View allAll Photos Tagged modulation
(from vintagesynthexplorer.com)
The TG-33 sound module is a slightly enhanced key-less version of the SY-22. It is a digital synthesizer that employs frequency modulation (FM) synthesis combined with low-fi (12-bit) ROM samples. However, this machine is not low quality (especially for the electronica-oriented musician). Its preset sounds are a bit thin, however using the joystick controller you can manipulate and combine the 12-bit samples with the any of the 256 FM vector voices. This gives it a range of tone and sound that is as dynamic and mysterious as other vector synths such as the Korg Wavestation and ProphetVS.
Also available is a drum kit, effects, 8 part multitimbrality for layering sounds and 32 note polyphony! Definitely a powerful little beast that can create pretty nice sounds with lots of motion and character. With its wide range of sonic possibility, the TG-33 has what it takes to create unique sounds that will keep you and you're music sounding a little different from the rest!
Wanna buy it? Call or e-mail Damian at:
On Stage Services
616.735.9049 ext. 205
or
dmaster@onstageservices.com
Konzert Herbert Grönemyer
MENSCH-Tour
Letzigrund Zürich, 18. Juni 2003
Tages-Anzeiger, 19.6.03:
Eine ehrliche Haut für alle Generationen
Ein Meister der Modulation: Herbert Grönemeyer liess sich und seine Musik im Stadion Letzigrund feiern.
Von Philippe Amrein
Das demografische Grübeln geht bereits lange vor Konzertbeginn los: Woraus setzt sich die grönemeyersche Fangemeinde eigentlich zusammen? Auf seiner aktuellen Tournee «Das Beste von Gestern bis Mensch» spielt er immerhin für ein Publikum von weit über 500 000 Menschen. Nun, es findet sich der leicht angegraute Popliebhaber aus alten «Das Boot»-Tagen neben der gutmütigen Industriekauffrau, der Musikpluralist im abgewetzten «Santana»-Shirt neben dem jugendlichen Fan.
Der Meister kennt sein Publikum. Er schmeisst sich sofort in Stadionrockpose, joggt flott über die ganze Bühnenbreite und schmettert seine schnörkellose Stahlrohrpoesie mit kehliger Stimme ins Stadionrund. Nach zwei Haudrauf-Rocknummern stimmt Grönemeyer eine balladeske Nummer an, bei der ihn sein Saxofonist und ein mehrköpfiges Streicherensemble begleiten. Als auf der Videowand schliesslich ein Fan in Grossaufnahme gezeigt wird, der einen «VFL Bochum»-Schal schwenkt, hebt Herbert sofort zu seiner legendären Zeile an: «Tief im Westen, wo die Sonne versinkt.» Ein erster Höhepunkt, den er mit der Modifikation einer weiteren Zeile nachdrücklich markiert: «Bist keine Weltstadt wie Zürich.» Im Hintergrund werkelt derweil Grönemeyers äusserst versierte Band, die ihn mit modernen Grooves und souveräner Popmusik begleitet, mal stampfend und funky, mal entrückt und besinnlich. Bereits in der ersten Konzerthälfte gleiten sie dann in eine blubbernde Version des letztjährigen Superhits «Mensch». Das gesamte Publikum singt mit, und sofort kriegt man eine ehrliche Gänsehaut, die bis zum Ende des emotional und musikalisch mitreissenden Konzerts anhält. Und dann geht das dermatologische Grübeln los.
www.youtube.com/watch?v=m2Ttu8iTGyg
signal path: circuit bent alesis quadrasynth into moog mf-102 followed by spunkytoofers rabbit hole delay the demo starts with a dry track from the bent quadrasynth and mixes fx in manually. the sine lfo on the ring modulator is gradually mixed in depth through the demo.
spunkytoofers wavescaper: circuit bent alesis modular synthesizer is controlling overall sample rate of the synth, the mf 102, and the rabbit hole delay pedal. control modulation information is coming from the midi out of the dsi evolver merged with the thru out ffrom the alesis and ewi4000s.. dsi is sending evolving sequences to mf 102 and the rabbit hole delay while global tempo is maintained on tap tempo. the ewi is controlling the synth itself as well as sample rate on breath, while keyed pitch is tracked to the rabbit hole for more variance in delay modulation.
midi circuitry is by highlyliquid, precision oscillators by getlofi, and in this demo a circuit bent patch off the patchman s4 plus bank moviestrings2
soundcloud.com/spunkytoofers/circuit-bent-alesis-quadrasynth
the above audio track features just the sounds of the quadrasynth itself and it's bent interface is being modulated in realtime with an akai ewi4000s wind controller merged with several different evolving layered sequences being played by the dave smith evolver.
all sounds from are from quadrasynth recorded direct with effects being handled directly by the quadrasynth's effect chain
Konzert Herbert Grönemyer
MENSCH-Tour
Letzigrund Zürich, 18. Juni 2003
Tages-Anzeiger, 19.6.03:
Eine ehrliche Haut für alle Generationen
Ein Meister der Modulation: Herbert Grönemeyer liess sich und seine Musik im Stadion Letzigrund feiern.
