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Another one massively influenced by the work of Adrian Court LRPS who took a similair photo not to long ago - impressed and inspired I made my way to Oxford Brookes to get one of my own!!
If you like this - you really should check out Adrian Court LRPS who has a photostream full of so many gems!
Cake Eileen wearing the Dragon robe from the Go East collection paired with a bodysuit from the Silkstone Collection.
Lit by the gibbous moon. This is for the minimalist theme so I will say nothing more.
Oh, except that Rosie came along with me for a late night excursion and we had a most interesting conversation. As we looked out at the inky stillness she quietly asked me, "Would you kill me for 8 million dollars?" I said, "oh my god of course not!...Wait, how much money?" She repeated the amount. I said, "I'm just kidding, I would NOT kill you for any amount of money in the world. What made you even think of such a thing?" My little girl replied, "I don't know, just popped into my head, what about Dad, would you kill him for 8 million?" ....Well,....let me think about that one :)
For ODC ~ minimalism
More minimal viewed on black
Nikon D7000 ~ Nikkor 50mm 1.4 Ais ~ Exposure 0.8 sec. ~ Aperture f/1.4 ~ ISO Speed 500
Sorry to post and run, but I think I may have caught a very nasty bug... and no, sadly, it's not the kind that one finds in flowers.
Nightcafe AI creation
I tried every which way to get something useful out of a small and blurry input image of a drawing of mine I found. - No luck. But the idea intrigued me, so I ran a few prompts without a input.
This one, in wide screen, with my 'Trained Drawing Lora'.
PROMPT:
Surreal Fantasy Drawing by the Mystic Otto Rapp under the Influence of Ernst Fuchs, H.R. Giger and Beksinski, graphite on paper, black and white, detailed pencil strokes, psychedelic collage, cryptid taxidermy in Bogomils Universe
Beautiful MG TF replica in British Racing Green in Akaroa in New Zealand. The French tricolore flies in the background revealing a significant French influence in this historic little harbour town.
A French sea captain agreed in 1838 to purchase land in the area from local chiefs, and settlers arrived in New Zealand from Rochefort in France in 1840. On arrival they discovered that the British had in the meantime named the area the Banks Peninsula, after the famous naturalist Joseph Banks, who had accompanied James Cook. Given that they had set sail on the understanding that they owned the land, the French were allowed to settle, and they originally named the town Port Louis-Philippe.
The Abu al-Abbas al-Mursi Mosque is an Egyptian mosque in the city of Alexandria. It is dedicated to the 13th century Murcian Andalusi Sufi saint Abul Abbas al-Mursi, whose tomb it contains.
It is located in the Anfoushi neighborhood of Alexandria, near the Citadel of Qaitbay.
The mosque was redesigned and built in today's current form by Eugenio Valzania and Mario Rossi in the years 1929/1945, and was highly influenced by Egypt's Old Cairo buildings and architecture.
The island is 50km long and 20km wide. The coast undulates like the edge of a stamp, with thousands of little bays, fjords and creeks. Although Menorca is a small island with a modest population, centuries of invasion and continental influence have left the island with a rich heritage. For visitors seeking a little culture, Menorca has plenty to offer...The island has a fantastic amount of stone age buildings, the highest density per square km anywhere in the world. These are, to some extent, a mystery, and largely unexcavated or unresearched. The Romans came in 123 AD, but, surprisingly, unlike elsewhere in the Mediterranean, have left little to remember them by, except the name. They called the group of islands the Balearics because of the locals' talent in the ballistic art of stone throwing and catapulting. The designations Majorca and Minorca obviously come from the Latin for large and small. The Stone Age way of life continued until the Arabs came in 903 AD. They ruled the roost until the Spaniards first came in 1287. Much architecture of originally Arab influence is still around, but the most influential period was the 18th Century when the British ruled, using the enormous harbour as a strategic base for many battles. The British finally gave up the island in exchange for Gibraltar. The Arabs starting farming the land in the Middle Ages. This was a clever idea, as the walls protected the soil against wind. Do not be fooled into thinking that any building or round stone construction is a Stone Age burial monument, temple or dwelling. Modern day farmers have small shelters for their animals in the fields, also made of the local stones - these are a sort of wedding cake, tiered design.
From our apartment in Cala'n Bosch on the Spanish island of Menorca we found ourselves nestling between a spectacular coastline and the outstanding natural environments that have earned world-wide acclaim for Menorca. Walking here is almost like rock-climbing and the best footwear is trainers with a good tread. Hiking boots are too inflexible to get a hold on the little jags in the rocks, and my sandals make it too much like hard work, as well as being unsafe in parts. We hike along along the coast line and discover miles of untouched beaches and also an amount of stone age buildings. But this 'wedding cake' dwelling is probably made by modern famers for shelter.
Meer dan 4000 jaar geleden vestigden de eerste bewoners van Menorca zich in de grotten aan de rand van vruchtbare, tegen wind beschutte kloven. Vanaf het tweede millennium voor Christus werden voor het eerst stenen bouwwerken opgericht, zoals behuizingen in de vorm van een boot, onderaardse graven met stenen. Graven in een vorm van een boot, ronde huizen, torens en mysterieuze stenen tafels dateren van een latere periode - de restanten ervan zijn nog overal op het eiland te vinden. Het overzichtelijke Museu Municipal van Ciutadella geeft een goeie indruk van de prehistorische nederzettingen. Slecht 3km buiten de stad staat een langgerekt gebouw dat als omgekeerde boot op de velden ligt. Dit is de beroemde Naveta des Tudons, een van de oudste monumenten van het eiland. De eerste doden werden hier omstreeks 1400 v Christus bijgezet. Evens in de omgeving van Alaior bevindt zich het archeologisch park Torralba d'en Salort. U kunt hier een goede indruk krijgen van het geheel. Maar veel monumenten zijn nog steeds een raadsel en eigenlijk nooit goed onderzocht. Het stenentijdperk duurde voort tot de Moren kwamen 903 na Christus. In 1287 werden zij verdreven door de eerste Spanjaarden. Veel architectuur van de Moren is nog duidelijk zichtbaar. De Moren zijn begonnen met landbouw en de velden werden afgebakend door stenen muurtjes om o.a de grond te bescherem tegen de zeewind. Opzich een prima idee en van de dag gebruiken moderne boeren deze muurtjes nog steeds. Maar je moet niet denken dat elke stenengebouw uit het stenentijdperk komt. De moderne boeren bouwden schuilplaatsen voor hun vee met dezelfde soort stenen. Dit zijn stenen huizen in de vorm van een taart zoals hierboven te zien.
This is the tallest operating hotel building in the world not counting mixed-use buildings like Jin mao Tower in Shanghai or the unfinished Ryugyong Hotel in Pyongyang
All of the hotel's 202 rooms are two-storey suites, ranging in size from 170 square metres (1,830 square feet) to 780 square metres (8,396 square feet).
The atrium is 180 metres high, one of the tallest in the world.
The Al Muntaha restaurant is located 200 metres above the Persian Gulf, offering great views of Dubai. It is accessed by a panoramic elevator.
The hotel features a total of eight restaurants and bars.
The building's design is influenced by the profile of an Arabian sailing ship.
The building's external lighting schemes, from white light to a multicolored one, change from one to another every 30 minutes expressing the evening's progress.
Burj Al Arab is the world's tallest structure with a membrane facade.
A 24 meter (79 feet) wide helipad projects from the building 210 meters above the ground.
"Burj" is Arabic for "Tower".
The "Assawan Spa" is situated on the 18th floor.
Amedeo Modigliani
Italian, 1884 - 1920
Woman with a Necklace, 1917
Oil on canvas
(closeup)
Amedeo Clemente Modigliani (July 12, 1884 – January 24, 1920) was a Jewish-Italian painter and sculptor who pursued his career for the most part in France. Modigliani was born in Livorno, Italy and began his artistic studies in Italy before moving to Paris in 1906. Influenced by the artists in his circle of friends and associates, by a range of genres and movements, and by primitive art, Modigliani's oeuvre was nonetheless unique and idiosyncratic. He died in Paris of tubercular meningitis—exacerbated by a lifestyle of excess—at the age of 35.
Early life
Modigliani was born into a Jewish family in Livorno, Italy.
