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The Forty-Sixth Session of WIPO's Intergovernmental Committee on Intellectual Property and Genetic Resources, Traditional Knowledge and Folklore (IGC) took place in Geneva, Switzerland from February 27 to March 3, 2023 in hybrid form – with delegates and observers attending physically in Geneva, Switzerland, and via remote participation from around the world.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
A total of 3166 farmers from different Community Based Organizations in Nyando attended the 2014 Annual Farmer Learning Event. Farmers shared knowledge on best farming practices, at the same time learned about climate-smart innovations improving on climate change adaptation.
Photos: S.Kilungu (CCAFS)
The University of Chester Garden at RHS Tatton Park 2009, designed by Lynda Baguley, Angela Bell and Robert Walker. A garden of simple elegance and beauty.
The "corridors" in the library made by the shelves are really narrow. Not to mention frightening. There seems to be light at the end of this tunnel though.
Copyright City of Philadelphia. Photograph by Samantha Madera.
This Mayor's Office photograph is being made available only for publication by news organizations and for noncommercial personal use. The photograph may not be manipulated in any way and may not be used in advertisements, emails, products, or promotions that in any way suggests approval or endorsement of the Mayor or his Administration. Reproduction of this photograph requires attribution of ownership to the City of Philadelphia.
The Thirty-Ninth Session of WIPO's Intergovernmental Committee on Intellectual Property and Genetic Resources, Traditional Knowledge and Folklore (IGC) took place in Geneva, Switzerland from March 18 to March 22, 2019.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
The discussion panel (L–R): Danny Gilligan, Co-founder and CEO, Reinventure Group; Ken Boal, Vice-President, Australia and NZ, Cisco; Paul Kelly, Editor-at-Large, The Australian; Professor Tanya Monro, Deputy Vice-Chancellor, Research and Innovation, University of South Australia; and Andrew Harding, CEO, Rio Tinto Iron Ore © Knowledge Society 2015. Photograph by Rick Stevens
The Knowledge Nation 100 luncheon – on 10 December at Doltone House in Sydney – celebrated the Knowledge Nation 100. The Knowledge Nation 100 are the rock stars of Australia’s new economy – the visionaries, intellects, founders and game changers building the industries and institutions that will underwrite the nation’s future prosperity.
The luncheon was addressed by the Prime Minister of Australia, the Hon Malcolm Turnbull MP.
Creating a Knowledge Cloud. Project Management Knowledge Cafe JUAS Global Project Management Workshop. pmbokcafe.com
September 22 is the day grades 4 to 10 celebrate Science and Math Week with a fun academic contest to bring out their competitive spirit and motivate them to learn more about these two major subjects. The event is a quiz bee type game that tests the student’s general knowledge of science and math. Students are formed into groups of four (for high school) and five (for grade school) to emphasize cooperation and teamwork
Photo credits to Michelle Ann Villacorta, China Lorenzo, and Louisiana Sollestre
Grades 4 to 6 Winners
1st Place
TEAM GRAHAM BELL (Blue Shrit)
1. Stephen Matthew G. Ibañez (Grade 4 Charity)
2. Aldrin O. Paltao (Grade 5 Honesty)
3. Samantha Ashley A. San Juan (Grade 5 Happiness)
4. Chrizelle Anne R. Gavino (Grade 6 Humility)
5. John Patrick M. Esmeria (Grade 6 Generosity)
2nd Place
TEAM MENDEL (Black Shirt)
1. Lhance Ivan B. Lachica (Grade 4 Charity)
2. Christine Anne R. Gavino (Grade 5 Happiness)
3. Eulian Joshua F. Del Rosario (Grade 5 Honesty)
4. Nigel Louis M. Galang (Grade 6 Humility)
5. Donita Mae F Manlunas (Grade 6 Generosity)
3rd Place
TEAM MAXWELL (Yellow shirt)
1. Mila Angelica R. Terrado (Grade 4 Charity)
2. Trisha Gail M. Esmeria (Grade 5 Happiness)
