View allAll Photos Tagged modulation
Pattern of a dual pendulum swinging a modulated red LED. The modulation is manually controlled through a microcontroller.
photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.
Recording segment for intro to radio class. Learning about voice modulation, inflection, and mic recording techniques. Very valuable lessons learned.
Jimmy Fabbro
BCIT 2016- Broadcast and Online Journalism
OnLine - The Performance, 1st Public General Rehearsal - Heart of Noise Festival 2014 - Opening Performance for artist Ryoji Ikeda - Stadtsaal Innsbruck. Face recognition leaks done with clmtrackr script. Code Modulation by Henner Wöhler. Direction by Bobby Rajesh Malhotra. onlinetheperformance.tumblr.com
photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.
photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.
Pattern of a dual pendulum swinging a modulated green LED. The modulation is manually controlled through a microcontroller.
I made a home-brew speed controller from a schematic I found online. It's based around a 555 timer to drive the motor using pulse width modulation. The speed is adjustable using a potentiometer which sticks up through the top of the project box. Works great except for the 1kHz whine it causes. Oh well, I don't need to run it for very long. The whole thing is powered by a used ATX power supply I picked up at the thrift store for a few dollars.
The optoisolater acts as a barrier between the two circuits (the Arduino and the Dioder power). On the Arduino side, there are four infra-red LEDs that send a beam (like normal LEDs, but IR, and hidden) to the four IR sensors on the other side. These sensors then act as a virtual switch and can be powered on and off thousands of times a second (needed for Pulse Width Modulation). Because of this, the two circuits are not physically connected, and the 12V power from the Dioder's will not affect the 5v components of the Arduino.
OnLine - The Performance - Premiere - Venice Biennale of Architecture 2014 - Fundamentals, Salon d'Armi, Arsenale, opening day, 7th June 2014, Venice, Italy. Face tracking, clmtrackr portrait leaks. Code modulation by Henner Wöhler.
my new head.
Techniqually amazing this fully digital solid state amp has 125 custom pre-set modulation positions (x32 Amp simulations and x16 effects) over 25 x5 banks, at your tippie toes with a dual digital footswitch. Also midi outs/through for home studio P.C. and a crankie Quad Cab (safe in my garage. Behringer Ultra-Stack) that stands it chest height
My first 'Stack' (non-combo beast) owned
photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.
OnLine - The Performance - Premiere - Venice Biennale of Architecture 2014 - Fundamentals, Salon d'Armi, Arsenale, opening day, 7th June 2014, Venice, Italy. Face tracking, clmtrackr portrait leaks. Code modulation by Henner Wöhler.
Connecting line between mouth (VCO/VCF switch) and its left eye (modulation wheel) looks kinda like a headset microphone.
Pattern of a dual pendulum swinging a modulated LED. The LED is an RGB tricolor, and the modulation is manually controlled through a microcontroller.
Does your RF Engineer know why OQPSK modulation delivers less spectral regrowth than BPSK in the same amplifier? How does spectral regrowth impact your bandplan? Call us to find out 970-325-2158x12.
Video HERE
Instructions [BuWizz] or [2.4 GHz]
Purchase Full Kit: [LesDIY] or [LetBricks]
Features:
01. RC Drive 6 x 6. Buggy Motor geared at 17 to 1.
02. RC Steering. PF Servo
03. RC Turntable. PF M Motor with Worm Gear.
04. RC Compressor. PF L Motor driving 2 x 6L Pumps. Dual Air Storage Tanks.
05. RC Pneumatics. PF Servo & Pneumatic Switch assembly.
06. Dampened Crane Arm movements for fine control & modulation.
07. PRV Function to automatically shut off Compressor.
08. Powered by 2 x (Buwizz 2.0) or (2.4GHz Module)
09. Live Axle Suspension Front & (Tandem) Rear.
10. Ackermann Steering Geometry. Positive Caster Angle.
11. Working Cab Steering Wheel.
12. Opening Cab & Crane Doors. Technic Figure compatibility.
13. Fully customizable Crane counterweight compartment (88 cubic studs) for better stability.
14. Disengage drive & steering motors for manual locomotion. Working HOG on roof.
OnLine - The Performance - Premiere - Venice Biennale of Architecture 2014 - Fundamentals, Salon d'Armi, Arsenale, opening day, 7th June 2014, Venice, Italy. Face tracking, clmtrackr portrait leaks. Code modulation by Henner Wöhler.
The afterburner design in the J57 featured an afterburner that was either fully engaged, or shut off. When afterburner was selected, the F-100 would trail a long fireball as a result of excess raw fuel being dumped into the exhaust and ignited.
There was no modulation of afterburner in the F-100.
Today's aircraft engines have advanced to allow the pilot to select "zones" of afterburner.
For example, in the F-14 Tomcat there were five "zones" to choose from, five being "full burner."
With each of the "zones" the engine modulatse fuel flow, exhaust nozzle position and many other things in an attempt to keep the afterburner in operation and not flame the engine out.
photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.
Total view on the guestroom........ I tried to give it an oriental atmosphere
I hope my guest will get a good rest in this place.....
Or will it be "Sleepless in Seattle"..........
photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.