View allAll Photos Tagged mediumformatcamera
Sydney, NSW, Australia.
August 2019.
Fomapan 400. R09 1:100 stand development 1 hour at 20c.
Hasselblad 500c/m. Zeiss CF T* 80/2.8.
1/500s at f/8.
Iran, Firuzkuh, Hasselblad 500 C/M, Carl Zeiss Sonnar 180/f4 CF, Fortepan 200 6.5x9cm sheet film
www.mr-alvandi.com/gallery/black-and-white/firuzkuh-004.html
My Telegram channel: telegram.me/mreza_alvandi
My Instagram: www.instagram.com/alvandicamera
Iran, Hasselblad 500 C/M, Carl Zeiss Distagon 50/4 CFi FLE, Fuji Velvia 50 slide 120 roll film
www.mr-alvandi.com/gallery/color-photography/karaj-007.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Iran, Hasselblad 500 C/M, Carl Zeiss Planar 80/2.8 CF, Hoya red filter, Ilford FP4 120 roll film
www.mr-alvandi.com/gallery/black-and-white/darabad-020.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
I met this young lady at the Kansas City Taco Festival last Saturday...she was curious about my camera and we struck up a conversation about film photography. She graciously allowed me to take her photograph and I am very pleased with how this turned out. She is also a photographer and she captured a cool shot of me with her digital camera that she shared with me on Instagram. Image captured with my Yashica LM TLR on Kodak Gold 200 film. Self-developed with Cinestill's C41 kit.
This picture came from Kodak Brownie Six-20 Model F's first test roll. It was an overcast day.
Camera: Kodak Brownie Model F (UK) Film: Fomapan 100 Developer: Kodak D76 1:1 10 mins at 20*C. Digital conversion: Epson V550 Scanner and Lightroom 6.
Pohjois-Haaga, Helsinki, Finland
Mamiya RB67 Pro S. Mamiya Sekor C 127mm f3.8, Kodak Portra 400 (expired)
Harukas 300, Tennoji, Osaka, Japan.
June 2019.
Ektar 100. Cinestill C41 developer.
Mamiya 6. 50/4.
1/30s f/4.
ALVANDI Panoral 679, tilt-shift medium format technical camera Helical focus mount.
www.mr-alvandi.com/technique/panoral-679-camera.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Camera: Holga 120N
Film: Kodak Gold 200 120 Film
Location: Leeds Liverpool Canal - Bingley
Date: January 2024
A village near Moscow, the smoke from the stove went into the room.
Kodak Premier Endura Paper 20x20 cm.
Passepartout in a frame, total size 30x30
Special materials for long-term archival and museum storage were used in the manufacture of the frame.
Kiev-60
Volna-3 80mm f2.8
Fujifilm Pro 400H
{40//52}
Muse: Brittany Sifford
Photography/Styling/Hair/Makeup: Nico Nordström
Facebook / Tumblr / Website / Instagram
I finally bit the bullet and bought a film scanner! In the long run it was significantly cheaper than getting it developed and scanned somewhere else. I've never shot film with strobes before, and my oh myy... if I wasn't addicted to shooting film before, I definitely am now! haha RIP savings account, it was great knowin' ya ;)
This was taken on a Hasselblad 500CM with an 80mm Carl Zeiss lens, Ilford HP5+ film, and self developed and scanned. I've been getting my film developed and scanned at the camera store here in Austin, and although it was great to just drop it off and pick it up - I felt like I was missing out on part of the process.
Part of the appeal for shooting in film is actually having something tactile, and it's nostalgic since I started shooting in film years ago. So to develop it myself and smell the chemicals, dry it, cut it, and scan it - it just feels complete. Like writing the conclusion to a novel you've worked really hard on. I spent most of my time in highschool in the darkroom, and to get back to that just feels wonderful <3
I'm thinking about trying to develop my own color film as well, have any of ya'll had any experience with this?
Scotland / Kodak Portra 400 / Fuji GF670
Sorry, I realise it has been a long time since I uploaded a photograph anywhere...
I kept shooting periodically but editing the dust off negatives is a chore. So I'm just going to have try to be less of a perfectionist.
Cyanotype N°52 - Tonifié au maté + thé noir/ yerba maté + black tea toned
Papier - Bristol fabriano
Prise de vue - Rolleiflex T + portra400 (passage en NB)
Inter-négatif numérique calibration méthode EDN
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #country #countrylife #countryside #mediumformatcamera #fuji #fujiga645 #fomapan200 #foma200
I never got to use Efke films much before they stop production. I do have a few rolls left in my freezer and I took one out for a little walk with my Rolleicord III. Although expired 2/2015, the result is still good. I really love the tone of this "old fashioned" B&W film. I missed Efke films, I don't think there's any B&W film on the market today like this.
Camera: Rolleicord III 75mm f3.5 Zeiss Triotar. Meter: Minolta Auto Meter VF. Film: Efke 100 (expired 2/2015) Developer: Kodak D76 1:1 10 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.
My 1968 MAMIYA PRESS SUPER 23 set up for the Close-up 'Still-Lifes' using the back movements for the 'Scheimpflug Rule' to get the plane of focus slanting across the subjects on the table
Iran, Zanjan, Hasselblad 500 C/M, Carl Zeiss Distagon 50/f4 CFi FLE, Fuji Velvia 50
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Kodak Ektar 100
Mamiya 645 Pro
Mamiya- Sekor c 80mm F/2.8 N
This photo is part four of my Paris series. This part was shot on an expired roll of Ektar 100.
Paris: Kodak Ektar 100 | Kodak Portra 160 | Kodak Portra 400 | Fuji pro 400H
Mamiya 645 Pro TL
Mamiya 80 Æ’/1.9 N
Fuji 400H
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Our next door neighbors disc the field after having harvested the corn a couple of weeks prior. October 3, 2025. Holg Glo 120N, FPP X-Ray film developed in Xtol (stock).
If you know what's wrong with this camera, please comment below.
Each photo focused on the center circle in the test chart.
Mirror was locked up before each shot.
Aperture left to right f/2.8, f/5.6 & f/16
Camera seems to be focusing behind the target. I suspect an issue with the registration distance to the focusing screen.
Film stock: Kodak Vision 2383 Color Cine Print Film
ISO: 3-6
Format: 135
Camera: Zenza Bronica EC 6x6 camera
Lens: Nikkor-P 75mm F2.8
Developer: Caffenol C-L (minus restrainer)
Time: 35 min @ 20 degC semi-stand
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome. Film: Kodak Porta 160 Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.
MARC HHP8 #4915 pushes on the rear of train 445 at CP Winans on Amtrak's P&W Line in Halethorpe, MD, June 3, 2024. This trainset was previously train 430 from Washington DC north and reversed at Baltimore to head back south as the 445.
Foma Retropan 320 developed in Xtol (stock)
Pentax 6X7, SMC Takumar 55mm f3.5 lens