Von Philippe Amrein
Das demografische Grübeln geht bereits lange vor Konzertbeginn los: Woraus setzt sich die grönemeyersche Fangemeinde eigentlich zusammen? Auf seiner aktuellen Tournee «Das Beste von Gestern bis Mensch» spielt er immerhin für ein Publikum von weit über 500 000 Menschen. Nun, es findet sich der leicht angegraute Popliebhaber aus alten «Das Boot»-Tagen neben der gutmütigen Industriekauffrau, der Musikpluralist im abgewetzten «Santana»-Shirt neben dem jugendlichen Fan.
Der Meister kennt sein Publikum. Er schmeisst sich sofort in Stadionrockpose, joggt flott über die ganze Bühnenbreite und schmettert seine schnörkellose Stahlrohrpoesie mit kehliger Stimme ins Stadionrund. Nach zwei Haudrauf-Rocknummern stimmt Grönemeyer eine balladeske Nummer an, bei der ihn sein Saxofonist und ein mehrköpfiges Streicherensemble begleiten. Als auf der Videowand schliesslich ein Fan in Grossaufnahme gezeigt wird, der einen «VFL Bochum»-Schal schwenkt, hebt Herbert sofort zu seiner legendären Zeile an: «Tief im Westen, wo die Sonne versinkt.» Ein erster Höhepunkt, den er mit der Modifikation einer weiteren Zeile nachdrücklich markiert: «Bist keine Weltstadt wie Zürich.» Im Hintergrund werkelt derweil Grönemeyers äusserst versierte Band, die ihn mit modernen Grooves und souveräner Popmusik begleitet, mal stampfend und funky, mal entrückt und besinnlich. Bereits in der ersten Konzerthälfte gleiten sie dann in eine blubbernde Version des letztjährigen Superhits «Mensch». Das gesamte Publikum singt mit, und sofort kriegt man eine ehrliche Gänsehaut, die bis zum Ende des emotional und musikalisch mitreissenden Konzerts anhält. Und dann geht das dermatologische Grübeln los.
Group 1_
Cynthia Castillo, Moises Talavera, Amir Hanna, Guillermo Perez, Osvaldo Andrade
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Inspired my Martin Majoor’s lecture (http://www.typoberlin.de/video/index.php?node_id=9&lang_id=1&ds_target_id=836), I took the skeleton from the serif & drew a very rough sans. Stroke modulation is all over the place, but interesting. I doubt that I’ll ever do anything with it, but...
OnLine - The Performance, 1st Public General Rehearsal - Heart of Noise Festival 2014 - Opening Performance for artist Ryoji Ikeda - Stadtsaal Innsbruck. Face recognition leaks done with clmtrackr script. Code Modulation by Henner Wöhler. Direction by Bobby Rajesh Malhotra. onlinetheperformance.tumblr.com
Free to use but please credit with a link to www.guitarchalk.com/
Foxpedal's The Wave is a delay, reverb, and modulation combo with an emphasis on vintage, tape delay.
Interior is a mix of analog circuits with digital control.
Kate Beck
Modulation , 2010
Graphite of paper on aluminum
12 x 12 inches
PG# KB.0016
Pelavin Gallery is proud to announce a solo exhibition of recent work by American artist, Kate Beck. This show will include large scale poured oil paintings and graphite drawings on aluminum panel. This will be Beck’s first solo exhibition at the gallery, and in New York City.
In this new body of work, Beck continues her engagement with repetitive tonal rendering as a means of interaction between light and shadow, human thought and consciousness, and the dynamic architectonics of space. This time she takes the essence of form further by using aluminum substrates, allowing modulating marks of graphite and poured oil to accumulate and shift amidst the confines of the geometric shapes. Tension oscillates between formalistic geometry and existential space; an allusion to thought and consciousness, and the passage of time.
For more information, please visit pelavingallery.com
Konzert Herbert Grönemyer
MENSCH-Tour
Letzigrund Zürich, 18. Juni 2003
Tages-Anzeiger, 19.6.03:
Eine ehrliche Haut für alle Generationen
Ein Meister der Modulation: Herbert Grönemeyer liess sich und seine Musik im Stadion Letzigrund feiern.
