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Recently a group of artist from the DMV area got together for a shoot with model Connie Shih,the photography wasdone by international photographer Svenler.Here is a little about each of the participants in this amazing photoshot , the images that you see here are from the actual production from the shoot . a gallery link will be posted soon and we would like for you to look for some of the images to be published in Europe and the U.S.
A bit abpout the Team:
About Imaginis Photography
My name is Sven Bannuscher and I am the owner and main photographer of Imaginis Photography. I have many years of experience as a photographer and have worked as a professional photographer in Europe (France, Germany, Monaco) as well as in the United States and Canada.
My photos have been published in the Washington Post, Washington Diplomat, Austria Info, and several other national and international publications.
I started my career as a landscape and architecture photographer in Europe before moving to Bethesda, MD. This type of photography requires a high attention to detail which I still utilize today when photographing any type of assignment. No matter if it is a portrait, a wedding, a commercial advertising campaign, editorial fashion, or any other type of photography.
When photographing events such as a Wedding, I combine artistic portrait photography skills with a modern photojournalistic approach. Blending these two concepts together ensures that you will receive timeless photographs.
Business Philosophy
It has been my philosophy to combine the classic perfection of the old masters with an innovative and modern style of photography.
We offer you a package that is tailored to your needs. We make the whole process from beginning to end affordable, fun, and hassle-free. We ensure that you feel comfortable at all times and do not have to jump through any loopholes or run into any walls. You are unique and you deserve a photographer who appreciates and captures your uniqueness.
Mission Statement
To consistently create artistically notable and technically superior photographs of outstanding quality.
Shana Kroiz Jewelry:
Native Baltimorean Shana Kroiz is acknowledged as one of the country's leading experimental enamelists and jewelry educators. Throughout her career, Shana has been involved in teaching and promoting the growth of jewelry as a recognizable art form.
Shana is currently the Special Events and Workshop Coordinator of the Maryland Institute College of Art Jewelry Center, which she founded in 1992, and where she works as an instructor and studio artist. Previously, Shana was the Director of the 92nd Street Y’s Jewelry Center in NYC.
Where to see Shana's work
See Shana's work in publications
"My one-of-a-kind wearable jewelry celebrates ancient forms and the sensuous nature of the human consciousness. These pieces are universal in their appeal and personal in their effect. When worn, the jewelry interacts as sculpture making the body a pedestal."
"Rich colors are created by the primitive use of a brush stroke and layering of experimental enameling or the brilliant colors of patina on silver which reflects the history of the art."
With artistic integrity and fine craftsmanship, Kroiz captures the seduction of color and form while exploring and honoring the human spirit.
MFA,1993; Towson State University
BFA with Honors, major: Metals, minor: Clay; 1990; Parsons School of Design
One-year Intensive Metals Study, SUNY at New Paltz; 1987-1988 (with Robert Ebendorf and Jamie Bennett)
Christopher Schafer's Summary
Christopher Schafer wants you to look your best for every one of life's great occasions. He takes pride in his work and feels that every garment that he creates is a direct representation of himself. Christopher makes sure that all the details are correct and that you get the best fit possible. He will take the time with you to design the best clothing that you have ever owned. This old world work ethic is not going unnoticed, he was voted Baltimore’s Best Tailor by City Paper in 2009, Baltimore Magazine in 2010, and Fashion Awards MD in 2012.
Christopher learned that art of measuring & design to create custom clothing while living in London, a city that had a profound effect on his life. He learned from some of the best clothiers in the world and immersed himself in the English culture. Christopher would frequently visit Seville Row and Jermyn Street to gain ideas and inspiration. The end result was a new style which blends European style and fit with comfort to create clean understated lines. This formula produces fashionable, fitted and comfortable clothing that you will love to wear.
Specialties
Measuring and design of suits, shirts, formal & casual wear.
Christopher Schafer's Experience
Proprietor
Christopher Schafer Clothier (Sole Proprietorship)
Sole Proprietorship; 1-10 employees; Apparel & Fashion industry
November 2010– Present (1 year 11 months) Baltimore, Maryland Area
Measuring and design of suits, shirts, formal & casual wear.
Partner
Signature Attire
June 2011– Present (1 year 4 months) Baltimore, Maryland Area
Our ties are designed and made in America of the highest quality. Whether you seek a bespoke necktie that is subtle and elegant or bold and dramatic, each of our truly well-made ties is custom designed to set you apart from the crowd.
We know, firsthand, that if a custom necktie is eye-catching on TV, it will add distinction to your everyday life too.
President
Baltimore Fashion Alliance
September 2010– Present (2 years 1 month)Baltimore, Maryland Area
The BFA’s mission is to provide professionals in the fashion industry with superior education, networking, and resources while giving back to the community through charitable programs and contributions.
Carlous Palmer Designer /Stylist
I am an American Fashion Artist/ Stylist, with over20 years’ experience in the industry with a body of work that covers Television, Film, Stage and Fashion, I am interested in working with any one that has the drive and desire for creativity and beauty. MY GOAL IS PERFECTION. I am quick with ideas and always open to new ones THAT ARE WORKABLE
and willing to travel for fair compensation, I have worked from New York to Palm Beach in the area of retail, public relations and for one of the largest Christmas display in the country meaning that my resources are plentiful for getting things done. I am also dedicated to helping the new comer to the industry ...after all we are responsible for sharing what we know to help others to keep our art alive... feel free to contact me at carlouspalmer@yahoo.com
This year you will be seeing designs created exclusively for CHASE BREXTON HEALTH SERVICES to bring more awareness to the need to attract more people to the HIV/ AIDS crisis ... the numbers are getting higher , and I am honored to say that IKEA TEXTILES and GUSS WOOLENS have sponsored this collection and over the next few months you will be seeing designs created from IKEA TEXTILES with some designs supplemented with fabric from GUSS WOOLENS . You will be able to purchase these garments by visiting www.carlouspalmerdesign.etsy.com we are also asking that you join IKEA and GUSS WOOLENS TWITTER and FACEBOOK pages to be updated about what is going on new in fine Textiles.... look for more images in an upcoming article in IN - FOCUS MAGAZINE... I would also like to thank WOODIE and TONY LESENE for recognizing my abilities when I lived in Palm Beach and introducing me to FLORIDA'S FASHION PUBLIC; for that I am grateful. I hope that I can continue to do good work and help people in my small way become inspired... I hope that my work will continue with the love and support that I have been getting over the years and I am looking forward to creating inspirational designs I hope that other designers will take part in this movement and help some of the other agencies in the fight WE ARE MORE POWERFUL TOGETHER THAN WE ARE APART.
