View allAll Photos Tagged hyperrealism
"Catalina" by Carole A. Feuerman, 1981 - Expo "Hyperréalisme | Ceci n'est pas un corps" at Musée Maillol, Paris
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Carole A. Feuerman belongs to the generation of pioneers of hyperrealism at work since the 1970s. Her poetic compositions evoke memories of beautiful summer days and communicate a sense of inner peace and natural harmony with one´s own body.
Source: hyperrealismartexpo.com/lyon/en/
A little snea preview of this lush piece I've been working on for "Incantation" at Roq La Rue Gallery this January
Wandered up on this gallery in Venice. I know her work from staying in NYC at the Manhattan Conrad Hilton. On the other side of the alley was a Jeff Koons gallery. I had never seen actual Koons pieces before and I love the balloon dog. Regretfully, neither gallery was open.
Ilustration hyperréaliste signée DOC' J.P.P. (1993) 2è couverture du journal ATOMIK N°19 (4è trimestre 1993). Technique : encre de Chine, gouache sur papier, technique mixte.
FR : Exposition "Hyperréalisme"
Musée Maillol / Paris
Statue réaliste en résine "Chiquita Banana" par Mel Ramos (Californie 2007) Hauteur 1,70m
EN: Exhibition “Hyperrealism”
Maillol Museum / Paris
Realistic resin statue “Chiquita Banana” by Mel Ramos (California 2007) 1.70 meter high
Het hyperrealistische reuzenechtpaar 'Couple under an umbrella' (2013) van de Australische beeldhouwer Ron Mueck is een hoogtepunt uit de vaste collectie van Museum Voorlinden.
Een belangrijk thema in het werk van de alom bejubelde Australische kunstenaar Ron Mueck is de naakte, eenzame mens op de meest ingrijpende momenten in een mensenleven: geboorte en sterven. Mueck speelt met de schaal en maakt zijn beelden juist kwetsbaar klein of reusachtig groot. In 2001 was het bijna vijf meter hoge beeld van een hurkende jongen het meest gefotografeerde beeld van de Biënnale van Venetië.
Muppetshow
Mueck is kind van Duitse ouders die speelgoedmakers waren. Hij werkte tijdens zijn zijn carrière als poppenmaker onder meer bij Jim Henson van de Muppetshow. Zijn werkwijze begint met een aantal modelstudies naar levende modellen en personages (vaak vrienden en familieleden). Daarna maakt hij het beeld van klei, levensecht tot in de kleinste rimpels van de huid. Vervolgens wordt daar een mal van gemaakt die van binnen met pigment wordt bestreken en daarna gevuld met siliconen en fiberglas. Daarna volgen maandenlange werkzaamheden waarin de huid op kleur gebracht wordt en de haren één voor één worden ingeplant.
Confrontatie
Mueck wordt beschouwd als een van de belangrijkste beeldhouwers van dit moment. De kracht van het werk is dat je door de manipulatie van de schaal en het hyperrealisme als kijker wordt geconfronteerd met je eigen nietigheid. Fans prijzen zijn werk hierom en vanwege het vakmanschap. Toch hoor je hier en daar ook een kritisch geluid: dat het te makkelijk effectbejag en te weinig kunst zou zijn. Zelf zegt hij over zijn werk:
“If they succeed as fun things to have in the room, I’m happy. At the same time I wouldn’t be satisfied if they didn’t have some kind of presence that made you think they’re more than just objects.”
LIMG_5987_lr
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Subject: Park woodland scene.
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Locale: Estabrook Park - Milwaukee, Wisconsin, USA.
Sub-Locale: Wooded area south of soccer field located at north end of park.
Year & Season: 2018 ; Mid fall
Time of Day: Afternoon
Global Ambient: Gray overcast
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Camera: Olympus OM-D E-M5 Mark II Mirrorless
Camera Set-points:
> File Type = JPEG (Large Superfine)
> Picture Mode = Monotone (grayscale)
> Sharpness = 0
> Contrast = +1
> B&W Filter (in body) = Orange
> Picture Tone = Neutral
Sensor: Micro 4/3
IBIS: ON ; OIS: ON
Support: Hand-held
Lens: Olympus M.Zuiko Digital ED 12-100mm f/4.0
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Exposure Program: Aperture priority
Metering Mode: Spot (metered on grass)
Drive/Focus Mode: Single-shot/Auto focus
Focus Area: Spot (central tree trunk)
Exposure Quality: JPEG (Large Superfine)
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Processing: Lightroom 6.12 (CR 9.12)
Lightroom Presets: (none) ; Processing Plug-Ins: (none)
Original File Aspect & Size: 4:3 ; 15.9MP (4608 x 3456)
Cropped Aspect & **Size: 16:10 ; 12.3MP (4435 x 2766)