Von Philippe Amrein
Das demografische Grübeln geht bereits lange vor Konzertbeginn los: Woraus setzt sich die grönemeyersche Fangemeinde eigentlich zusammen? Auf seiner aktuellen Tournee «Das Beste von Gestern bis Mensch» spielt er immerhin für ein Publikum von weit über 500 000 Menschen. Nun, es findet sich der leicht angegraute Popliebhaber aus alten «Das Boot»-Tagen neben der gutmütigen Industriekauffrau, der Musikpluralist im abgewetzten «Santana»-Shirt neben dem jugendlichen Fan.
Der Meister kennt sein Publikum. Er schmeisst sich sofort in Stadionrockpose, joggt flott über die ganze Bühnenbreite und schmettert seine schnörkellose Stahlrohrpoesie mit kehliger Stimme ins Stadionrund. Nach zwei Haudrauf-Rocknummern stimmt Grönemeyer eine balladeske Nummer an, bei der ihn sein Saxofonist und ein mehrköpfiges Streicherensemble begleiten. Als auf der Videowand schliesslich ein Fan in Grossaufnahme gezeigt wird, der einen «VFL Bochum»-Schal schwenkt, hebt Herbert sofort zu seiner legendären Zeile an: «Tief im Westen, wo die Sonne versinkt.» Ein erster Höhepunkt, den er mit der Modifikation einer weiteren Zeile nachdrücklich markiert: «Bist keine Weltstadt wie Zürich.» Im Hintergrund werkelt derweil Grönemeyers äusserst versierte Band, die ihn mit modernen Grooves und souveräner Popmusik begleitet, mal stampfend und funky, mal entrückt und besinnlich. Bereits in der ersten Konzerthälfte gleiten sie dann in eine blubbernde Version des letztjährigen Superhits «Mensch». Das gesamte Publikum singt mit, und sofort kriegt man eine ehrliche Gänsehaut, die bis zum Ende des emotional und musikalisch mitreissenden Konzerts anhält. Und dann geht das dermatologische Grübeln los.
Konzert Herbert Grönemyer
MENSCH-Tour
Letzigrund Zürich, 18. Juni 2003
Tages-Anzeiger, 19.6.03:
Eine ehrliche Haut für alle Generationen
Ein Meister der Modulation: Herbert Grönemeyer liess sich und seine Musik im Stadion Letzigrund feiern.
Von Philippe Amrein
Das demografische Grübeln geht bereits lange vor Konzertbeginn los: Woraus setzt sich die grönemeyersche Fangemeinde eigentlich zusammen? Auf seiner aktuellen Tournee «Das Beste von Gestern bis Mensch» spielt er immerhin für ein Publikum von weit über 500 000 Menschen. Nun, es findet sich der leicht angegraute Popliebhaber aus alten «Das Boot»-Tagen neben der gutmütigen Industriekauffrau, der Musikpluralist im abgewetzten «Santana»-Shirt neben dem jugendlichen Fan.
Der Meister kennt sein Publikum. Er schmeisst sich sofort in Stadionrockpose, joggt flott über die ganze Bühnenbreite und schmettert seine schnörkellose Stahlrohrpoesie mit kehliger Stimme ins Stadionrund. Nach zwei Haudrauf-Rocknummern stimmt Grönemeyer eine balladeske Nummer an, bei der ihn sein Saxofonist und ein mehrköpfiges Streicherensemble begleiten. Als auf der Videowand schliesslich ein Fan in Grossaufnahme gezeigt wird, der einen «VFL Bochum»-Schal schwenkt, hebt Herbert sofort zu seiner legendären Zeile an: «Tief im Westen, wo die Sonne versinkt.» Ein erster Höhepunkt, den er mit der Modifikation einer weiteren Zeile nachdrücklich markiert: «Bist keine Weltstadt wie Zürich.» Im Hintergrund werkelt derweil Grönemeyers äusserst versierte Band, die ihn mit modernen Grooves und souveräner Popmusik begleitet, mal stampfend und funky, mal entrückt und besinnlich. Bereits in der ersten Konzerthälfte gleiten sie dann in eine blubbernde Version des letztjährigen Superhits «Mensch». Das gesamte Publikum singt mit, und sofort kriegt man eine ehrliche Gänsehaut, die bis zum Ende des emotional und musikalisch mitreissenden Konzerts anhält. Und dann geht das dermatologische Grübeln los.