I also need to thank GOD, My Family, My City TEMPLE Church Family, The Baltimore School for Arts, Fashion Institute of Technology, Baltimore City Community College for their part in my success .
Make Up By Dawn Newsome
Dawn is a master makeup artist that has been designing faces for over 16 years. She got her start in beauty at the age of 13 at a local modeling school in Harrisburg, PA. While modeling, Dawn quickly realized her passion for makeup and decided to turn her passion into a career. Dawn's experience began in the cosmetic departments on lines such as Fashion Fair, Flore Roberts, Ultama II & Derma Blend. During this time, she learned that the art of makeup starts with the foundation. Dawn quickly mastered the ability to go beyond the basic foundation palette to blend the perfect foundation. This blending technique is the powerful tool Dawn possesses to consistently create the perfect look.
Dawn's desire for growth led her to Prescriptive, Lancôme and Mac, where her creativity was embraced and confidence was instilled. Dawn became a National Makeup Artist in her next move to Estée Lauder. This experience opened a world of opportunity as she traveled around the country doing makeup events and touching over 200,000 faces in 5 years! Estée Lauder gave her the opportunity to study under the Late *Paul Starr* for 2 years, as well as take part in developing foundation pigments for women of color. With this experience Dawn continued to refine her skills as she moved forward and opened new pathways to create beauty. Now Dawn is using her expertise in all kinds of media such as videos, TV shows, photo shoots, fashion productions, weddings & beauty transformations!
CREDITS:Discovery Channel's *Home Made Simple* 2009, HGTV's *Real Estate Intervention 2009, H-Town music video *Knockin your Heels Off* 2009 , H-Town feat. Pretty Rickey 2010, Red Cafe music video * Who You Hatin on Lately* Baltimore Ray music video *Back at Da crib* 2011 Dominion Energy Share commercial *Comfortable Sleeping*, Discovery Credit Card, Raytheon Feat. John Harris, Pepsi
Dawn has recently found a home with Bridal Artistry Team , this has been great union for both of us!
About Imaginis Photography
My name is Sven Bannuscher and I am the owner and main photographer of Imaginis Photography. I have many years of experience as a photographer and have worked as a professional photographer in Europe (France, Germany, Monaco) as well as in the United States and Canada.
My photos have been published in the Washington Post, Washington Diplomat, Austria Info, and several other national and international publications.
I started my career as a landscape and architecture photographer in Europe before moving to Bethesda, MD. This type of photography requires a high attention to detail which I still utilize today when photographing any type of assignment. No matter if it is a portrait, a wedding, a commercial advertising campaign, editorial fashion, or any other type of photography.
When photographing events such as a Wedding, I combine artistic portrait photography skills with a modern photojournalistic approach. Blending these two concepts together ensures that you will receive timeless photographs.
Business Philosophy
It has been my philosophy to combine the classic perfection of the old masters with an innovative and modern style of photography.
We offer you a package that is tailored to your needs. We make the whole process from beginning to end affordable, fun, and hassle-free. We ensure that you feel comfortable at all times and do not have to jump through any loopholes or run into any walls. You are unique and you deserve a photographer who appreciates and captures your uniqueness.
Mission Statement
To consistently create artistically notable and technically superior photographs of outstanding quality.
Shana Kroiz Jewelry:
Native Baltimorean Shana Kroiz is acknowledged as one of the country's leading experimental enamelists and jewelry educators. Throughout her career, Shana has been involved in teaching and promoting the growth of jewelry as a recognizable art form.
Shana is currently the Special Events and Workshop Coordinator of the Maryland Institute College of Art Jewelry Center, which she founded in 1992, and where she works as an instructor and studio artist. Previously, Shana was the Director of the 92nd Street Y’s Jewelry Center in NYC.
Where to see Shana's work
See Shana's work in publications
"My one-of-a-kind wearable jewelry celebrates ancient forms and the sensuous nature of the human consciousness. These pieces are universal in their appeal and personal in their effect. When worn, the jewelry interacts as sculpture making the body a pedestal."
"Rich colors are created by the primitive use of a brush stroke and layering of experimental enameling or the brilliant colors of patina on silver which reflects the history of the art."
With artistic integrity and fine craftsmanship, Kroiz captures the seduction of color and form while exploring and honoring the human spirit.
MFA,1993; Towson State University
BFA with Honors, major: Metals, minor: Clay; 1990; Parsons School of Design
One-year Intensive Metals Study, SUNY at New Paltz; 1987-1988 (with Robert Ebendorf and Jamie Bennett)
Christopher Schafer's Summary
Christopher Schafer wants you to look your best for every one of life's great occasions. He takes pride in his work and feels that every garment that he creates is a direct representation of himself. Christopher makes sure that all the details are correct and that you get the best fit possible. He will take the time with you to design the best clothing that you have ever owned. This old world work ethic is not going unnoticed, he was voted Baltimore’s Best Tailor by City Paper in 2009, Baltimore Magazine in 2010, and Fashion Awards MD in 2012.
Christopher learned that art of measuring & design to create custom clothing while living in London, a city that had a profound effect on his life. He learned from some of the best clothiers in the world and immersed himself in the English culture. Christopher would frequently visit Seville Row and Jermyn Street to gain ideas and inspiration. The end result was a new style which blends European style and fit with comfort to create clean understated lines. This formula produces fashionable, fitted and comfortable clothing that you will love to wear.
Specialties
Measuring and design of suits, shirts, formal & casual wear.
Christopher Schafer's Experience
Proprietor
Christopher Schafer Clothier (Sole Proprietorship)
Sole Proprietorship; 1-10 employees; Apparel & Fashion industry
November 2010– Present (1 year 11 months) Baltimore, Maryland Area
Measuring and design of suits, shirts, formal & casual wear.
Partner
Signature Attire
June 2011– Present (1 year 4 months) Baltimore, Maryland Area
Our ties are designed and made in America of the highest quality. Whether you seek a bespoke necktie that is subtle and elegant or bold and dramatic, each of our truly well-made ties is custom designed to set you apart from the crowd.
We know, firsthand, that if a custom necktie is eye-catching on TV, it will add distinction to your everyday life too.
President
Baltimore Fashion Alliance
September 2010– Present (2 years 1 month)Baltimore, Maryland Area
The BFA’s mission is to provide professionals in the fashion industry with superior education, networking, and resources while giving back to the community through charitable programs and contributions.