Livorno was still a relatively new city, by Italian standards, in the late nineteenth century. The city on the Tyrrhenian coast dates from around 1600, when it was transformed from a swampy village into a seaport. The Livorno that Modigliani knew was a bustling centre of commerce focused upon seafaring and shipwrighting, but its cultural history lay in being a refuge for those persecuted for their religion. His own maternal great-great-grandfather was one Solomon Garsin, a Jew who had immigrated to Livorno in the eighteenth century as a religious refugee.
Modigliani was the fourth child of Flaminio Modigliani and his wife, Eugenia Garsin. His father was in the money-changing business, but when the business went bankrupt, the family lived in dire poverty. In fact, Amedeo's birth saved the family from certain ruin, as, according to an ancient law, creditors could not seize the bed of a pregnant woman or a mother with a newborn child. When bailiffs entered the family home, just as Eugenia went into labour, the family protected their most valuable assets by piling them on top of the expectant mother.
Modigliani had a particularly close relationship with his mother, who taught her son at home until he was ten. Beset with health problems after a bout of typhoid at the age of fourteen, two years later he contracted the tuberculosis which would affect him for the rest of his life. To help him recover from his many childhood illnesses, she took him to Naples in Southern Italy, where the warmer weather was conducive to his convalescence.
His mother was, in many ways, instrumental in his ability to pursue art as a vocation. When he was eleven years of age, she had noted in her diary that:
“The child's character is still so unformed that I cannot say what I think of it. He behaves like a spoiled child, but he does not lack intelligence. We shall have to wait and see what is inside this chrysalis. Perhaps an artist?"
Art student years
Modigliani is known to have drawn and painted from a very early age, and thought himself "already a painter", his mother wrote, even before beginning formal studies. Despite her misgivings that launching him on a course of studying art would impinge upon his other studies, his mother indulged the young Modigliani's passion for the subject.
At the age of fourteen, while sick with the typhoid fever, he raved in his delirium that he wanted, above all else, to see the paintings in the Palazzo Pitti and the Uffizi in Florence. As Livorno's local museum only housed a sparse few paintings by the Italian Renaissance masters, the tales he had heard about the great works held in Florence intrigued him, and it was a source of considerable despair to him, in his sickened state, that he might never get the chance to view them in person. His mother promised that she would take him to Florence herself, the moment he was recovered. Not only did she fulfil this promise, but she also undertook to enroll him with the best painting master in Livorno, Guglielmo Micheli.
Micheli and the Macchiaioli
Modigliani worked in the studio of Micheli from 1898 to 1900. Here his earliest formal artistic instruction took place in an atmosphere deeply steeped in a study of the styles and themes of nineteenth-century Italian art. In his earliest Parisian work, traces of this influence, and that of his studies of Renaissance art, can still be seen: artists such as Giovanni Boldini figure just as much in this nascent work as do those of Toulouse-Lautrec.
Modigliani showed great promise while with Micheli, and only ceased his studies when he was forced to, by the onset of tuberculosis.
In 1901, whilst in Rome, Modigliani admired the work of Domenico Morelli, a painter of melodramatic Biblical studies and scenes from great literature. It is ironic that he should be so struck by Morelli, as this painter had served as an inspiration for a group of iconoclasts who went by the title, the Macchiaioli (from macchia—"dash of colour", or, more derogatively, "stain"), and Modigliani had already been exposed to the influences of the Macchiaioli. This minor, localised art movement was possessed of a need to react against the bourgeois stylings of the academic genre painters. While sympathetically connected to (and actually pre-dating) the French Impressionists, the Macchiaioli did not make the same impact upon international art culture as did the followers of Monet, and are today largely forgotten outside of Italy.
Modigliani's connection with the movement was through Micheli, his first art teacher. Micheli was not only a Macchiaioli himself, but had been a pupil of the famous Giovanni Fattori, a founder of the movement. Micheli's work, however, was so fashionable and the genre so commonplace that the young Modigliani reacted against it, preferring to ignore the obsession with landscape that, as with French Impressionism, characterised the movement. Micheli also tried to encourage his pupils to paint en plein air, but Modigliani never really got a taste for this style of working, sketching in cafes, but preferring to paint indoors, and especially in his own studio. Even when compelled to paint landscapes (three are known to exist), Modigliani chose a proto-Cubist palette more akin to Cézanne than to the Macchiaioli.
While with Micheli, Modigliani not only studied landscape, but also portraiture, still-life, and the nude. His fellow students recall that the latter was where he displayed his greatest talent, and apparently this was not an entirely academic pursuit for the teenager: when not painting nudes, he was occupied with seducing the household maid.
Despite his rejection of the Macchiaioli approach, Modigliani nonetheless found favour with his teacher, who referred to him as "Superman", a pet name reflecting the fact that Modigliani was not only quite adept at his art, but also that he regularly quoted from Nietzsche's Thus Spake Zarathustra. Fattori himself would often visit the studio, and approved of the young artist's innovations.
In 1902, Modigliani continued what was to be a life-long infatuation with life drawing, enrolling in the Accademia di Belle Arti (Scuola Libera di Nudo, or "Free School of Nude Studies") in Florence. A year later while still suffering from tuberculosis, he moved to Venice, where he registered to study at the Istituto di Belle Arti.
It is in Venice that he first smoked hashish and, rather than studying, began to spend time frequenting disreputable parts of the city. The impact of these lifestyle choices upon his developing artistic style is open to conjecture, although these choices do seem to be more than simple teenage rebellion, or the cliched hedonism and bohemianism that was almost expected of artists of the time; his pursuit of the seedier side of life appears to have roots in his appreciation of radical philosophies, such as those of Nietzsche.
Early literary influences
Having been exposed to erudite philosophical literature as a young boy under the tutelage of Isaco Garsin, his maternal grandfather, he continued to read and be influenced through his art studies by the writings of Nietzsche, Baudelaire, Carduzzi, Comte de Lautréamont, and others, and developed the belief that the only route to true creativity was through defiance and disorder.
Letters that he wrote from his 'sabbatical' in Capri in 1901 clearly indicate that he is being more and more influenced by the thinking of Nietzsche. In these letters, he advised friend Oscar Ghiglia,
“(hold sacred all) which can exalt and excite your intelligence... (and) ... seek to provoke ... and to perpetuate ... these fertile stimuli, because they can push the intelligence to its maximum creative power.”
The work of Lautréamont was equally influential at this time. This doomed poet's Les Chants de Maldoror became the seminal work for the Parisian Surrealists of Modigliani's generation, and the book became Modigliani's favourite to the extent that he learnt it by heart. The poetry of Lautréamont is characterised by the juxtaposition of fantastical elements, and by sadistic imagery; the fact that Modigliani was so taken by this text in his early teens gives a good indication of his developing tastes. Baudelaire and D'Annunzio similarly appealed to the young artist, with their interest in corrupted beauty, and the expression of that insight through Symbolist imagery.
Modigliani wrote to Ghiglia extensively from Capri, where his mother had taken him to assist in his recovery from the tuberculosis. These letters are a sounding board for the developing ideas brewing in Modigliani's mind. Ghiglia was seven years Modigliani's senior, and it is likely that it was he who showed the young man the limits of his horizons in Livorno. Like all precocious teenagers, Modigliani preferred the company of older companions, and Ghiglia's role in his adolescence was to be a sympathetic ear as he worked himself out, principally in the convoluted letters that he regularly sent, and which survive today.
“Dear friend
I write to pour myself out to you and to affirm myself to myself. I am the prey of great powers that surge forth and then disintegrate... A bourgeois told me today - insulted me - that I or at least my brain was lazy. It did me good. I should like such a warning every morning upon awakening: but they cannot understand us nor can they understand life...”
Paris
Arrival
In 1906 Modigliani moved to Paris, then the focal point of the avant-garde. In fact, his arrival at the epicentre of artistic experimentation coincided with the arrival of two other foreigners who were also to leave their marks upon the art world: Gino Severini and Juan Gris.
He settled in Le Bateau-Lavoir, a commune for penniless artists in Montmartre, renting himself a studio in Rue Caulaincourt. Even though this artists' quarter of Montmartre was characterised by generalised poverty, Modigliani himself presented - initially, at least - as one would expect the son of a family trying to maintain the appearances of its lost financial standing to present: his wardrobe was dapper without ostentation, and the studio he rented was appointed in a style appropriate to someone with a finely attuned taste in plush drapery and Renaissance reproductions. He soon made efforts to assume the guise of the bohemian artist, but, even in his brown corduroys, scarlet scarf and large black hat, he continued to appear as if he were slumming it, having fallen upon harder times.