Bow legs and knock knees are normally seen in certain phases of life. But it needs to rule out the disease condition associated with it. Braces and shoes do not help much in these conditions. There is a modern treatment available like hemiepiphysiodesis (growth modulation) by 8 plate for these disorders. The Kids Orthopaedics specialist Dr. Soumya Paik provides advanced treatment facilities by hiring a team of highly experienced and qualified doctors and his staffs. Make an appointment today with us.
Konzert Herbert Grönemyer
MENSCH-Tour
Letzigrund Zürich, 18. Juni 2003
Tages-Anzeiger, 19.6.03:
Eine ehrliche Haut für alle Generationen
Ein Meister der Modulation: Herbert Grönemeyer liess sich und seine Musik im Stadion Letzigrund feiern.
Von Philippe Amrein
Das demografische Grübeln geht bereits lange vor Konzertbeginn los: Woraus setzt sich die grönemeyersche Fangemeinde eigentlich zusammen? Auf seiner aktuellen Tournee «Das Beste von Gestern bis Mensch» spielt er immerhin für ein Publikum von weit über 500 000 Menschen. Nun, es findet sich der leicht angegraute Popliebhaber aus alten «Das Boot»-Tagen neben der gutmütigen Industriekauffrau, der Musikpluralist im abgewetzten «Santana»-Shirt neben dem jugendlichen Fan.
Der Meister kennt sein Publikum. Er schmeisst sich sofort in Stadionrockpose, joggt flott über die ganze Bühnenbreite und schmettert seine schnörkellose Stahlrohrpoesie mit kehliger Stimme ins Stadionrund. Nach zwei Haudrauf-Rocknummern stimmt Grönemeyer eine balladeske Nummer an, bei der ihn sein Saxofonist und ein mehrköpfiges Streicherensemble begleiten. Als auf der Videowand schliesslich ein Fan in Grossaufnahme gezeigt wird, der einen «VFL Bochum»-Schal schwenkt, hebt Herbert sofort zu seiner legendären Zeile an: «Tief im Westen, wo die Sonne versinkt.» Ein erster Höhepunkt, den er mit der Modifikation einer weiteren Zeile nachdrücklich markiert: «Bist keine Weltstadt wie Zürich.» Im Hintergrund werkelt derweil Grönemeyers äusserst versierte Band, die ihn mit modernen Grooves und souveräner Popmusik begleitet, mal stampfend und funky, mal entrückt und besinnlich. Bereits in der ersten Konzerthälfte gleiten sie dann in eine blubbernde Version des letztjährigen Superhits «Mensch». Das gesamte Publikum singt mit, und sofort kriegt man eine ehrliche Gänsehaut, die bis zum Ende des emotional und musikalisch mitreissenden Konzerts anhält. Und dann geht das dermatologische Grübeln los.
OnLine - The Performance - Premiere - Venice Biennale of Architecture 2014 - Fundamentals, Salon d'Armi, Arsenale, opening day, 7th June 2014, Venice, Italy. Face tracking, clmtrackr portrait leaks. Code modulation by Henner Wöhler.
OnLine - The Performance - Premiere - Venice Biennale of Architecture 2014 - Fundamentals, Salon d'Armi, Arsenale, opening day, 7th June 2014, Venice, Italy. Face tracking, clmtrackr portrait leaks. Code modulation by Henner Wöhler.
Demetrio Ribes designed this modernist construction in 1917 in line with the ‘Secesión Vienesa’ tendency. The style is homogeneous and unique. The interior and exterior decoration is a tribute to the importance of the Valencian orange trade. The façade exhibits a gothic influence in terms of its symmetry and modulation.
www.adif.es/en_US/ocio_y_cultura/estaciones_historicas/es...
edo paulus showed his beambot and dirk van oosterbosch showed the difference between pulse-modulation and bitangel-modulation.
niels wolf and julia mueller presented their circuit (osc+threshold switch+amp) at the gallery.
A recount of the events of the night 8th–9th May 1942, when an intended raid on Norwich, by the Luftwaffe, was diverted away from the city by decoys and fires. In the confusion Stoke Holy Cross, Caistor St. Edmund and Poringland bore the brunt of the attack. This was one night during the ''Baedeker'' raids period.
On this night 80 Wing, the R.A.F. Counter-measures Unit were able to hear the 'Supersonic modulation' signals being imposed over the ordinary 'X'-Beams on their remodified equipment, thus allowed to put the 'Supersonic jamming' into use, use the local decoy sites to full effect, with the result the Pathfinder aircraft taken unawares were unable to effectively locate and mark, the intended target in Norwich.
The parachute flares dropped outside the City boundary, 'J' Group report ''Over Upper Stoke'' resulting in the attack developing over the Poringland Stoke Holy Cross, Caistor St.Edmund area; only 2 HE bombs actually fell on Norwich, both on the Woodlands Hospital Boiler House, causing considerable damage.
