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por favor diga sua opinião sobre o meu trabalho :)
please tell your opinion about my work :)
Contact: azzi.fotografia@gmail.com
Cliente: Nova Estetic. PREMIO MANUEL LÓPEZ PARRAS DE ILUSTRACIÓN (XIII Premios AEPD de Diseño)
www.flickr.com/photos/proyectolimon/2822265312/in/set-721...
Seleccionada en el Cown Festival y expuesta en el Showroom de la Biblioteca Central de la ciudad de Dnipropetrovsk (Ucrania) en abril de 2008.
Selected in Cown Festival and exposed in the Showroom of the Central Library of the city of Dnipropetrovsk (the Ukraine) in April of 2008.
www.flickr.com/photos/proyectolimon/2692951052/in/set-721...
Expuesto en la galería de ICOGRADA (International Council of Graphic Design Asociations), 2008.
Exposed in the ICOGRADA gallery (International Council of Graphic Design Asociations), 2008.
www.icograda.com/feature/galleria/galleria370 .htm
Expuesto en "Diseñamos. Razón aquí" en EOI, Escuela de Organización Industrial.
Exposed in "Diseñamos. Razón aquí" in EOI, Escuela de Organización Industrial.
While shooting the publicity shot was an interesting diversion, I MUCH prefer documenting the live action.
Actors prepare for dress rehearsal. Pioneer Theater Guild's production of Museum (a comedy about Modern Art) opens Friday night in the Little Theater.
Those of you who pay attention might remember me saying a few weeks ago that St Peter is one of the nearest churches to our house, in fact we can see it from our front garden, and yet I have never been inside.
And so a few weeks ago I decided to make a concerted effort to try to get in and to photograph it.
I spoke with a neighbour about this, as he is a warden at St Margaret's of Antioch, and remarked that a lady living nearby who regularly walked her dogs along our street was a warden at St Peter. This left me the simple task of waiting until I next saw her walking the dogs, 'accidently' go and speak to her and raise the subject
Not only could I get the key from her, but I could also get it at another location, that because of thefts they don't like to publicise, so no one knows or could find out. So, saturday afternoon I get the key, let myself in and snap it.
a church well worth waiting to see, but not 5 years I fear....
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WEST CLIFFE
IS so called from its situation westward of the adjoining parish of St. Margaret at Cliffe last described, and to distinguish it from that of Cliff at Hoo, near Rochester.
THIS PARISH lies very high on the hills, and much exposed; it is partly inclosed and partly open, arable and pasture downs; it extends to the high chalk cliffs on the sea shore, and the South Foreland on them, where the light-house stands. The high road from Dover to Deal leads through it. Its greatest extent is from north to south, in the middle of which stands the church, and village adjoining to it. As well as the adjoining parishes it is exceedingly dry and healthy, the soil is mostly chalk, notwithstanding which there is some good and fertile land in it. The height and continuance of the hills, and the depth and spacious width of the valleys, added to a wildness of nature, which is a leading feature throughout this part of the country, contribute altogether to its pleasantness; and the variety of propects, as well over the adjoining country, as the sea, and the coast of France beyond it, are very beautiful.
THE MANOR OF WEST CLIFFE, alias WALLETTSCOURT, was, in the time of the Conqueror, part of those possessions with which he enriched his halfbrother Odo, bishop of Baieux, and earl of Kent, under the general title of whose lands it is thus entered in the survey of Domesday, taken in the 15th year of that reign:
Hugo (de Montfort) holds of the bishop, Westclive. It was taxed at two sulings. The arable land is. . . . . In demesne is one carucate, and seventeen villeins, having two carucates. In the time of king Edward the Con sessor it was worth eight pounds, when he received it six pounds, now eight pounds. Of this manor Hugo de Montfort holds two mills of twenty-eight shilings. Edric held it of king Edward.