Carlous Palmer Designer /Stylist
I am an American Fashion Artist/ Stylist, with over20 years’ experience in the industry with a body of work that covers Television, Film, Stage and Fashion, I am interested in working with any one that has the drive and desire for creativity and beauty. MY GOAL IS PERFECTION. I am quick with ideas and always open to new ones THAT ARE WORKABLE
and willing to travel for fair compensation, I have worked from New York to Palm Beach in the area of retail, public relations and for one of the largest Christmas display in the country meaning that my resources are plentiful for getting things done. I am also dedicated to helping the new comer to the industry ...after all we are responsible for sharing what we know to help others to keep our art alive... feel free to contact me at carlouspalmer@yahoo.com
This year you will be seeing designs created exclusively for CHASE BREXTON HEALTH SERVICES to bring more awareness to the need to attract more people to the HIV/ AIDS crisis ... the numbers are getting higher , and I am honored to say that IKEA TEXTILES and GUSS WOOLENS have sponsored this collection and over the next few months you will be seeing designs created from IKEA TEXTILES with some designs supplemented with fabric from GUSS WOOLENS . You will be able to purchase these garments by visiting www.carlouspalmerdesign.etsy.com we are also asking that you join IKEA and GUSS WOOLENS TWITTER and FACEBOOK pages to be updated about what is going on new in fine Textiles.... look for more images in an upcoming article in IN - FOCUS MAGAZINE... I would also like to thank WOODIE and TONY LESENE for recognizing my abilities when I lived in Palm Beach and introducing me to FLORIDA'S FASHION PUBLIC; for that I am grateful. I hope that I can continue to do good work and help people in my small way become inspired... I hope that my work will continue with the love and support that I have been getting over the years and I am looking forward to creating inspirational designs I hope that other designers will take part in this movement and help some of the other agencies in the fight WE ARE MORE POWERFUL TOGETHER THAN WE ARE APART.
I also need to thank GOD, My Family, My City TEMPLE Church Family, The Baltimore School for Arts, Fashion Institute of Technology, Baltimore City Community College for their part in my success .
Make Up By Dawn Newsome
Dawn is a master makeup artist that has been designing faces for over 16 years. She got her start in beauty at the age of 13 at a local modeling school in Harrisburg, PA. While modeling, Dawn quickly realized her passion for makeup and decided to turn her passion into a career. Dawn's experience began in the cosmetic departments on lines such as Fashion Fair, Flore Roberts, Ultama II & Derma Blend. During this time, she learned that the art of makeup starts with the foundation. Dawn quickly mastered the ability to go beyond the basic foundation palette to blend the perfect foundation. This blending technique is the powerful tool Dawn possesses to consistently create the perfect look.
Dawn's desire for growth led her to Prescriptive, Lancôme and Mac, where her creativity was embraced and confidence was instilled. Dawn became a National Makeup Artist in her next move to Estée Lauder. This experience opened a world of opportunity as she traveled around the country doing makeup events and touching over 200,000 faces in 5 years! Estée Lauder gave her the opportunity to study under the Late *Paul Starr* for 2 years, as well as take part in developing foundation pigments for women of color. With this experience Dawn continued to refine her skills as she moved forward and opened new pathways to create beauty. Now Dawn is using her expertise in all kinds of media such as videos, TV shows, photo shoots, fashion productions, weddings & beauty transformations!
CREDITS:Discovery Channel's *Home Made Simple* 2009, HGTV's *Real Estate Intervention 2009, H-Town music video *Knockin your Heels Off* 2009 , H-Town feat. Pretty Rickey 2010, Red Cafe music video * Who You Hatin on Lately* Baltimore Ray music video *Back at Da crib* 2011 Dominion Energy Share commercial *Comfortable Sleeping*, Discovery Credit Card, Raytheon Feat. John Harris, Pepsi
Dawn has recently found a home with Bridal Artistry Team , this has been great union for both of us!
“Types We Can Make”- A selection of contemporary Swiss typeface design curated by ECAL/University of Art & Design Lausanne (Switzerland), in association with The Herb Lubalin Study Center of Design and Typography. With the explosion of digital media and international communications, type design has attracted new designers and artists to the field. Swiss designers, in particular, have historically contributed to the development of modern type, (Helvetica was created in 1957 by a team of Swiss designers) and their legacy is explored in this exhibition as new designers draw on the past. This exhibition was made possible by the Consulate General of Switzerland in New York through the US-wide program ThinkSwiss - Brainstorm the Future.
October 23 – November 17, 2012
Make-up: Win Liu using M.A.C. cosmetics & Stephanie Shepherd
Hair: Jessica @ Hype Hair Studio
Models: Jessi, Mannu, & Matt C @ Numa Models
Photographer: Ed Ng
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Vietnam was our original choice for a touring holiday back in 2015, mainly to see Halong Bay, but we got sidetracked by the gorgeous pictures of Myanmar in the brochures and ended up going there instead. Myanmar, and probably touring holidays in general, was hard work, we are both in our sixties and do not really travel that well after having a lot of pampered holidays in the Maldives, so after the final three hour wait in another airport lounge we said 'never again'. But three months later after sitting back and looking at the best set of holiday photo's we have ever taken, we realised what wonderful people we had met and amazing places we had seen and that you have to put up with airport lounges, train stations and car journeys to get that. So the next thing we knew we were booking another touring holiday to Vietnam with Mango Journeys based in Cambodia! Warren the owner of Mango, actually an Aussie guy, sorted out our itinerary, click to view, we booked a couple of flights and it was done. Vietnam has a lot of Buddhist tradition like Myanmar so we figured that the people would be similar to the lovely people of Myanmar we met last year. Plus the landscape and scenery looked so green and lush so it all boded well.
However when we arrived in Saigon, all the Vietnamese still call it Saigon, in mid December it turned out that it was still the rainy season. So it was quite cloudy, foggy and rainy.....and it stayed like that for most of the holiday actually. We hadn't quite bargained for that, Myanmar was dry and sunny at the same time last year so this was quite a dramatic change. We were also in their winter so no crops were growing, hence all the lovely green and golden paddy fields you see in the brochures were mostly brown and muddy. Vietnam is big and very busy, there were a huge amount of Chinese tourists here, especially at Ankor Wat in Cambodia. A lot of the local people traditionally come home from all over the world at this time of year to see their families, so the place is buzzing. The Vietnamese people are also a lot more 'tourist savvy' here compared with the totally charming Burmese people we met last year, they seem to have that air of indifference you get in developed western countries towards tourists.