**Size is prior to downsizing using Lightroom.
JPG Size: 2.62MP (2048 x 1277)
File ID: TonalStdy1 Deep(B&WLin)V01R00 Milw.Prk.Estabrk 20181027-01020a SShJ80.jpg
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Rvw'd 190724
Carmichael Gallery is pleased to announce Like Father, Like Son, a retrospective survey of works by renowned Chicano, Los Angeles-based father and son photographers, Eriberto and Estevan Oriol. The exhibition will comprise twenty-five limited edition prints from each photographer, including black and white, color, silver gelatin and digital c-prints.
Whilst often distinguished by a complex melange of memory, emotion and intimacy that can manifest itself in equally terrifying and wonderful forms, the relationship between a parent and his or her child is a particularly unique human exchange and can hardly be defined in generalized terms. For Eriberto and Estevan Oriol, who are often cited as two of the most important contemporary documentarians of urban, hip hop, lowrider and Latino culture, the deep familial tie they share extends into and only serves to empower the unique nature of their professional relationship and the intense puissance of their work. Whether viewed together or apart, the Oriols' photography presents the multitudinous contours of Los Angeles and urban life through a piercing, visionary lens that lends a fascinating, almost hyperreal layer to the earthy, often confrontational authenticity of their subject matter.
Perhaps one of the most interesting aspects of the Oriols' oeuvre to date when considered as a whole, as in Like Father, Like Son, is its ability to complement and contrast the talents and purports of each photographer. Both are long-time observers of city life and the experiences of its inhabitants; Eriberto, whose understanding of shape, line and shadow are key features of works such as LA Financial District, 2011, The Thinker, 1974, and Need A Helping Hand, 2000, which define with gut-wrenching elegance the struggle and strength of the poor and homeless in Downtown Los Angeles and San Diego, form an effective and deeply affecting concordance with Estevan's depictions of these communities, who, in works such as Skid Row Body Bag, 2009, Chestnut Family, 1998, and Pepper's Shopping Cart, 2011, combines brutal honesty with rich sagacity to uncover a subtle, fleeting beauty that might otherwise have disappeared unnoticed.
Other series represented in Like Father, Like Son include the photographers' varied and illuminating portrayals of LA's lowrider culture, dramatized to distinction in Eriberto's color photograph Las Vegas Lifestyle Car Club, 2004, and the city's gang life, exposed in a singularly vulnerable light in Estevan's Bullet Holes and Stab Wounds, 2002, and Shaving the Dome, 2008. In addition to these and Estevan's portraits of celebrities, including Dr. Dre, Ice Cube and Dennis Hopper, both Oriols will present a selection of their exquisite, oft-touted photographs of LA women, from Eriberto's Traffic Jam 110 FWY, 2011, to Estevan's Erlinda, 2003.
There will be an opening reception for Like Father, Like Son on Saturday, October 1 from 6 to 9pm with both Eriberto and Estevan Oriol in attendance. The exhibition will run through October 29, 2011.
Pure lines, accentuated contrasts, flat colors, this "marine aesthetic" is close to American painters' hyperrealism.
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Lignes pures, contrastes accentués, couleurs en aplats, cette "esthétique marine" est proche de l'hyperréalisme des peintres américains.
While visiting Japan in early March, I saw a show in which a photographer had been asked to shoot simple original still life pictures of glassware and various artists take-offs on their choice of one of the reference sources (all extremely diverse paintings/drawings, etc.) I took pictures of the glassware that had been brought to the gallery and set up on tables. And decided to make this drawing based on my fave image. 'Glassware Still Life', graphite pencil on paper, 11-1/2" x 18" #art #artwork #pencildrawing #graphitepencil #stilllife #highrealism #hyperrealism #glassware #artgallery #artcollector #contemporaryart #visualart
AI creation on Dreamwombo
The Absurd v2
PROMPT:
"impending doom, cryptid taxidermy reptilian conspiracy at the vatican in bogomil's universe, insanely surreal, hieronymus bosch, h r giger, hyperreal, dynamic lighting, breathe taking colours, imperial colours, oil painting, cryptid taxidermy in bogomil's universe."
The first creations from my "GHOST SHIP"-series are finished. Further pictures will follow.
(c) LitterART 2024
For strobist, this was a six light set-up - beauty dish above tilted slightly upward, camera left a five ft. octa for fill, two gridded bare strobes angled from behind left and right, and two strobes aimed on a white paper backdrop. All lights Profoto and triggered with Pocket Wizards.
You can view this and all my images full screen on my website linked below.