View allAll Photos Tagged mediumformatcamera
Sydney, NSW, Australia.
September 2019.
Washi W. Ilfosol 3, 1+3 dilution, 11min (30sec agitations).
Hasselblad 500c/m. Zeiss CF T* 80/2.8.
1/60sec f/2.8.
Scan Epson V600.
Cyanotype N°46 - Viré au maté + thé noir / yerba maté + black tea toned
Papier - Moulin du coq
Prise de vue - Fuji GA645 + Foma 200@400
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #moulinducoq #analogphoto #todaysalternative #fisheyelemag #landscape #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #streetphotography #onthestreet #fomapan #foma #fomapan200 #fujiga645 #fuji645 #mediumformatcamera #forestphotography #forest
While at work I would test cameras, processes or film stocks, I occasionally received a gem or two.
Use your arrow keys on your keyboard to navigate to the next picture.
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One of many ongoing approaches, where I move through the world as a harvester of images stumbling, strolling, lurching, equal parts accidental, and intentional. My concerns circumnavigate around questions that resist easy answers: time as texture, presence as performance, possibility as glitch. I trace the contours of decay and growth, hope and entropy, searching for the quiet collisions where meaning might emerge. Each image is less a document than a provocation an invitation to reconsider what we 'see', and what we ignore.
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Blog | Tumblr | Website | pixelfed.au | Instagram | Photography links | my Ko-fi shop | Off Ya Trolley! | s2z digital garden | vero | 180º @ 17:00 |Dpreview albums | my work archived on trove at the National Library of Australia. | reddit
Taken with the YashicaMat 124G and Kodak Ektar 100.
The Film Photography Channel is UP on YouTube! tinyurl.com/ydftxu2z
Norfolk Southern train #590 crosses the Bush River southbound over Amtrak's Northeast Corridor as the sun sets on March 3, 2024.
Lomography Color 800
Pentax 6X7
Pohjois-Haaga, Helsinki, Finland
Mamiya RB67 Pro S. Mamiya Sekor C 127mm f3.8, Kodak Portra 400 (expired)
I decided to get the Mamiya RZ67 system. [6x7 on 120 film, but they also had 6x4.5 / 6x6 backs]
On the left is a "Pro ii D" with waist level finder, winder on the bottom, 645 [120] film back, lens, and bellows type lens hood [with added extenstion].
On the right is a "Pro ii" with the metered AE chimney finder [sets shutter speed & gets info from the film back]. The weird looking thing between the lens and the camera is the tilt/shift aparatus [screw driven w/lock downs].
Mamiya made two 'short barreled' lenses specifcally for this thing, but you can use most of the lenses with it. The 'SB' as they are known are short to enhance close up shots. They even made a 'SB' tube to lengthen the 'SB' back to normal for when you wanted to focus out to infinity [not using the tilt/shift.
I am missing some items, mainly the 37 [fisheye] lens.
I have three backs, 2 are 120 6x7] and the other is a 6x4.5. I have a Polaroid back enroute, but not sure if that will be usable.
The shutters on all of the lenses are Seiko #1 electronically fired, but if your battery is dead, you can still trip the shutter at 1/400 [the fastest speed]. Being leaf shutters, you can sync flash at all shutter speeds [this does not mean your results will match...]. The lenses are focused by the camera's bellows-rail system. I also have the only zoom made, the 100-200.
There are 220 backs, but no one is making film.
The RZ series was an update from the RB [which meant revolving back] so you can switch from vertical to horizontal by just rotating the back & the viewfinder will mask accordingly]
And, finally - the D version allows you to use a DIGITAL BACK without running cables to the lens.
Iran, Panoral 45 camera, Schneider Super Angulon 90/5.6, Center filter IIIC, Fuji Velvia 50, 120 6x12 vertical panorama roll film.
www.mr-alvandi.com/gallery/panorama/alamout-006.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Southbound MARC train #537 slams past Winans on Amtrak's P&W Line of the Northeast Corridor on April 22, 2024. MP36 #31 shoves on the rear of the train as it heads for it's next station stop at BWI. Ferrania P30 (Xtol stock), Pentax 6X7, 55mm f3.5 lens.
Taken with the YashicaMat 124G and Kodak Ektar 100.
The Film Photography Channel is UP on YouTube! tinyurl.com/ydftxu2z
Back in the summer of ’97, my wife and I backpacked, rode the Eurail trains, and sailed across Europe for 5 weeks. We travelled from the Eiffel Tower to the Iron Curtain, from the subways of Madrid to the restaurants of Budapest. Here is the view from our room overlooking the port of Ios in the Greek Islands as the evening ferry comes into port.
Those were the last days of an era. When we got back to the States we bought and restored a historic tear-down house, had a kid, and started an engineering business all at the same time.
Taken with a Pentax 645 medium format camera exactly 20 years ago this week.
Iran, Panoral 617 camera, Schneider Super Angulon 90/5.6, Bronica SR60.2C (R1), Ilford Pan 100 Expired 1994
www.mr-alvandi.com/gallery/panorama/lavizan-033.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Inside an old bus at a bus graveyard near Williams California.
Yashica MAT 124-G
Kodak Portra 800 medium format film
Mamiya 645 Pro TL
Mamiya 80 Æ’/1.9 N
Fuji 400H
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Taken with a "freebie" wide-range zoom lens (28-210mm f:3.5-5.6), branded Vitacon and apparently made by Cosina, on Sony A7 camera. Surprising sharpness for a vintage zoom. Others have given similar reviews. Also loving the Swedish Steel.
Dateline: Southern IL
Left to right....
120 6x8 film back
Angle prism finder
GX680 III body
Remote release [v3]
[you can' see it, 40mm rail extension under the front lens mount]
100-200 zoom lens
Bellows lens hood
Underneath it all - the steel mount plate to support the zoom & balance the camera on a tripod.
The thing is 25 inches long from eyepiece to front of hood.
I am looking for the hood's filter holder [to complete the set, I don't have any square gel filters that big] :)
MARC MP36 #32 teams up with recently rebuilt GP39PH-2 #70 in pushing on the rear of a southbound train down the #3 main at CP Winans in Halethorpe, MD while a northbound passes on #1 track at on June 3, 2024.
Foma RetroPan 320 developed in Xtol (stock)
Pentax 6X7, Takumar 55mm f3.5
processed and looking rather cartoon-like. :}
bronica etr (black) camera
zenzanon mc 50mm f/2.8 lens
kodak ektar 100 color negative film
ALVANDI Panoral 617 Ver-II shift 6x17cm panoramic camera.
www.mr-alvandi.com/products/panoral-617-ver-II.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Camera - Mamiya 645 Pro TL
Film - Fujifilm Pro 400 C 120mm
Taken in Chipping Norton and South London.
Early morning calm: Lubitel 2, Russian TLR made by LOMO (circa 1954-80), FP4+ 125, expired, D76 1+1 pushed to 400
Iran, Hasselblad 500 C/M, Carl Zeiss Distagon 50/f4 CFi FLE, Fuji Velvia 50
www.mr-alvandi.com/gallery/color-photography/polour-006.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera