View allAll Photos Tagged mediumformatcamera
Camera: Rolleicord III 75mm f3.5 Zeiss Triotar. Meter: Minolta Auto Meter VF. Film: Efke 100 (expired 2015, processed 2021). Developer: Kodak D76 1:1 10 mins at 20*C. Digital conversion: Epson V550 scanner and Lightroom 6.
Tower in the Corn - Holgon (modded Holga 120N) Lomography CN 400 120 Film
Check out my review of this camera here: youtu.be/to7wszMotY8
I did two early morning photo walks this past weekend in Cincinnati, Ohio - shooting only film with two different medium format cameras. This was shot with my Mamiya RB67 ProS and the 65mm f/3.5 lens on ACROS 100 film. f/16 @ 128 seconds. Developed at home in Ilfosol 3 and scanned with an Epson V600.
I've been wanting this LC-A 120 for a long time; it's compact for a medium format camera, light, has a wide-angle lens that appears sharp and contrasty, and it's basically a point-and-shoot for quick shooting. Yes, the price is kinda outrageous for so much plastic, and it does feel cheap now that I held it, and I really tried to justify the purchase, and in the end, the only justification is that I wanted it!
Helsinki, Finland
Zenza Bronica S2, Zenza Bronica S2, Nikkor Nippon Kogaku 75/2.8, Fujifilm 160NS Pro (Expired)
Camera: Agfa Click 1
Film: expired Kodak Tri-X 400
Copyright 2017 Hilde Heyvaert.
All rights reserved.
No unauthorized use, reproduction or distribution without prior permission.
Sydney, NSW, Australia.
September 2019.
Fomapan 400. R09 stand developed 1:100 1 hour at 18c.
Hasselblad 500c/m. Zeiss CF T* 80/2.8.
1/500sec at f/11.
Scan Epson V600. LR CC dust and tones.
Shenandoah Cold Front in Ektachrome - A picture I shot of a cold front making it's way over the Blue Ridge Mountains fall of 2020. This was the first time I have shot with Ektachrome in a manual focus and manual aperture folding camera. The light was changing by the minute so it was hard to keep up. I tried to tease out what detail and color I could with Lightroom. Camera = Agfa Isolette III f/4.5 Solinar - Film = Kodak Ektachrome 100 (120 Format). Film developed by The Darkroom Lab in San Clemente, CA, USA - TheDarkroom.com
Base of Katoomba Falls.
I like the way Phoenix renders reds and greens. It really highlights the landscape.
Katoomba, Blue Mountains, Sydney.
Film stock: Harman Phoenix 200
ISO: 100
Format: 120 (6x4.5)
Camera: Zenza Bronica EC-TL
Lens: Nikkor-P 200mm F4.0
Settings: f/16, 1/8s
Digitised: digital camera scan
Developer: C41 @ Sydney Super8 Photo Lab
While shooting in San Francisco, I bumped into this chap, i can't remember his name, but he was skating around with this bad boy camera round his neck.
Its a Mamiya RZ/RB, and it quite a bold camera to shoot on the streets with especially on a skateboard.
I've been looking through my archive of film shot in 2025 and decided to post some that haven't been uploaded before.
This image was shot on Lomo CN800, which I have to admit, is not my favourite film stock.
Shot in Feb2025, 3rd attempt at digitising (Jan2026)
Film stock: Lomography Color Negative 800
ISO: 800 (shot @ ISO400)
Format: 120
Aspect: 6x4.5 (rare film back for this model Bronica)
Camera: Bronica ECTL
Lens: Nikkor-P 200mm F4
Digitised: Camera Scan
Developer: C41 @ Sydney Super8 Photo Lab
Our Kiev 88CM, aka "Hasselbladski" arrived today. Excited to play with it soon. Still waiting on the lens to arrive.
Our Nikon to GFX adapter allows you to mount both vintage and modern Nikon lenses on your Fuji GFX 50S camera. Check out our Fotodiox YouTube or Facebook page to see our whole line of 30+ adapters for Fuji GFX mount cameras!
A beauty and a beast. It's such a heavy camera! I'm currently on my second role and so curious how the pictures will turn out.
Without a light meter, much of the shooting is guesswork. The camera works fine with the exception of the 1/125 shutter speed. Does anyone happen to know if there is a possibility to fix the curtain-thing (it seems stuck for 1/125 but works just fine with any other shutter speed)?
A southbound Amtrak Acela speeds through the MARC Station at Halethorpe, MD on April 22, 2024.
Cinestill 400D
Pentax 6X7, 55mm f3.5 Takumar lens
Every time I pass this shop on Massachusetts Street in Lawrence, KS, I can't help but admire this window display. The light is often in the wrong position to shoot this window during the day but at night I figured I'd give it a go and see how it turned out. I think I shot this at f16 @ 8 seconds, using Reflx 100 (Kodak Aerocolor IV) film. Image captured with my Pentax 6X7 MLU, self-developed with CineStill's C41 kit.
Many amateurs are very serious with quality. If they shoot architecture, they will need perspective control lenses, tilt-shift lenses, sophisticated white balance adjustments in post-editing (because of the different artificial lighting in the building), HDR to capture all the details and finally medium format camera (or at least full frame) to ensure the quality.
I have none of these. I used my 9 years old Fuji camera and variable aperture zoom lens to shoot the new visitor centre of Van Dusen Garden. Just let the aged camera to deal with the dull sky and high dynamic range in the scene.
And this is architecture photography DIY! :o)
I love architecture and want to shoot them. Here is what I will do!!
Happy Sunday my friends!!