Four years afterwards the bishop was disgraced, and all his possessions were confiscated to the crown, upon which this manor was granted to Hamon de Crevequer, a man of much note at that time, who was succeeded in it by the eminent family of Criol, and they continued in the possession of it in the reign of king Henry III. in the 48th year of which, John de Criol, younger son of Bertram, died possessed of it, leaving Bertram his son and heir, and he alienated it to Sir Gilbert Peche. He soon afterwards conveyed it to king Edward I. and Eleanor his queen, for the use of the latter, who died possessed of it in the 19th year of that reign. How long it afterwards continued in the crown I have not found; but in the 20th year of king Edward III. Gawin Corder held it by knight's service of the honor of Perch, viz. of the constabularie of Dover castle.
Sir Gawin Corder possessed this manor only for life, for the next year the king granted the reversion of it to Reginald de Cobham for his services, especially in France, being the son of John de Cobham, of Cobham, by his second wife Joane, daughter of Hugh de Nevill. (fn. 1) His son Reginald was of Sterborough castle, whence all his descendants were called of that place.
Reginald de Cobham, his son, possessed this manor, whose eldest surviving son Sir Thomas Cobham died possessed of this manor held in capite, in the 11th year of king Edward IV. leaving an only daughter and sole heir Anne, who carried it in marriage to Sir Edward Borough, of Gainsborough, in Lincolnshire, (fn. 2) the lands of whose grandson Thomas, lord Burgh, were disgavelled by the act passed in the 31st year of king Henry VIII. His son William, lord Burgh, succeeded to it, holding it in capite, and in the 15th year of queen Elizabeth alienated it to Mr. Thomas Gibbon, who resided here; and it should be observed that though the coat of arms assigned to the Gibbons, of Westcliffe, by Sir William Segar, Sable, a lion rampant, guardant, or, between three escallops, argent—bears a strong resemblance to that assigned by him to the Gibbons, of Rolvenden, and is identically the same as those allowed to the Gibbons of Frid, in Bethersden, who were undoubtedly a branch of those of Rolvenden, yet I do not find any affinity between them; but I should rather suppose, these of Westcliffe were descended of the same branch as those of Castleacre abbey, in Norfolk; Matthew, the eldest son of Thomas Gibbon, the purchaser of this manor, rebuilt this seat in 1627, as the date still remaining on it shews. He resided in it, as did his several descendants afterwards down to Tho. Gibbon, gent. (fn. 3) who in 1660 sold it to Streynsham Master, esq. and he alienated it to admiral Matthew Aylmer, afterwards in 1718 created lord Aylmer, of the kingdom of Ireland, whose descendant Henry, lord Aylmer, devised it to his youngest son the Hon. and Rev. John Aylmer, and he alienated it to George Leith, esq. of Deal, who passed it away by sale to the two daughters and coheirs of Mr. Thomas Peck, surgeon, of Deal; they married two brothers, viz. James Methurst Pointer, and Ambrose Lyon Pointer, gentlemen, of London, and they are now, in right of their wives, jointly entitled to this manor.
BERE, or BYER-COURT, as it is sometimes written, situated in the southern part of this parish, was once accounted a manor, and was parcel of the demesnes of a family of the same name; one of whom, William de Bere, was bailiff of Dover in the 2d and 4th years of king Edward I. After this name was extinct here, this manor passed into the name of Brockman, and from thence into that of Toke, a family who seem before this to have been for some time resident in Westcliffe, (fn. 4) and bore for their arms, Parted per chevron, sable and argent, three griffins heads, erased and counterchanged. John Toke, a descendant of the purchaser of this manor in the fourth generation, lived here in the reigns of king Henry V. and VI. as did his eldest son Thomas Toke, esq. who by Joane, daughter of William Goldwell, esq. of Godington, in Great Chart, whose heir-general she at length was, had three sons, Ralph, who succeeded him in the family seat of Bere; Richard, who died s. p. and John, the youngest, who had the seat and estate of Godington, where his descendants remain at this time. Ralph Toke, esq. the eldest son above-mentioned, resided at Bere in king Henry VIII.'s time, in whose descendants this manor continued till the latter end of the last century, when Nicholas Tooke, or Tuck, as the name came then to be spelt, dying possessed of it, his heirs conveyed it afterwards by sale to the trustees of George Rooke, esq. of St. Laurence, who died possessed of this estate, which had long before this lost all the rights of having ever been a manor, in 1739, s. p. leaving it to his widow Mrs. Frances Rooke, (fn. 5) who alienated it to Thomas Barrett, esq. of Lee, who died in 1757, and his only son and heir Thomas Barrett, esq. of Lee, is the present owner of it. (fn. 6)
SOLTON is an estate in the northern part of this parish, which was once accounted a manor; it was part of the possessions of Odo, bishop of Baieux, under the general title of whose lands it is entered in the survey of Domesday, as follows:
Hugo (de Montfort) holds Soltone of the bishop. It was taxed at one suling. The arable land is . . . . . In demesne there is one carucate, and three villeins, with one borderer, paying four shillings and seven pence. In the time of king Edward the Consessor, it was worth fifteen ponnds, and afterwards and now thirty shillings. In this manor Godric dwelt, and holds twenty acres as his own fee simple.
