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photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.
Konzert Herbert Grönemyer
MENSCH-Tour
Letzigrund Zürich, 18. Juni 2003
Tages-Anzeiger, 19.6.03:
Eine ehrliche Haut für alle Generationen
Ein Meister der Modulation: Herbert Grönemeyer liess sich und seine Musik im Stadion Letzigrund feiern.
Von Philippe Amrein
Das demografische Grübeln geht bereits lange vor Konzertbeginn los: Woraus setzt sich die grönemeyersche Fangemeinde eigentlich zusammen? Auf seiner aktuellen Tournee «Das Beste von Gestern bis Mensch» spielt er immerhin für ein Publikum von weit über 500 000 Menschen. Nun, es findet sich der leicht angegraute Popliebhaber aus alten «Das Boot»-Tagen neben der gutmütigen Industriekauffrau, der Musikpluralist im abgewetzten «Santana»-Shirt neben dem jugendlichen Fan.
Der Meister kennt sein Publikum. Er schmeisst sich sofort in Stadionrockpose, joggt flott über die ganze Bühnenbreite und schmettert seine schnörkellose Stahlrohrpoesie mit kehliger Stimme ins Stadionrund. Nach zwei Haudrauf-Rocknummern stimmt Grönemeyer eine balladeske Nummer an, bei der ihn sein Saxofonist und ein mehrköpfiges Streicherensemble begleiten. Als auf der Videowand schliesslich ein Fan in Grossaufnahme gezeigt wird, der einen «VFL Bochum»-Schal schwenkt, hebt Herbert sofort zu seiner legendären Zeile an: «Tief im Westen, wo die Sonne versinkt.» Ein erster Höhepunkt, den er mit der Modifikation einer weiteren Zeile nachdrücklich markiert: «Bist keine Weltstadt wie Zürich.» Im Hintergrund werkelt derweil Grönemeyers äusserst versierte Band, die ihn mit modernen Grooves und souveräner Popmusik begleitet, mal stampfend und funky, mal entrückt und besinnlich. Bereits in der ersten Konzerthälfte gleiten sie dann in eine blubbernde Version des letztjährigen Superhits «Mensch». Das gesamte Publikum singt mit, und sofort kriegt man eine ehrliche Gänsehaut, die bis zum Ende des emotional und musikalisch mitreissenden Konzerts anhält. Und dann geht das dermatologische Grübeln los.
Malleable Records show - CSection (Satanized guitarist)- harsh insanely complex metal guitar lines meet csound crunchin’ and squashing. epic power electronics! SNOWSTORM- slicing harmonic feedback bass lines in dead synch w/ heavy, speed thrash drums. on tour for their new 7". Dave Smolen- rhythms are pulled from non-drum machine sources then thrown through various filters/multi-modulation creating heavy liquid beatage.
Amplitude Modulation or AM Radio. I remember laying under the sheets with a little am radio much like this one (though mine was a plain black and had a leather case) late at night, listening to stations from around the world back when the power of these stations was pretty well unregulated and there was enough cloud cover to bounce the signal off of. From my home in Ontario I could listen to stations from Hawaii to South America and occasionally Europe.
This is a 25mm condenser microphone for your home recording studio. Very clear and low priced that matches the audio modulation in TS-850...
Arturia’s MiniLab MkII Mini Hybrid keyboard controller
Arturia’s MiniLab MkII Mini Hybrid keyboard controller combines hands-on control with style and portability, and a cool white finish. Ultracompact, yet loaded with features, with an astonishing 5,000 analog sounds included, MiniLab is at home in the center of any studio.
Bus-Powered Powerhouse
Discover expressive new melodies with 25 velocity-sensitive slim-keys as well as pitch and modulation touch-strip controls. Input rhythms with two banks of velocity sensitive, RGB backlit performance pads, and tweak software with 16 full-size rotary encoders. Factor in the footswitch input and USB bus-power port, and you have a premier mobile keyboard solution.
Software Bundle
The MiniLab MkII comes with a new look as well as a powerful software bundle that includes Analog Lab and Ableton Live Lite. Everything is mapped right out of the box to the most useful controls.
Analog Lab Lite
The power of the features and visual styling are obvious, but sound? Yes, sound. We also include our award-winning Analog Lab Lite software, which gives you over 500 of the best classic synth and keyboard sounds from our award-winning V Collection. Analog synthesizers. Digital synthesizers. Acoustic pianos. Electric pianos. Organs. Strings machines. With the best vintage instrument reproductions on tap, Analog Lab Lite lets you transcend time and style by arming you with everything from the most iconic sounds of the past to modern sound designs that are cutting edge today.
Ableton Live 9 Lite
Live 9 Lite is included and provides a fresh and easy way to write music, record audio, and produce your own songs. Plus, Live is a powerful performance tool for the stage – whether playing solo or in a band. Live 9 Lite is not time-limited and you can save and mix-down your work.