3. Jarro Uriel M. Colonzo (Grade 6 Honesty)
4. Iris Francheska L. Bautista (Grade 6 Humility)
5. Arabella R. Saculo (Grade 6 Generosity)
High School Winners
1st Place
TEAM THOMPSON
1. Julienne Allyah Legutan (Grade 8 Aristotle)
2. Kenneth Pedigan (Grade 9 Newton)
3. Roselle Estrada (Grade Fourth Year Einstein)
4. Venedict Doroteo (Grade 7 Galileo)
2nd Place
TEAM DALTON
1. Jason Tormon (Fourth Year Einstein)
2. Danica Janelle Dizon (Grade 8 Aristotle)
3. Sophia Chua (Grade 9 Newton)
4. Jarren Seltiel Calonzo (Grade 7 Galileo)
3rd Place
TEAM CHADWICK
1. Louisiana Sollestre (Fourth Year Einstein)
2. Roma Reign Molina (Grade 8 Aristotle)
3. Neithan Abreu (Grade 9 Newton)
4. Don Luis Diaz (Grade 7 Galileo)
Congratulations to all the winners!
Cover of Encyclopaedia of Hell, forthcoming from Feral House in summer 2011.
Tools, tips and recipes for the disabled cook
I thought the title was a bit odd for the name of a cookbook
Photographed at the Northfield Public Library
Northfield Minnesota
Wednesday April 2nd, 2025
2011, an Innovation Knowledge Centre (IKC) for Smart Infrastructure and Construction was set up, based in the Department of Engineering, but involving colleagues from across the University – in the Department of Architecture, the Computer Laboratory and Judge Business School. The IKC works with construction, infrastructure and technology firms. Its aim is ambitious: its founders believe that it could kick-start a new industry dedicated to smart infrastructure and construction in the UK.
Calligraphy Visual Collection
2012 release
Online pre-sale
We continue to edit and support the hard work of talented artists. In this opportunity we join Silvia Cordero Vega.
Silvia has been represented by Un amor cayó del cielo since 2008 and we are interested in her work as much as in her knowledge. We believe in her talent as we watch her become the calligraphy referent in Argentina and Latin America.
Her talent together with the love we have for her, led us to conceive a Calligraphy Visual Collection that includes techniques, methodology, examples, pictures and inputs from renown calligraphers worldwide.
All contents have been made, selected, and curated by Silvia and Un amor cayó del cielo.
We are in the process of designing and producing the book and we would like to invite you to be part of this moment.
This is why we created a pre-sale with some benefits to thank you for your confidence and support.
The first 2 books will be available during march. The first one will be ¨manual¨ style and the latter will be more visual.
During January and February you will be able to book one, or both in the following way:
- Choosing one book + a bonus gift.
- Choosing both books + bonus gifts with 10% OFF the entire purchase.
- Shipping to US and Europe will be available with extra cost.
You just need to send us an email to: unamorcayodelcielo@gmail.com and we´ll send you all the info you need and a pay pal account to pay for your book. As soon as the books come out of printing we will contact you to coordinate shipping.
We look forward to sharing this amazing piece of art with you shortly.
......................................................................................................................................................................
Colección visual de caligrafía
Lanzamiento 2012
Preventa online
Seguimos editando, seguimos acompañando y apoyando a artistas talentosos y trabajadores. En esta oportunidad estaremos junto a Silvia Cordero Vega.Silvia es artista de Un amor desde el año 2008 y su obra nos interesa tanto como sus conocimientos, creemos que es ella y ninguna otra la referente por excelencia en caligrafía dentro de Argentina y Latinoamérica.
Por esa razón, y también porque la queremos, ideamos la Colección Visual de Caligrafía, la que incluirá modos de trabajar, técnicas, métodos, ejemplos, obras, participaciones de calígrafos y artistas queridos y reconocidos en el mundo. Todo realizado, seleccionado y curado por Silvia.
