View allAll Photos Tagged mediumformatcamera
The remnants from a derailment at Harpers Ferry pose in the Potomac River as nature slowly takes over. This drawhead came from one of the locomotives involved in the wreck. Ilford Delta 100, Rolleicord III.
While shooting in San Francisco, I bumped into this chap, i can't remember his name, but he was skating around with this bad boy camera round his neck.
Its a Mamiya RZ/RB, and it quite a bold camera to shoot on the streets with especially on a skateboard.
G&W SD50 #5020 still lettered for the Buffalo & Pittsburgh is now part of the Maryland Midland Railway's locomotive roster. The 5020 led the UBHF west to Highfield, MD and the interchange with CSXT on March 25, 2024. Here the crew has just set off the interchange freight on the siding along CSXT's Hanover Subdivision at Highfield is performing the required one minute brake test on the cars before cutting away.
Cinestill 50D
Pentax 6X7
Iran, Panoral 45 camera, Schneider Super Angulon 47 XL/5.6, Hasselblad roll film back, Fuji Velvia 50 slide film.
www.mr-alvandi.com/gallery/color-photography/taleghan-008...
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Balmoral Beach, Sydney, NSW, Australia.
May 2019.
JCH Streetpan 400. DF96 monobath.
Hasselblad 500c/m. Zeiss CF T* 50/4.
1/60s f/5.6.
Epsom V600 scan. LR CC.
Our Nikon to GFX adapter allows you to mount both vintage and modern Nikon lenses on your Fuji GFX 50S camera. Check out our Fotodiox YouTube or Facebook page to see our whole line of 30+ adapters for Fuji GFX mount cameras!
A beauty and a beast. It's such a heavy camera! I'm currently on my second role and so curious how the pictures will turn out.
Without a light meter, much of the shooting is guesswork. The camera works fine with the exception of the 1/125 shutter speed. Does anyone happen to know if there is a possibility to fix the curtain-thing (it seems stuck for 1/125 but works just fine with any other shutter speed)?
Hazen Day. July2026. First roll of Harman Phoenix II. Ag works in Hazen, Arkansas USA. HarmanPhoenixII. HasselbladSWC. FixedZeissBiogon35mm. BelliniColorDeveloper-C41. AGOFilmProcessor. FinalRinse:KodakPhotoFlo-1minute. CameraScan:Fujifilm:XH1.
Many amateurs are very serious with quality. If they shoot architecture, they will need perspective control lenses, tilt-shift lenses, sophisticated white balance adjustments in post-editing (because of the different artificial lighting in the building), HDR to capture all the details and finally medium format camera (or at least full frame) to ensure the quality.
I have none of these. I used my 9 years old Fuji camera and variable aperture zoom lens to shoot the new visitor centre of Van Dusen Garden. Just let the aged camera to deal with the dull sky and high dynamic range in the scene.
And this is architecture photography DIY! :o)
I love architecture and want to shoot them. Here is what I will do!!
Happy Sunday my friends!!
Helsinki, Finland
Zenza Bronica S2, Zenza Bronica S2, Nikkor Nippon Kogaku 75/2.8, Fujifilm 160NS Pro (Expired)
Iran, Hasselblad 500 C/M, Carl Zeiss Planar 80/f2.8 CF, Fuji Velvia 50 roll film
www.mr-alvandi.com/gallery/color-photography/lavizan-026....
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Sydney, NSW, Australia.
September 2019.
Fomapan 400. R09 stand developed 1:100 1 hour at 18c.
Hasselblad 500c/m. Zeiss CF T* 80/2.8.
1/500sec at f/11.
Scan Epson V600. LR CC dust and tones.
Shenandoah Cold Front in Ektachrome - A picture I shot of a cold front making it's way over the Blue Ridge Mountains fall of 2020. This was the first time I have shot with Ektachrome in a manual focus and manual aperture folding camera. The light was changing by the minute so it was hard to keep up. I tried to tease out what detail and color I could with Lightroom. Camera = Agfa Isolette III f/4.5 Solinar - Film = Kodak Ektachrome 100 (120 Format). Film developed by The Darkroom Lab in San Clemente, CA, USA - TheDarkroom.com
Camera: Agfa Click 1
Film: expired Kodak Tri-X 400
Copyright 2017 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
I did two early morning photo walks this past weekend in Cincinnati, Ohio - shooting only film with two different medium format cameras. This was shot with my Mamiya RB67 ProS and the 65mm f/3.5 lens on ACROS 100 film. f/16 @ 128 seconds. Developed at home in Ilfosol 3 and scanned with an Epson V600.
My rudimentary Soviet friend. It's hard to believe that I actually used this old piece of Russian plastic back in the olden days.
From Camerapedia - Lubitel (Любитель) means "amateur" in Russian. The Lubitel 2 was made in great numbers by the Leningrad GOMZ (later LOMO) factory. More than two million were produced between 1954 and 1980. There are versions with a Cyrillic name plate or with one in Latin script... and it was re-badged for various other markets as Kalimar TLR100, Amatör II and Global 676. It was also produced as a stereo version and sold as the Спутник (Sputnik). The camera body is made of plastic, possibly Bakelite. The waist level finder and focusing rings are made of metal. These cameras were delivered with a case and strap made of artificial leather.
A forgotten pioneer graveyard on the California/Nevada border. At the top is Boundary Peak, the highest mountain in Nevada. Taken with a Holga medium format camera.
Nothing captures the strangeness and solitude of the desert like a Holga toy camera. It uses medium format 120 film, yet its imperfections and flaws create a ghostly and unpredictable image. A Holga camera is the perfect way to capture the essence of an imperfect, decaying world.
Tower in the Corn - Holgon (modded Holga 120N) Lomography CN 400 120 Film
Check out my review of this camera here: youtu.be/to7wszMotY8