When he first arrived in Paris, he wrote home regularly to his mother, he sketched his nudes at the Colarossi school, and he drank wine in moderation. He was at that time considered by those who knew him as a bit reserved, verging on the asocial. He is noted to have commented, upon meeting Picasso who, at the time, was wearing his trademark workmen's clothes, that even though the man was a genius, that did not excuse his uncouth appearance.
Transformation
Within a year of arriving in Paris, however, his demeanour and reputation had changed dramatically. He transformed himself from a dapper academician artist into a sort of prince of vagabonds.
The poet and journalist Louis Latourette, upon visiting the artist's previously well-appointed studio after his transformation, discovered the place in upheaval, the Renaissance reproductions discarded from the walls, the plush drapes in disarray. Modigliani was already an alcoholic and a drug addict by this time, and his studio reflected this. Modigliani's behaviour at this time sheds some light upon his developing style as an artist, in that the studio had become almost a sacrificial effigy for all that he resented about the academic art that had marked his life and his training up to that point.
Not only did he remove all the trappings of his bourgeois heritage from his studio, but he also set about destroying practically all of his own early work. He explained this extraordinary course of actions to his astonished neighbours thus:
“Childish baubles, done when I was a dirty bourgeois."
The motivation for this violent rejection of his earlier self is the subject of considerable speculation. The self-destructive tendencies may have stemmed from his tuberculosis and the knowledge (or presumption) that the disease had essentially marked him for an early death; within the artists' quarter, many faced the same sentence, and the typical response was to set about enjoying life while it lasted, principally by indulging in self-destructive actions. For Modigliani such behavior may have been a response to a lack of recognition; it is known that he sought the company of other alcoholic artists such as Utrillo and Soutine, seeking acceptance and validation for his work from his colleagues.
Modigliani's behavior stood out even in these Bohemian surroundings: he carried on frequent affairs, drank heavily, and used absinthe and hashish. While drunk he would sometimes strip himself naked at social gatherings. He became the epitome of the tragic artist, creating a posthumous legend almost as well-known as that of Vincent van Gogh.
During the 1920s, in the wake of Modigliani's career and spurred on by comments by Andre Salmon crediting hashish and absinthe with the genesis of Modigliani's style, many hopefuls tried to emulate his 'success' by embarking on a path of substance abuse and bohemian excess. Salmon claimed—erroneously—that whereas Modigliani was a totally pedestrian artist when sober,
“...from the day that he abandoned himself to certain forms of debauchery, an unexpected light came upon him, transforming his art. From that day on, he became one who must be counted among the masters of living art.”
While this propaganda served as a rallying cry to those with a romantic longing to be a tragic, doomed artist, these strategies did not produce unique artistic insights or techniques in those who did not already have them.
In fact, art historians suggest that it is entirely possible for Modigliani to have achieved even greater artistic heights had he not been immured in, and destroyed by, his own self-indulgences. We can only speculate what he might have accomplished had he emerged intact from his self-destructive explorations.
Output
During his early years in Paris, Modigliani worked at a furious pace. He was constantly sketching, making as many as a hundred drawings a day. However, many of his works were lost - destroyed by him as inferior, left behind in his frequent changes of address, or given to girlfriends who did not keep them.
He was first influenced by Henri de Toulouse-Lautrec, but around 1907 he became fascinated with the work of Paul Cézanne. Eventually he developed his own unique style, one that cannot be adequately categorized with other artists.
He met the first serious love of his life, Russian poet Anna Akhmatova, in 1910, when he was 26. They had studios in the same building, and although 21-year-old Anna was recently married, they began an affair. Tall (Modigliani was only 5 foot 5 inches) with dark hair (like Modigliani's), pale skin and grey-green eyes, she embodied Modigliani's aesthetic ideal and the pair became engrossed in each other. After a year, however, Anna returned to her husband.
Experiments with sculpture
In 1909, Modigliani returned home to Livorno, sickly and tired from his wild lifestyle. Soon he was back in Paris, this time renting a studio in Montparnasse. He originally saw himself as a sculptor rather than a painter, and was encouraged to continue after Paul Guillaume, an ambitious young art dealer, took an interest in his work and introduced him to sculptor Constantin Brancusi.
Although a series of Modigliani's sculptures were exhibited in the Salon d'Automne of 1912, he abruptly abandoned sculpting and focused solely on his painting.
Question of influences
In Modigliani's art, there is evidence of the influence of primitive art from Africa and Cambodia which he may have seen in the Musée de l'Homme, but his stylisations are just as likely to have been the result of his being surrounded by Mediaeval sculpture during his studies in Northern Italy (there is no recorded information from Modigliani himself, as there is with Picasso and others, to confirm the contention that he was influenced by either ethnic or any other kind of sculpture). A possible interest in African tribal masks seems to be evident in his portraits. In both his painting and sculpture, the sitters' faces resemble ancient Egyptian painting in their flat and masklike appearance, with distinctive almond eyes, pursed mouths, twisted noses, and elongated necks. However these same chacteristics are shared by Medieval European sculpture and painting.
Modigliani painted a series of portraits of contemporary artists and friends in Montparnasse: Chaim Soutine, Moise Kisling, Pablo Picasso, Diego Rivera, Marie "Marevna" Vorobyev-Stebeslka, Juan Gris, Max Jacob, Blaise Cendrars, and Jean Cocteau, all sat for stylized renditions.
At the outset of World War I, Modigliani tried to enlist in the army but was refused because of his poor health.
The war years
Known as Modì, which roughly translates as 'morbid' or 'moribund', by many Parisians, but as Dedo to his family and friends, Modigliani was a handsome man, and attracted much female attention.
Women came and went until Beatrice Hastings entered his life. She stayed with him for almost two years, was the subject for several of his portraits, including Madame Pompadour, and the object of much of his drunken wrath.
When the British painter Nina Hamnett arrived in Montparnasse in 1914, on her first evening there the smiling man at the next table in the café introduced himself as Modigliani; painter and Jew. They became great friends.
In 1916, Modigliani befriended the Polish poet and art dealer Leopold Zborovski and his wife Anna.
Jeanne Hébuterne
The following summer, the Russian sculptor Chana Orloff introduced him to a beautiful 19-year-old art student named Jeanne Hébuterne who had posed for Foujita. From a conservative bourgeois background, Hébuterne was renounced by her devout Roman Catholic family for her liaison with the painter, whom they saw as little more than a debauched derelict, and, worse yet, a Jew. Despite her family's objections, soon they were living together, and although Hébuterne was the love of his life, their public scenes became more renowned than Modigliani's individual drunken exhibitions.
On December 3, 1917, Modigliani's first one-man exhibition opened at the Berthe Weill Gallery. The chief of the Paris police was scandalized by Modigliani's nudes and forced him to close the exhibition within a few hours after its opening.
After he and Hébuterne moved to Nice, she became pregnant and on November 29, 1918 gave birth to a daughter whom they named Jeanne (1918-1984).
Nice
During a trip to Nice, conceived and organized by Leopold Zborovski, Modigliani, Tsuguharu Foujita and other artists tried to sell their works to rich tourists. Modigliani managed to sell a few pictures but only for a few francs each. Despite this, during this time he produced most of the paintings that later became his most popular and valued works.
During his lifetime he sold a number of his works, but never for any great amount of money. What funds he did receive soon vanished for his habits.
In May of 1919 he returned to Paris, where, with Hébuterne and their daughter, he rented an apartment in the rue de la Grande Chaumière. While there, both Jeanne Hébuterne and Amedeo Modigliani painted portraits of each other, and of themselves.
Last days
Although he continued to paint, Modigliani's health was deteriorating rapidly, and his alcohol-induced blackouts became more frequent.
In 1920, after not hearing from him for several days, his downstairs neighbor checked on the family and found Modigliani in bed delirious and holding onto Hébuterne who was nearly nine months pregnant. They summoned a doctor, but little could be done because Modigliani was dying of the then-incurable disease tubercular meningitis.
Modigliani died on January 24, 1920. There was an enormous funeral, attended by many from the artistic communities in Montmartre and Montparnasse.
