first test shot with 60's cambo 4x5 and schneider 180mm 5.6 @5.6. hp5 film

Camera: Globica II

Format: 13x18

Sochi, Russia

shiprsochi@gmail.com

Wet-plate collodion, clear glass negative 8x10".

Scanned by Epson 4990 with colour mode.

Graflex "speed graphic"

tokyo,Japan

The Efke 25 did a great job capturing the shadows on the underside of the bridge. It can be seen particularly well in the large size.

This is a crop from the original image not a zoom.

Efke PL 25M @25 in Rodinal 1:100 10min 20C

Shot with the Linhof Technika III 4x5 camera. Red 25 filter. 1952 150mm Schneider-Kreuznach Xenar lens. Rangefinder focus.

Cyanotype on "Cranes Kid Finish White" paper.

Exposure of 10 minutes sun, 10 minutes dim room, 10 minutes sun

10 minutes wash

1 minute Hydrogen Peroxide Development

10 minutes wash

My second try turned out much better, though I'm not happy with the wrinkle I managed to place in the photo.

Unfortunately, I had to cover it with two layers of gaff-tape to prevent the light-leaks. However, it was completely light-tight.

Going for a Chandler-esque (Polly, not Raymond) view here - plenty of movements - didn't make notes I'm afraid)

MPP (1/50 @ f4.5),

Fomapan 100,

Rodinal 1+50, 6'30"

Reflective scan in Epson V100

18x24 cm Cyanotype auf Arches Aquarellpapier

In Estes Park, Colorado.

Taken with a 4x5 Super Graphic Camera with a Schneider 90mm f/5.6 Super Angulon lens.

Located about 15 minutes north of Santa Cruz, California.

Taken with a 4x5 Super Graphic Camera with a Schneider 90mm f/5.6 Super Angulon lens.

plaster nipple sculptures by Ben Morey

Camera: 1946 Speed Graphic

🔍Lens: Nikon Nikkor W 180mm F5.6

Filter: Deep Yellow

⚙Settings: f8 1/60 ISO 125

Film: Fuji Super HR-U X-ray 4x5

This photo was actually taken across the highway. The picture shown is cropped to about 1/4 of the 4x5 negative.

Taken with a 4x5 Super Graphic Camera with a Schneider 90mm f/5.6 Super Angulon lens.

tokyo,Japan

Here's my entry for Worldwide Pinhole Photography Day. Made with a Zero45, 75mm, set at f216. Exposure 30 seconds on Fuji fp100b.

Stage Wrap/Install

©ZoniaZena

Cadiz, Spain

Hasselbald 500cm

80mm/2.8

Ilford Delta 100

The Reverse side of Skull 2. A Doe. A deer. A female deer. Klamath Falls, OR Roadkill.

Camera: 1946 Speed Graphic

🔍Lens: Nikon Nikkor W 180mm F5.6

Filter: Deep Yellow

⚙Settings: f8 1/60 ISO 125

Film: Fuji Super HR-U X-ray 4x5

exp. 45s

part of a job we did in Brooklyn

Is it really a Tachihara? Is there anybody who can tell me mor? The bellow is max 26cm wide.

A sign for a long closed S&H Green stamp redemption center. They used to be very popular where I grew up. Merchants gave them to you when you bought groceries or gas and you saved them up by pasting them into a book. You then redeemed them for items like toasters. Tuesday was double stamp day at our grocery store. Woo-hoo!

Shot with a vintage Linhof Technika III 4x5 camera. 1952 150mm Schneider-Kreuznach Xenar lens. Rangefinder focus.

Fortepan 400 @ ISO 250 in 1:50 Rodinal

4x5 Ilford FP4

It's been years since I shot a LF portrait. A lots happened since then. Met this gent on the beach and struck up a cool conversation. This is a very rough scan. I played a little too much with the tilt - didn't get the focus in the right spot.

Camera: Globica II

Format: 13x18

Sochi, Russia

shiprsochi@gmail.com

two pinhole popcorn tin on a cold windy day with unstable snow under the tripod, 20 minute exposure, 6.2"x10" Arista APHS ortho lith film, Soemarko LC-1 developer, scanned in two passes and stitched in Photoshop