View allAll Photos Tagged interactive
Friday, April 19, 2013 - The ultimate good time for foodies where tables team up to cook their own dinner under the tutelage of world-renowned chef Daniel Boulud. For more details, visit www.veritagemiami.com
In our fast and digital times of computers, networking and interactive mobile devices, there is only little room left, for different paces, concentration on quiet things. By utilizing old handcraft techniques such as Macrame – a knotted net using red ribbon wire –, this installation not only aims to preserve the knowledge of traditional artwork, but also the creation processes with time for talk and information exchange. By taking this individual work out of the context of private homes and placing it into public space, this project becomes a beautiful and poetical call for preserving old handwork techniques – also as an inspiring and creative resource for new structures and designs. We definitely enjoyed it !!!
In our fast and digital times of computers, networking and interactive mobile devices, there is only little room left, for different paces, concentration on quiet things. By utilizing old handcraft techniques such as Macrame – a knotted net using red ribbon wire –, this installation not only aims to preserve the knowledge of traditional artwork, but also the creation processes with time for talk and information exchange. By taking this individual work out of the context of private homes and placing it into public space, this project becomes a beautiful and poetical call for preserving old handwork techniques – also as an inspiring and creative resource for new structures and designs. We definitely enjoyed it !!!
ENGS 21 Introduction to Engineering students get a lesson on using the open-source Arduino platform (a single-board microcontroller) based on easy-to-use hardware and software for interactive projects.
Photo by Mayellen Matson
Credits for the content on the tables:
Design - Suzanne Martin, Emma Noble, Lindsay Robertson.
Photography, design for textiles - Mark Parker
Photography, fashion - Students own.
3d Programming - the texturelab ( www.macs.hw.ac.uk/texturelab )
Producer - Mark Eley ( www.eleykishimoto.com )
The Interactive Drawing exhibition is the brainchild of Sandra Ross and Hayley McFarlane, who both work at the Gympie Regional Gallery.
Multimedia Studio's projects presented during the Night of Museums @ PJWSTK Warsaw. photo: Michał Dolny
Multimedia Studio's projects presented during the Night of Museums @ PJWSTK Warsaw. photo: Michał Dolny
c. 2003
This was part of another persons installation.
The installation was part of a group of installations for a conference on communication and technology. I was designated a room that I filled with wires and telephone cords. The cords were everywhere, hanging from the ceiling, all about the floor. The viewer (or participant) could not pass through the room with out touching/interacting with the piece. Touching and interacting with an art piece was still an uncommon concept since so many of us have imbedded in our heads that art is meant to be seen and not to be touched. The piece also had several telephone receivers hanging from the ceiling. If the participant would put one up to their ear the would have heard an audio track.
I wrote a program in Max MSP to cue specific audio sounds when certain wires were tripped. I haven't touched the program since, but would not be opposed to revisiting this concept. I find that as we are all becoming more wireless and the traditional phone is becoming obsolete many of us are becoming better and more connected.
ENGS 21 Introduction to Engineering students get a lesson on using the open-source Arduino platform (a single-board microcontroller) based on easy-to-use hardware and software for interactive projects.
Photo by Mayellen Matson
Friday, April 19, 2013 - The ultimate good time for foodies where tables team up to cook their own dinner under the tutelage of world-renowned chef Daniel Boulud. For more details, visit www.veritagemiami.com
Friday, April 19, 2013 - The ultimate good time for foodies where tables team up to cook their own dinner under the tutelage of world-renowned chef Daniel Boulud. For more details, visit www.veritagemiami.com
Edited Hubble Space Telescope image of two interacting galaxies commonly labeled as UGC 2369.
Original caption: The pair of strange, luminescent creatures at play in this image are actually galaxies — realms of millions upon millions of stars. This galactic duo is known as UGC 2369. The galaxies are interacting, meaning that their mutual gravitational attraction is pulling them closer and closer together and distorting their shapes in the process. A tenuous bridge of gas, dust, and stars can be seen connecting the two galaxies,, during which they pulled material out into space across the diminishing divide between them. Interaction with others is a common event in the history of most galaxies. For larger galaxies like the Milky Way, the majority of these interactions involve significantly smaller so-called dwarf galaxies. But every few aeons, a more momentous event can occur. For our home galaxy, the next big event will take place in about four billion years, when it will collide with its bigger neighbour, the Andromeda Galaxy. Over time, the two galaxies will likely merge into one — already nicknamed Milkomeda.
Interactive banshee in Pandora - the World of AVATAR at Disney's Animal Kingdom Park in Walt Disney World Resort.
