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If you know what's wrong with this camera, please comment below.
Each photo focused on the center circle in the test chart.
Mirror was locked up before each shot.
Aperture left to right f/2.8, f/5.6 & f/16
Camera seems to be focusing behind the target. I suspect an issue with the registration distance to the focusing screen.
Film stock: Kodak Vision 2383 Color Cine Print Film
ISO: 3-6
Format: 135
Camera: Zenza Bronica EC 6x6 camera
Lens: Nikkor-P 75mm F2.8
Developer: Caffenol C-L (minus restrainer)
Time: 35 min @ 20 degC semi-stand
Pohjois-Haaga, Helsinki, Finland
Mamiya RB67 Pro S. Mamiya Sekor C 127mm f3.8, Kodak Portra 400 (expired)
Lake Atitlan lies in a huge volcanic caldera with no surface outlet. An increase in rainfall has resulted in a 15 feet water level rise in the past 2 years. Many buildings and woodland at the shore are half submerged.
Poolbeg Lighthouse, at the end of the Great South Wall, Dublin Bay. A handheld shot, with a gale-force wind blowing!
Camera: Pentax 67ii (handheld)
Lens: SMC 75mm
Film: Fujifilm Provia 100 ISO
A sodden path wound its way through the wet woodland, each step squelching in the saturated earth. Late autumn had stripped the trees bare, their skeletal branches reaching out like gnarled fingers against the heavy grey stormy clouds overhead. The sky loomed low, a blanket of oppressive steel, casting a muted, monochrome palette over the entire scene. Raindrops hammered the ground, creating ripples in puddles that mirrored the dark, tumultuous heavens.
Leaves, now brown and brittle, lay scattered and sodden, crunching softly underfoot. The air was thick with the scent of damp moss and decaying foliage, each breath heavy and cold. Tall ferns and slender birches stood sentinel along the path, their trunks slick with rain, shadows deepened by the lack of vibrant color. Mist clung to the ground, swirling around tree roots and obscuring the distance, giving the forest an ethereal, almost otherworldly feel.
Branches swayed and creaked in the persistent wind, their movements silent in the grayscale world. Occasionally, a lone bird flitted through the gloom, its silhouette stark against the overcast sky. The path seemed endless, a solitary journey through a serene yet somber landscape, where every sound and shadow was amplified in the quiet embrace of the monochrome woodland.
The light was glorious. The background was covered in foreboding shadow. There was a break in the clouds illuminating only Orphan Rock....singing like choirs of angels. I couldn't let this scene be wasted so I took 4 shots at different settings and as insurance against light leaks (which this back was prone to).
Little did I know that there was a
tree branch in the foreground. I couldn't see it through the viewfinder with the lens wide open. By the time I'd realised my error, the light was gone, never to return...all four shots wasted.
Katoomba, Blue Mountains, Sydney.
Film stock: Harman Phoenix 200
ISO: 100
Format: 120 (6x4.5)
Camera: Zenza Bronica EC-TL
Lens: Nikkor-P 200mm F4.0
Settings: f/16, 1/30s
Digitised: digital camera scan
Developer: C41 @ Sydney Super8 Photo Lab
Our next door neighbors disc the field after having harvested the corn a couple of weeks prior. October 3, 2025. Holg Glo 120N, FPP X-Ray film developed in Xtol (stock).
My 1968 MAMIYA PRESS SUPER 23 set up for the Close-up 'Still-Lifes' using the back movements for the 'Scheimpflug Rule' to get the plane of focus slanting across the subjects on the table
processed and looking rather cartoon-like. :}
bronica etr (black) camera
zenzanon mc 50mm f/2.8 lens
kodak ektar 100 color negative film
Wichita Mountains Wildlife Refuge and surrounding areas July 2018. Pentax 6x7 loaded with Fuji Provia 100f medium format film.
{40//52}
Muse: Brittany Sifford
Photography/Styling/Hair/Makeup: Nico Nordström
Facebook / Tumblr / Website / Instagram
I finally bit the bullet and bought a film scanner! In the long run it was significantly cheaper than getting it developed and scanned somewhere else. I've never shot film with strobes before, and my oh myy... if I wasn't addicted to shooting film before, I definitely am now! haha RIP savings account, it was great knowin' ya ;)
This was taken on a Hasselblad 500CM with an 80mm Carl Zeiss lens, Ilford HP5+ film, and self developed and scanned. I've been getting my film developed and scanned at the camera store here in Austin, and although it was great to just drop it off and pick it up - I felt like I was missing out on part of the process.
Part of the appeal for shooting in film is actually having something tactile, and it's nostalgic since I started shooting in film years ago. So to develop it myself and smell the chemicals, dry it, cut it, and scan it - it just feels complete. Like writing the conclusion to a novel you've worked really hard on. I spent most of my time in highschool in the darkroom, and to get back to that just feels wonderful <3
I'm thinking about trying to develop my own color film as well, have any of ya'll had any experience with this?
Mamiya 645 Pro TL
Mamiya 80 Æ’/1.9 N
Fuji 400H
The Find Lab
Andrew H Wagner (C)2018. All Rights Reserved.
Camera: Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Film: Efke 100 (expired 2015, developed 5/2021) Developer: Kodak D76 1:1 10mins @20*C Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6.
Camera: Rolleiflex 2.8C Zeiss Planar 80mm f2.8. Filter: Rollei Bay III Light Yellow. Film: Kodak Tri-X 400. Developer: Kodak D76 1:1 10 mins @ 20*C. Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 and Lightroom 6
Camera: Hasselblad 500C/M (1973 vintage) Lens: Hasselblad 80mm f2.8 Plannar T* chrome. Film: Kodak Portra 160 Meter: Minolta Auto Meter VF. Digital conversion: Epson V550 scanner and Lightroom 6.
I never got to use Efke films much before they stop production. I do have a few rolls left in my freezer and I took one out for a little walk with my Rolleicord III. Although expired 2/2015, the result is still good. I really love the tone of this "old fashioned" B&W film. I missed Efke films, I don't think there's any B&W film on the market today like this.
Camera: Rolleicord III 75mm f3.5 Zeiss Triotar. Meter: Minolta Auto Meter VF. Film: Efke 100 (expired 2/2015) Developer: Kodak D76 1:1 10 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.
Southbound MARC train #537 slams past Winans on Amtrak's P&W Line of the Northeast Corridor on April 22, 2024. MP36 #31 shoves on the rear of the train as it heads for it's next station stop at BWI.
Ferrania P30 (Xtol stock)
Pentax 6X7, 55mm f3.5 lens.
Kodak Ektar 100
Mamiya 645 Pro
Mamiya- Sekor c 80mm F/2.8 N
This photo is part four of my Paris series. This part was shot on an expired roll of Ektar 100.
Paris: Kodak Ektar 100 | Kodak Portra 160 | Kodak Portra 400 | Fuji pro 400H
Film Photography Project's X-Ray film developed in Xtol (stock), Holga Glo 120N(yes, the camera glows in the dark).