View allAll Photos Tagged mediumformatcamera
Camera: Agfa Click 1
Film: expired Kodak Tri-X 400
Copyright 2017 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Helsinki, Finland
Zenza Bronica S2, Zenza Bronica S2, Nikkor Nippon Kogaku 75/2.8, Fujifilm 160NS Pro (Expired)
I did two early morning photo walks this past weekend in Cincinnati, Ohio - shooting only film with two different medium format cameras. This was shot with my Mamiya RB67 ProS and the 65mm f/3.5 lens on ACROS 100 film. f/16 @ 128 seconds. Developed at home in Ilfosol 3 and scanned with an Epson V600.
My rudimentary Soviet friend. It's hard to believe that I actually used this old piece of Russian plastic back in the olden days.
From Camerapedia - Lubitel (Любитель) means "amateur" in Russian. The Lubitel 2 was made in great numbers by the Leningrad GOMZ (later LOMO) factory. More than two million were produced between 1954 and 1980. There are versions with a Cyrillic name plate or with one in Latin script... and it was re-badged for various other markets as Kalimar TLR100, Amatör II and Global 676. It was also produced as a stereo version and sold as the Спутник (Sputnik). The camera body is made of plastic, possibly Bakelite. The waist level finder and focusing rings are made of metal. These cameras were delivered with a case and strap made of artificial leather.
A forgotten pioneer graveyard on the California/Nevada border. At the top is Boundary Peak, the highest mountain in Nevada. Taken with a Holga medium format camera.
Nothing captures the strangeness and solitude of the desert like a Holga toy camera. It uses medium format 120 film, yet its imperfections and flaws create a ghostly and unpredictable image. A Holga camera is the perfect way to capture the essence of an imperfect, decaying world.
Tower in the Corn - Holgon (modded Holga 120N) Lomography CN 400 120 Film
Check out my review of this camera here: youtu.be/to7wszMotY8
ALVANDI Panoral 679, tilt-shift medium format technical camera, before anodizing. All parts are made of aluminum alloy by CNC machine.
www.mr-alvandi.com/technique/panoral-679-camera.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Longshan Temple, Taipei, Taiwan. August 2018.
Mamiya 6. 50mm/f4.0. Acros 100 pushed 2 stops.
1/30s f/8.0.
Iran, Tehran, Amameh, Hasselblad 500 C/M, Carl Zeiss Distagon 50/f4 CFI, Hoya red filter, Ilford pan 100 roll film.
www.mr-alvandi.com/gallery/black-and-white/amameh-005.html
My Telegram channel: telegram.me/mreza_alvandi
My Instagram: www.instagram.com/mreza_alvandi
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 150mm f4 Sonnar chrome with Hasselbald (O) orange filter. Film: Kodak TMAX 100. Meter: Minolta Auto Meter VF. Developer: Kodak D76 1:1 9.50 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.
ALVANDI Panoral 617-II, +-15mm vertical and horizontal shift 6x17cm panoramic camera.
www.mr-alvandi.com/products/panoral-617-ver-II.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Colton's tree revisited. Winter shot. Zeiss Super Ikonta IV using Ilford XP2 medium format film and yellow filter.
Camera: Mamiya RZ67 Pro II
Film: Kodak Tri-X 400 Negative
Lens: Mamiya Sekor Z 110mm W
Multiple Exposures.
I am a fan of both Ansco cameras and simple meniscus lens box cameras from the 50s and 60s. Here my Ansco Ready Flash with flash attachment from approximately 1953. I have a small collection of similar cameras mostly made by Ansco or Kodak. These cameras are fun to shoot and the big 6x9 frame size allows for some amazing detail when all goes right. Most of these cameras use single element meniscus lens and you get some really cool edge blurring on the final image which gives them a nice vintage vibe. I've found most of the ones in my collection at estate sales and they typically sell for around $20.