The balloon barrage was raised to 3,500ft at the onset, thus preventing any low passes attempting to locate the target, or dive bombing. This was an extremely lucky escape for Norwich, the more so because for the first time during the Baedeker series against the City parachute mines were being carried. 37 night fighters were airborne in an attempt to repel the attackers.
From the 'J' Group Log Book.
At 00:56hrs flares dropped over Upper Stoke, and intensive gunfire from Norwich and local guns; immediately followed by fall of bombs (Incendiary and HE), and a continuous and heavy dive bombing attack, covering all parishes within Group 'J', and surrounding villages. Communication by telephone found impossible, all lines down, attack continued until 01:35hrs and then slackened and ceased.
Communication with sectors 'J' 2. & 'J' 3. only by messenger service. Attached report sent over land phone from a gun position, and a further copy of it by volunteer messenger to Norwich for transmission by telephone to Wymondham Control. Casualties attended to, and persons bombed out found temporary accommodation.
At dawn, approx 05:15hrs, search made for all Ux-B's, and report of same sent by Foreman N.C.C. working party and messenger (Warden Thurston) to A.R.P. Divisional Officer, Tombland.
Fire at Howard's Farm, Stoke dealt with by local fire brigade. Local ambulance and First Aid Party on duty at first aid point.
One person (Mrs Easter of Norwich) killed by shrapnel wound at Rest Centre (Poringland Parish Hall). Mr Page (wounds dressed & despatched in ambulance to N.& N. Hospital) & Miss Johnson, both of Oak Avenue, Poringland, cut by glass & only casualties. Miss Johnson had wounds attended to and kept in First Aid Post.
Mrs Spruce, Octagon House, Bixley taken to ''Woodlands'' Hospital, Norwich by military, died next day.
At dawn approx 05.15 hrs search made for all U.X.B's & report of same sent by Foreman N.C.C. working party and messenger (Warden Thurston) Lo A.R.P. Divisional Officer. Tombland.
U.X.B.'s caused closing of following roads:
1. Poringland Street. Poringland Church to Railway P.H. at 5 cross ways.
2. Long Road, Framingham Earl, Rectory Lane to 5 cross ways at school.
3. Main Loddon Road, ''The Slads'' to Gull P.H.
4. Brickle Road (Upper Stoke), Nudists camp to 4 cross roads.
5. Lane from R.A.F. 'R' Station to Kennels Highfields) S.H.C. also Caistor Lane blocked by fallen tree in Caistor parish & Group.
One enemy plane (a Dornier) brought down & burst in flames as per report attached.
Plan of bombs fallen in Group J. also attached.
signed G.L.C.
D0217 AT WEST PORINGLAND ON 9th MAY, 1942
''ONE SOURCE OF INFORMATION GIVES THE TIME OF THE CRASH AS 0130 HOURS, AND THE LOCATION AS ABBOTS FARM, EAST PORINGLAND. NO DOUBT YOUR KNOWLEDGE OF THE AREA CAN CORRECT THIS (! B.C.) THE a/c APPARENTLY STRUCK A BALLOON CABLE AT A HEIGHT OF 3,500 FT, AND THEN DIVED TO A LOW ALTITUDE. REPORT STATED THAT IT PASSED OVER AN RAF STATION* (LOCATION NOT GIVEN) AND WAS ENGAGED BY LIGHT A.A. FIRE PROBABLY BOFORS. THE GUNNERS CONCERNED STATED THAT TRACER BULLETS WERE SEEN ENTERING THE FUSELAGE, SO THIS MAY HAVE INDICATED L (LEWIS B.C.) MG FIRE AS WELL. IT CRASHED IN A SHALLOW DIVE AND BURST INTO FLAMES ON IMPACT. THE COMPLETE COCKPIT AND WINGS OUT TO THE ENGINES WERE DESTROYED, BUT ABOUT 15 FT. OF THE REAR OF THE FUSELAGE COMPLETE WITH TAIL-UNIT AND ABOUT 12 FT. OF ONE OF THE WINGS WERE LEFT IN REASONABLY INTACT CONDITION. ONE INTERESTING POINT WAS THAT THERE WERE SEVERAL GASHES IN THE TAIL WHICH MIGHT HAVE BEEN CAUSED BY ANTI-AIRCRAFT SPLINTERS.**
THE FUSELAGE MARKING WAS U5+EH, REPEATED ON THE OUTSIDE OF EACH FIN IN WHITE LETTERS, 7 INCHES HIGH. THIS CONFIRMS THE AIRCRAFT'S UNIT AS 1/KG.2. VARIOUS MANUFACTURER'S PLATES RECOVERED SHOWED THE TYPE AS DORNIER WERKE TYPE E2 (DO 217 E-2) BUT ONE PIECE OF PLATING GAVE TYPE E4. THE WERK-NR. APPEARED TO BE 375, AS THIS NUMBER WAS FOUND STENCILLED IN SEVERAL PLACES INSIDE THE FUSELAGE.