Four years after the taking of the above survey, the bishop was disgraced, and all his possessions were confiscated to the crown.
Soon after which this manor was granted to Jeffry de Peverel, and together with other lands elsewhere, made up the barony of Peverel, as it was then called, being held of the king in capite by barony, for the defence of Dover castle, to which it owed ward and service. Of the heirs of Jeffery de Peverel, this manor was again held by the family of Cramaville, by knight's service, and it appears by the escheat rolls, that Henry de Cramaville held it in capite at his death, in the 54th year of king Henry III. by yearly rent and ward to the castle of Dover; after which, though part of this estate came into the possession of the Maison Dieu hospital, in Dover, yet the manor and mansion of Solton became the property of the family of Holand, who bore for their arms, Parted per fess, sable and argent, three fleurs de lis, counterchanged. Henry Holand died possessed of this part of it in the 35th year of king Edward I. holding it in capite, as of the honor of Peverel, and it continued in that name till Henry Holand dying anno 10 Richard II. his daughter and heir Jane became possessed of it; after which it passed into the name of Frakners, and then again into that of Laurence, from whom it was conveyed to Finet, and Robert Finet resided here in queen Elizabeth's reign, being descended from John Finet, of Sienne, in Italy, of an antient family of that name there, who came into England with cardinal Campejus, anno 10 Henry VIII. They bore for their arms, Argent, on a cross engrailed, gules, five fleurs de lis of the field. His son Sir John Finet, master of the ceremonies to king James and king Charles I. likewise resided here, and died in 1641. He left by Jane his wife, daughter of Henry, lord Wentworth, two daughters and coheirs, Lucia and Finette, who became entitled to this manor, which at length was afterwards alienated to Matson, whose descendant Henry Matson, about the year 1720, devised it by his will, with other estates, to the value of one hundred and fifty pounds per annum, to the trustees of Dover harbour, for the use, benefit, and repair of it for ever, but the discharging of the trust in Mr. Matson's will being attended with many difficulties, his affairs were put into the court of chancery, and a decree was made, that the commissioners of Dover harbour should have Diggs-place, Solton, Singledge, and other lands, to make up the one hundred and fifty pounds per annum, they paying forty pounds a year out of these estates to the poor relations of his family, as long as any such of the name should remain according to the devise in his will, and the trustees above-mentioned, are at this time entitled to the fee of it.
There are no parochial charities. The poor constantly maintained are about sixteen, casually six.
THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Dover.
