View allAll Photos Tagged largeformat

This was a scary moment for my camera equipment. This part of the beach is very flat. I wanted to take a picture of the wave coming in. So I set up my LF camera on a tripod & waited for a benign wave to come in. When the water came in close enough I tripped the shutter (1 sec exposure) & walked away so I wouldn't get wet (water was about 40 degress F). Well, I kept walking backwards & backwards, & backwards... then I kept saying to myself, "gee, the water doesn't seem to be receding". I watched my LF camera on my tripod take on about 3 feet of water & I was about 30 yards away. Eventually, the water receded & I swore not to do that again.

 

Anyway, I'm reprinting some of my older stuff so I think I need to work on my burning technique. I didn't like how the sky turned out.

delta 100 developed in 10 year old mixed d76

digital conversion with fuji xpro and darktable.

This is a picture I took just to test a new set of studio strobes. I will rename it with the most interesting caption that the Flickr community can come up with in 5 words or less. Deadline June 30, 2009

 

My Web Site and Blog: Gary L. Quay Photography

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Feel free to join my Flickr groups

Wasco County, Oregon

Mosier, Oregon

Old School Film Photography

and Flickr Today 2

 

large format portrait assignment, dc march 2006

Toyo 45CF

210mm Fujinon

Arista Edu 400

 

There's seriously something funky going on with my Arista film. I used the developer and flm holders as i did for my Shanghai film and that worked fine...It kinda like the look of this so i'm not really complanining.

Shot with a 4x5 View Camera

Making the best of the DC summer, making photos on Bladensburg Road NE.

frontage of the famous landmark of downtown, Capitol Cinema building, along Victoria and Bras Basah Street..

Shot on 8banners 4x5 large format pinhole camera using Fujifilm provia 100 positive film

tokyo,Japan

St Anthony Main, Minneapolis

contact printed on gallery wall with liquid emulsion from largeformat negative

Santa Barbara 4x5 pinhole camera. 2 minute exposure. Shot on Portra 160NC color film and converted to black and white in Photoshop.

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jonwitsell.com/stunning-work-michael-massaia/

Anniversary Speed Graphic; 4x5'' Shangai; Ross Wide Angle Xpres 5'' F4; G filter; t 1/30; f 11; Rodinal 1:50; 20 C; 14 min

Large Format 5x4

Reality So Subtle pinhole. Fomapan 400 developed in Rodinal.

Just south of San Jose, California.

 

Taken with a 4x5 Super Graphic Camera. This was taken with my old 90mm Schneider lens. Notice the light fall off on the corners.

Camera: 1946 Speed Graphic

🔍Lens: Nikon Nikkor W 180mm F5.6

Filter: Deep Yellow

⚙Settings: f8 1/60 ISO 125

Film: Fuji Super HR-U X-ray 4x5

 

Single-element meniscus lens on a Speed Graphic.

first test shot with 60's cambo 4x5 and schneider 180mm 5.6 @5.6. hp5 film

Camera: Globica II

Format: 13x18

Sochi, Russia

 

shiprsochi@gmail.com

Weathered chair and trunk.

Wet-plate collodion, clear glass negative 8x10".

Scanned by Epson 4990 with colour mode.

Near Gilroy, CA

 

Taken with a 4x5 Super Graphic and a 210mm f/6.8 Caltar II-E lens.

Graflex "speed graphic"

The Efke 25 did a great job capturing the shadows on the underside of the bridge. It can be seen particularly well in the large size.

 

This is a crop from the original image not a zoom.

 

Efke PL 25M @25 in Rodinal 1:100 10min 20C

 

Shot with the Linhof Technika III 4x5 camera. Red 25 filter. 1952 150mm Schneider-Kreuznach Xenar lens. Rangefinder focus.

 

Seneca view camera

type: 8x10 large format

number stamped on bottom: 9

Lens: None

Shuttler: None

Camera owner: Charlie Graf

Cyanotype on "Cranes Kid Finish White" paper.

 

Exposure of 10 minutes sun, 10 minutes dim room, 10 minutes sun

10 minutes wash

1 minute Hydrogen Peroxide Development

10 minutes wash

 

My second try turned out much better, though I'm not happy with the wrinkle I managed to place in the photo.

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