UVI Model D Grand Piano
The UVI model D grand piano is a sample-based instrument that delivers the sound of the Steinway Model D Concert Grand. Deep multi-sampling, precision mastering and advanced scripting provide you with all the warmth, expressiveness and detail of this majestic instrument.
لطلب شراء المنتج و الشحن اتصل بنا على الارقام التالية
☎01006237502
☎01227545903
☎01127214405
☎01095518233
✅ضمان ضد عيوب الصناعه
لو حابب تعرف أكتر عن المنتجات أو تشوف أكتر تقدر تزور موقعنا الرسمي 👇
ومن خلاله تقدر تعمل أوردر يوصلك لحد باب البيت في أسرع وقت أو تشرفنا بفرع الشركة :
217 شارع احمد زكي - المعادي ميدان فايدة كامل امام سنتر الهدي والنور
تقدر تدخل علي صفحاتنا الرسمية علي فيسبوك وتعرف أكتر عن المنتجات من خلال الروابط👇
www.facebook.com/mfmusicalinstrumentsegypt/
طرق الدفع لدينا:
متوفر دفع بالفيزا كارد و الماستر كارد مع ميزة انك تقدر تقسط اي منتج مع البنك الاهلي المصري بدون فوائد لمدة 6 شهور
و خدمة QR و المحفظة الذكية و فودافون و اورانج كاش
هدفنا: الثقة - التميز - الأبداع - العمل علي راحة العميل
The new frontiers of nanobioengineering and nanomedicine involve convergence of nanotechnology with fundamental physical and chemical sciences, engineering and medicine to produce breakthrough approaches for meeting healthcare challenges, such as cancer, neurological disorders, infectious diseases, age-related diseases, addiction, chronic pain, depression and obesity. Engineered nanoplatforms can now be developed for carrying various payloads for new, minimally invasive medical procedures, targeted delivery of multiple therapeutics, enhanced efficacy of existing treatments, and real-time monitoring of disease treatment. This presentation will describe our work on multifunctional polymeric, inorganic and hybrid heterostructured nanoparticles and nanostructures containing multiple imaging (linear and nonlinear optical, photoacoustic, magnetic, radiation, SPECT, PET) and sensing probes. Coupled with targeting capability and therapeutic and genetic payloads, these nanoplatforms provide targeted combined diagnostics and therapy. A major focus of our research is on light-based biotechnology (biophotonics). We have developed optical nanotransformers, which, on demand, convert incident photons in-situ to another wavelength suitable for deep tissue imaging or for affecting a therapy. A new direction for us is brain research and neurophotonics for functional mapping and modulation of brain activities. The talk will end with a discussion of new multidisciplinary opportunities and challenges to overcome.
Group 1_
Cynthia Castillo, Moises Talavera, Amir Hanna, Guillermo Perez, Osvaldo Andrade
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Modulation and Demodulation Trainer Kits provides a basic understanding of the concepts behind code division multiple access (CDMA), and various parameters that need to be considered in the design of a DSSS system..visit www.falconindia.biz
OnLine - The Performance, 1st Public General Rehearsal - Heart of Noise Festival 2014 - Opening Performance for artist Ryoji Ikeda - Stadtsaal Innsbruck. Face recognition leaks done with clmtrackr script. Code Modulation by Henner Wöhler. Direction by Bobby Rajesh Malhotra. onlinetheperformance.tumblr.com
Jonathan Saunders' wordmark doesn't stand up to typographic scrutiny. Irregular widths, terrible spacing, incorrect modulation and ill-conceived proportions make the overall effect very amateurish.
Bruno recreated and refined the wordmark (the second line) and offered his new version for free, but never heard back.
Free to use but please credit with a link to www.guitarchalk.com/
Foxpedal's The Wave is a delay, reverb, and modulation combo with an emphasis on vintage, tape delay.
Interior is a mix of analog circuits with digital control.
photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.
I was very impressed by another Photographers work.Taking a simple (usually overlooked) subject like weeds and producing mesmerizing images. for the real deal check out Wave of Modulation's work.
Dr. Pietro Patimisco, University of Bari, Italy, and currently a member of the Rice Laser Science Group, SST104 presenting his talk entitled “Pure amplitude and wavelength modulation spectroscopy for detection of N2O using a three-sections quantum cascade laser”.
photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.
The Search Receiver was used on Aircraft and Naval Vessels. When supplied with all tuning units the system was used to determine the presence and measure the frequency of any radar or radio signals within the frequency range of 38 - 4000 Mc/s, determine what modulation may be present on these signals, give an indication of the relative field strength of these signals and monitor a transmiter.
