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cMOOC tutors. Richard, I believe this is their Flickr group. Fascinating. #EDCMOOC artifact.
This old cover mashup made in Gimp reflects my feelings about being watched while demonstrating "learning", being part of an experiment about learning and knowing there are learning analytics being harvested.
Also posted on my blog: sararoe.wordpress.com/2013/01/29/sci-fi-moocs-visual-arti...
Based on the following images:
Science Wonder stories cover
downloaded from x-ray delta one on Flickr
www.flickr.com/photos/x-ray_delta_one/4395950294/
A Mirror for Observers, (Nov 1958, Edgar Pangborn) Cover art by Richard Powers
top: Hello Yarn "Sweets" Polwarth
middle: Southern Cross Fibre "Hephaestion" Finn
bottom: Spunky Eclectic "Eclectic Jam" 80/20 BFL/silk
Amy's hosting a Combo SAL in her Ravelry group and I'm joining in. I want pretty pretty pink princess mittens so will spin a ply of each of these fibers and combine them into a 3 ply yarn. I am blissfully unconcerned about combining these very different fibers. :)
"@grickle How about a Star Wars & Walking Dead mashup?"
@Vander_OZ Zombies in Dagobah!!! I must confess I've always preferred the classic Frank Oz Yoda over the CG one.
If you would like this doodle as a signed print for your very own, head on over to the Grickle store!
"Architextures" is a series of composite images. Each image is a mashup of multiple photographs. At least one of the sources is of an architectural subject, anything from closeup walls or windows to broad cityscapes. The added images provide texture or pattern. In some, the architectural forms are preserved and obvious. In others, the pictures become pure abstractions. Yet in all of them, the inherent geometry, angles, lines, and repetitions of the architecture are essential to the geometry and esthetics of the final image. Most of the source images used for this series are already posted in this photostream. The links to the original and source images are listed below.
The City Lights images are a composition of strongly geometrical views of architectural subjects in Atlanta, Georgia. They have been mashed up and ganged together to create a sense of a vibrant illuminated high rise city at different times of night. Are these views of city center, the shopping district, an office district, or a red light district? Is this downtown, the tenements, uptown, or the theater and night club scene? Is it peak hours, last call, or the wee hours? Are people going out, or coming home? Is this a modern high rise city, like New York, Tokyo, Hong Kong, Singapore, or Sao Paulo? Or, is this Batman’s or Dick Tracy’s 1930’s Gotham, or Friz Lang’s Metropolis, or Frank Miller's Sin City? How do these mashups speak to you?
The images used for City Lights are the following.
Follow the links for explanatory text about the source images.
amm architecture 03-06 _ atlanta, georgia
amm architecture 08-01_ atlanta, georgia
atlanta highview _ grey sky facets #2e
270 peachtree, grey skies _ atlanta, georgia
atlanta highview _ last light reflections
sun trust plaza, tower view 05a _ atlanta, georgia _ (b&w)
ivy tower 02b _ atlanta, georgia _ (b&w)
sun trust plaza, ballet olympia 04 _ atlanta, georgia
www.flickr.com/photos/meg99az/32360622320
www.flickr.com/photos/meg99az/32471374400
www.flickr.com/photos/meg99az/7587599742
www.flickr.com/photos/meg99az/32108822253
www.flickr.com/photos/meg99az/7587613634
www.flickr.com/photos/meg99az/32270356134
www.flickr.com/photos/meg99az/32883253246
www.flickr.com/photos/meg99az/32564015186
Additional images of street level vehicles, pedestrians, and traffic lights (not in the photostream) were taken in Tempe, Arizona and Naples, Italy.
Rachel had asked me a while back to break a CD case for her. I had tried shooting one with BBs, but I didn’t post it. It didn’t break apart like I had hoped. So I decided the best thing to do was just smash one with a hammer, but then a hammer isn’t really big enough. This maul seamed to work pretty well. But it did take 3 CD cases to get this one that I like.