ARMS AND ARMAMENT: TRACES WERE FOUND OF A POWERED TURRET (00217 E2) PLUS THE REMAINS OF ONE 13mm. MG 131 AND ONE 7.9mm MG15 HAD BEEN THROWN CLEAR OF THE WRECKAGE. A FURTHER MG 131 WAS FOUND IN THE REMAINS OF THE NOSE/COCKPIT AREA, PROBABLY REPLACING THE 20mm OERLIKON FF CANNON PREVIOUSLY FOUND IN D0217 AIRCRAFT. FINALLY IN ADDITION TO NORMAL INTERNAL BOMB STOWAGE (2 x 1,000kg and 2 x 500kg) 3 EXTERNAL 500/X11 CARRIERS WERE FOUND, A FOURTH PROBABLY BEING DESTROYED. THIS WAS THE FIRST TIME EXTERNAL RACKS HAD BEEN FOUND ON A CRASHED D0217, ALTHOUGH IT WAS KNOWN THAT STRONG POINTS FOR EXTERNAL CARRIERS EXISTED. THE REMAINS OF A BZA 1 DIVE-BOMBING SIGHT WERE ALSO FOUND.
YOU ARE CORRECT IN STATING THAT ONLY THREE BODIES WERE FOUND, ALTHOUGH A FOURTH CREW MEMBER WAS PROBABLY CARRIED.***
* Almost certainly this means the STOKE C.H. radar Station.
** Probably from the heavy 3.7-inch gun sites in the City.
*** The inference is that the fourth crew-member was burned to ashes possibly in the ventral gun position.
Memories of the Stoke Holy Cross 1942 Air Raid. Recorded by Derek Bales in June 2018.
My vivid memory of the very heavy air raid on Stoke Holy Cross district on the night of 8th May 1942.
Following an air raid alert the family were sheltering under a large oak table in the living room, about half an hour into the raid which began just before 1am our windows were breaking and ceilings falling, my father who had served in the First World War thought the house could collapse on us so decided to make for a small meadow we owned situated 200 yards south of our farmhouse, his decision was based on the fact that in 1939 an army TA unit had used the meadow for a brief period and in so doing had dug some deep holes which remained unfilled, father hoped these grave size holes would afford us some protection.
Making this perilous journey was my father Herbert aged 46, mother Kate 43, brother Dennis 14, myself 8 & sister Mary 6, our oldest sister Gwen 20 was on duty with the auxiliary fire service. Every time we heard the whistle of a falling bomb father would lie on top of me, and mother on top of Mary.
We were only some 30 yards from the house when we first had to drop flat, as we got to our feet I saw tracers from a nearby bofors gun heading skyward and at the same time observed a plane with traces of flickering flames. I learned later that this was almost certainly the Dornier which had seconds earlier collided with a balloon cable. The bomber crashed in Poringland soon after.
We had to lie flat a number of times whilst making the 200 yard journey with at times shrapnel cutting through the tall hedge beside us, incidentally shrapnel is still being found at the site. After reaching the safety of one of the open holes we stayed put until the all clear sounded.
Within seconds of the all clear Mr. Barnard who lived in a house nearby called out ''is everybody alright'' soon after any people assembled at the Froude family home nearby.
Daybreak revealed that just 100 yards from where we had been sheltering 3 bungalows had been destroyed, debris from a Mr Keens car had been blasted some 60 yards into the Froudes back garden, Mr Froude, Mr Barnard and my father were attempting to put out burning car tyres, Father tied a scarf around his face to try to keep out the toxic fumes.
Four HE bombs fell on our 29 acre farm leaving our house stripped of roof tiles in addition to the other damage.
The following morning I ventured into one of the bomb craters, the blast from this had scorched an area of emerging swede crop, on the surface of the same field I found an incendiary bomb which I reported to father.
The Stoke radar receiving station was less than 200 yards from our house, whilst walking the perimeter fence I observed some machine gun damage to the metal fence and have a vague memory of some downed fencing. Just yards from the NE corner of the radar R site was a dry pit which incendiaries had set ablaze early in the raid, I still remember the smell of burning bracken and also seeing some incinerated rabbits.