Hébuterne was taken to her parents' home, where, inconsolable, she threw herself out of a fifth-floor window two days after Modigliani's death, killing herself and her unborn child. Modigliani was interred in Père Lachaise Cemetery. Hébuterne was buried at the Cimetière de Bagneux near Paris, and it was not until 1930 that her embittered family allowed her body to be moved to rest beside Modigliani.
Modigliani died penniless and destitute—managing only one solo exhibition in his life and giving his work away in exchange for meals in restaurants. Had he lived through the 1920s when American buyers flooded Paris, his fortunes might well have changed. Since his death his reputation has soared. Nine novels, a play, a documentary and three feature films have been devoted to his life.
With the 3014 GARC season opener came a new racer - the #13, better known as Vertigo. This ship was entered into select events to promote the resurrection of the "Gravity Games," an ancient Earthican festival that pit primitive humans on wheeled boards against each in death-defying stunts.
New-found interest in the ancient festival has influenced the people of Ok'm'phu to recreate this festival and share it with sentient beings of the universe.
This is a collaborative micro GARC between me and Jacob. I built most of the racer and then gave it to Jacob to finish. He reworked the shaping and added stickers and did a damn good job on it! Thanks man!
I've bumped this in case anyone didn't see it yesterday.
A massive, spacetime-warping cluster of galaxies is the setting of today’s NASA/ESA Hubble Space Telescope image. The galaxy cluster in question is Abell 209, located 2.8 billion light-years away in the constellation Cetus (the Whale).
This Hubble image of Abell 209 shows more than a hundred galaxies, but there’s more to this cluster than even Hubble’s discerning eye can see. Abell 209’s galaxies are separated by millions of light-years, and the seemingly empty space between the galaxies is filled with hot, diffuse gas that is visible only at X-ray wavelengths. An even more elusive occupant of this galaxy cluster is dark matter: a form of matter that does not interact with light. Dark matter does not absorb, reflect, or emit light, effectively making it invisible to us. Astronomers detect dark matter by its gravitational influence on normal matter. Astronomers surmise that the universe is comprised of 5% normal matter, 25% dark matter, and 70% dark energy.
Credit: ESA/Hubble & NASA, M. Postman, P. Kelly
#NASAMarshall #NASA #NASAHubble #Hubble #NASAGoddard #GalaxyCluster #galaxy
The Turkana s inhabit the arid territories of northern Kenya, on the boundary with Sudan. Nilotic-speaking people, they have for a long time stayed outside of the influence of the main foreign trends. Nomad shepherds adapted to a almost totally desert area, some also fish in Lake Turkana. They are divided in 28 clans. Each one of them is associated with a particular brand for its livestock, so that any Turkana can identify a relative in this way.The majority of the Turkana still follow their traditional religion: they believe in a God called Kuj or Akuj, associated with the sky and creator of all things. He is thought to be omnipotent but rarely intervenes in the lives of people. Contact between God and the people is made though a diviner (emeron). Diviners have the power to interpret dreams, forecast the future, heal, and make rain. However, the Turkana doubt about those who say they have powers, but fail to prove it in the everyday life. According to estimates, about 15% of the Turkana are Christian. Evangelism has started among the Turkana since the 1970s. Various church buildings have been built since then. The most astonishing element one can notice in the villages, is that the only permanent structures are churches, with huts all around. Infact, in the late 1970s, feeding projects as well as literacy courses and other services have been provided by Baptist workers. This easily explains the importance acquired by the Church.The Turkana don't have any physical initiations. They have only the asapan ceremony, transition from youth to adulthood, that all men must perform before marriage. The Turkana are polygamous. Homestead consists of a man, his wives and children, and often his mother. When a new wife comes, she stays at the hut of the mother or first wife until she has her first child. The high bride-wealth payment (30 to 50 cattle, 30 to 50 camels and 100 to 200 small stock) often means that a man cannot marry until he has inherited livestock from his dead father. It also implies that he collect livestock from relatives and friends, which strengthens social ties between them. Resolution is found to conflicts through discussions between the men living in proximity to one another. Men of influence are particularly listened, and decisions are enforced by the younger men of the area. Each man belongs to a specific generation set. If a man is a Leopard, his son will be a Stone, so that there is approximately an equal number of each category. The Turkana make finely carved wooden implements, used in the daily life. During the rainy season, moonlight nights' songs have a particular place in the Turkana's life. The songs often refer to their cattle or land, but they are sometimes improvised and related to immediate events. The Turkana have a deep knowledge of plants and products they use as medicine. The fat-tailed sheep is often called "the hospital for the Turkana".
Les Turkanas habitent les territoires arides du nord du Kenya, à la frontière avec le Soudan.Peuple de langue nilotique, ils sont pendant longtemps restés hors de l’influence des principaux courants étrangers. Pasteurs nomades adaptés à une zone presque totalement déserte, certains pêchent également dans le lac Turkana. Ils sont divisés en 28 clans. Chacun d’entre eux est associé à une marque particulière donné à son bétail, de telle façon que tout Turkana peut identifier un parent de cette manière.La majorité des Turkana suit encore leur religion traditionnelle : ils croient en un Dieu appelé Kuj ou Akuj, associé au ciel et créateur de toute chose. Les Turkana le voient comme omnipotent mais intervenant rarement dans la vie des gens. Le contact entre Dieu et les hommes se fait par l’intermédiaire d’un divin (emeron). Les devins ont le pouvoir d’interpréter les rêves, prédire l’avenir, soigner et faire pleuvoir. Toutefois, les Turkana doutent de ceux qui disent qu’ils ont des pouvoirs, mais échouent à le prouver dans la vie de tous les jours. Selon des estimations, environ 15% des Turkana sont chrétiens. L’évangélisme a commencé chez les Turkana depuis les années 1970. Diverses églises ont depuis été construites. L’élément le plus étonnbant que l’on peut noter dans les villages est que les seules structures en dur sont les églises, avec des huttes tout autour. En fait, à la fin des années 1970, des projets alimentaires ainsi que des cours d’alphabétisation et d’autres services ont été menés par des travailleurs baptistes. Cela explique facilement l’importance acquise par l’Eglise.Les Turkana n’ont aucune initiation physique. Ils ont seulement la cérémonie asapan, transition de la jeunesse à l’âge adulte, que chaque homme doit suivre avant le mariage. Les Turkana sont polygames. La propriété familiale est composée d’un homme, ses femmes et enfants, et souvent sa mère. Quand une nouvelle femme arrive, elle loge dans la hutte de la mère ou de la première femme jusqu’à ce qu’elle ait son premier enfant. Le paiement élevé pour la mariée (30 à 50 têtes de gros bétail, 30 à 50 dromadaires, et 100 à 200 têtes de petit bétail) signifie souvent qu’un homme ne peut se permettre de se marier jusqu’à ce qu’il ait hérité le bétail de son père décédé. Cela implique également qu’il collecte le bétail requis de parents et amis, ce qui renforce les liens sociaux entre eux. La résolution des conflits se fait par la discussion entre les hommes vivant à proximité.Les hommes d’influence sont particulièrement écoutés, et les décisions sont mises en application par les hommes plus jeunes de la zone. Chaque homme appartient à une classe d’âge spécifique. Si un homme est un Léopard, son fils deviendra une Pierre, de telle façon qu’il y a approximativement un même nombre de chaque catégorie. Les Turkana font des outils en bois finement taillés, utilisés dans la vie de tous les jours. Durant la saison des pluies, les chansons des nuits de pleine lune ont une place particulière dans la vie des Turkana. Elles font souvent référence à leur bétail et terres, mais sont parfois improvisées ou liées à des événements immédiats. Les Turkana ont une connaissance intime des plantes et des produits qu’ils utilisent comme médicaments. La queue grasse des moutons est souvent appelée « l’hôpital pour les Turkana ».
© Eric Lafforgue
I'm under an NDA so I must keep the details to myself, BUT I was offered a job as a social media influencer. Can you imagine that? I asked them what the hours were and they said they expected me to be socializing all hours of the night and day. There were no benefits, no insurance, no holidays and they expected me to go on about all sorts of products like perfume and charcoal grills and TV shows that I've never even heard of. Silly. Benefits would have included having lunch with the above pictured executives, but my time is valuable, too.
I turned them down. Crazy, right?