The little blocks of wood had supported each end of the CD case before the maul came down.
Now I have to go clean up the mess in the garage before Sue gets home.
Cyber-Flavor-Mashup
April 26 - May 9 2008
Reception Sunday, April 26 5 - 8 pm
CounterpART Gallery
128 Merrimack St. 2nd Floor, Lowell, MA 01852
781-541-0470
counterpartgallery.art.officelive.com/default.aspx
gallery.bostoncyberarts.org/index2.html
A mixed reality mashup of immersive, 3D and 2D artworks created and inspired by the virtual world of Second Life for the 2009 Boston Cyberarts Festival. Featured artists, Misprint Thursday, Juria Yoshikawa, Bella Renfold, Filthy Fluno, Esch Snoats, Lily and Honglei, and Anna Shapiro will show how they are utilizing virtual worlds to create new artforms and engage new audiences. Participants at the gallery will have the opportunity to interact with both real and virtual art happenings and artworks for the festival.
Live cybersound artists and musician "Active" from Brooklyn NYC will be performing throughout the evening, as well as SL musicians via the gallery’s multimedia sound system. The island/art community of Artropolis, Boston Cyber Arts Festival's inworld portal to the virtual exhibition, will also be on display throughout the evening.
Too many artists to name - Barcelona
I will forget some of them but including Tom14, Rowdy, Kafre & Zosen
Inspired by Picazzle's jigsaw collages I embarked on a couple of my own. Admittedly this would work better with more pieces per puzzle, but I wanted to stick with something less expensive for a first try. Eventually I hope to do more of these. I am calling them jigsaw mashups.
I think she's listening to a book on tape. It's a giant misconception that DJs are listening to the next track. Long sets allow them time to catchup on podcasts, learn another language, etc. Lots of downtime.
Read the blog post
www.web-strategist.com/blog/2008/08/27/mashing-forrester-...
Missing: Christine Overby, Nate Elliott, Tom Grant, Laura Ramos, Peter Burris, Steven Noble, Rebecca Jennings, Lisa Bradner, and Tom Cummings.
Photo by Corey Matthews, using Zach Hofer-Shall's camera
Pattern: Mashup Madness - see blog.designedlykristi.com/?p=448
Yarn: Regia Silk 4-ply in Camel or KnitPicks Gloss in Dusk, 2 balls for a pair.
Gauge: 8.5 sts/inch
Versions 1 (blue) and 2 modeled. The blue has the back lace panel knit in garter lace and the instep pattern is continued through the toe. The camel sock knits the back lace panel in stockinette lace and it has the standard wedge toe. Both versions have a nice scalloped top and eye of partridge heel flap.
I saw a few people ask about depth-of-field stuff after seeing Er!ck's picture...
It's pretty easy - the aperture relates to depth of field in that a larger aperture (smaller F-stop) means shorter (tighter) DOF.
Simply put - larger F-stop, greater DOF - smaller F-stop, tighter DOF.
Compare the strings/frets on the guitar in the picture, and you'll see...
Austin Fashion Week Mashup Team - Code 63
Model - Harlee Rae
Makeup - Linda Nicole
Hair - Holly Kottwitz
Apparel Designer - Tina Johnson
In this series of portraits, Emess uses the well-known prints of the famous personalities depicted on currencies like the dollar, the pound, the Danish and Swedish krona or the Turkish lira. Emess combines the antique handicraft style of wood and copper engraving with the “pop-iness” of modern song titles and beyond that deals with our profane relationship to our beloved money.
For more info, visit www.urbanartcore.eu/emess-stencil-art-show/
Inspired by Picazzle's jigsaw collages I embarked on a couple of my own. Admittedly this would work better with more pieces per puzzle, but I wanted to stick with something less expensive for a first try. Eventually I hope to do more of these. I am calling them jigsaw mashups.