Elizabeth Nourse was born in Cincinnati where she began studying art at age 15. She continued her studies at the New York Art Students League and, in 1887, in Paris at the Académie Julian. Her paintings often feature the gray diffused light and shadowless forms of the artists influenced by Bastien-Lepage.

She became a successful painter of peasant themes, especially of peasant women engaged in humble acts of devotion or religious ritual or the fishermen's wives in Volendam, Holland waiting on dikes for the return of their menfolk. She traveled widely in search of regional folk themes, but Paris remained her home for the rest of her life.

Ariella, Nina, Jonah & Tori are my grandkids. Laney, at the right, is my grand niece. They are all very special to me.

Number:

164538

Date created:

1971-06-09

Extent:

1 photographic print : col. ; 8 x 10 in.

Scope and content:

Back row: 1) Barbara Lindsay Dibble Taber; 2) Janet Lee Miller; 3) Linda Carol Ross; 4) Diane M. DeSombre; 5) Gail Paige Houser; 6) Patricia E. Palmere; 7) Cynthia A. Jones; 8) Mary Lou Sweigert Turchi; 9) Leslie Ann Walker; 10) Marjorie Maisak; 11) George Mason; 12) unidentified; 13) Nancy Jean Huber; 14) Stephanie Sue Mealy; 15) Marshal Kristin Henry; 16) Cecelia Louise Calhan; 17) Barbara Jean McLaughlin; 18) Patricia Anne Conner; 19) Joanne Marie Satterfield; 20) Margaret Priscilla Wroth Harris; 21) unidentified. Front row: 1) Ellen Catherine Beckman; 2) Sheila M. Kent Merritt; 3) Nancy Jane Cournoyer; 4) Karyn Lee Cooper; 5) Nancy Kilmer Marociglia; 6) Barbara Crummitt; 7) Tery Lynn Woods; 8) Kathleen Mildred Mohr; 9) Debra Rose Cappolloni; 10) Alison Elizabeth Stup; 11) Priscilla Jean Schildwachter; 12) Lynda Woodworth; 13) Llyern Leslie Abercrombie; 14) Ann Simmons

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Abercrombie, Llyern Leslie

Beckman, Ellen Catherine

Calhan, Cecelia Louise

Cappolloni, Debra Rose

Clary, Judith Ann

Cournoyer, Nancy Jane

Crummitt, Barbara

DeSombre, Diane M.

McDonald, Barbara Dibble

Harris, Margaret Priscilla Wroth

Henry, Marsha Kristin

Houser, Gail Paige

Huber, Nancy Jean

Jones, Cynthia A.

Kelmer, Frances Louise

McLaughlin, Barbara Jean

Mealy, Stephanie Sue

Merritt, Sheila M. Kent

Miller, Janet Lee

Mohr, Kathleen Mildred

Palmere, Patricia E.

Ross, Linda Carol

Satterfield, Joanne Marie

Schildwachter, Priscilla Jean

Simmons, Ann

Stup, Alison Elizabeth

Turchi, Mary Lou

Walker, Leslie Ann

Woods, Tery Lynn

Woodworth, Lynda

Mason, George W.

Maisak, Marjorie B.

Nursing students--Maryland--Baltimore--1970-1980

Nurses--Maryland--Baltimore--1970-1980

Graduation ceremonies--Maryland--Baltimore--1970-1980

Nursing schools--Faculty

Group portraits

Portrait photographs

Notes:

Photographer unknown.

Number:

164484

Creator:

Hughes Company

Date created:

1958-08-15

Extent:

1 photographic print : gelatin silver ; 8 x 10 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Angus, Ruth Kuhns

Asbury, Janice Georgia

Abendschoen, Phyllis Bannister

Barrick, Jean Ellen

Calpin, Ruth Romaine

Coffin, Sue Ann

Colvin, Dorothy Allen

Davis, Joy

Felter, Joanne Elizabeth

Green, Roberta Sue

Ide, Lauren Naomi

Kemp, Tobi Ann

King, Mary Lou

Korschgen, Shirley Jean

Marshall, Agnes Anne

Menicon, Mary Alice

Miles, Maryland Welsh

Moomau, Cecelia Ann

Morrow, Ethel Louise

Murphy, Anne Elizabeth

Naylor, Margaret Louise

Olsen, Sara Lane Elizabeth

Perry, Hazel Elizabeth

Price, Katherine Anita

Read, Patricia Lou

Rice, Kay Marie

Root, Myrl Frances

Rosenbloom, Barbara Lou

Sampson, Monamae

Sanders, Jimmie Gail

Shorrow, Janet Leone

Small, Mary Ann

Snead, Mildred Frances

Spangler, Lillian Joann

Wilson, Patricia Ellen

Creutzburg, Freda Lewis, 1898-1963

Nursing students--Maryland--Baltimore--1950-1960

Graduation ceremonies--Maryland--Baltimore--1950-1960

Nurses--Maryland--Baltimore--1950-1960

Nursing schools--Faculty

Group portraits

Portrait photographs

Number:

164468

Creator:

Hughes Company

Date created:

1950-06-14

Extent:

1 photographic print : gelatin silver ; 8 x 10 in.