✰ Credit ✰
🏮🏮🏮
For Her
Ricielli - Sienna Outfit
For Him
[Mazzaro] - Ender Set - Manhood Events
🏮🏮🏮
NEW ATTITUDE
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#Home #cozy #decor #art #fashion #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #Mazarro #Ricielli #Manhood #Street #Rue #Night #Nuit #Blog #BLogger #SecondLife #SL #Influencer #Avatar #Virtual #Game #Mode #Fashion #Event #Couple
Building built in 1884 at no. 186 5th Avenue.
"Madison Square is a public square formed by the intersection of Fifth Avenue and Broadway at 23rd Street in the New York City borough of Manhattan. The square was named for Founding Father James Madison, fourth President of the United States. The focus of the square is Madison Square Park, a 6.2-acre (2.5-hectare) public park, which is bounded on the east by Madison Avenue (which starts at the park's southeast corner at 23rd Street); on the south by 23rd Street; on the north by 26th Street; and on the west by Fifth Avenue and Broadway as they cross.
The park and the square are at the northern (uptown) end of the Flatiron District neighborhood of Manhattan. The neighborhood to the north and west of the park is NoMad ("NOrth of MADison Square Park") and to the north and east is Rose Hill.
Madison Square is probably best known around the world for providing the name of Madison Square Garden, a sports arena and its successor which were located just northeast of the park for 47 years, until 1925. The current Madison Square Garden, the fourth such building, is not in the area. Notable buildings around Madison Square include the Flatiron Building, the Toy Center, the New York Life Building, the New York Merchandise Mart, the Appellate Division Courthouse, the Met Life Tower, and One Madison Park, a 50-story condominium tower.
The Flatiron District is a neighborhood in the New York City borough of Manhattan, named after the Flatiron Building at 23rd Street, Broadway and Fifth Avenue. Generally, the Flatiron District is bounded by 14th Street, Union Square and Greenwich Village to the south; the Avenue of the Americas (Sixth Avenue) and Chelsea to the west; 23rd Street and Madison Square (or NoMad) to the north; and Park Avenue South and Gramercy Park to the east.
Broadway cuts through the middle of the district, and Madison Avenue begins at 23rd Street and runs north. At the north (uptown) end of the district is Madison Square Park, which was completely renovated in 2001. The Flatiron District encompasses within its boundaries the Ladies' Mile Historic District and the birthplace of Theodore Roosevelt, a National Historic Site. The Flatiron District was also the birthplace of Silicon Alley, a metonym for New York's high technology sector, which has since spread beyond the area.
The Flatiron District is part of Manhattan Community District 5. Residents are represented by the Flatiron Alliance neighborhood association and nearby businesses by the Flatiron NoMad Partnership business improvement district, though the two have different (partially overlapping) boundaries.
New York, often called New York City or NYC, is the most populous city in the United States. With a 2020 population of 8,804,190 distributed over 300.46 square miles (778.2 km2), New York City is also the most densely populated major city in the United States. The city is within the southern tip of New York State, and constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area – the largest metropolitan area in the world by urban landmass. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous megacities, and over 58 million people live within 250 mi (400 km) of the city. New York City is a global cultural, financial, and media center with a significant influence on commerce, health care and life sciences, entertainment, research, technology, education, politics, tourism, dining, art, fashion, and sports. New York is the most photographed city in the world. Home to the headquarters of the United Nations, New York is an important center for international diplomacy, an established safe haven for global investors, and is sometimes described as the capital of the world." - info from Wikipedia.
The fall of 2022 I did my 3rd major cycling tour. I began my adventure in Montreal, Canada and finished in Savannah, GA. This tour took me through the oldest parts of Quebec and the 13 original US states. During this adventure I cycled 7,126 km over the course of 2.5 months and took more than 68,000 photos. As with my previous tours, a major focus was to photograph historic architecture.
Now on Instagram.
Dirt. Dusk.
A different view of Granada. With such a great history, Granada also has a large Arab influence.
They say that the Catholic church is a sphere of influence. Here is my Oval of influence…
One of my first experiences with using a telephoto lens. I can tell you that it was quite difficult to focus and hold something as long as this lens! :D
Taken with Olympus OM2SP, telephoto lens, fujifilm superia, ISO 200
Budapest, Vörösmarty tér/Square.
Founded in 1858.
The tradition-rich history of Gerbeaud began in 1858 with Henrik Kugler, the third descendent of a confectionery dynasty. During his years of travel and as an apprentice, Kugler perfected his specialized knowledge of his art in eleven European metropolises, including Paris. The influence of this experience is recognizable to this day.
Kugler opened his first café on what is now József nádor Square. Because of the tastefully furnished salon, the assortment of Chinese and Russian tea specialities, and „the best ice-creams in Pest,” it soon became a wellknown meeting place. In 1870, Henrik Kugler moved his business to Vörösmarty Square, where he could offer his delicacies from the centre of the city.
Kugler’s frothy coffee with chocolate, his special liqueurs and his bon-bons drew in crowds. The Kugler tortes and mignons were not only well-loved, but could be wrapped on a paper tray to take-away, an innovation of Kugler’s.
Famous personalities such as Ferenc Deák and Ferenc Liszt were among the patrons of the café. In 1881, Kugler’s was called „the meeting point of six elegant worlds.”
Henrik Kugler met Emil Gerbeaud for the first time in 1882, in Paris. He invited him a year later to Budapest in order to make him his business partner. Born in Geneva, and like Kugler, coming from a family of confectioners, he travelled as a young man to England, France and Germany, acquiring international experience. He settled in St. Étienne and married Ester Ramseyer the daughter of yet another confectioner and chocolate producer of Saint-Imiér.
In 1884, he entered Kugler’s business, which he gradually overtook. Gerbeaud’s extraordinary talent and his enterprising spirit gave the business added impetus, and accounted for the unique success story of Gerbeaud‘s. Emil Gerbeaud took on a great number of new employees in both sales and service. He introduced numerous innovations: he included among the café’s offerings exceptional, new products, he created hundreds of biscuits, sweets, bon-bons and cherry liqueur bon-bons.
He equipped his bakery with modern machines. By the end of the century, he had approximately 150 employees, many of whom had come to Budapest specifically to work for him. The name Gerbeaud soon become wellknown and espected. With good businness sense, Emil Gerbeaud continued for decades to use the name of his predecessor, Henrik Kugler. His quality was of the highest order. His baked goods were beautifully decorated, his sweets and bon-bons were packaged in artistic paper boxes of his own design. He strove to make a visit to Gerbeaud an experience for his guests.
Gerbeaud was granted valuable awards at numerous exhibitions. World Fair in Brussels and the 1900 Paris Exposition, he was invited to be a member of the jury, and was awarded the French Legion of Honour. Gerbeaud’s lucky star continued to shine ever wider and brighter. After the death of Henrik Kugler in 1908, Gerbeaud established a public limited company under the name „Kugler’s Successor Gerbeaud.” He also kept an eye on the changes in his steadily modernising world: from 1909, there were spaces for both horse-drawn carriages and automobiles in the parking area of the café.
The plans for the interior decoration of the café were completed by the artisan Henrik Darilek in the years after 1910. Fine woods, marble and bronze were used. The ceilings were decorated with rococo plaster work in Louis XV style; the chandeliers and wall lamps were created in Maria
Theresa Style. Gerbeaud had secessionist style tables sent from the Paris World Fair so that the elegant ambiance would be perfect. During this time, however, the effects of the First World War were felt ever more strongly, even in the Gerbeaud House.
Although Emil Gerbeaud survived the difficult war years, he died on November 8, 1919.
His wife Esther took an active part in the management of the business until 1940, always careful to maintain its high standards. At her death, her contemporaries said of her: "She will no longer sit there with her creamy-white hair, in her silk dresses, to control whether or not the coffee with whipped cream in the fine China cups is served promptly and tastefully, and whether the silver tray under the chocolate is shiny enough."
Emil Gerbeaud was an enigmatic personality. His secret lay in his constant attention to the quality and perfection of his products. He was an artist in his profession, whose new ideas
continually developed. To his splendid café he brought a French spirit and a Parisian atmosphere, which was happily embraced by the Pest public.
Over the past century and a half, Gerbeaud Café has numbered among its guests the cream of society and practically every famous person who has visited Budapest. A few impressive names from our guest register: Empress Elizabeth of the Austro-Hungarian Empire; Ferenc Deák; Franz Liszt: King George of Great Britain; Edward, Prince of Wales; Josephine Baker. More recently, Princess Diana, Queen Beatrix of the Netherlands, Queen Elizabeth II, former Austrian chancellor Franz Vranitzky, former Czech president Vacláv Hável. And from the world of stars: Madonna, Ralph Fiennes, Melanie Griffith, Antonio Banderas, Brad Pitt...