Three of the bombs that fell on our land were each recorded as 250kg the other bomb was 500kg, however 2 of the 250kg left only smallish craters (about 4ft deep) this suggests they were fitted with Karf rings, a band fitted around the waist of the bomb to prevent deep penetration and so cause more surface damage.
The Dornier 217 E-4's lost crew:
Lost their Iives on the 9th of May 1942 after a crash landing.
▪︎Albert Otterbach – L-R Unteroffizier (junior non-commissioned officer) Luftwaffe.
▪︎Rudolf Bucksch – Oberfeldwebel (senior Non-Commissioned Officer)
▪︎Wener Böllert – Oberleutnant (First Lieutenant)
▪︎Mathias Speuser – Unteroffizier ( junior non-commissioned officer)
''L'' for Luftflotte and ''R'' for RLM (Air Ministry)
L (Luftflotte): This was the largest operational and administrative unit in the Luftwaffe. It translates to ''Air Fleet'' for example, Luftflotte 2 operated primarily in the Mediterranean and Western Europe.
''R'' (RLM): This stands for the Reichsluftfahrtministerium (Reich Aviation Ministry), which controlled all aspects of aviation in Nazi Germany. You will also see Ob.d.L. which means Oberbefehlshaber der Luftwaffe (Commander-in-Chief of the Air Force).
sites.google.com/poringlandarchive.co.uk/poringland-archi...
OnLine - The Performance - Premiere - Venice Biennale of Architecture 2014 - Fundamentals, Salon d'Armi, Arsenale, opening day, 7th June 2014, Venice, Italy. Face tracking, clmtrackr portrait leaks. Code modulation by Henner Wöhler.
I was very impressed by another Photographers work.Taking a simple (usually overlooked) subject like weeds and producing mesmerizing images. for the real deal check out Wave of Modulation's work.
Free to use but please credit with a link to www.guitarchalk.com/
Foxpedal's The Wave is a delay, reverb, and modulation combo with an emphasis on vintage, tape delay.
Interior is a mix of analog circuits with digital control.
in this pic you can see one of the relays and the keying circuit board beside it. The keying circuit board has a real glare off it so its hard to see. The keying circuit is to the left of the relay. Behind the keying circuit more to the left you can see a small piece of the LED driver circuit. This is the circuit that makes the modulation bar graph work. Just to the left of the keying circuit is the adjustment pot for the LED display. Its fully adjustable. The bar graph can display input or output power/modulation. The circuit is based around a DBL1016 led driver IC.
To the right of the relay is a second relay for the pre amp circuit. Its located right beside the main relay and is black. The relay is smaller in size but has the same current rating as the larger one.
Behind this second relay is the main power input board. The incoming power into the amp first goes to this board then to different section of the amp. The board is basically a rectifier diode and couple of caps
Konzert Herbert Grönemyer
MENSCH-Tour
Letzigrund Zürich, 18. Juni 2003
Tages-Anzeiger, 19.6.03:
Eine ehrliche Haut für alle Generationen
Ein Meister der Modulation: Herbert Grönemeyer liess sich und seine Musik im Stadion Letzigrund feiern.
Von Philippe Amrein
Das demografische Grübeln geht bereits lange vor Konzertbeginn los: Woraus setzt sich die grönemeyersche Fangemeinde eigentlich zusammen? Auf seiner aktuellen Tournee «Das Beste von Gestern bis Mensch» spielt er immerhin für ein Publikum von weit über 500 000 Menschen. Nun, es findet sich der leicht angegraute Popliebhaber aus alten «Das Boot»-Tagen neben der gutmütigen Industriekauffrau, der Musikpluralist im abgewetzten «Santana»-Shirt neben dem jugendlichen Fan.
Der Meister kennt sein Publikum. Er schmeisst sich sofort in Stadionrockpose, joggt flott über die ganze Bühnenbreite und schmettert seine schnörkellose Stahlrohrpoesie mit kehliger Stimme ins Stadionrund. Nach zwei Haudrauf-Rocknummern stimmt Grönemeyer eine balladeske Nummer an, bei der ihn sein Saxofonist und ein mehrköpfiges Streicherensemble begleiten. Als auf der Videowand schliesslich ein Fan in Grossaufnahme gezeigt wird, der einen «VFL Bochum»-Schal schwenkt, hebt Herbert sofort zu seiner legendären Zeile an: «Tief im Westen, wo die Sonne versinkt.» Ein erster Höhepunkt, den er mit der Modifikation einer weiteren Zeile nachdrücklich markiert: «Bist keine Weltstadt wie Zürich.» Im Hintergrund werkelt derweil Grönemeyers äusserst versierte Band, die ihn mit modernen Grooves und souveräner Popmusik begleitet, mal stampfend und funky, mal entrückt und besinnlich. Bereits in der ersten Konzerthälfte gleiten sie dann in eine blubbernde Version des letztjährigen Superhits «Mensch». Das gesamte Publikum singt mit, und sofort kriegt man eine ehrliche Gänsehaut, die bis zum Ende des emotional und musikalisch mitreissenden Konzerts anhält. Und dann geht das dermatologische Grübeln los.
