approximately 1925.
My grandfather is sitting right with one of his brothers. None of my living relatives ever saw a positive about …
His camera was stolen by an occupation soldier in the postwar turmoil. Today I still regret that I could not save all glass negatives from him, much was thrown away. Most of all, it hurts me by the fact that I could never get to know him because he died long before I was born ....
Rätsel Weib
Ich lernte sie kennen am Donaustrand,
Wo mancher schon sein Liebchen fand.
Sie lud mich ein zum edlen Schach,
Zu kämpfen um sie im stillen Gemach.
Mit Absicht machte ich mich klein
Und bald stand meine Dame ein.
Sie schlug sie weg, das mußt' ich büßen,
Dann wurde mir die Tür gewiesen.
Man braucht, so sprach sie, einen Mann,
Der seine Dame schützen kann.
Wer dieses aber nicht beachte,
Den sie als Stümper stets erachte!
Das nächstemal kam ich durch Schach
Auf andre Weise nicht zu Fach.
Mich lud dieselbe Dame ein,
Doch diesmal spielte ich sehr fein,
Ich nahm die Dame, die sie setzte,
Als sie den König mir verletzte!
Drauf sprach nun dieses Ungewitter
Der Worte viel und ziemlich bitter:
"Mein Herr, es ist zum Uebelnehmen,
Wie Sie sich heute hier benehmen?!
Nein, solche Männer muß ich hassen,
Die Damen nicht in Frieden lassen.
Hinaus, ich hab es endlich satt!"
Auch diesmal setzte sie mich "matt".
R. Böhmer (Wr. Schachzeitung)
Mystery Woman
I got to know her on the Danube beach,
Where some had already found his darling.
She invited me to a noble chess,
To fight about her in the silent chamber.
I deliberately made myself small
And soon I lost my lady.
She knocked her away, I had to pay,
Then the door was shown to me.
One needs, she said, a man,
Who can protect his lady.
Whoever does not pay attention to this,
Which she always considers a bungler!
The next time I came through chess
In another way, not to compartment.
This same lady invited me,
But this time I played very fine,
I took the lady who she played,
When my king was in check!
This thunderstorm now spoke
The words much and rather bitter:
"Sir, it is the evil,
How do you behave today ?!
Now, I must hate such men,
who not leave the ladies in peace.
Out there, I'm fed up with you! "
This once, too, she put me "mate".
R. Böhmer (Wr. Schachzeitung)
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Press L and then F11 for a large view -
you must absolute fully enjoy this picture!
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Leica M-A, Zeiss ZM 35mm f/2, Kodak Portra 800, scanned from negative with a Plustek 8200i
Instagram: @andorcover
Website: andor.cool
Harris & Ewing, photographer
[Martha Anne Scott Hazard at the National Capital Horse Show 1911, May 4-6. Building in back is Frazee Potomac Laundry, 18th Street and D Street, N.W., Washington, D.C. (NW Corner)]
1911
1 negative : glass ; 5 x 7 in. or smaller
Notes:
Title and other identifying information from source: Flickr Commons project, 2020.
Title and date from unverified caption data received with the Harris & Ewing Collection: Horse shows, unidentified woman.
Gift; Harris & Ewing, Inc., 1955.
Format:
Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Harris & Ewing Photograph Collection (Library of Congress)
General information about the Harris & Ewing Collection is available at hdl.loc.gov/loc.pnp/pp.hec
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/hec.00266
Call Number: LC-H261- 340
Leica M-A, Zeiss ZM 35mm f/2, Kodak Portra 800, scanned from negative with a Plustek 8200i
Instagram: @andorcover
Website: andor.cool
The negative is heavily damaged, mostly due to operator error. I used a 90mm Schneider lens on a Speed Graphic without dipping the front rail out of the way. I had never used a wide angle lens on that camera before, and I didn’t look look carefully enough at the ground glass. I lost about 1/3 of the image to that, and some lens flare in the top right corner. Other than that, it’s not bad. It's tough to get backlit subjects to show shadow detail in film without blowing out the highlights.
Camera: Speed Graphic 4x5
Lens: 90mm Schneider
Film: Ilford Delta 100 developed in Ilfotec HC.
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