Source: en.wikipedia.org/wiki/Toledo,_Spain
Toledo is a city and municipality located in central Spain; it is the capital of the province of Toledo and the autonomous community of Castile–La Mancha. Toledo was declared a World Heritage Site by UNESCO in 1986 for its extensive monumental and cultural heritage.
Toledo is known as the "Imperial City" for having been the main venue of the court of Charles V, Holy Roman Emperor, and as the "City of the Three Cultures" for the cultural influences of Christians, Muslims and Jews reflected in its history. It was also the capital from 542 to 725 AD of the ancient Visigothic kingdom, which followed the fall of the Roman Empire, and the location of historic events such as the Visigothic Councils of Toledo. Toledo has a long history in the production of bladed weapons, which are now common souvenirs from the city.
People who were born or have lived in Toledo include Brunhilda of Austrasia, Al-Zarqali, Garcilaso de la Vega, Eleanor of Toledo, Alfonso X, Israeli ben Joseph, Halevi, and El Greco. As of 2015, the city had a population of 83,226 and an area of 232.1 km2 (89.6 sq mi).
Source: en.wikipedia.org/wiki/Miguel_de_Cervantes
Miguel de Cervantes Saavedra; 29 September 1547 (assumed) – 22 April 1616 NS) was a Spanish writer who is widely regarded as the greatest writer in the Spanish language and one of the world's preeminent novelists. His novel Don Quixote has been translated into over 140 languages and dialects; it is, after the Bible, the most-translated book in the world.
Don Quixote, a classic of Western literature, is sometimes considered both the first modern novel and the best work of fiction ever written. Cervantes' influence on the Spanish language has been so great that the language is often called la lengua de Cervantes ("the language of Cervantes"). He has also been dubbed El príncipe de los ingenios ("The Prince of Wits").
In 1569, in forced exile from Castile, Cervantes moved to Rome, where he worked as chamber assistant of a cardinal. Then he enlisted as a soldier in a Spanish Navy infantry regiment and continued his military life until 1575, when he was captured by Barbary pirates. After five years of captivity, he was released on payment of a ransom by his parents and the Trinitarians, a Catholic religious order, and he returned to his family in Madrid.
In 1585, Cervantes published La Galatea, a pastoral novel. He worked as a purchasing agent for the Spanish Armada and later as a tax collector for the government. In 1597, discrepancies in his accounts for three years previous landed him in the Crown Jail of Seville.
In 1605, Cervantes was in Valladolid when the immediate success of the first part of his Don Quixote, published in Madrid, signalled his return to the literary world. In 1607, he settled in Madrid, where he lived and worked until his death. During the last nine years of his life, Cervantes solidified his reputation as a writer, publishing Novelas ejemplares (Exemplary Novels) in 1613, Viaje del Parnaso (Journey to Parnassus) in 1614, and Ocho comedias y ocho entremeses and the second part of Don Quixote in 1615. His last work, Los trabajos de Persiles y Sigismunda (The Travails of Persiles and Sigismunda), was published posthumously in 1617.
CAST
Kiley (Bailey)
Skyler (TB)
Nicole Davis (TB)
Liz Baxter (Bailey)
Sean Davis Erebus
Influencers - Mia (Summer) & Ryan (Seth)
Wardrobe Designer - (Bailey)
Hairdresser: (Bailey)
MUSIC Everything You Know is Wrong - Geoffrey Burch. Copyright free
pixabay.com/music/horror-scene-everything-you-know-is-wro...
(There's a dragging sound, and a thump.)
Sean: My god! How did you do that?
Nicole: Sean? What's wrong?
911: Ma'am?
Sean: How did you pick me up like that?
Nicole: Sean? What's going on?
Sean: Honey, you won't believe it. Kiley just picked me up like I was a doll or something.
Nicole: That's impossible!
911: Ma'am?
Nicole: My husband was a football player. He's a big guy. Over 6 feet and about 200 pounds. He said our fifteen-year-old daughter just picked him up like a doll!
911: Ma'am, I will keep the units rolling. There are some drugs that cause people to exhibit great feats of strength. Can your husband exit the room?
Nicole: Sean? Can you open the door?
Sean: They've got a lot of stuff in front of it. Girls, why did you do this?
(There's a scraping sound from inside the room, and grunting, as Sean starts to move things, and the girls are giggling, sounding like glass windchimes.)
911: Ma'am, what is happening, now?
Nicole: My husband is moving furniture away from the door. I guess they barricaded themselves in there while they did that Mia makeover.
911: Ma'am, please repeat what you just said.
Nicole: Sean's moving furniture --
911: No, ma'am. The very last thing you said. Did you say a name?
Nicole: Oh, yes. Mia, this influencer. She has a makeover that everybody is doing, and the girls--
911: Ma'am, are you able to leave the house?
Nicole: I'm sorry?
Sean: That's okay, girls. I can do this on my -- Ow! Hey, Skyler! Take it easy!
911: Ma'am we're receiving reports that people who have taken the drug being sold by this Mia Murony are behaving aggressively.
Nicole: Sean? Are you okay?
Sean: Yeah, it's just that ... Skyler nearly broke my arm pulling me away from the door.
(The girls' tinkling laughter follows his remark.)
911: Ma'am, I want you to leave your house and run, do not walk, RUN to the intersection of Maple and Fremont. Officers will assist you there.
Nicole: My husband is with the girls. Sean, can you open the door?
Sean: Come on, girls. Let's get all of this stuff out of the way. Don't you want to show your mom how the makeover worked?
Kiley: It DID work, didn't it, Dad? I'm beautiful now, aren't I?
Sean: You've always been beautiful, honey.
(There's a sharp sound of flesh hitting flesh and Sean cries out in pain.)
Kiley: (sounding animalistic) LIAR!
This is what Detroit might have looked like if John Portman (the principal architect for the Renaissance Center) had been a big fan of 2nd empire architecture. I think it would be awesome.
Day 338
Primrose has a new dress........and I am thrilled with it.
I have always loved the 'Heidi' dress from 2011 on Martha Boers's site. This is my version of it.
One of my attempts at the "Smile on Saturday" theme "fancy fabrics".
Shot with a Noritsu "38-60 mm F 4-4.8" (enlarging) lens on a Canon EOS R5.
Model: Skye McLeod Fairywren
Skin: Amelie by Glam Affair
Hair: Bunny Chignon by :pesca:
Necklace: Cumulonimbus by [croire]
Ears: Gelf Ears (low) by Trap
Dress: Clouds E-Motion Dress by The Secret Store
Heels: Easter Shoes by West Coast Influence
Eyelashes: Water Drops by GLOW
Nails: Shine Blue by Candy Nail
Makeup: Tropical by Chelle; Blue Autumn Shadow by Izzie, L'eau Fun Blue Lipgloss by M.O.C.K; Glossy Lip Highlights by Izzie
Shoulder Bunnies: My Bunny Friend by Jolly Farm
Yadni's Emoter Hud
SIM: HPMD (Happy Mood):
Huge influences come from two amazing photographers : Minatoさん cocoalocoさん
Pretending I have a film cam again.. :p
Thanks a lot for your help ma-! ありがとね、ma-!
This photo does not exist without this song : Pulp - Something Changed
この曲なしにはこの写真はありませんでした。
The central criminal courts, Old Bailey, London. Seen after heavy Spring rain.
The court originated as the sessions house of the Lord Mayor and Sheriffs of the City of London and of Middlesex. The original medieval court was first mentioned in 1585; it was next to the older Newgate gaol, and seems to have grown out of the endowment to improve the gaol and rooms for the Sheriffs, made possible by a gift from Richard Whittington. It was destroyed in the Great Fire of London in 1666 and rebuilt in 1674, with the court open to the weather to prevent the spread of disease.
Plaque commemorating Bushel's Case of 1670
In 1734 it was refronted, enclosing the court and reducing the influence of spectators: this led to outbreaks of typhus, notably in 1750 when 60 people died, including the Lord Mayor and two judges. It was rebuilt again in 1774 and a second courtroom was added in 1824. Over 100,000 criminal trials were carried out at the Old Bailey between 1674 and 1834
In 1834, it was renamed as the Central Criminal Court and its jurisdiction extended beyond that of London and Middlesex to the whole of the English jurisdiction for trials of major cases. Her Majesty's Courts and Tribunals Service manages the courts and administers the trials but the building itself is owned by the City of London Corporation, which finances the building, the running of it, the staff and the maintenance out of their own resources.