The church, which is dedicated to St. Peter, is small, consisting of only one isle and a chancel. In the chancel is a stone, about one foot square, (not the original one, I apprehend) to the memory of Matthew Gibbon the elder, son of Thomas Gibbon, who built Westcliffe house, and dying in 1629, was buried here. Service being performed in it only once a month, little care is taken of it. This church was given by queen Alianor, wife to king Edward I. together with one acre of land, and the advowson, with the chapels, tithes and appurtenances, to the prior and convent of Christ-church, in pure and perpetual alms, free from all secular service, among other premises, in exchange for the port of Sandwich, which was confirmed by king Edward I. After which, in 1327, anno 2 king Edward III. the parsonage of this church was appropriated to the almnery of the priory, for the sustaining of the chantry founded there by prior Henry de Estry. In which situation it remained till the dissolution of the priory, in the 31st year of king Henry VIII. when it was surrendered, among the other possessions of it; after which, this appropriation and the advowson of the vicarage were settled by the king in his 33d year, among other lands, on his new-erected dean and chapter of Canterbury, part of whose possessions they remain at this time.
On the sequestration of the possessions of deans and chapters, after the death of king Charles I. this parsonage was valued in 1650, by order of the state, when it appeared to consist of the parsonage-house, a large barn and yard, with the parsonage close, of three acres, and four acres lying in Westcliffe common field, together with the tithes of corn and grass, and all other small tithes within the parish, of the improved yearly value of sixty-two pounds. (fn. 7) The lessee repairs the chancel of the parsonage. Thomas Barrett, esq. of Lee, is the present lessee, on a beneficial lease.
The vicarage of Westcliffe is not valued in the king's books. In 1640 it was valued at ten pounds, communicants twenty. It is now of the clear yearly value of twenty-four pounds per annum, which is the augmented pension paid by the dean and chapter, the vicar not being entitled to any tithes whatever, nor even to the profits of the church-yard, all which are demised by the dean and chapter as part of the parsonage.
Maurice Callan, curate in 1466, was buried in this church, and by his will ordered his executors to pave the body of this church with paving tile.
www.british-history.ac.uk/report.aspx?compid=63585
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A great surprise meets the visitor who is lucky enough to gain admittance here! The church is entered by walking up a hill, but you actually step down into the interior as the hill drops away steeply to the north, with the church set into its ridge. A Norman flint church of nave, chancel and later south tower, it is a haven of peace and light. Much of the latter floods in through the huge Decorated west window (its lancet predecessors may be seen in the wall outside). The church has a rare interior indeed – box pews run down north and south walls and there is a huge alley between, designed for the benches that still survive dotted about the building. Box pews were rented; the benches were for the non-paying poor. In pride of position is the pulpit. All this woodwork dates from the early nineteenth century, although the chancel was refurnished in the 1877s by the Church Commissioners and is standard fare. The lovely east window, the stonework of which is surely of the 1870s, contains some Georgian coloured glass edging – most delightful. Beautifully cared for and much loved, it is a shame that it is not more accessible to the casual visitor.
A maquiagem mais linda que já vi na vida... Até porque a modelo ajuda, né? rsrsr ameei esse batoommm ;~~
Laura from Russia Shoreditch Studio London
Hair and Make-up by Olga from Moldova
Lady from Latvia on her Phone
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From a book called Practical Make Up For The Stage ( 1940) that Hazel found in a charity shop recently.
Maybe I'll grow a tiny plant inside it? Fill it with tiny feathers? (The aperture is very narrow.) I don't know yet.
For me, the Christmas Tree is a tree full of memories from childhood through to the present day. I like to collect baubles that represent something special. From loved ones that are no longer with me, to places I’ve visited ( bit stumped this year with that one, but I’m waiting for my toilet roll bauble to arrive 😉) last year I couldn’t resist this little angel. I’d recently been to a Christmas play where the lady in front of me wore a big red woolly bobble hat, which she kept on throughout the evening. It didn’t spoil the performance though, and made both me and my sister chuckle.
Took me awhile to find an Angel song, didn’t want anything sad, so settled on this one... strangely couldn’t find a song about an Angel in a bobble hat!.....