Estamos en proceso de preproducción, diseño y armado en general y queremos proponerte ser parte de este momento.
Es por eso que hemos diseñado una pre-venta con beneficios para agradecer tu confianza y apoyo a esta idea.
En el mes de marzo de 2012 saldrán a la venta los dos primeros libros – uno más del tipo “manual” y otro más del tipo “visual” –
Durante los meses previos podrás reservar tu ejemplar /o ambos/ de la siguiente manera:
- Eligiendo uno de los libros con su bonus track.
- Eligiendo ambos libros con sus bonus más un 10% de descuento.
- Nos envías un mail /en el que podés pedir más info que creas necesaria, te pasamos un número de cuenta donde realizar el depósito y tu pedido queda reservado. Al momento que los libros salen de la imprenta serás notificado y coordinaremos el envío.
La preventa consiste en
Libro Tiralíneas + 1 pluma ...$100
Libro Alfabetos + 1 serigrafía Cordero Vega ...$100
Ambos $180
Para consultas y pedidos:
unamorcayodelcielo@gmail.com
Participants of the Knowledge Translation for Global Health Summer Institute participated in a Niagara Foot demonstration with Dr. Tim Bryant at the HMRC.
Al-Hadith:
The one who performs worship without knowledge is like a donkey circling around a mill. (Hilya-tul-Aulia, vol. 5, pg. 249, Hadis 7005)
aroundperranuthnoe.blogspot.com St. Martin was above fourscore years old, when God was pleased to put a happy end to his labours. Long before his departure he had knowledge of his approaching death, which he clearly foretold to his disciples. Being informed that a scandalous difference had arisen amongst the clergy at Cande, a parish at the extremity of his diocess, at the confluence of the Loire and the Vienne in Touraine, upon the borders of Poitou and Anjou, he went thither to compose the disturbance, attended as usual by a great number of his disciples. Having remained there some time, and settled all things to his satisfaction, he was preparing for his return, when he was seized with his last sickness, and found, on a sudden, his strength fail him. As soon as he was taken ill, he called his religious brethren about him, and told them that the time of his departure was come. At this news they all with tears and with one voice said to him: “Father, why do you forsake us? or to whom do you recommend us? The ravening wolves will fall upon your flock. We know you desire to be with Jesus Christ; but your reward is secure; nor will be a whit diminished by being deferred a while. Have pity on our necessity, who are left amidst great dangers.” The servant of God, moved with their tears, wept also, and prayed thus: “Lord, if I am still necessary to thy people, I refuse no labour. Thy holy will be done.” As if he had said, says St. Sulpicius: My soul is uncouquered by old age, weakness, or fatigues, and ready to sustain new conflicts, if you call me to them. But if you spare my age, and take me to yourself, be the guardian and protector of those souls for which I fear. By these words he showed that he knew not which was clearest to him, either to remain on earth for Christ, or to leave the earth for Christ; and has taught us in prayer for temporal things, to submit ourselves with perfect resignation and indifference to the divine will, begging that God may direct all things in us and through us to his greater glory. The saint had a fever which lasted some days: notwithstanding which he spent the night in prayer, lying on ashes and hair cloth. His disciples earnestly entreated him that he would suffer them at least to put a little straw under him. But he replied: “It becomes not a Christian to die otherwise than upon ashes. I shall have sinned if I leave you any other example.” He continually held up his eyes and hands to heaven, never interrupting his prayer, so that the priests that stood about him, begged he would turn himself on one side, to afford his body a little rest. He answered: “Allow me, my brethren, to look rather towards heaven than upon the earth, that my soul may be directed to take its flight to the Lord to whom it is going.” Afterwards, seeing the devil near him, he said: “What dost thou here, cruel beast? Thou shall find nothing in me. Abraham’s bosom is open to receive me.” Saying these words, he expired on the 8th of November, probably in 397. 