The court was originally intended as the site where only criminals accused of crimes committed in the City and Middlesex were tried. However, in 1856, there was public revulsion at the accusations against the doctor William Palmer that he was a poisoner and murderer. This led to fears that he could not receive a fair trial in his native Staffordshire. The Central Criminal Court Act 1856 was passed to enable his trial to be held at the Old Bailey.
In the 19th century, the Old Bailey was a small court adjacent to Newgate gaol. Hangings were a public spectacle in the street outside until May 1868. The condemned would be led along Dead Man's Walk between the prison and the court, and many were buried in the walk itself. Large, riotous crowds would gather and pelt the condemned with rotten fruit and vegetables and stones. In 1807, 28 people were crushed to death after a pie-seller's stall overturned. A secret tunnel was subsequently created between the prison and St Sepulchre's church opposite, to allow the chaplain to minister to the condemned man without having to force his way through the crowds.
The present Old Bailey building dates from 1902 but it was officially opened on 27 February 1907. It was designed by E. W. Mountford and built on the site of the infamous Newgate gaol, which was demolished to allow the court buildings to be constructed. Above the main entrance is inscribed the admonition: "Defend the Children of the Poor & Punish the Wrongdoer". King Edward VII opened the courthouse.
Lady Justice statue on the top of the court building
On the dome above the court stands a bronze statue of Lady Justice, executed by the British sculptor F. W. Pomeroy. She holds a sword in her right hand and the scales of justice in her left. The statue is popularly supposed to show blind Justice, however, the figure is not blindfolded: the courthouse brochures explain that this is because Lady Justice was originally not blindfolded, and because her “maidenly form” is supposed to guarantee her impartiality which renders the blindfold redundant.
During the Blitz of World War II, the Old Bailey was bombed and severely damaged, but subsequent reconstruction work restored most of it in the early 1950s. In 1952, the restored interior of the Grand Hall of the Central Criminal Court was once again open. The interior of the Great Hall (underneath the dome) is decorated with paintings commemorating the Blitz, as well as quasi-historical scenes of St Paul's Cathedral with nobles outside. Running around the entire hall are a series of axioms, some of biblical reference. They read:
"The law of the wise is a fountain of life"
"The welfare of the people is supreme"
"Right lives by law and law subsists by power"
"Poise the cause in justice's equal scales"
"Moses gave unto the people the laws of God"
"London shall have all its ancient rights"
The Great Hall (and the floor beneath it) is also decorated with many busts and statues, chiefly of British monarchs, but also of legal figures, and those who achieved renown by campaigning for improvement in prison conditions in the eighteenth and nineteenth centuries. This part of the building also houses the shorthand-writers' offices.
The lower level also hosts a minor exhibition on the history of the Old Bailey and Newgate featuring historical prison artefacts.
In 1973, the Belfast Brigade of the Provisional IRA exploded a car bomb in the street outside the courts, killing one and injuring 200 people. A shard of glass is preserved as a reminder, embedded in the wall at the top of the main stairs.
South Block extension
Between 1968 and 1972, a new South Block, designed by the architects Donald McMorran and George Whitby, was built to accommodate more modern courts. There are presently 18 courts in use. Court 19 is now used variously as a press overflow facility, as a registration room for first-day jurors or as a holding area for serving jurors.
The original ceremonial gates to the 1907 part of the building are only used by the Lord Mayor and visiting royalty. The general entrance to the building is a few yards down the road in the South Block and is often featured as a backdrop in television news reports. There is also a separate rear entrance, not open to the public, which permits more discreet access. In Warwick Square, on the western side of the complex, is the "Lord Mayor's Entrance".
A remnant of the city wall is preserved in the basement beneath the cells.
fyi:
The lunar influence on human behavior has been termed 'The Lunar Effect' or 'The Transylvania Effect'. The influence of the full moon remains one of the most common explanations for a wide range of bizarre events from deaths to violence in a psychiatric setting.
~
night wish images (x2) blened and manipulated btw pixlr and gimp
George Lucas's creation of R2-D2 was influenced by Akira Kurosawa's 1958 feature film The Hidden Fortress. Lucas and artist Ralph McQuarrie also drew inspiration from the robots Huey, Dewey, and Louie from Douglas Trumbull's 1972 film Silent Running. This 'concept sketch' was created by McQuarrie in 1975 with red & graphite pencil on vellum and became the basis for R2-D2 (which stands for Second Generation Robotic Droid Series-2).
This photograph was taken at the Star Wars and the Power of Costume exhibit which explores the challenges in dressing the Star Wars universe from the Galactic Senate and royalty to the Jedi, Sith, and Droids. Features of this exhibit included short films that provide a behind-the-scenes look at the creative process and included interviews with the designers and actors/actresses. The experience is also enhanced by interactive flip books featuring sketches, photographs, and notes that capture the creative team’s inspiration and vision.
The best way to view my photostream is through Flickriver with the link below:
L'édition 2022 est là : PARADE,
Techno Parade, Paris, samedi 24 septembre 2022
Les éditions précédentes sont là aussi :
They will show me what I want to see, Techno Parade, Paris samedi 23 septembre 2017.
Techno Parade, Paris samedi 19 septembre 2015.
et puis, pour les fans, il y a toujours JJ_BT, l'intégrale
le tout , powered by issuu.
Seattle Center
Seattle, WA
In October my wife and I had the chance to visit the new home of Seattle's new hockey tean, the Kraken. Climate Pledge Arena is at the Seattle Center. To see more pictures of our visit, read my blog post Climate Pledge Arena: Seattle's Newest Wonder in my blog Batteredsuitcase.net
Aruba, a small island in the Dutch Caribbean off the coast of Venezuela, has a dry climate, sunny beaches and gentle waves. Constant winds produce a cool breeze and tilt trees (like the famous divi-divi) to the southwest. The European influence appears in the architecture, characterized by the Dutch gables painted in tropical pastel tones. This is also evident in the coexistence of the local language, Papiamento, with English, Dutch and Spanish. The country does not have fresh water but it has desalinated water of excellent quality and you can safely drink tap water. The small country is a major producer and exporter of aloe vera (aloe vera) and is strong in the financial and fishing sectors, in addition to logistical services in the oil sector. It is a small island with a lot of sun and wind all the time, which favors the country's main economic activity, tourism. Its area is 179 km2 (69.1 mi2) and is densely populated by approximately 110,000 inhabitants (2020 Census) and has a per capita income of just over US$25,000 p.a. The country's capital is Oranjestad.
Aruba, pequena ilha do Caribe holandês ao largo da costa da Venezuela, tem clima seco, praias ensolaradas e ondas suaves. Ventos constantes produzem uma brisa fresca e inclinam as árvores (como a famosa divi-divi) para o sudoeste. A influência europeia aparece na arquitetura, caracterizada pelas empenas holandesas pintadas em tons pastel tropicais. Isso também fica evidente na convivência do idioma local, o papiamento, com o inglês, o holandês e o espanhol. O país não tem água doce mas tem água dessalinizada de ótima qualidade e vc pode tomar agua da torneira com segurança. O pequeno país é um grande produtor e exportador de aloé vera (babosa) e é forte no setor financeiro e de pesca além de serviços logísticos na área petroleira. É uma pequena ilha com muito sol e vento o ando todo o que favorece a principal atividade econômica do país, o turismo. Sua área é de 179 km2 (69.1 mi2) e é densamente povoada por aproximadamente 110.000 habitantes (Censo de 2020) e tem uma renda per capita de pouco mais de US$ 25,000 a.a. A capital do país é Oranjestad.
