View allAll Photos Tagged mediumformatcamera
Sydney, NSW, Australia.
July 2019.
Ilford FP4 pushed 2 stops. Ilfosol 3 developer.
Hasselblad 500c/m. Zeiss CF T* 50/4.
2min30sec f/4.
Epson V600 scan. LR CC dust and tones.
Drove to Independence, MO Saturday to attend an Estate Sale and while we were there we took a spin around town. We discovered a really cool downtown area and stopped for a few pictures. This shot was taken around the historic Englewood theater, which I later learned used to be a popular Country Music venue called the KC Opry. Apparently Garth Brooks performed there early in his career before he was famous. The theater has changed hands several times over the years and I think the current plan is to use it as a regular movie theater. The 57 Chevy wagon was in really nice condition. By the way, I picked up 4 really nice cameras at the sale...more later on this. Image captured with my Zeiss Ikon Super Ikonta 530/2 on Tri-X 400 film. Developed with D76 at 1:1.
Iran, Panoral 617 camera, Schneider Super Angulon 90/5.6, IIIC center filter, Fuji velvia 50, 6x17 roll film
www.mr-alvandi.com/gallery/panorama/mazandaran-010.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Iran, Hasselblad 500 C/M, Carl Zeiss Sonnar 180/f4 CF, Fuji Velvia 50 roll film
www.mr-alvandi.com/gallery/color-photography/firuzkuh-007...
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Iran, Hasselblad 500 C/M, Carl Zeiss Planar 80/f2.8 CF, Fuji Velvia 50 roll film
www.mr-alvandi.com/gallery/color-photography/ahhar-007.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Shot on the HASSELBLAD 503CW using KODAK PORTRA 400 color professional film. Not to be used without my permission.
Iran, Panoral 617 camera, Schneider Super Angulon 90/5.6, IIIC center filter, Fuji velvia 50, 6x17 roll film
www.mr-alvandi.com/gallery/panorama/alamout-007.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
A westbound Conrail empty hopper train has just exited the recently enlarged tunnel at Galitzen, PA. February 7, 1998 with SD40-2 6410 in the lead. Conrail had little more than a year left before CSX & NS would split it down the middle (sort of) with the Pittsburgh Line becoming part of Norfolk Southern. The 6410 went to CSX becoming the infamous 8888 of the May 21, 2001 runaway in Ohio. The second unit #6406 also went to CSX and became their 8887. The trailing 6399 went to Norfolk Southern becoming that road's 3353. There is a bit of a light flare at the top from when I loaded the 120 film into the Mamiya film back (it was cold and I was shaking quite a bit). Notice that the crew has very wisely placed their bag of ice on the nose of the unit to keep it from melting inside the warm cab.
Mamiya Super 23, Fujichrome RDP 100
This is the W.W. Hetherington House in Atchison, KS. It was built for Hetherington in the late 1800s and was designed in the Romanesque architectural style by Alfred Meier. Hetherington was a successful Banker and Financier and his family lived in the house well into the 20th century. The house is now the Evah C. Cray Home Museum and is open for tours. I haven't visited it yet, but definitely planned to do so. Image captured with my Welta Perle medium format camera on Kodak Gold 200 film.
Captured with a Chinon camera that I saved from getting crushed into pieces in a waste skip.
The camera worked excellently and a lens it had on it wasn't a bad performer either.
Taken with:
Chinon CX
Auto Chinon 55mm f/1.7
Kodak Tri-X 400
Scanned with:
Canon EOS 6D
Leica APO-Macro-Elmarit-R 100mm f/2.8
A 1956 Chevrolet Bel Air 4 door sedan at a local car show in Reese, MD, August 15, 2026. Harman Phoenix 200 rated at 100 ISO, Rolleicord III.
Iran, Panoral 617 camera, Schneider Super Angulon 47/5.6 XL, without center filter, Bronica SR60.2C (R1) Red filter, Ilford Delta 100. A ultra wide panorama with Super Angulon 47/5.6 XL lens.
www.mr-alvandi.com/gallery/panorama/mazandaran-021.html
Instagram: www.instagram.com/alvandicamera
Telegram channel: telegram.me/mreza_alvandi
Whenever I crop a picture into square format, I am imagining that I am taking a picture with Hasselblad.
I know there are other medium format cameras that will take 6x6 pictures and this is just my illusion.
You are what you shoot with. This is my prejudice.
The photographic world is divided into two groups of people: the Hasselblad film users and the rest of us.
My square composition of Rice Lake was taken with a DSLR.
Happy Friday and weekend to everyone!
I will be taking a short break and will see you all until mid next week.
1st roll in 2018 ..
Kaibon palace..