It's all sounding a bit disappointing and I'm afraid that is how it felt quite a lot of the time. We were in Saigon for 2 days....way too busy for us. Then a boat trip to the Mekong Delta, sounds idyllic but actually just a big busy river, we never really got far enough into the smaller tributaries where it might be more like you imagine the Mekong Delta to look like. A flight to Siem Reap then a couple of days around Ankor Wat. This was undoubtedly the highlight of the holiday. The Angkor Archaeological Park is mind boggingly massive! It took us 45 minutes by car to reach the pink sandstone temple of Banteay Srei in one corner of the park! The distances involved when moving between the various temples are all the same.....huge! Ankor Wat itself covers an enormous area but hugely impressive. It shows the power of this place when you get to the entrance at 5:00am to watch the sunrise and there are already hundreds of people there! And it happens every day of the year apparently. Although hordes of people can bug you sometimes, the collective enjoyment factor seems to override that here, the place is just so awe inspiring.
We really enjoyed Cambodia, we wished we had spent more time there, we only met a few people but they all seemed to have more of that charm of the Burmese people. Cambodia has had an extremely troubled past, the war didn't end until 1998 and everybody appears to have been tainted by it. Our guide lost 15 of his immediate relatives to it, and a lot of people seem to have similar horrific tales to tell. The landmine museum we visited was a poignant reminder of those days and our guide was obviously quite emotional in his rendering of the museum's history and the people involved in it. As a result of the regime's slaughter of all the ruling elite including politicians, teachers, scholars and intellectuals Cambodia was left backward in the rapidly growing economy of south east Asia. They are moving in the right direction now, albeit slowly, and we both felt we should have spent more time there and given them more of the benefit of our tourist dollar.
Of all the other places we visited, Da Nang, Hoi An, Hue, Tam Coc, Mai Chau Valley, Hanoi and Halong Bay, Mai Chau Valley was like an oasis in a sea of traffic, busy people and tourists. When you look down at the valley from the main photo vantage point it has the look of the promised land, a lush green place nestling in the surrounding mountains.
We had a couple of lovely walks around here over two days enjoying the beatiful landscape and meeting a few of the local people. We realised afterwards that we should have stayed away from the cities and done more of this sort of stuff. We stopped and spoke to a lovely 68 year old lady in Mau Chau vilage, there was nothing to her she looked so thin and frail. She told us, interpreted by our guide, that her husband left when she was 36 years old and because of the culture she was never allowed to be with another man after that. Her only daughter was married at around the same time and again the culture dictates that she moved to the husband's village which was in south Vietnam. Her daughter is extremely poor and travel for local people is so expensive that it is extremely unlikely she will ever see her mother again. A small story but one that is probably played out a lot in this country. This amazing lady took us back to the one room brick built house with a small garden no bigger than your average shed that she now lives in. She managed to build it with help from the villagers who all seem to look after each other extremely well, so at least she now has somewhere dry to live. She was so welcoming though and showed us how she cooks, where she sleeps and the small garden she tends, it was without doubt the most touching moment of our holiday and one we will always remember.
If you like busy cities then Hanoi is probably a better option than Saigon, it has an old quarter that is strangely quaint for a big city, is a lot more photogenic and a nicer place to be. We were never taken to new Hanoi so I guess it's probably just like Saigon.
Halong Bay was the main inspiration to visit Vietnam in the first place. I saw photo's of this place back in 2014 when searching for more of the limestone karst scenery we had seen in Thailand's Phang Nga Bay on a previous holiday. The boat trip with an overnight stay was the holiday finale and supposed to be one of the highlights. I mistakenly thought we would be touring around Halong Bay the whole time....a foolish assumption! We sailed for about 30 minutes, during which time we had a briefing and some food, then we dropped anchor and that was it! It turned out to be more of a booze cruise, with kayaking, happy hour, games, karaoke and Tai Chi in the morning! Oh my God, what a waste! This place is massive and to just sail into it for half an hour seemed ridiculous to us. I know a lot of it looks the same but as a photographer you are looking for those subtle differences in composition and quality of light that make great photographs. You can't get that when you are sat in the same spot. I managed to get some reasonable photographs but overall, disappointing.....again!
As I write this back in the UK, I've just finshed post processing our holiday photo's after around four weeks work. Originally, because of the dull weather we had, I thought they were not going to be a patch on the photo's from Myanmar last year, but I have been pleasantly surprised. I am constantly amazed at what you can pull out of seemingly dull photographs with the help of Lightroom, Topaz Labs and Photomatix for HDR. Back in the days of film I used to love the punchy colours you could get on a sunny day with the help of a polarizing filter and Kodachrome 25! Nowadays with the help of modern software it's possible to get so much colour into photographs almost out of nowhere! I love making 'impression' type of pictures where the photo is transformed into a sort of painting....used judiciously they conjure up more of the feeling of a place than a straight photo. Those plus the power of HDR photography and Topaz Labs give our holiday snaps a warmth and colour that maybe isn't true to life but always makes them look amazing! No wonder we got suckered into doing another touring holiday.....the photo's just look so good!
A word about Mango Journeys, they were amazing. All the guides were there to greet us and look after us wherever we went and they all seemed to enjoy their work, which always helps. Everything on the itenerary worked out OK.....in the end! We had one hiccup where we missed our flight from Cambodia back into Vietnam but Warren stepped in at 9:00pm at night and got us on another flight and into a hotel without too much bother and no extra charge. As it was our first visit to Vietnam Mango tried to give us a bit of everything I guess, stuff that most tourists want to see. In hindsight and learning from our Burma trip last year we should have really studied the itinerary and made sure it included what WE wanted to do, especially staying away from big cities! We are quite new to touring so it's a learning process.
Our next holiday? As soon as we got home we knew we 'needed a holiday' it had been so busy with a lot of travelling. We booked a week on Veligandu in the Maldives at Easter! Back to our favourite place in the world! Not only that we decided to put touring on hold for a while and booked two weeks on Filitheyo for Christmas. Back to just sunbathing, snorkelling, scuba diving and chilling! Heaven!
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To view the rest of my Photography Collection click on Link below:
www.flickr.com/photos/nevillewootton/albums
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Photography & Equipment sponsored by my web business:
We are UK's leading Filter Specialists, selling online to the Plant, Agricultural, Commercial Vehicle and Marine Industries.