Aruba, een klein eiland in de Nederlandse Caraïben voor de kust van Venezuela, heeft een droog klimaat, zonnige stranden en zachte golven. Constante winden produceren een koel briesje en kantelen bomen (zoals de beroemde divi-divi) naar het zuidwesten. De Europese invloed komt terug in de architectuur, gekenmerkt door de Hollandse gevels geschilderd in tropische pasteltinten. Dit blijkt ook uit het naast elkaar bestaan van de lokale taal, Papiamento, met Engels, Nederlands en Spaans. Het land heeft geen zoet water maar wel ontzilt water van uitstekende kwaliteit en je kunt er veilig kraanwater drinken. Het kleine land is een belangrijke producent en exporteur van aloë vera (aloë vera) en is sterk in de financiële en visserijsector, naast de logistieke dienstverlening in de oliesector. Het is een klein eiland met de hele tijd veel zon en wind, wat de belangrijkste economische activiteit van het land, het toerisme, bevordert. Het gebied is 179 km2 (69,1 mi2) en is dichtbevolkt met ongeveer 110.000 inwoners (telling van 2020) en heeft een inkomen per hoofd van de bevolking van iets meer dan 25.000 dollar per jaar. De hoofdstad van het land is Oranjestad.
Aruba, una piccola isola dei Caraibi olandesi al largo della costa del Venezuela, ha un clima secco, spiagge assolate e onde dolci. I venti costanti producono una brezza fresca e inclinano gli alberi (come i famosi divi-divi) a sud-ovest. L'influenza europea appare nell'architettura, caratterizzata dai timpani olandesi dipinti in toni pastello tropicali. Ciò è evidente anche nella coesistenza della lingua locale, il papiamento, con l'inglese, l'olandese e lo spagnolo. Il paese non ha acqua dolce ma ha acqua desalinizzata di ottima qualità e si può bere tranquillamente l'acqua del rubinetto. Il piccolo paese è un importante produttore ed esportatore di aloe vera (aloe vera) ed è forte nei settori finanziario e della pesca, oltre ai servizi logistici nel settore petrolifero. È una piccola isola con tanto sole e vento tutto il tempo, il che favorisce la principale attività economica del paese, il turismo. La sua area è di 179 km2 (69,1 mi2) ed è densamente popolata da circa 110.000 abitanti (censimento 2020) e ha un reddito pro capite di poco superiore a US $ 25.000 all'anno. La capitale del paese è Oranjestad.
Aruba, una pequeña isla en el Caribe holandés frente a la costa de Venezuela, tiene un clima seco, playas soleadas y olas suaves. Los vientos constantes producen una brisa fresca e inclinan los árboles (como el famoso divi-divi) hacia el suroeste. La influencia europea aparece en la arquitectura, caracterizada por los frontones holandeses pintados en tonos pastel tropicales. Esto también es evidente en la coexistencia del idioma local, el papiamento, con el inglés, el holandés y el español. El país no tiene agua dulce pero tiene agua desalada de excelente calidad y se puede beber agua del grifo sin peligro. El pequeño país es un importante productor y exportador de aloe vera (sábila) y es fuerte en los sectores financiero y pesquero, además de los servicios logísticos en el sector petrolero. Es una isla pequeña con mucho sol y viento todo el tiempo, lo que favorece la principal actividad económica del país, el turismo. Su área es de 179 km2 (69.1 mi2) y está densamente poblada por aproximadamente 110,000 habitantes (Censo 2020) y tiene un ingreso per cápita de poco más de US$25,000 p.a. La capital del país es Oranjestad.
Aruba, eine kleine Insel in der niederländischen Karibik vor der Küste Venezuelas, hat ein trockenes Klima, sonnige Strände und sanfte Wellen. Konstante Winde erzeugen eine kühle Brise und neigen Bäume (wie das berühmte Divi-Divi) nach Südwesten. Der europäische Einfluss zeigt sich in der Architektur, die durch die in tropischen Pastelltönen gestrichenen holländischen Giebel gekennzeichnet ist. Dies zeigt sich auch in der Koexistenz der lokalen Sprache Papiamento mit Englisch, Niederländisch und Spanisch. Das Land hat kein Süßwasser, aber entsalztes Wasser von ausgezeichneter Qualität und Leitungswasser kann bedenkenlos getrunken werden. Das kleine Land ist ein bedeutender Produzent und Exporteur von Aloe Vera (Aloe Vera) und ist neben logistischen Dienstleistungen im Ölsektor stark im Finanz- und Fischereisektor. Es ist eine kleine Insel mit viel Sonne und Wind, was die wichtigste wirtschaftliche Aktivität des Landes, den Tourismus, begünstigt. Seine Fläche beträgt 179 km2 (69,1 mi2) und ist mit etwa 110.000 Einwohnern (Volkszählung 2020) dicht besiedelt und hat ein Pro-Kopf-Einkommen von knapp über 25.000 US-Dollar pro Jahr. Die Hauptstadt des Landes ist Oranjestad.
Aruba, une petite île des Caraïbes néerlandaises au large des côtes du Venezuela, a un climat sec, des plages ensoleillées et des vagues douces. Des vents constants produisent une brise fraîche et inclinent les arbres (comme le fameux divi-divi) vers le sud-ouest. L'influence européenne apparaît dans l'architecture, caractérisée par les pignons hollandais peints dans des tons pastel tropicaux. Cela est également évident dans la coexistence de la langue locale, le papiamento, avec l'anglais, le néerlandais et l'espagnol. Le pays ne dispose pas d'eau douce mais il dispose d'une eau dessalée d'excellente qualité et vous pouvez boire l'eau du robinet en toute sécurité. Le petit pays est un important producteur et exportateur d'aloe vera (aloe vera) et est fort dans les secteurs financier et de la pêche, en plus des services logistiques dans le secteur pétrolier. C'est une petite île avec beaucoup de soleil et de vent tout le temps, ce qui favorise la principale activité économique du pays, le tourisme. Sa superficie est de 179 km2 (69,1 mi2) et est densément peuplée d'environ 110 000 habitants (recensement de 2020) et a un revenu par habitant d'un peu plus de 25 000 $ US par an. La capitale du pays est Oranjestad.
تتمتع أروبا ، وهي جزيرة صغيرة في منطقة البحر الكاريبي الهولندية قبالة سواحل فنزويلا ، بمناخ جاف وشواطئ مشمسة وأمواج لطيفة. تنتج الرياح المستمرة نسيمًا باردًا وتميل الأشجار (مثل ديفي ديفي الشهير) إلى الجنوب الغربي. يظهر التأثير الأوروبي في العمارة التي تتميز بالجملونات الهولندية المطلية بدرجات ألوان الباستيل الاستوائية. وهذا واضح أيضًا في تعايش اللغة المحلية ، البابيامينتو ، مع الإنجليزية والهولندية والإسبانية. لا يوجد في البلاد مياه عذبة ولكنها تحتوي على مياه محلاة بجودة ممتازة ويمكنك شرب مياه الصنبور بأمان. تعد الدولة الصغيرة منتجًا ومصدرًا رئيسيًا للصبار (الألوة فيرا) وهي قوية في قطاعي المال وصيد الأسماك ، بالإضافة إلى الخدمات اللوجستية في قطاع النفط. إنها جزيرة صغيرة بها الكثير من الشمس والرياح طوال الوقت ، مما يفضل النشاط الاقتصادي الرئيسي للبلاد ، وهو السياحة. تبلغ مساحتها 179 كيلومترًا مربعًا (69.1 ميل 2) وهي مكتظة بالسكان بحوالي 110.000 نسمة (تعداد 2020) ويبلغ دخل الفرد فيها أكثر من 25000 دولار أمريكي بقليل. عاصمة البلاد هي أورانجيستاد.
ベネズエラ沖のオランダのカリブ海にある小さな島、アルバは、乾燥した気候、太陽が降り注ぐビーチ、穏やかな波に恵まれています。絶え間ない風が涼しい風を生み出し、木々を（有名なディビディビのように）南西に傾けます。ヨーロッパの影響は、熱帯のパステル トーンで描かれたオランダの切妻を特徴とする建築に現れます。これは、地元の言語であるパピアメント語と、英語、オランダ語、スペイン語が共存していることにも明らかです。この国には真水はありませんが、優れた品質の淡水化された水があり、水道水を安全に飲むことができます。この小さな国は、アロエベラ (アロエベラ) の主要な生産国および輸出国であり、石油部門の物流サービスに加えて、金融および漁業部門に強みを持っています。それは国の主要な経済活動である観光に有利な、常に太陽と風がたくさんある小さな島です。その面積は 179 km2 (69.1 mi2) で、約 110,000 人の住民 (2020 年の国勢調査) が密集しており、1 人あたりの収入は年間 25,000 米ドル強です。国の首都はオラニエスタッドです。