View allAll Photos Tagged mediumformatcamera

Rollei retro / 6x6 / Self develop film

I've been wanting this LC-A 120 for a long time; it's compact for a medium format camera, light, has a wide-angle lens that appears sharp and contrasty, and it's basically a point-and-shoot for quick shooting. Yes, the price is kinda outrageous for so much plastic, and it does feel cheap now that I held it, and I really tried to justify the purchase, and in the end, the only justification is that I wanted it!

Great Bridge Bridge - Opening in Progress - 1-23-2021 - The Great Bridge Bridge is a double-leaf rolling bascule drawbridge - Camera = Agfa Isolette III Medium Format - Film = Kodak Ektachrome 100 - Film developed by The Darkroom Lab in San Clemente, CA, USA - TheDarkroom.com - en.wikipedia.org/wiki/Great_Bridge_Bridge

Certo Six Medium Format Folding Camera. Made in Germany in 1957.

 

Camera set:

www.flickr.com/photos/in2classics/sets/72157633362698872/

Camera: Rolleicord III 75mm f3.5 Zeiss Triotar. Meter: Minolta Auto Meter VF. Film: Efke 100 (expired 2015, processed 2021). Developer: Kodak D76 1:1 10 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.

Lake Atitlan lies in a huge volcanic caldera with no surface outlet. An increase in rainfall has resulted in a 15 feet water level rise in the past 2 years. Many buildings and woodland at the shore are half submerged.

 

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Kiev-60

Volna-3 80mm f2.8

Kodak Vision3 500T

MARC HHP8 #4915 arrives with a northbound at the station in Halethorpe, MD on June 3, 2024.

Ilford Delta 400 rated at 1600 and developed in Xtol (stock)

Pentax 6X7, 105mm Takumar f2.4

Iran, Hasselblad 500 C/M, Carl Zeiss Distagon 50/f4 CFi FLE, Fuji Velvia 50 slide 120 roll film

www.mr-alvandi.com/gallery/color-photography/lavizan-022....

Telegram channel: telegram.me/mreza_alvandi

Instagram: www.instagram.com/alvandicamera

  

Kodak Stereo Camera, produced from 1954 to 1959

Twin 35mm f/3.5 Lenses

It was the first stereo camera made by Kodak since the Stereo Kodak, Model 1 was last made in 1925, no Kodak stereo cameras have been made since.

Poolbeg Lighthouse, at the end of the Great South Wall, Dublin Bay. A handheld shot, with a gale-force wind blowing!

 

Camera: Pentax 67ii (handheld)

Lens: SMC 75mm

Film: Fujifilm Provia 100 ISO

Camera: Mamiya II

Film: Kodak Gold 200

Location: Barcelona

Young photographer, Hogarth Ferguson, so dedicated to using film cameras that he has film & camera tattoos.

Artscape 2013

Kiev-60

Konica Centuria 100

Volna-3 80mm f2.8

Camera: Holga 120N.

 

Film: Ilford HP5.

 

Edited in Lightroom.

pentax 67

Takumar 105mm f/2.4

d-23 stock

Sydney, NSW, Australia.

August 2019.

Fomapan 400. R09 1:100 stand development 1 hour at 20c.

Hasselblad 500c/m. Zeiss CF T* 80/2.8.

1/500s at f/8.

Iran, Firuzkuh, Hasselblad 500 C/M, Carl Zeiss Sonnar 180/f4 CF, Fortepan 200 6.5x9cm sheet film

www.mr-alvandi.com/gallery/black-and-white/firuzkuh-004.html

My Telegram channel: telegram.me/mreza_alvandi

My Instagram: www.instagram.com/alvandicamera

Pentax 6x7

SMC Takumar 75mm

Kodak Porta 400

Iran, Hasselblad 500 C/M, Carl Zeiss Planar 80/2.8 CF, Hoya red filter, Ilford FP4 120 roll film

www.mr-alvandi.com/gallery/black-and-white/darabad-020.html

 