12 He died seven months after St. Ambrose, as St. Gregory of Tours assures us. They who were present wondered at the brightness of his face and whole body, which seemed to them as if it were already glorified. 13 The inhabitants of Poitiers warmly disputed the possession of his body; but the people of Tours carried it off. The whole city came out to meet it: all the country people and many from neighbouring cities flocked thither, with about two thousand monks, and a great company of virgins. They all melted into tears, though no one doubted of his glory. He was carried with hymns to the place of his interment, which was in a little grove at some distance from the monastery, where certain monks lived in separate cells. The place was then five hundred and thirty paces from the city, as St. Gregory of Tours informs us, though at present it is part of it, and the walls were carried so far as to encompass it in the beginning of the inroads of the Normans. St. Brice, St. Martin’s successor, built a chapel over his tomb, and St. Perpetuus, the sixth bishop of Tours, about the year 470, founded upon that spot the great church and monastery, the saint’s sumptuous tomb being placed behind the high altar. 14 These monks secularized themselves in the seventh century. Towards the close of the eighth, Pope Adrian I. at the request of Charlemagne, placed there regular canons, and Alcuin was shortly after appointed their abbot. 15 These canons were secularized in the reign of Charles the Bald, in 849, and have continued so ever since. The king of France, from the time of Hugh Capet, is the abbot and first canon; besides eleven dignitaries, and fifty-one canons, &c. here are ecclesiastical honorary canons, namely, the patriarch of Jerusalem, the archbishops of Mentz, Cologne, Compostella, Sens, and Bourges; the bishops of Liege, Strasbourg, Angers, Auxerre, and Quebec; and the abbots of Marmoutier, and St. Julian’s at Tours; and lay honorary canons, the dauphin, the dukes of Burgundy, Anjou, Brittany, Bourbon, Vendome, and Nevers: the counts of Flanders, Dunois, and Angouleme: also the earl of Douglas, in Scotland, before that family had changed its religion. The extraordinary devotion which the French and all Europe have expressed to St. Martin, and to this church for the sake of his precious tomb, would furnish matter for a large history. The Huguenots rifled the shrine and scattered the relics of this saint. But this church recovered a bone of his arm, and part of his skull. 16 Before this dispersion, certain churches had obtained small portions which they still preserve. The priory of St. Martin’s-in-the-Fields at Paris is possessed of a part: two of his teeth are shown in St. Martin’s, at Tournay. The cathedral at Tours was built by St. Martin in honour of St. Maurice: but since the year 1096, bears the title of St. Gatian’s. Its chapter is one of the most illustrious in France; the bishop of Tours was suffragan to Rouen till he was made a metropolitan. A vial of sacred oil is kept at St. Martin’s; with which Henry IV. was anointed king instead of that from Rheims. St. Sulpicius relates that St. Martin sometimes cured distempers by oil which he had blessed, 17 and that this oil was sometimes miraculously increased. 18
WellChild Awards 2018 sponsored by GSK, at the Royal Lancaster Hotel, London - - 4.9.2018
Picture by Antony Thompson - Thousand Word Media, NO SALES, NO SYNDICATION. Contact for more information mob: 07775556610 web: www.thousandwordmedia.com email: antony@thousandwordmedia.com
The photographic copyright (© 2017) is exclusively retained by the works creator at all times and sales, syndication or offering the work for future publication to a third party without the photographer's knowledge or agreement is in breach of the Copyright Designs and Patents Act 1988, (Part 1, Section 4, 2b). Please contact the photographer should you have any questions with regard to the use of the attached work and any rights involved.
A mosaic in the ground in front of the School of Australian Indigenous Knowledge Systems at Charles Darwin University.