🎶 Andrew’s Sisters - The Christmas Tree Angel
Typically, you think surf and you think Hawaii, California, Australia... but not quite Jamaica, right? However, I've been intrigued by the surf culture ever since I met some in Port Antonio last year. But who is surfing in Jamaica? It's not so mainstream and my research often leads me to one name: Wilmot. The Wilmots are a surfing legacy and the sport runs through their DNA. So driving in all directions, we stop at a couple of beaches.. not a surfer in sight. We ask around until we are finally told of a spot where we could find some. Of caution though we're warned "just beware of the dogs". We identify the place (our hint is the surf board lying on the ground outside), park and think for a few minutes before stepping out... where are the dogs and should we be concerned? After a few minutes I think f**k it, let's get out of this car and start walking towards the location. That's where we spot Ishack Wilmot from a distance- most of the other siblings are out or travelling. And so very generously,Ishack shares some of his time with me as we discuss surf culture in Jamaica.
"Surfing here is very different. There is no white sand, no girls on the beach, but its a bit more friendly, open and organic then other places." In comparison to other surf meccas such as California, Jamaica is less aggressive. "No one will chase you out of the water here- even if surfing becomes bigger and more popular, because the culture started between friends. For us, surfing is essentially about having fun".
Ishack, like the other Wilmots, are all born in St Thomas, by the beach. It's a fisherman's beach really, and most will credit their father, Billy Wilmot, for expanding the popularity of the sport. Today considered by many a Jamaican surf legend, Billy got into surfing in '74 after meeting Terence Muschett, who often returned to Jamaica to ride waves. Ever since, Ishack tells me that "the surf scene is growing, but very slowly". Foreigners come to visit- just not on a mass scale. They come in search of waves, but possibly more. Maybe some values that make surfing so Jamaican in character: "we always surf together, we are happy and positive, and we are welcoming" Ishack underlines with an authentic smile.
We talk about international exposure, and Ishack explains, as with his brothers, he has traveled everywhere on tournaments. But the Polynesian birth place of surf, Hawaii, is still on his to do list. He goes on to reveal that whenever he is travelling and representing Jamaica, foreigners have been extremely friendly. Ishack suspects that it has something to do with people knowing that "we are from Jamaica" and that there is something positively cool about that. He also explains that there is some truth to those who say "black people don't surf". There are not as many black surfers around the world and "Jamaica has the blackest team. We represent black people. Even the South African team will often have just one black person on their end". There is a black surfer's association in the US, but still not a common sport.
I start to look around the space that we're sitting in and notice a surf board with "Jamnesia" painted on it. The name definitely sounds familiar- its a venue for musical events. "I grew up on music and surf" Ishack lets me know. Both universes make up the Wilmot clan- Ishack himself plays the keyboards. "I grew up with a father who had a huge music collection, and given the vast selection, I can't say I was inspired by a particular artist, but rather by particular songs". What is the Wilmot musical style though? Ishack's reply is wonderful and day dreamy "People tell us that when they listen to our music, it sounds like the beach". Sigh....
Suddenly, I see three young children running towards him. They are happy, joyful and full of life, and Ishack goes on to say "there is no doubt about it, they will also grow to surf". The more we talk, the more I am feeling a certain blissful serenity in this space. As our conversation comes to an end, I ask Ishack one last question- what makes this surf camp so symbolic? In less then a split second, he replies: "The people and my dad".
If you are ever travelling to Jamaica and curious about surf, check out The Jamnesia Surf Club situated at Eight Miles Bull Bay, St.Thomas, Jamaica.
Гялбаа сэтгүүлийн 78-р дугаарт орсон нүүр будалтын зургаас толилуулж байна хэхэ.
Model: S.Namuun
Make-up: Enerelt
Photographer: Uuganbayar D /me/
1. Hildie, 2. 'Hope Valley' thread catcher, 3. Project 1 for Urban Home Good Swap, 4. Retro Rulers, 5. UHG Sewing Machine Cover BACK, 6. Front and Inside of Pouch, 7. what do you think partner?, 8. Rubix Pincushion, 9. hey geese!, 10. Patchwork Pillow Parade, 11. Made by Sonia, 12. sewingmachinecover6, 13. window panes pillows 002, 14. Scrappy Storage, 15. My machine feels so loved!, 16. Sewing machine cover in 'Hope Valley'
PS- Dear Partner, I am secretly wishing for a cool sewing machine cover.