Friday, April 19, 2013 - The ultimate good time for foodies where tables team up to cook their own dinner under the tutelage of world-renowned chef Daniel Boulud. For more details, visit www.veritagemiami.com
ENGS 21 Introduction to Engineering students get a lesson on using the open-source Arduino platform (a single-board microcontroller) based on easy-to-use hardware and software for interactive projects.
Photo by Mayellen Matson
William Stone Images - Limited Edition Fine Art Prints
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I need to learn how to use this kind of interactive whiteboard, and how to make sure that spectators are sitting in the best position for viewing. Unless you're very close up front I find that text is almost impossible to read.
“The Origin of Painting” by Disinformation - Wrexham Arts Centre, October to December 2006
Brochure text - An exhibition by electronic music and audiovisual art project Disinformation, which takes its title from a live and highly interactive sound and light installation that references the Greek myth of “The Corinthian Maid, or The Origin of Painting”. The installation enables visitors to photograph their own shadows, and to paint with light, directly onto the surface of the exhibit, to a soundtrack of live electromagnetic noise. Also includes the pieces “Blackout” by Barry Hale, “The Analysis of Beauty”, “Spellbound” and the first public exhibition of test images for the new Disinformation project “Fire in the Eye”.
With some minor variations in the content, versions of the same Disinformation solo exhibition toured to 9 UK regional art galleries - Fabrica Gallery (Brighton, Nov 2001), Huddersfield Art Gallery (Jan 2003), Ashcroft Arts Centre (Fareham, Sept 2003), Quay Arts (Isle of Wight, Feb 2004), South Hill Park (Bracknell, April 2004), Derby Quad (June 2004), Midlands Arts Centre (Birmingham, July 2005), Wrexham Arts Centre (Oct 2006) and Saltburn Artists Projects (January 2007). Four of these exhibitions were funded with a special grant from the Arts Council’s then National Touring Programme.
Special thanks - for helping organise and fund the Disinformation touring exhibitions - to Jonathan Swain, Liz Whitehead, Matthew Miller [RIP], Robert Hall, Nicola Stephenson, Bronac Ferran, Tony White, Richard Humphreys, Genevieve Wilk, Carol Palmer, Rob Thrush, James Lucas, Fiona Burn, Jo Johnson, Eluned Myher, Louise Fedotov-Clements, Alex Boyd, Tracy Simpson and Lauren Healey.
In more detail -
“The Origin of Painting” [pictured] is an electromagnetic sound and optokinetic light installation, which originally premiered under the title “Artificial Lightning” in the “Sonic Boom” exhibition at London’s Hayward Gallery, April 2000, curated by David Toop and Fiona Bradley. The “Blackout” (Sound Mirrors) video [pictured] was filmed in 1997 by Barry Hale, and featured as a projected back-drop in numerous Disinformation concerts, talks and DJ sets, etc, before forming the centrepiece of the Disinformation “Blackout” exhibition, which toured to the Broadway Media Centre (Nottingham, Oct 1999), Waygood Gallery (Newcastle, Nov 1999) and ICA New Media Centre (London, March 2000). “The Analysis of Beauty” is an optokinetic oscilloscope artwork, which premiered in the “Noise” exhibition at Kettle’s Yard gallery (Cambridge, Jan 2000) curated by Adam Lowe and Simon Schaffer. The “Spellbound” video installation is “An Allegorical Portrait of J. Robert Oppenheimer”, which was exhibited in proposal form only (as a paper document) in the Raphael Cartoon Room at The V&A (London, 3 Nov 2000), and at the Royal Society of Sculptors (London, March 2001), before the “Spellbound” video was commissioned by Fabrica gallery (Brighton) for the first “proper” Disinformation solo exhibition in November 2001 (see below). The “Fire in the Eye” photographs [pictured] (aka “Painting with Electricity”) were created in 2004, premiering at the Wrexham Arts Centre in 2006. The 35mm cinema version of “Fire in the Eye” was commissioned in 2007, premiering at the Edinburgh International Film Festival in 2008, in a screening programme curated by the film scholar Kim Knowles.
Fabrica (2001) - www.flickr.com/disinfo/7099389881/
Saltburn (2007) - www.flickr.com/disinfo/2402253500/
Saltburn (2007) - www.flickr.com/disinfo/2402317598/
The “Blackout” video is based on Sound Mirror imagery that features in the “Antiphony” 2xCD packaging, published by the record company Ash International in 1997, featuring photographs by Julian Hills, and in the “Antiphony Architectural Supplement”, featured in Sound Projector magazine, issue 6, published in 1999.
Antiphony (1997) - www.flickr.com/disinfo/6896902030/
Friday, April 19, 2013 - The ultimate good time for foodies where tables team up to cook their own dinner under the tutelage of world-renowned chef Daniel Boulud. For more details, visit www.veritagemiami.com