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This is the "Anny F" camera. It is a simple, cheap plastic, medium format camera which is a clone of the classic Diana F.
Like the Diana, the body of the Anny is made entirely out of a thin, brittle plastic which gives the camera a very light but flimsy feel. The camera features a simple single element plastic lens, plastic advance knob, and a metal hot shoe for a flash attachment. The camera has an adjustable focus from 4ft to infinity, two shutters speeds ("Instant" and "Bulb"), and three selectable aperture settings for "sunny", "partly-sunny", and "overcast" conditions. The camera also uses standard 120 film and produces sixteen 6x4cm frames on the negative.
Like other Lomography cameras such as the Holga, the Anny F is also prone to light leaks and its low-quality plastic lens creates a soft focus in pictures with a noticeable vignetting around the edges.
I have not been able to find much information on this camera in regards to when it was made and its manufacturer. However, one website I found claims it was made in the mid-1960s and possibly by the Hoei Sangyo Y.K. Company of Japan.
aspen, colorado
november 1977
hunt breakfast
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
My Mamiya 6 MF system fits into the previous generation Crumpler "Four Million Dollar Home" like it was designed for it! This includes all three lenses, hoods and film.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 50mm f4 Distagon T* chrome with Kodak Series VIII (#8) yellow filter. Film: Kodak Tri-X 400. Meter: Minolta Auto Meter VF. Developer: Kodak D76 1:1 9.75 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.
Voigtlander Bessa 6x9 produced 1937. It's a medium format folder that uses 120 Film to produce 8 6x9 negatives, 16 if using the 6x4.5 mask. This unit sports a Compur shutter with Voigtar lens. Got lucky with this unit with an almost good as new condition but unfortunately no 645 mask.
The Bessa 6×9 has some clever engineering touches: a door-mounted shutter release lever that retracts when the camera is closed; a self-closing pop-up Albada or sports finder with flip-up mask; and a sturdy spring-loaded release for the bellows, with a unique door-mounted sliding lever. The red windows have a spring-loaded cover opened by a twist knob on the back. That’s not all, without the 645 mask in place, turning the knob only reveals the window corresponding to the 6×9 size. When you put the mask in, a tab presses a button in the door upon closing, and it switches automatically to the 645 frame counting.
All loaded up for tomorrow's outing to Kaskaskia wildlife refuge in southern IL.
Bronica SQAi 120mm 6x6 backs + a 35mm back loaded with ADOX Scala 50.
The back in the middle has Kentmere PAN 100 [hard to read from the glare.
Doing all B&W this first Bronica session of 2024.
Rollei RPX 100 & 400
FomaPan 400
If you know what's wrong with this camera, please comment below.
Each photo focused on the center circle in the test chart.
Mirror was locked up before each shot.
Aperture left to right f/2.8, f/5.6 & f/16
Camera seems to be focusing behind the target. I suspect an issue with the registration distance to the focusing screen.
Film stock: Kodak Vision 2383 Color Cine Print Film
ISO: 3-6
Format: 135
Camera: Zenza Bronica EC 6x6 camera
Lens: Nikkor 75mm F2.8
Developer: Caffenol C-L (minus restrainer)
Time: 35 min @ 20 degC semi-stand
For a long time I wanted to use my 4x5 and 8x10 lenses on a smaller film format, specifically 6x9, with the ease of a focal plane shutter and enough bellows extension to focus. Finally yesterday I found the time to mount on the back of an old Burke and James 4x5 camera a 6x9 Graflex back I had banging around for the longest time.
Very pleased with this simple mod, also considering that this little Graflex focal plane shutter can reliably go all the way up to 1/600th of a second, and that is without stressing the tension excessively. Another positive note is that the B&J camera, with its 5x5 lens board accommodates larger lenses such as the 14"inch Verito, the Kodak Portrait (as pictured) or the 50cm Jena, giving me very interesting results on the smaller (6x9) film size.
Poolbeg Lighthouse, at the end of the Great South Wall, Dublin Bay.
Camera: Pentax 67ii (handheld)
Lens: SMC 75mm
Film: Fujifilm Provia 100 ISO
Holga CFN, Kodak 160 VC, negative scanned in grayscale, toned, border added
(two double exposed images layered on top of each other in PS, then cropped)
Bush walking in the Blue Mountains west of Sydney with my Bronica.
Film stock: Fujifilm Pro 400H Professional
ISO: 400
Expired: 05/2023
Format: 120
Camera: Zenza Bronica ECTL 6x6 camera
Lens: Nikkor 75mm F2.8
Digitised: mirrorless camera and macro set up
Developer: C41 @ Sydney Super8 Photo Lab
"Better Watch Out For That Squirrel!" - Secret Service Officer
March 15th, 2018.
Washington, DC.
Mamiya 645 Pro TL
Mamiya 80 ƒ/1.9 N
Kodak Portra 160
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Camera: 1952-1955 Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Filter: Rollei Bay III Light Yellow (#8) Film: Kodak Tri-X 400 at 800. Developer: Kodak D76 1:1 12 mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6
Viewed from Fossil Bone Picnic Area. Taken with a plastic body, Lomo Lubitel 166 Universal TLR camera with F4.5, 75mm glass lens. Lomography Color Negative 100 ISO 120 format film was used in the camera.
Shot in midday in a narrow alley between two buildings using a Zero Image pinhole camera and Ektar 100 medium format film. 40 second exposure with Colton (ghost image) advancing slowly towards camera during exposure. Colton's concept and idea :)
Mamiya C330, 6x6 film camera.
Taken with a Canon EOS 30D + 50mm f2.5 macro lens.
Great stuff these old camera's.
The only bad thing right now is that the shutterspeeds aren't correct anymore. 1 second is almost 3 seconds. So it needs to repair.
Does anyone knows if there's a service manual so I can do it by myself?
Kodak Portra 160
Mamiya 645 Pro
Mamiya- Sekor c 80mm F/2.8 N
This photo is part of part three of my Paris series. This partis shot on two rolls of Kodak Portra 160, which I really liked. The decision to work with fresh film really paid off. Please feel free to click the links below and view all the different photo sets from Paris.
For those who are interested, I'm not done yet with Paris. Although I spent only one day in Paris, I managed to shoot 6 rolls of 120 film!
Interesting sculpture. "The Unknown Bureaucrat" by Magnús Tómasson.
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome. Film: Kodak Porta 160 Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.