View allAll Photos Tagged largeformat

Calumet CC-400

Ilex 8-1/2" f6.3

Exposure: 1/13 at f32

Ilford Delta 100 developed D-76 full strength

kodak portra 160 nc lab processed. digital light box capture with olympus epl1 and reversal in lightroom and photoshop.

18x24 cm Cyanotype auf Arches Aquarellpapier

Graflex Graphic View I ; 4x5" Shangai 100; Wollensak Optar 6 3/8’’/F 4.5 ; t 1/25; f 32; Rodinal 1:50; 20 C; 14 min

f/514, 8min exposure on grad2 paper.

 

12.7*17.8cm

With Topcon horseman 4x5 adapter back Kodak TMAX 100

4x5 film with a Sinar Alpha view camera.

I fired up the old 4x5. Breaking out all the film cameras actually.. Need to get used to using real cameras again.

I'll be taking a workshop at the end of summer at Penland on daguerreotype photography and don't want to have pinhole head when I get there.

Sinar f2 / Sinaron se 210 mm 5,6 / Foma 100

larger view is better

This dog park is right by my house and it's where I take Parker several times a day. There are nights when this park has an other-worldly feel to it -- the fog passes through and catches on the tungsten lamps and the mist is so damp you can see the droplets hanging in the air. Unfortunately, nights like that tend to be windy and there is too much movement in the trees and plants to get a sharp photograph. I've had problems before with blurry one second photos in daylight when the wind was up. A night photo like this takes eight minutes!

 

San Francisco is a windy city and it takes an incredible amount of patience to pull off sharp, detailed shots. This night was a warm, still night. I was able to catch the scene in detail but since this was a calm, fogless night, I was not able to capture that other-worldly feel.

mi pequeña ñiña una honeywell view de formato 4x5 / mi litle girl a honeywell view 4x 5

I shot this weird serious of dudes with their shirts off. Not sure what I was going for besides some interesting formal qualities.

“Flight Instruction” Copyright Alex Timmermans

My photographic interests are fairly broad, from modern digital all the way back to the antique or alternative processes. That’s why I was very happy to see this short video Escape To Nature about Alex Timmermans and his wet pl...

 

jonwitsell.com/alex-timmermans-escape-to-nature/

my first ever 5x4

Kids under a tree.

 

Vertical shift if I remember correctly (I think that explains the dark patch at the bottom of the frame, although looking at the top of the film it may be that the film wasn't correct;y seated).

 

MPP (1/50 @ f4.5),

Fomapan 100,

Rodinal 1+50, 6'30"

Reflective scan in Epson V100

Graflex Graphic View I ; 4x5" Fomapan 100;

Hüttig Dominar 13.5 cm F4.5;

t 1/5; f 22;Rodinal 1:50; 20 C;

13 min

this started off as a large format studio shot which i transformed by boosting saturation and adding textures in photoshop

4X5 with a fog machine and strobes behind the lathboards in a very old house that's under restoration.

Suffering from a whole lot of light leaks, but slowly learning the Linhof‘s correct exposure.

 

Ilford FP4 125 in D-76.

158x126cm or 80x64cm, Lightjet on photographic paper

De Vere Monorail camera. 210mm f5.6 Acuton made by Ilex in a #3 shutter

 

Shanghai sheet film ISO100. Stand developed in Rodinal 1:200 for 2 hours.

 

Contact print on Ilford Ilfospeed semi-matt Paper RC, grade 3

slovakia/bratislava

 

150mm + homemade large format camera 4x5

paper negative fomaspeed N311

Shot with a Wisner 5x7. Bromoil print.

Another still life taken with the MPP. Unfortunately there were a couple of hairs stuck to the negative when it finally emerged from the fixer (I have no way of telling when they arrived there - they wouldn't come off that's for sure) so there are a couple of annoyingly large lines on this picture*

 

MPP (1/5 @ f4.5),

Fomapan 100,

Rodinal 1+50, 6'30"

Reflective scan in Epson V100

 

*I did a quick fix using GIMP but they'll stick out like a sore thumb when I get a contact print :-(

tokyo,Japan

B&J Grover

Agfa Brovira 5x7

kodak portra 160 nc developed in unicolor c41. digital light box capture with olympus epl1 and reversal in lightroom and photoshop.

delta 100 developed in 10 year old mixed d76

digital conversion with fuji xpro and darktable.

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