Hasselblad 500CM and Distagon 60mm 3.5
Rollei RPX 400 with Rodinal
Everybody Picks On Me. Mottled and color shifting negatives. Last roll for this batch of Bellini. October2025. Cotton forever and a wildfire on the horizon. Near Altheimer, Arkansas, USA. KodakEktar100. Pentax645n. SMCPentax645-75mm. BelliniColorDeveloper. AGOFilmProcessor. FinalRinse:KodakPhotoFlo-1m. CameraScan:FujifilmXH1
Base of Katoomba Falls.
I like the way Phoenix renders reds and greens. It really highlights the landscape.
Katoomba, Blue Mountains, Sydney.
Film stock: Harman Phoenix 200
ISO: 100
Format: 120 (6x4.5)
Camera: Zenza Bronica EC-TL
Lens: Nikkor-P 200mm F4.0
Settings: f/16, 1/8s
Digitised: digital camera scan
Developer: C41 @ Sydney Super8 Photo Lab
All dSLR s scanned in "Flat", but each using a different WB setting: Auto (the main image), Shadow, Cloudy, & Direct Sunlight. The actual chrome has a blue cast, so this is most realistic. But for printing, using a warm light to brighten it up.
Roaring Camp Railroad, in Felton, CA. Right next to Cowell Redwoods State Park.
Iran, Hasselblad 500 C/M, Carl Zeiss Distagon 50/f4 CFi FLE, Fuji Velvia 50
www.mr-alvandi.com/gallery/color-photography/zanjan-016.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Kodak 2238 Project.
Sydney, NSW, Australia.
June 2019.
Kodak 2238 at EI25. R09 1:100 semi-stand development.
Pentax 6x7. Takumar 55/4.
1min30sec f/4.
ALVANDI Panoral 679, tilt-shift medium format technical camera on the hands.
www.mr-alvandi.com/technique/panoral-679-camera.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Iran, Hasselblad 500 C/M, Carl Zeiss Distagon 50/4 CFi, Hoya red filter, Ilford FP4 120 roll film.
www.mr-alvandi.com/gallery/black-and-white/lavizan-021.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera
Out shooting film in Kansas City recently and shot this frame of the Kansas City Live Stock Exchange building in the West Bottoms district. This building, circa 1910, was once the economic hub of Kansas City back during its cattle heyday. Most of the country's beef passed through Kansas City as it was sold and prepared for markets from coast to coast. This area is quite different now but there are still remnants of the stocks yards and the cattle industry if you look carefully. The building is still in use today and is now a multi-use office building with numerous local companies occupying space in this historic treasure. Image captured with my Minolta Autocord LMX with a yellow filter. Foma 400 film, self-developed with Xtol at 1:1 dilution.
This camera didn't leave my side while traveling to the Ocala National Forest. This was taken at sunrise on Cocoa Beach, FL.
No Need To Take The Stairs. October2025. Collapsing building in downtown Helena, Arkansas USA. KodakTMAX400. Pentax645n. SMCPentax75mm. YellowFilter. DDXDeveloper1:4-11minutes. WaterStop-1minute. IlfordRapidFix-5minutes. Washed:AGOFilmProcessor. FinalRinse:KodakPhotoFlo-1minute. CameraScan:FujifilmXH1.
A simple documentary portrait using distant window light .. while waiting for the light setup
Rolleiflex 2.8E Planar
Rollei RPX 400 rated 800 Rodinal
Facebook / Tumblr / Website / Instagram
I first fell in love with analog photography as a child, so maybe I'm a little bias - but there's just something magical about film that digital will never be able to compete with. The way film handles light and color just has such a special quality about it...
I've tried every form of analog photography from pinhole to using a massive 8x10 camera, and each format has its own "brand" of magic, and personally I must say that medium format is my favorite <3 I've become obsessed.
Brittany and I went out with the intent to get moody overcast photos, but as Texas is famous for - the weather changed in an instant. So we pulled over on the side of the road to shoot these with the little time we had Right as we were getting ready to get the shot a little ladybug landed on her finger
What's ya'lls favorite kind of format? Digital, analog? 35mm, large format, ect. ?
Film stock: Kentmere 100
ISO: 100
Format: 120
Camera: Zenza Bronica ECTL 6x6 camera
Lens: Nikkor 75mm F2.8
Digitised: mirrorless camera and macro set up
Developer: 510-Pyro
Time: 60 min @ 20 degC semi-stand
Based on recipe from pictorial planet (youtube video) - I ordered the chems and did a session with a few of my prints
Film stock: Lomography Color Negative 800
ISO: 800 (shot at 400
Format: 120
Camera: Bronica EC TL
Lens: Nikkor-O 50mm 1:2.8
Digitised: camera scan
Developer: C41 @ Sydney Super8 Photo Lab
Iran, Panoral 617 camera, Schneider Super Angulon 90/5.6, Bronica SR60.2C (R1) red filter, ILFORD SFX 200, 6x17 roll film.
www.mr-alvandi.com/gallery/panorama/firuzkuh-009.html
Telegram channel: telegram.me/mreza_alvandi
Instagram: www.instagram.com/alvandicamera