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PLEASE NOTE: I take Photographs purely as a hobby these days so am happy to share them with anyone who enjoys them or has a use for them. If you do use them an accreditation would be nice and if you benefit from them financially a donation to www.sightsavers.org would be really nice.
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Become Part of the Solution (POS)... make new friends at www.WeChat3.com
Earth Hour at the 3 Finger Club LOHHAS Lifestyle Lounge
Lights were out between 8:30 and 9:30 while we told stories and discussed our Lifestyle Of Health, Happiness And Sustainability (LOHHAS) using the 3 Finger "Peace Plus One" Sustainability Salute to remind us about Peace, Harmony and Balance between Society, Environment and Economy
People were the best jugglers of "Society, Environment, Economy" balls won "EARTH HOUR 60" T-Shirts WOW \!/O\!/
Photo Courtesy of the McMaster Institute for Sustainable Development in Commerce
all participants in the Earth Hour Discussion got a copy of "Letter to Maddie" featured below:
We Screwed Up
A Letter of Apology to My Granddaughter
By Chip Ward
[Note: I became politically active and committed on the day 20 years ago when I realized I could stand on the front porch of my house and point to three homes where children were in wheelchairs, to a home where a child had just died of leukemia, to another where a child was born missing a kidney, and yet another where a child suffered from spina bifida. All my parental alarms went off at once and I asked the obvious question: What’s going on here? Did I inadvertently move my three children into harm’s way when we settled in this high desert valley in Utah? A quest to find answers in Utah’s nuclear history and then seek solutions followed. Politics for me was never motivated by ideology. It was always about parenting.
Today my three kids are, thankfully, healthy adults. But now that grandchildren are being added to our family, my blood runs cold whenever I project out 50 years and imagine what their world will be like at middle age -- assuming they get that far and that there is still a recognizable “world” to be part of. I wrote the following letter to my granddaughter, Madeline, who is almost four years old. Although she cannot read it today, I hope she will read it in a future that proves so much better than the one that is probable, and so terribly unfair. I’m sharing this letter with other parents and grandparents in the hope that it may move them to embrace their roles as citizens and commit to the hard work of making the planet viable, the economy equitable, and our culture democratic for the many Madelines to come.]
March 20, 2012
Dear Maddie,
I address this letter to you, but please share it with Jack, Tasiah, and other grandchildren who are yet unborn. Also, with your children and theirs. My unconditional love for my children and grandchildren convinces me that, if I could live long enough to embrace my great-grandchildren, I would love them as deeply as I love you.
On behalf of my generation of grandparents to all of you, I want to apologize.
I am sorry we used up all the oil. It took a million years for those layers of carbon goo to form under the Earth’s crust and we used up most of it in a geological instant. No doubt there will be some left and perhaps you can get around the fact that what remains is already distant, dirty, and dangerous, but the low-hanging fruit will be long-gone by the time you are my age. We took it all.
There’s no excuse, really. We are gas-hogs, plain and simple. We got hooked on faster-bigger-more and charged right over the carrying capacity of the planet. Oil made it possible.
Machines are our slaves and coal, oil, and gas are their food. They helped us grow so much of our own food that we could overpopulate the Earth. We could ship stuff and travel all over the globe, and still have enough fuel left to drive home alone in trucks in time to watch Monday Night Football.
Rocket fuel, fertilizer, baby bottles, lawn chairs: we made everything and anything out of oil and could never get enough of it. We could have conserved more for you to use in your lifetime. Instead, we demonstrated the self-restraint of crack addicts. It’s been great having all that oil to play with and we built our entire world around that. Living without it will be tough. Sorry.
I hope we develop clean, renewable energy sources soon, or that you and your generation figure out how to do that quickly. In the meantime, sorry about the climate. We just didn’t realize our addiction to carbon would come with monster storms, epic droughts, Biblical floods, wildfire infernos, rising seas, migration, starvation, pestilence, civil war, failed states, police states, and resource wars.
I’m sure Henry Ford didn’t see that coming when he figured out how to mass-produce automobiles and sell them to Everyman. I know my parents didn’t see the downside of using so much gas and coal. The all-electric house and a car in the driveway was their American Dream. For my generation, owning a car became a birthright. Today, it would be hard for most of us to live without a car. I have no idea what you’ll do to get around or how you will heat your home. Oops!
We also pigged out on most of the fertile soil, the forests and their timber, and the oceans that teemed with fish before we scraped the seabed raw, dumped our poisonous wastes in the water, and turned it acid and barren. Hey, that ocean was an awesome place and it’s too bad you can’t know it like we did. There were bright coral reefs, vibrant runs of red salmon, ribbons of birds embroidering the shores, graceful shells, the solace and majesty of the wild sea…
…But then I never saw the vast herds of bison that roamed the American heartland, so I know it is hard to miss something you only saw in pictures. We took lots of photos.
We thought we were pretty smart because we walked a man on the moon. Our technology is indeed amazing. I was raised without computers, smart phones, and the World Wide Web, so I appreciate how our engineering prowess has enhanced our lives, but I also know it has a downside.
When I was a kid we worried that the Cold War would go nuclear. And it wasn’t until a river caught fire near Cleveland that we realized fouling your own nest isn’t so smart after all. Well, you know about the rest -- the coal-fired power plants, acid rain, the hole in the ozone...
www.tomdispatch.com/images/managed/fear2.gifThere were plenty of signs we took a wrong turn but we kept on going. Dumb, stubborn, blind: Who knows why we couldn’t stop? Greed maybe -- powerful corporations we couldn’t overcome. It won’t matter much to you who is to blame. You’ll be too busy coping in the diminished world we bequeath you.
One set of problems we pass on to you is not altogether our fault. It was handed down to us by our parents’ generation so hammered by cataclysmic world wars and economic hardship that they armed themselves to the teeth and saw enemies everywhere. Their paranoia was understandable, but they passed their fears on to us and we should have seen through them. I have lived through four major American wars in my 62 years, and by now defense and homeland security are powerful industries with a stranglehold on Congress and the economy. We knew that was a lousy deal, but trauma and terror darkened our imaginations and distorted our priorities. And, like you, we needed jobs.
Sorry we spent your inheritance on all that cheap bling and, especially, all those weapons of mass destruction. That was crazy and wasteful. I can’t explain it. I guess we’ve been confused for a long time now.
