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Hasselblad 500C

TMax 400

Just renovated my grandpa's camera: an Agfa Isolette III with an Agfa Apotar 1:4.5/85 lens. This picture is part of a first test roll.

This was shot at f/22.

The colours make it look like 1990 somehow.

Mộc Châu Province, Vietnam 2013.

Fuji GA645i Pro, Kodak Ektar 100

Medium Format ZeroImage Pinhole Camera-Old School house. Wouldn't it be neat to walk through the door back to that time.

Film-Arista 400/D76

Paper-Arista EDU RC

Filter None.

Starbucks Coffee Stained.

Graflex Century Graphic

Graftar 103mm f4.7

1/100 @ f16/22

ProS 6x7 120 Roll film back

Ilford Delta 400

Developed in Caffenol-C-L semi-stand

Epson V500

Photoshop CS

Bath tubs in the hospital in Pyramiden

Mamiya 645 ProTL, 35mm, Provia 100F

Old Delhi

Barbican

this is pretty old now

Stellar (Diana Clone)

Ilford Delta 400

Kodak Xtol 1:1 for 12 min.

TF4 Fixer

Austin, TX

August 2016

Diana+, Fujifilm Pro Iso 400, Belichtungszeit ca. 1 Sekunde. Negativscan.

Hasselblad 500C.

Planar T* 80 - f2.8.

Fuji Provia 160.

EPSON V600.

Mamiya RZ67 Proii

Tri-X 400

NRW, Germany

Ilford pro ISO 3200

Pentax 67 Nagoya

Digitized in two shots using my K-3 and a 100mm Macro lens.

The original 645 version.. The colour here is virtually as it came out of the camera and very true to the actual early evening light as I saw it.

Mamiya RB67 with Sekor 90 f/3.5 on Fuji Reala 100

Camera: Agfa Isolette (medium format)

Film: Kodak Ektar 100

Bronica EC + Zenzanon MC 50mm f2.8

Konica Minolta Pro 160 (expired)

The first castle I visted in Japan. I didn't have a chance to go see the famous ones in Kansai, so this will have to do for now. It's not very big though.

Flexaret V. Kodak Portra 400

Another soft sunset from last Spring on the Firehole River in YELLOWSTONE NATIONAL PARK.

Mamiya RB 67 Pro S,

Mamiya Sekor 50mm, 1:4.5, C,

Fujichrome Velvia 100,

NORITSU KOKI, QSS-32_33.

With signatures on the dotted line

shot with mamiya rz67

Pentax67 : Super Takumar 6X7 105mm f/2.4 : Formapan 100

Copy of my original medium format negative. You can see film grain at full size. The background curtain was made by my wife, Sue, when we were married

Hasselblad 501C

80mm

Fuji Provia 100F

Epson V700