Clam Shell
Georgia O'Keeffe (American, Sun Prairie, Wisconsin 1887–1986 Santa Fe, New Mexico)
Date: 1930
O'Keeffe was an avid collector of rocks, shells, driftwood, and bones, which were imaginatively displayed in her homes. They also became subjects of her paintings, many of which were small in size, like the objects themselves. Sometimes, however, she painted the objects large, showing every undulation, ridge, and color modulation. These detailed studies often made her still-life subjects resemble landscapes.
Thanks everyone!
1. burning...."blood shed on wire", 2. Sax, 3. Untitled, 4. beautiful intersection, 5. good morning moon, 6. the back door dog, 7. gerbera petals, 8. New Year Starts With A Blur, 9. frame, 10. V-Pod, 11. reflection in the face of security, 12. The Golden Apple, 13. shapes of a clocktower, 14. nothing new (again), 15. Lake Louise, 16. the fast supper, 17. Sunrise.Clapham common.London, 18. another night bus photo, 19. when we arrive, 20. The Candy Shop, 21. Untitled, 22. reft, 23. Moonflowers, 24. Modulation of purple, 25. Tube Ghoulie, 26. stinkeye, 27. i am simply quiet, 28. Mid-Hudson bridge in the fog, 29. the doors of perception, 30. Eastern Clock Face, 31. Red Star., 32. Closed for winter, 33. Camellia sasanqua, 34. Nestroy, 35. Ernest, 36. razor
Created with fd's Flickr Toys.
Visitors, surrounded by four speakers, could walk up to this control panel and tweak knobs - reverb, delay, echo, modulation, etc., collaboratively creating audio grooves and soundscapes. Middle dial controlled the fundamental. Quite amazing.
Group 1_
Cynthia Castillo, Moises Talavera, Amir Hanna, Guillermo Perez, Osvaldo Andrade
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
The TLC5940 is a handy chip because it can be used to control the brightness of LEDs...
Using something called PWM (pulse-width modulation) the chip provides a variable output current matched to a clock frequency, depending on how much brightness is required - providing full current for only a fraction of each cycle.
Persistence of vision comes into effect and gives the illusion of a brighter or dimmer light.
Free to use but please credit with a link to www.guitarchalk.com/
Foxpedal's The Wave is a delay, reverb, and modulation combo with an emphasis on vintage, tape delay.
Interior is a mix of analog circuits with digital control.
photo by Toni Gauthier
Stanford’s Center for Computer Research in Music and Acoustics (CCRMA) presents its annual Modulations festival in San Francisco—an 8-hour marathon of sound art installations and live electronic music. The event begins with interactive and kinetic sound installations by Trimpin and his students; evolves into a sit-down concert of electronic music; and ends with a dance party, with performances by CCMRA artists and guest performers Wobbly and Sutekh.
Through the mapping of people moving through this stairwell we then were able to move pipes in and out to conform to the human body as a way of interrupting the space and modulation light coming from windows behind it. University of Kansas School of Architecture and Urban Design, 3rd year Fall 2007
Highlights from NPR (Neighborhood Public Radio) at MOCA's Engagment Party. "IN YOUR CAR" Day 2 of 3
While MOCA generally encourages green transportation, NPR asks that visitors bring their cars to this event. FREE parking will be available in public lot 7; entry is accessible from Judge John Aiso Street.
In Your Car will feature two concurrent sound projects broadcasting on local frequencies, Park Park Revolution and Ping Modulation.
Park Park Revolution will be a composition “played” by cars parked in the lot surrounding the Geffen Contemporary. NPR will divide the Geffen lot into four sections, with each assigned to its own broadcast frequency. Directed into parking spaces, drivers will be instructed to tune in their radios and turn up their volumes to create a quadraphonic matrix of sound.
Under the canopy located at the Geffen entrance, Ping Modulation will pay homage to artist Robert Rauschenberg’s Open Score. For this project, NPR will outfit ping-pong tables with contact microphones and sound processors; as visitors match off in games of table tennis, the noise of their play will be fed to radio broadcasts that will transform their participation into sound art.
Published on May 2, 2011
by MOCA