Telegram channel: telegram.me/mreza_alvandi

Instagram: www.instagram.com/alvandicamera

I met this young lady at the Kansas City Taco Festival last Saturday...she was curious about my camera and we struck up a conversation about film photography. She graciously allowed me to take her photograph and I am very pleased with how this turned out. She is also a photographer and she captured a cool shot of me with her digital camera that she shared with me on Instagram. Image captured with my Yashica LM TLR on Kodak Gold 200 film. Self-developed with Cinestill's C41 kit.

Pohjois-Haaga, Helsinki, Finland

 

Mamiya RB67 Pro S. Mamiya Sekor C 127mm f3.8, Kodak Portra 400 (expired)

Harukas 300, Tennoji, Osaka, Japan.

June 2019.

Ektar 100. Cinestill C41 developer.

Mamiya 6. 50/4.

1/30s f/4.

Helsinki, Finland

 

Zenza Bronica S2, Nikkor Nippon Kogaku 75/2.8, Kodak T-max 100

ALVANDI Panoral 679, tilt-shift medium format technical camera Helical focus mount.

www.mr-alvandi.com/technique/panoral-679-camera.html

Telegram channel: telegram.me/mreza_alvandi

Instagram: www.instagram.com/alvandicamera

 

Camera: Holga 120N

Film: Kodak Gold 200 120 Film

Location: Leeds Liverpool Canal - Bingley

Date: January 2024

FILM KODAK PORTRA 160 + PENTAX 67 + SMS PENTAX

135/4

A village near Moscow, the smoke from the stove went into the room.

 

Kodak Premier Endura Paper 20x20 cm.

 

Passepartout in a frame, total size 30x30

 

Special materials for long-term archival and museum storage were used in the manufacture of the frame.

 

Kiev-60

Volna-3 80mm f2.8

Fujifilm Pro 400H

Helsinki, Finland

 

Mamiya RB67 Pro S, Mamiya Sekor C 50mm f4.5, Fujicolor Pro 160ns

Scotland / Kodak Portra 400 / Fuji GF670

 

Sorry, I realise it has been a long time since I uploaded a photograph anywhere...

 

I kept shooting periodically but editing the dust off negatives is a chore. So I'm just going to have try to be less of a perfectionist.

and what is more cliche than a camera shot, eh? HCS!!!

Sydney, NSW, Australia. December 2018.

 

Pentax 6x7. 55mm/f4.0. Acros 100.

 

12min f/4.0.

Cyanotype N°52 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Bristol fabriano

Prise de vue - Rolleiflex T + portra400 (passage en NB)

Inter-négatif numérique calibration méthode EDN

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Holga 120N toy camera.

Film: Agfa RSXII 100. Expired 2005.

I never got to use Efke films much before they stop production. I do have a few rolls left in my freezer and I took one out for a little walk with my Rolleicord III. Although expired 2/2015, the result is still good. I really love the tone of this "old fashioned" B&W film. I missed Efke films, I don't think there's any B&W film on the market today like this.

 

Camera: Rolleicord III 75mm f3.5 Zeiss Triotar. Meter: Minolta Auto Meter VF. Film: Efke 100 (expired 2/2015) Developer: Kodak D76 1:1 10 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.

My 1968 MAMIYA PRESS SUPER 23 set up for the Close-up 'Still-Lifes' using the back movements for the 'Scheimpflug Rule' to get the plane of focus slanting across the subjects on the table

Iran, Zanjan, Hasselblad 500 C/M, Carl Zeiss Distagon 50/f4 CFi FLE, Fuji Velvia 50

Telegram channel: telegram.me/mreza_alvandi

Instagram: www.instagram.com/alvandicamera

 

Helsinki, Finland

 

Bronica S2, Zenzanon 150/3.5, Kodak T-max 100

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