LexisNexis participated in AALL 2013 in Seattle. This is a wide angle shot of the booth. Among the things the LexisNexis team focused during the event were:
eBooks and eLending - news here: bit.ly/1b6YzXK
Knowledge Mosaic securities content and solutions
Lexis Advance legal research solution
The Forty-Seventh Session of WIPO's Intergovernmental Committee on Intellectual Property and Genetic Resources, Traditional Knowledge and Folklore (IGC) took place in Geneva, Switzerland from June 5 to June 9, 2023 in hybrid form – with delegates and observers attending physically in Geneva, Switzerland, and via remote participation from around the world.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
My knowledge of F1 cars is literally zero but thanks to a quick Google this unlicensed Yatming model is supposedly based on a Ferrari 312 B3 which were raced in the mid 1970's. Not usually the kind of thing I collect or indeed post on here but it was included in a recent 20 vehicle set Ebay win and I am now trying to get more accurate figures for my collection numbers.
Mint and boxed.
Title: Knowledge Breaks Down Barriers Created By Ignorance
Artist: Raul Gonzalez
Painted: July - August 2010
Locale: Garfield, Phoenix, Arizona, USA
Narrative: Los Angeles-born artist Raul Gonzalez, along with youth from Phoenix chapters of Youth in Action and Chicanos Por La Causa, created this 6-foot-tall by 95-foot-wide mural. The design depicts many heroes of the Latino(a) experience, as well as family, culture, justice, and education imagery. The piece is not signed. As the artist puts it, "If we put our name on it, then it becomes the artist's piece and not the community's art. We want people to focus on the message and not the artist." This narrative was pulled together from various articles written about the mural, including the Phoenix New Times.
按照应用的角度，经济发展与合作组织（OECD）将知识分为四类：事实知识（Know-what）、原理知识（Know-why）、技能知识（Know-how）和人际知识（Know-who）。从认知角度出发，知识又可以分为显性知识（Explicit Knowledge）和隐性知识（Tacit Knowledege）。显性知识可以通过文件、形象或其他精确的沟通过程来传授，但隐性知识的获得却只能依赖于自身的体验、直觉和洞察力。在OECD对知识的划分中，前两者属于显性知识，后两者属于隐性知识。显性知识和隐性知识之间可以相互转化，动态循环。
Artist Name: Aaminah Shakur
Address: 129 Page St NE, Apt 1
City/State/Zip: Grand Rapids, MI 49505
Phone: (616)_427-8247
Email Address: aaminah.naksi@hotmail.com
Website: aaminahwritesandmore.wordpress.com
Total number of pieces you will submit to Fall Free Radical: 3
A general statement describing of the body of work or an artist’s statement (no more then 250
words)
As with all of my poetry and artwork, my Life series of paintings is an inherent extension of my
First Nations/Indigenous culture and open spirituality. Like a route of ancient stars streaking
across the hand’s palm of Lifelines (painting #1), the Life series references the immemorial
healing arts - reflexology, palm reading, henna, the lotus, the nazar, the crescent moon, and
cowry shells - mapped onto my own hand and foot imprints, in a thankful acknowledgment
to The Spirits. The hues and symbols of Life, Light, Sky, Sea, Earth, Blood, and Flesh
converge placing the paintings and the viewer into position on that eternal chain. Many of
these elements and symbols are recurring themes in my other arts as well. After a series of
disappointments around access to and the manipulation of spiritual knowledge, especially
for people of marginalized cultures, I was blessed with some extraordinary experiences/
connections that re-opened my heart to love and The Divine anew, and I poured that energy
into this work.
Dimensions of proposed piece(s) 8 ½ x 11
Medium/ Media _Acrylic on canvas panel
Please list any theme(s) that will help match your work with a curator
Traditional healing practices. Reclamation of spirituality
Is the work (mark all that apply):
_____2d
_____3d
____Interactive
__X__Framed
_____Self Supporting
_____Need electricity
_____Unframed
_____Performance based
_____Installation
_____Live music
_____Include sound component
Other special requirements for installation________________________________
_X__ I am willing to be onsite during the event for a minimum of 2 hours and will schedule this time with my
curator
_X__ I have attached 3 image of my work to this email or included my web address
aaminahwritesandmore.wordpress.com