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Knowledge Exchange on Forest Monitoring for Transparent Commodity Value Chains
26-28 November 2024
Photo credit must be given: © FAO/Roberto Cenciarelli
Editorial use only. Copyright ©FAO.
Knowledge Exchange on Forest Monitoring for Transparent Commodity Value Chains
26-28 November 2024
Photo credit must be given: © FAO/Roberto Cenciarelli
Editorial use only. Copyright ©FAO.
Go to Page 289 in the Internet Archive
Title: The fyrst boke of the introduction of knowledge made by Andrew Borde, of physycke doctor : A compendyous regyment; or, A dyetary of helth made in Mountpyllier
Creator: Boorde, Andrew, 1490?-1549
Creator: Barnes, Milton. In the defence of the berde
Creator: Furnivall, Frederick James, 1825-1910
Creator: University of Leeds. Library
Publisher: London : Published for the Early English Text Society, by N.T. Trübner & Co
Sponsor: Jisc and Wellcome Library
Contributor: University of Leeds Library
Date: 1870
Language: eng
Description: With reproductions of original title-pages and colophons
This material has been provided by The University of Leeds Library. The original may be consulted at The University of Leeds Library
The University of Leeds Library
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
The knowledge exchange event aims to generate actionable learnings and collaboration which participants can use to promote the effective provision of climate information services for agriculture in ASEAN.
/Photo by GIZ.
If you use one of our photos, please credit it accordingly and let us know. Reach us at kristine.villagracia@giz.de
In the last edition of Common Knowledge 2013-2014 cultural professionals with interesting ideas and projects were in the spotlight. A team of coaches helped creatives to prepare the best pitch, which they presented in front of a jury and advisory board, and of course nice audience.
Photo © Alan Reinders
2017 April 1
India
Capacity Building on Enhancing Domestic Workers Knowledge and Skills on Social Protection as Right, Policy Advocacy and Leadership for change in Delhi on 1 April 2017 organized by NDWF and NDWM.
16 Executive Committee leaders of NDWF with 8 Coordinators of NDWM states participated in the Training.
Source & photos: NDWF & NDWM
This panel touched on issues around the digital transmission of knowledge versus traditional ways of teaching. Is the lack of feedback through digital systems an unhealthy way of acknowledging where knowledge comes from? Are terms like self-taught dangerous? Is knowledge devalued when broadly available through digital platforms?
The very first mock-up from an upcoming project that looks at where congressmen get their information regarding nuclear energy by mapping citations in the Congressional Research Service reports to their respective sources. Much has changed since then.
Knowledge Exchange on Forest Monitoring for Transparent Commodity Value Chains
28/November/2024
Photo credit must be given: ©FAO/Pilar Valbuena.
Editorial use only. Copyright ©FAO.
Knowledge Exchange on Forest Monitoring for Transparent Commodity Value Chains
26/November/2024
Photo credit must be given: ©FAO/Pilar Valbuena.
Editorial use only. Copyright ©FAO.
2021-06-25: On screen, Jim Yong Kim M.D, Vice Chairman and Partner at Global Infrastructure Partners during the virtual Knowledge event 2: Building Africa’s Healthcare Defense System at the Annual Meetings.
It takes a lot of courage to show your dreams to someone else.
― Erma Bombeck
Common Knowledge in cooperation with Design Metropole Aachen an evening of sharing knowledge, experts meeting and cultural Euregional Connections.
Photos Matthias Mettenbörger.
Serpentine Pavilion 2024
Minsuk Cho, Mass Studies
(June - October 2024)
Tracing the history of past Serpentine Pavilions, Minsuk Cho observed that they often emerge as a singular structure situated at the centre of the Serpentine South lawn. To explore new possibilities and previously untold spatial narratives, Cho approaches the centre as an open space. The 23rd Serpentine Pavilion envisions a unique void surrounded by a constellation of smaller, adaptable structures strategically positioned at the periphery of the lawn.
Titled Archipelagic Void, the Pavilion is composed of five ‘islands’, each structure is unique in size, height and form. Built predominantly in timber, these structures are supported by identical footings that adapt to the slightly sloping topography of the site. The curving edges of the individual roofs are conjoined by a steel ring which forms an oculus in the centre that draws natural light. Radiating from the circular void, these islands act as nodes in the lawn, reaching out to connect to the Serpentine South gallery and the pedestrian networks in the Park. This layout also references traditional Korean houses that feature a madang, an open courtyard located at the centre. This space connects to various residential quarters, accommodating individual everyday activities and larger collective rituals throughout the changing seasons.
Around the void, each structure is conceived as a ‘content machine’, serving a different purpose and individually named. The Gallery hosts a six-channel sound installation, The Willow is <버들은> and Moonlight <월정명>. Created by musician and composer Jang Young-Gyu, the work incorporates sounds from nature and human activities recorded in the Kensington Gardens with traditional Korean vocal music and instruments to depict the transition of seasons. The largest structure of the five ’islands’ is the Auditorium. With benches built into its inner walls, this space will provide an area for public gathering, performances and talks to take place. Located to the north is The Library of Unread Books by artist Heman Chong and archivist Renée Staal. This ‘living’ reference library, is comprised of donated unread books to form a pool of common knowledge, addressing notions of access, excess and the politics of distribution. The southeast Play Tower is a pyramid structure fitted with a bright orange netscape for visitors to climb and interact. In a nod to the history of the Serpentine, Cho incorporates the Tea House to the east of the Pavilion. Designed by James Grey West, the Serpentine South building originally functioned as a teahouse before reopening as an art gallery in 1970.
[Serpentine Gallery]
Taken in the Serpentine Gallery
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