View allAll Photos Tagged mediumformatcamera
The Bridge of Aurora, Helsinki, Finland
Mamiya RB67 Pro S, Mamiya Sekor C 50mm f4.5, Kodak Portra 400
lonsheng fallen bridge
miaoli, taiwan
bronica etr camera
zenza bronica zenzanon 40mm f/4 lens
ilford delta 100 film - expired may 2015 (220 film back)
Outtake from my Creatives series.
Perfect example of how well Ansel participated in my silly little endeavor.
Ektar 100
Graflex Speed Graphic
***Please no pictures in your comments or group invites unless directly relevant to this photograph. Otherwise I will delete the comment.***
Balmoral Beach, Sydney, NSW, Australia.
May 2019.
JCH Streetpan 400. Cinestill DF96 monobath.
Hasselblad 500c/m. Zeiss CF T* 50/4.
1/500s f/5.6.
Epsom V600 scan. LR CC.
Helsinki Olympic Stadium, Helsinki, Finland
Mamiya RB67 Pro S, Mamiya Sekor C 50mm f4.5, Fujicolor Pro 160s
Camera: 1952-1955 Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Film: Kodak T-MAX 400 push @ 1600. Developer: Kodak D76 9.25 mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6
Kodak Ektar 100
Mamiya 645 Pro
Mamiya- Sekor c 80mm F/2.8 N
This photo is part four of my Paris series. This part was shot on an expired roll of Ektar 100.
Paris: Digital | Kodak Ektar 100 | Kodak Portra 160 | Kodak Portra 400 | Fuji pro 400H
Sun Moon Lake, Taiwan. August 2018.
Mamiya 6. 50mm/f4.0. Provia 100.
3 panel panorama. 1s to 2s at f/4.0.
My friend Ryan snapping a street photo in Washington, DC.
March 15th, 2018.
Washington, DC.
Mamiya 645 Pro TL
Mamiya 80 Æ’/1.9 N
Kodak Ektar 100 +2
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome. Film: Kodak Portra 160 Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome with Hasselbald (Y) yellow filter. Meter: Minolta Auto Meter VF. Film: Kodak T-MAX 400. Developer: Kodak D76 1:1 10.25mins @ 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.
A southbound Amtrak Acela crosses the Bush River at sunset on March 3, 2024.
Lomography CN800
Pentax 6X7
Classic and Not so Classic Medium Format Cameras
My collection of medium format cameras seems to keep growing. Pictured left to right is the: Mamiya 6 folding rangefinder, the Rapid Omega 100 6x7 rangefinder, and the Yashica Mat TLR
Technical details: digital scan of a 5x7 negative taken with my Agfa Ansco 5x7 standard view camera, Arista EDU 400 at box speed developed in Rodinal 1+50 for 9 minutes.
Camera: Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Film: Efke 100 (expired 2015, developed 5/2021) Developer: Kodak D76 1:1 10mins @20*C Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6.
Poolbeg Lighthouse, at the end of the Great South Wall, Dublin Bay.
Camera: Pentax 67ii (handheld)
Lens: SMC 75mm
Film: Fujifilm Provia 100 ISO
Iran, Panoral 45 camera, Schneider Symmar-S 150/5.6, Fuji Velvia 50 120 roll film, 6x12 Vertical panorama
www.mr-alvandi.com/gallery/panorama/arjomand-016.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Zeiss Ikon Ikoflex 1a circa 1952-56. It's a Twin Lens Reflex camera in exploded parts view. With Novar Anastigmat 75mm f3.5 taking lens & Teronar Anastigmat viewing lens. Takes 6 x 6cm images using 120 format film, German-made medium format camera, German TLR, Zeiss Ikon TLR. Ikoflex 1a restoration.
Iran, Hasselblad 500 C/M, Carl Zeiss Distagon 50/f4 CFi FLE, Fuji Velvia 50
www.mr-alvandi.com/gallery/color-photography/zanjan-020.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
1st roll of film (1st time to use Velvia 50) in my new-old Hasselblad 500 C/M with Zeiss Planar 80mm/2.8.
The alien takeover of Earth is nearly complete. The final transition takes place in beauty shops and hair salons from coast-to-coast long after midnight. Guys like me fall for it every time.
Taken on a hot summer night in the shadow of the Las Vegas Stratosphere Casino with a Pentax 645 medium format camera on a party night with my best friends that ended at sunrise.
It was years ago, but I think I still have a hangover. . .
Iran, Tehran, Amameh, Panoral 45 camera, Schneider Super Angulon 75/5.6, IIIC center filter, Fuji velvia 50 6x12 roll film.
www.mr-alvandi.com/gallery/panorama/amameh-006.html
My Telegram channel: telegram.me/mreza_alvandi
My Instagram: www.instagram.com/alvandicamera
Camera pictured:
Mamiya 645 Pro TL Body
Mamiya 80mm Æ’/1.9 N Lens
Mamiya AE Prism Pro Finder
Mamiya Power Drive II Grip
Originally, back in May of 2017, I purchased a Mamiya 645 Pro TL + 80 2.8 from a business I typically don't buy used gear from (I will not name the company, so don't ask). When I received the camera, the lens was busted due to poor packaging choices by the seller. I returned the camera for a full refund and then from there decided I wanted to piece together a full Mamiya 645 Pro TL camera. From May until about the end of July, I would purchase every single piece of the camera from KEH Camera (The company I usually purchase from!) to build the 645 Pro TL you see pictured here... I even purchased the coveted 80mm f/1.9 N lens, which I was able to buy in "LN-" condition!
Canon 5D Mark III
Canon 50L
Andrew H Wagner (C)2018. All Rights Reserved.