Oh, and sorry about the confusion. We called it advertising and it seemed like it would be easy enough to control. When I was a kid, commercials merely interrupted entertainment. Don’t know when the lines all blurred and the buy, buy, buy message became so ubiquitous and all-consuming. It just got outta hand and we couldn’t stop it, even when we realized we hated it and that it was taking us over. We turned away from one another, tuned in, and got lost.
I’m betting you can still download this note, copy it, share it, bust it up and remake it, and that you do so while plugged into some sort of electrical device you can’t live without -- so maybe you don’t think that an apology for technology is needed and, if that’s the case, an apology is especially relevant. The tools we gave you are fine, but the apps are mostly bogus. We made an industry of silly distraction. When our spirits hungered, we fed them clay that filled but did not nourish them. If you still don’t know the difference, blame us because we started it.
And sorry about the chemicals. I mean the ones you were born with in your blood and bones that stay there -- even though we don’t know what they’ll do to you). Who thought that the fire retardant that kept smokers from igniting their pillows and children’s clothes from bursting into flames would end up in umbilical cords and infants?
It just seemed like better living through chemistry at the time. Same with all the other chemicals you carry. We learned to accept cancer and I guess you will, too. I’m sure there will be better treatments for that in your lifetime than we have today. If you can afford them, that is. Turning healthcare over to predatory corporations was another bad move.
All in all, our chemical obsession was pretty reckless and we got into that same old pattern: just couldn’t give up all the neat stuff. Oh, we tried. We took the lead out of gasoline and banned DDT, but mostly we did too little, too late. I hope you’ve done better. Maybe it will help your generation to run out of oil, since so many of the toxic chemicals came from that. Anyway, we didn’t see it coming and we could have, should have. Our bad.
There are so many other things I wish I could change for you. We leave behind a noisy world. Silence is rare today, and unless some future catastrophe has left your numbers greatly diminished, your machines stilled, and your streets ghostly empty, it is likely that the last remnants of tranquility will be gone by the time you are my age.
And how about all those species, the abundant and wondrous creatures that are fading away forever as I write these words? I never saw a polar bear and I guess you can live without that, too, but when I think of the peep and chirp of frogs at night, the hum of bees busy on a flower bed, the trill of birds at dawn, and so many other splendorous pleasures that you may no longer have, I ache with regret. We should have done more to keep the planet whole and well, but we couldn’t get clear of the old ways of seeing, the ingrained habits, the way we hobble one another’s choices so that the best intentions never get realized.
Mostly I’m sorry about taking all the good water. When I was a child I could kneel down and drink from a brook or spring wherever we camped and played. We could still hike up to glaciers and ski down snow-capped mountains.
Clean, crisp, cold, fresh water is life’s most precious taste. A life-giving gift, all water is holy. I repeat: holy. We treated it, instead, as if it were merely useful. We wasted and tainted it and, again in a geological moment, sucked up aquifers that had taken 10,000 years to gather below ground. In my lifetime, glaciers are melting away, wells are running dry, dust storms are blowing, and rivers like the mighty Colorado are running dry before they reach the sea. I hate to think of what will be left for you. Sorry. So very, very sorry.
I’m sure there’s a boatload of other trouble we’re leaving you that I haven’t covered here. My purpose is not to offer a complete catalog of our follies and atrocities, but to do what we taught your parents to do when they were as little as you are today.
When you make a mistake, we told them, admit it, and then do better. If you do something wrong, own up and say you are sorry. After that, you can work on making amends.
I am trying to see a way out of the hardship and turmoil we are making for you. As I work to stop the madness, I will be mindful of how much harder your struggles will be as you deal with the challenges we leave you to face.
The best I can do to help you through the overheated future we are making is to love you now. I cannot change the past and my struggle to make a healthier future for you is uncertain, but today I can teach you, encourage you, and help you be as strong and smart and confident as you can be, so that whatever the future holds, whatever crises you face, you are as ready as possible. We will learn to laugh together, too, because love and laughter can pull you through the toughest times.
I know a better world is possible. We create that better world by reaching out to one another, listening, learning, and speaking from our hearts, face to face, neighbor to neighbor, one community after another, openly, inclusively, bravely. Democracy is not a gift to be practiced only when permitted. We empower ourselves. Our salvation is found in each other, together.
Across America this morning and all around the world, our better angels call to us, imploring us to rise up and be as resilient as our beloved, beautiful children and grandchildren, whose future we make today. We can do better. I promise.
Your grandfather,
Chip Ward
Model: Vanessa Galway
Make up: Nieve negra
New facebook page...check it out!
www.facebook.com/pages/Nat-Enemede-Photography/1622094138...
Sealed March 31, 2007.
As of August 1, 2007 the ghost shrimp is still active and snails can be seen around the side of the glass.
It takes two to make a murder. There are born victims, born to have their throats cut, as the cut-throats are born to be hanged.
Aldous Huxley
L'homme est dérangé. Surtout les photographes modernes. Ils se font plaisir en s'offrant du matériel de haute qualité et arrivés à la maison ils ajoutent du flou... du bruit...
Avant hier j'ai regardé quelques photos de mon fils que ma petite femme a fait développer et celles qui m'ont le plus plut sont celles qui avaient des défauts, le charme n'était pas du tout le même.
Faut que je consulte
These are the Primal Deities that make up the Monsgnarl Pantheon, a group of evil deities that has maintained a firm domination of the Omega Octant planet Proolycoles, and its humanoids, the Huplegrars, for all of recorded history, back to before the Relative Calendar was invented. These deities are particularly malicious, ruthless and corruptive, as well as ancient, and there are five main ones, one representing each class of Primal Deity. These five were all present at the Pantheon's formation, and are the only deities who have consistently been part of it ever since. Other Primal Deities have joined the Monsgnarl Pantheon at various points in time, but all of them end up either leaving or being vanquished after some time. Currently, the Pantheon consists of only the main five, and has been this way for over a century. All attempts to retake planet Proolycoles from them, even those involving angels, have failed. The planet and its inhabitants, which are now severely and irreversibly corrupted, are now considered beyond help, and the "Monsgnarls" (as the deities are sometimes called) remain an active and significant threat to the rest of the Prime Galaxy, though they do not currently control any other planets in the same way they do Proolycoles.