The equipment was first used in 1944 as APR4, using octal tubes and acorns, but over the years the equipment was modernized, using miniature tubes (APR4Y) and a multi-band tuning head (CV253/ALR) the APR4Y had reached U.S. disposal sources by 1965. The APR4 utilized a 115/80v AC supply at 60-2000 cycles and also required 28vdc at 900ma to drive the tuning head motor, the APR4Y required 115vac at 380-1000 cycles as well as 28vdc. The Receivers are improvements on the former APR1 (Air Force) and RDO (Navy) Receivers. Plug in tuning units were used to cover the wide frequency range used, TN-16 38-95MHz, TN-17 74-320MHz, TN-18 300-1000MHz, TN-19 975-2200 MHz and TN-54 2150-4000MHz (a later unit CV253/ALR covers 38-1000MHz)
The main Receiver features a 30MHz IF channel, with provision for wide or narrow passband. There is provision for panoramic and video outputs for signal analysis. A BFO is provided for weak carrier detection and CW. The set has a calibrated IF gain control. High (8000 ohm) and low (600 ohm) audio outputs are provided. The APR4 has AM and CW detectors, while the APR4Y also demodulates FM.
RAF Bawdsey Radar Trust, Transmitter Block Museum.
The Transmitter Block is now a Grade II Listed Building and one of several structures on the former site of RAF Bawdsey that formed the first Operational Radar Station in the world, playing a vital role in the Defence of Great Britain during World War Two. First completed in 1939, the brick-faced Transmitter Block housed Electronic Equipment that sent the Radar Signal out through four 328ft tall Masts, their massive concrete bases are still visible.
The Transmitter Block fell into disuse during the 1970's and steady deterioration led to it being placed on the ‘Buildings at Risk Register’. Freeland Rees Roberts was appointed in March 2014 as Architects for the restoration and, with assistance from the HLF and Historic England, the building has now been completely restored. Inside a new interactive exhibition tracing the history of Radar was opened to the public in September 2017.
Extensive repairs were needed to the surrounding concrete Blast Walls using advanced techniques that will prevent further corrosion of the reinforcement, after careful patching and cleaning, the whole surface was coated with a clear microporous coating that reveals the colour and board-marked finish of the original concrete. This was followed by reinstatement of the Earth Revetments on two sides (the other Blast Walls have been left exposed) the flat concrete roof was completely removed and then replaced with a layer of insulation and a new waterproof membrane. A brick incinerator chimney thought to date from the Cold War Era was in poor condition and rebuilt in matching materials.
A new accessible lavatory block for visitors was prefabricated, clad in Corten steel and lowered into position between two of the Blast Walls, the air source heat pump has a similar enclosure. Internal and external decorations have been carefully matched to the original colours, leaving some of the original finishes and fittings visible. A new exhibition has been installed by PLB telling the fascinating story of Radar in all its detail and the building has now been re-opened to the public
In 2018 the project received a commendation from the RIBA Suffolk Craftsmanship Awards for Restoration and the project also won the 2019 Civic Trust AABC Conservation Award.
Art Institute of Chicago, Grant Park, Chicago, IL
Georgia O'Keeffe (1887–1986)
Cow's Skull with Calico Roses
1931
Oil on canvas
"In 1930 Georgia O’Keeffe witnessed a drought in the Southwest that resulted in the starvation of many animals, whose skeletons littered the landscape. She was fascinated by these bones and shipped a number of them back to New York City. She later wrote, 'To me they are as beautiful as anything I know. To me they are strangely more living than the animals walking around.... The bones seem to cut more sharply to the center of something that is keenly alive on the desert even tho’ it is vast and empty and untouchable—and knows no kindness with all its beauty.' The bones provided her with interesting shapes and textures, and she painted them frequently, intrigued as much by their symbolism as by their formal potential.
In Cow’s Skull with Calico Roses, O’Keeffe decorated the skull with artificial flowers, the kind used to adorn graves in New Mexico. Tucked against the ear and the jaw, the flowers appear less morbid than simply decorative—a whimsical addition that relies on the soft, ruffled petals to alleviate the hard, polished severity of the skull. O’Keeffe then exquisitely balanced the subtle modulations of the white and gray tones of the skull and flowers with a bold vertical streak of dark brown that irregularly bisects the composition. With the skull positioned against a muted, layered ground in close proximity to the picture plane, the composition conveys a sense of the organic yet abstracted beauty typical of O’Keeffe’s art." source)
Freeman says that b/w “allows more expression in the modulation of tone, in conveying texture, the modeling of form, and defining shape”. I really like how the left side of the fence is darker than the right side, as well as how the structure comes to a angled point.
I love how the contrasted differences and textured turn out.
For this I actually started with a very dim black and white filter--looking at all the colors-- and then deciding what needed more.