View allAll Photos Tagged mediumformatcamera
miaoli, taiwan
bronica etr camera
zenza bronica zenzanon 40mm f/4 lens
ilford delta 100 film - expired may 2015 (220 film back)
Camera: Pentax 645z (Medium format digital)
Lens: SMC Pentax A 645 120mm f/4 Macro
To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour.
- William Blake
Taken on our recent Death Valley adventure. After the mines shut down a century ago, the burros who worked the mines were set free and their descendants roam the desert to this day wherever a natural spring can be found
Taken with a Holga plastic camera and film that expired in 2001. Nothing captures the strangeness and solitude of the desert like a Holga toy camera. It uses medium format 120 film, yet its imperfections and flaws can create a ghostly and unpredictable image.
March 15th, 2018.
Washington, DC.
Mamiya 645 Pro TL
Mamiya 80 ƒ/1.9 N
Kodak Portra 160
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
For Project 52: 2016, Week #13: Time
Kodak made a lovely lineup of Brownie cameras. These are some of them in order of year introduced to end of production:
Brownie Target Six-20: 1946-1952
Brownie Hawkeye (non-flash): 1949-1961
Brownie 127: 1952-1959
Brownie Holiday: 1953-1962
Brownie Reflex 20: 1959-1966
For more info on Brownie cameras: www.brownie-camera.com/
Shot on the Mamiya 7 mk2 using Kodak Ektar 100 color film. Not to be used or blogged without my permission. Picture a world with no fossil fuels, clean energy, promoting health and well being to our families.
Part of Open House New York (OHNY) where on a weekend once a year many beautiful architectures and spaces normally not open to public are open for people to see.
And luckily this year again the TWA Flight Center at the JFK airport is open to public.
This is truly one of my favorite building in NYC. Designed by architect Eero Saarinen, opened in 1962. A survivor from the "Jet Age" and was made a National Register of Historic Places in 2005. I'm glade they preserve this beauty.
I've missed this one since I've learned about it for the past two years. Luckily I made it this year. I've heard that this could be the last time it opened for public view before it will close and transform it in to hotel with restaurants and etc.close and transform it in to hotel with restaurants and etc.
I decided to take the pictures the old fashion way and bought along my vintage 1973 Hasselblad 500C/M, with late '60s to early '70s 50mm, 80mm and 150mm Hasselblad chrome lenses. Luckily tripod was allowed so with my 500C/M mounted on it I walked around and enjoyed the beautiful space inside. Although I have to say that it was not easy taking pictures with my Hasselblad set up because there were so many people there, still I had fun and got stop by a few people because of the 500C/M one guy asked me if his son could take picture of him next to the Hasselblad, of course I said yes. Funny, I had my DSLR with me that day with wide zoom but I didn't use it at all!
The place was packed and the downside of this is that people were everywhere blocking many parts of the building. But it was good to see so many people interested in this beautiful place. I hope I will make it to another place next year's New York Open House.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 50mm f4 Distagon T* chrome. Film: Kodak Portra 160. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 4.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome with Hasselbald (Y) yellow filter. Film: Kodak Tri-X 400. Meter: Minolta Auto Meter VF. Developer: Kodak D76 1:1 9.75 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.
An abandoned winch at the Miners' Village.
More information: www.glendaloughmines.com/
Film: Ilford Pan F Plus, ISO 125.
July 19th, 2018.
Mamiya 645 Pro TL
Mamiya 80 ƒ/1.9 N
Kodak Portra 400
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Kodak Portra 160
Mamiya 645 Pro
Mamiya- Sekor c 80mm F/2.8 N
This photo is part of part three of my Paris series. This partis shot on two rolls of Kodak Portra 160, which I really liked. The decision to work with fresh film really paid off. Please feel free to click the links below and view all the different photo sets from Paris.
For those who are interested, I'm not done yet with Paris. Although I spent only one day in Paris, I managed to shoot 6 rolls of 120 film!
St Leonards Station, Sydney, NSW, Australia.
September 2019.
Superior 1600. Cinestill C41 kit stand developed, 45min developer and 45min blix, 18c.
Pentax 6x7. Takumar 55/4.
1/4sec at f/4.
Scan Epson V600. LR CC dust and tones.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 50mm f4 Distagon T* chrome with Kodak Series VIII (#8) yellow filter. Film: Kodak Tri-X 400. Meter: Minolta Auto Meter VF. Developer: Kodak D76 1:1 9.75 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.
Chatswood, Sydney, NSW, Australia. June 2019.
Fomapan 400 pushed 2 stops. Cinestill DF96 monobath developer.
Hasselblad 500c/m. Zeiss CF T* 80/2.8.
1/60s f/2.8.
Lubitel photos from Prague.
Transgas is brutalist building designed by Václav Aulický, Jirí Eisenreich, Ivo Loos, Jindrich Malátek. It was built in 1978.
March 15th, 2018.
Washington, DC.
Mamiya 645 Pro TL
Mamiya 80 ƒ/1.9 N
Kodak Portra 160
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Although many are there to see artworks. If you look around you can see that the Met 's building itself is also a work of arts.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome. Film: Ilford Delta 3200. Meter: Minolta Auto Meter VF. Developer: Kodak XTOL stock 7.5 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 4.