• Dif'Elarah: The Elemental–Class deity among the group. Dif'Elarah is an electricity and lightning–based extra–corporeal being that identifies itself as female, though "she" exhibits few to no stereotypically feminine traits and is not associated with sexuality (which most "female" Primal Deities are), actually being the least perverted of the Monsgnarls. Her form stands nearly twenty feet tall, and is partially extra–corporeal and partially sub–corporeal. The sub–corporeal portions of her body are those that appear to be made of blue electric energy, and which are semi–amorphous; the ends of her "arms" can take the forms of either "hands" with multiple "fingers" or singular daggers of energy. Sparking bolts of lightning constantly spout and fume from the top and sides of her head, and her whole body rests upon a floating vortex of red–hot electricity. Physical contact with any part of her body is hazardous to one's health and is not advised. Dif'Elarah has the ability to dissipate into thin air and reappear within seconds at any point of her choosing within several miles. She can also transfer her essence into clouds, of which there are lots floating around the skies of Proolycoles at all times, which she then takes control over and induces the phenomenon of lightning in. She frequently commandeers clouds either to strike people down (something that only divine beings have the right to do), or to clear out patches of land for use as agricultural fields or sites for buildings, in a practice reminiscent of the ancient agricultural technique of "slash–and–burn". Dif'Elarah is considered the "guardian" of the planet Proolycoles from intruders who wish to overthrow the Monsgnarls, and whom she strikes down from the clouds (although she has also been known to do this to Huplegrars who are either "nonbelievers" or are otherwise considered liabilities, and possibly to random Huplegrars simply for fun), and also the goddess of agriculture, even though she is still a destructive force rather than a creative one even when she helps clear out fields. The durability value of Dif'Elarah's body is 15,000.
• Mias'Cento: The Mage–Class deity among the group. Mias'Cento is "male", and has a very humanoid form almost resembling that of the Aspimean, and a headpiece that represents the "head" of this facsimile of a mortal body. He has four independently–floating arms, although the lower pair could alternatively and easily be seen as representing legs. Instead of his entire headpiece being organic and vulnerable, the only truly living part of Mias'Cento's body is the exposed "brain" within his head. He speaks in a mischievous–sounding and moderately high–pitched voice, which emits through the grinning "teeth" on his upper–upper body, despite him having another, separate set of "teeth" immediately above these. Of course, neither are actually used for eating, which a Primal Deity is "above" the need to do. The purple glow surrounding the floating parts that make up his body is particularly bright and strong.
Mias'Cento's voice is indicative of his type of personality, but does not convey the extreme nature of this personality: he is a malicious trickster and prankster who often goes around casting harmful spells upon unsuspecting Huplegrars, most of which alter the bodies of their victims in some way, usually permanently. The effects of such spells range from non–beneficial mutations and severe scarring to (sometimes deadly) sickness and even transformation into inanimate objects (in which case the victim's consciousness remains alive within the object they have been turned into, only being released when the object is destroyed to a sufficient extent). Despite the horrific nature of some of these spells, to be changed by Mias'Cento is considered an "honor" by the Huplegrars. He even has a spell that can turn Huplegrars into other humanoid races, though the effects of this particular spell are temporary, and even then it is one of the hardest spells for the deity to cast, as it is so drastic and complex. Note that the greater the preexisting influence of Primal Deities on an individual, the more vulnerable they are to Mias'Cento's magic; since the Huplegrars are so utterly dominated by the Monsgnarls, he can do practically whatever he wants to them, but it is much harder for him to affect non–Huplegrars, and those who are closest to God are virtually immune.
To compensate for his openly antagonistic nature towards his own subjects, Mias'Cento is very open to granting "wishes" in exchange for favors and offerings that are less substantial than what most other wish–granting deities would demand for the same services.
Mias'Cento has been quoted several times as saying that he knows a dark secret relating to humanoids in general, and he laughs out loud whenever he mentions this. However, he has never revealed to anyone else, including his fellow deities, exactly what this alleged secret is.
Mias'Cento's (or rather, his brain's) durability value is 15,000 (making it one tough freaking brain!). This durability value is the same as Dif'Elarah's, and the two are fairly evenly–matched in other areas as well.
• Set'Ibutal: The Guardian–Class deity among the group. Set'Ibutal is extremely masculine and is one of the most distinctly humanoid Primal Deities ever, having a full, grounded body with both arms and legs. His form stands more than twenty feet tall, and is hunchbacked. Unlike most Guardian–Class deities, Set'Ibutal does more than just going around looking for challengers who seek to claim his artifact, the Gnarly Sword of Bursting, a large two–handed blade that, in addition to being supernaturally sharp and durable, sometimes creates small, controlled explosions upon impact with a foe's body. He is the leader of Proolycoles' warrior caste, which is equivalent to a military, and personally puts all Huplegrar warriors, who are assigned to that caste at birth based on being the most physically fit and promising among the population's infants by Junt'Vubis, through a rigorous, harsh and sometimes deadly training regime starting at the tender age of just four years. Set'Ibutal teaches them to be pitiless, vicious and brutally pragmatic in battle, and makes them push their bodies beyond their natural limits in order to build them up to great strength. Were he an angel and had more compassion, he would probably be the universe's greatest personal trainer. However, as it is he is evil and cruel like the other Monsgnarls, and frequently ends up getting his subjects killed, which he feels no remorse for, believing that they deserved to die for being weak and failing to live up to their destiny as warriors, and teaching his other subjects to think in the same way. At the age of fourteen, every young Huplegrar warrior who has survived all of Set'Ibutal's torturous training over ten whole years must face one more, final test from him to earn freedom and the respect and honor of being a full–fledged warrior: facing the deity in combat. During these fights, which are fought unarmed by both participants, Set'Ibutal deliberately uses only a fraction of his true power, and ends the fight when his opponent and subject has either fared well enough against him and landed enough blows to prove their worthiness, or is dead. Less than half of all Huplegrars who are assigned to the warrior caste survive all of Set'Ibutal's training; the majority of those who don't die during the final test of fighting him.
Set'Ibutal also personally leads all fully–qualified warriors who have survived his training during times of actual war, which are rare on Proolycoles, but which he actually, personally fights in when they do happen.
When he is not busy training warrior youth or fighting off planetary intruders, Set'Ibutal seeks those who believe themselves powerful and worthy enough to challenge him in full–out combat to the death, in which the deity does not hold back, over the Gnarly Sword of Bursting. He has "died" seven times, being defeated in one–on–one combat by freakishly powerful Huplegrar warriors who then claimed his artifact six of those times, and being slain by angels, who were later overpowered and killed by the other Monsgnarls and their forces, the other time. Like other Guardian–Class deities, Set'Ibutal is reborn when the individual who has defeated him and inherited his weapon dies and their soul becomes part of his consciousness. When he was killed by angels, said angels actually destroyed the Gnarly Sword of Bursting, hoping that doing so would vanquish the deity completely. However, he and his sword resurrected three years, two cycles and sixteen days later. This was subsequently discovered to be the "respawn time" for all Guardian–Class deities whose artifacts and bodies are both destroyed.
