View allAll Photos Tagged hyperrealism
This is a painting of a house in Florence, Colorado. I have the photograph that goes with it under another section in my photostream called Small American Towns;
website: www.karlamurray.com
This kimono-image comes from a Midjourney remake of a street shot taken on my trip to Japan in 2015.
Daniel Wallace
Canada (1983)
Decoded
Daniel Wallace, former director of a company specialising in new technologies, presents his first series, Decoded. Influenced by hyperrealism, this Canadian artist combined two types of images: on the one hand, studio shots of young women and, on the other, similar portraits created from scratch by artificial intelligence he was able to code thanks to his previous profession as an entrepreneur.
He reinterpreted the myth of the Siren, whose apparent beauty masks a sinister reality. In his eyes, she becomes a metaphor for modern technology. Presented side by side, these images blur our perception of reality and question the role of artificial intelligence in an increasingly virtual world.
created in NIGHTCAFE - Stable Diffusion
the prompt included Giger, Arcimboldo, Wonderland, Taxidermy
I resurrected my Wonderland prompt with references to Brothers Quay and the Lady in the Radiator, and added as the lead 'Cryptid Taxidermy'. From the few tries so far, this makes for a very interesting trip into Surreal Weirdville.
PROMPT:
"Cryptid Taxidermy in post apocalyptic wonderland, in heaven everything is fine by lady in the radiator and brothers quay, stopmotion cinema photograph by H.R. Giger, by Giuseppe Arcimboldo, Hieronymus Bosch, Art Nouveau, intricately detailed, hyperrealism, fantasy, imperial colors"
PROMPT:
Post apocalyptic wonderland , by lady in the radiator, H.R. Giger , Giuseppe Arcimboldo, Art Nouveau intricately detailed hyperrealism fantasy imperial colors fantasy imperial colors
The world famous Sleepy Hollow farm near Woodstock, Vermont. Shot was taken against the sun thus quite boring, so I gave it a hyperreal twist in postprocessing :)
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3x WLX1600 1 ABR800
Triggered with Pocket Wizards
Sekonic 758DR
Behind the Scenes Vid -> www.vimeo.com/1029807
Strathmore paper 22.9 x 30.5 cm (80 lb.)
HB, 2B, 4B graphite pencils
Paper stump, eraser pencil, and i use small piece of sponge (i don't know what they are called) for smudging.
8 hours
My page: www.facebook.com/PetraArtOfficial/
Art direction, styling & photography: #AEupani
Model: Laura Passenger
original Vintage accessories, belts, leather apron dress & body ornamental jewels: Vintage Workshop® Archives
Shooting Location: Montebianco - Milano
Shoot. Production & Research: ©Vintage Workshop®
Ref. 191 (squared & reduc).
Image copyrighted ©Vintage Workshop. All rights reserved
Tosca, our gondolier along the canal of the hideously garish Venetian Hotel (read about my experiences there on this earlier image), was a welcome infusion of humanity into the hyperreality. The daughter of a Filipino and a Romanian gypsy, she works as a singer at the hotel, and serenaded us with jazz, opera and even a Chinese oldie as she rowed us along.
Macau, 2012.
Strathmore paper 22.9 x 30.5 cm (80 lb.)
HB, 2B, 4B graphite pencils
Paper stump, eraser pencil, and i use small piece of sponge (i don't know what they are called) for smudging.
8 hours
My page: www.facebook.com/PetraArtOfficial/
Marc Augé defiendía que “la sobremodernidad es productora de no lugares”. En aeropuertos, o edificios de oficinas, contemplamos efectivamente la frialdad, la soledad, el hecho de ser un “lugar” creado para el paso, de tránsito, no es un lugar habitado, prescinde de alma. Son lugares hechos a medida para un mundo rápido, que vive a un ritmo vertiginoso, y que necesita de estos no lugares para poder desarrollar esas actividades que ha traído consigo el nacimiento de esa hipermodernidad.