Set'Ibutal's durability value is 20,000.
• Junt'Vubis: The Serpentine–Class deity among the group, the leader of the Monsgnarl Pantheon, and also, appropriately, the most powerful Monsgnarl. Junt'Vubis is very large and heavy, and has a corporeal, organic form rather than one made of enchanted, possessed stone. He was always a Serpentine–Class deity, and never an Idol. He resides at all times in his throne room at the top of a 200–foot–tall golden–plated ziggurat that was built for him over a millennium ago at the center of the Huplegrars' capital city of Yeppus, which was also constructed under the Serpentine's supervision. Physically, Junt'Vubis is noted for the peculiar position in which he sits upon his belly, and for his very long, blue–haired neck. He has four arms, the lower pair of which has hands on both ends, and six symbolic dead insect wings on his back. His main power is telekinesis; in this very picture he is shown levitating several stones with the power of one arm, but that does not even begin to adequately illustrate the extent of his powers. If he wanted, Junt'Vubis could lift the entire golden structure atop which he sits into the air, tearing it out of the ground in which it is deeply and securely rooted. He can also telekinetically move living things and their body parts, both external and internal, and can indeed cause the internal organs of any normal humanoid within several miles of him to explode on a whim. Junt'Vubis can speak both externally and telepathically, and he has complete knowledge of every single word in both the English and Proolignarlish languages.
He is effectively the emperor of planet Proolycoles. All newborn Huplegrars are brought to him to be judged and placed into one of six castes: slave, peasant, citizen, aristocrat, prince or warrior. The first five of these castes are linear ranks, in order from lowest to highest, while the "warrior" caste is special. Any child that Junt'Vubis deems unfit for even the "slave" caste is devoured by him on the spot, being swallowed whole and dissolved instantaneously by his stomach acids, which are exponentially stronger than those of any mortal being. It has been suggested by multiple sources that he sometimes eats babies not because he actually considers them unfit to live, but because he likes to do so and/or because they are particularly satiating to his supernatural hunger. Aside from infants, Junt'Vubis also eats many other "foods", including both actual foods and inedible objects. Five meals are delivered to him daily by his personal slaves.
Junt'Vubis possesses a durability value of about 40,000. It would be accurate to call him the single most infamous Primal Deity in the Nava–Verse.
• Ness'Qilob: The Idol–Class deity among the group. Ness'Qilob is considered the weakest of the main five, and is certainly the dumbest. It is also the only completely genderless Monsgnarl, and the only one with Tikis: Frustration, Hunger and Violation. Its body is decorated mainly in greenish and purplish colors, and it has four tentacles coming out of its sides which serve as "arms", can extend and stretch to several times their natural length, and have millions of microscopic feelers on them. Its offensive abilities include laser beams of strength on par with the most advanced current humanoid–made energy weapons.
Ness'Qilob's "house" is a silver–plated altar in the center of a forest just to the West of Yeppus. A pathway has been cleared out through this forest leading up to said altar, where the Idol loiters around most of the day, often wandering off into other parts of the forest to eat the animals and chew on the trees. Huplegrars occasionally give or leave it offerings, which are absorbed into the deity's essence via route of consumption through its large, gapingly open mouth. Sometimes, random objects, usually food, come back up out of the mouth for people to take after multiple offerings are placed into the mouth at once. However, these objects are always of lesser value than the things that Ness'Qilob was just given.
Ness'Qilob is, as mentioned above, not very smart. It lacks the devious cunning and comprehensive, obscure knowledge that most Primal Deities possess, instead being a simple creature with simple, carnal desires that is content to act as a mere servant to Junt'Vubis, who uses it as a pet and enforcer. Its altar was deliberately built so that it would be just within the range of Junt'Vubis' telepathy, allowing him to summon Ness'Qilob at his leisure. The leader of the Monsgnarls frequently calls to it and orders it to bring him seemingly random things that he wants but which are located far away and would be difficult for his Huplegrar servants to fetch (not that they wouldn't be willing to try). Ness'Qilob is particularly ideal for fetching unusual things because of its photographic knowledge and memory of Proolycoles' entire layout, including where various things can generally be found, despite otherwise being lacking in the mental area. In exchange for doing him these periodic favors, Junt'Vubis gives Ness'Qilob free access to all female Huplegrars among the slave caste, and allows it to molest them with its tentacles, which they usually enjoy due to their own innate perversion which is a result of the Monsgnarls' general corruption. Surprisingly, Ness'Qilob only takes advantage of this privilege occasionally, rather than all the time.
Ness'Qilob has a durability value of 18,000.
Olá meninas, tudo bem?? No domingo meu marido me chamou para ver o comercial do Boticário onde apareciam esmaltes que seriam lançados na segunda-feira. Meus olhinhos como sempre brilharam é claro. Na própria segunda-feira, fui no Boticário e comprei 4 das cinco cores que foram lançadas. A primeira que escolhi para usar foi esta que é uma gracinha. Estou apaixonada. Achei um esmalte fácil de passar e com secagem bem rápida. O vidrinho é lindo. O que vocês acharam? Bom final de semana e bjs à todas!!
issue one out Stateside 9th June at Barnes & Nobles and Joanns...
'tis a good read for crafty souls :)
The Cantonese theater (粵劇) is one of a remainder of traditional art in HK. Let's make up to "做大戲". @Hong Kong History Museum
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Canon EOS 5DmkII + Lens Baby Composer
More details about 做大戲
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All hearts received...so here they are.....and if you look closely, you may be able to spot a little dog in each one..... :o)
Make sure you snap a few pics over the holidays. Cameras work better clicking away, than they do put away ;)
Lembro que usei:
Base mousse maybelline
Studio fix
Corretivo amarelo contem
Select Moisturecover
Blush EDM Jump Rose (LINDO DE MORREEEEEEEEEER)
"We all have our own life to pursue, our own kind of dream to be weaving, and we all have the power to make wishes come true, as long as we keep believing."
-- Louisa May Alcott
Inspired by the Make:Tabletop Biosphere, these are the ingredients of my 1.5L BioJar.
I also made a short video on the inhabitants.
Creative Commons Attribution should be a link to: cephalopodcast.com