Scope and content:

Front row: 1) Ruth Roney; 2) Jeanne Roney; 3) Margaret Fawcett; 4) Shirley A. Wilson; 5) Margaret Shaw; 6) S. Kathryn Knight; 7) Margaretha Smith; 8) Margaret Reed; 9) Ruth Trumbo; 10) Sarah ruth Meyers; 11) Patricia thomas; 12) Althea Ranck. Second row: 1) Dorothy J. Maberry; 2) Edith B. Fort; 3) Ellee Nichols; 4) Mary Dell Fortune; 5) Doris J. Kiehl; 6) Saranne Van Swearingen; 7) Gladys M

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Baker, Nancy Jane

Crockett, Lillian Smith

Fawcett, Margaret Ann

Fort, Edith Benson

Fortune, Mary Dell

Green, Mary Virginia

Jordan, Donna Jean

Kiehl, Doris Jane

Kline, Kathleen Louisa

Knight, Sarah Kathryn

Knode, Mary Lou

Maberry, Dorothy Jane

Meyers, Sarah Ruth

Miller, Nancy Anne

Mueller, Gladys Ann

Nichols, Ellee Randolph

Nicholson, Estella Jane

Ranck, Althea Mae

Reed, Margaret Joy

Roney, Margaret Jeanne

Roney, Ruth Evelyn

Shaw, Margaret Jane

Slaybaugh, Norma Jene

Smith, Margaretha Loraine

Steinke, Marion Faye

Thomas, Patricia Allene

Trumbo, Ruth O' Nile

Van Swearingen, Saranne

Waggoner, Betty Jane

Wagner, Betty Lou

Willard, Alta Jeanette

Wilson, Shirley Abagail

Creutzburg, Freda Lewis, 1898-1963

Elliott, Margaret, 1884-1966

Nash, Jane Evans, 1880-1955

Nursing students--Maryland--Baltimore--1950-1960

Nurses--Maryland--Baltimore--1950-1960

Graduation ceremonies--Maryland--Baltimore--1950-1960

Nursing schools--Faculty

Group portraits

Portrait photographs

Number:

180050

Date created:

1955

Extent:

1 photographic print : gelatin silver ; 7.5 x 9.5 in.

Description:

Front row, from left to right: 1) Najjar; 2) Ferencz; 3) Taussig; 4) Childs; 5) Wilkins; 6) Kanner; 7) Josephs; 8) Guild; 9) Clark.

Second row, from left to right: 1) Evans; 2) Hurwitz; 3) Helme; 4) Block; 5) Eisenberg; 6) Holman; 7) ___; 8) James; 9) ___; 10) Anderson.

Third row, from left to right: 1) ___; 2) ___; 3) Phelps; 4) Straus; 5) Hopkins; 6) ___; 7) Grumback; 8) ___; 9) ___.

Fourth row, from left to right: 1) Shepard; 2) Chandler; 3) Kolls; 4) ___; 5) ___; 6) Gabrielson; 7) ___.

Fifth row, from left to right: 1) Morgan; 2) ___; 3) Lauricella; 4) Miller.

Sixth row, from left to right: 1) Foxworthy; 2) Ownby; 3) Van Wyk; 4) Migeon.

Seventh row, from left to right: 1) Debuskey; 2) Broering; 3) Steinborn; 4) Norton; 5) ___; 6) ___; 7) ___.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital. Department of Pediatrics--People

Najjar, Victor

Ferencz, Charlotte

Taussig, Helen B. (Helen Brooke)

Childs, Barton

Wilkins, Lawson

Kanner, Leo

Josephs, Hugh W.

Guild, Harriet Griggs

Clark, David B.

Evans, Audrey E.

Hurwitz, Herbert S.

Helme, James B.

Block, Walter

Eisenberg, Leon

Holman, Gerald H.

James, Charles A.

Anderson, William A.

Phelps, Patsy Ruth

Straus, Donald

Hopkins, Edward H.

Grumback, Melvin

Shepard, Thomas H. II

Chandler, Caroline A.

Kolls, Alfred C. Jr.

Morgan, Ann E.

Lauricella, Sherling T.

Miller, Joseph B. Jr.

Foxworthy, John P.

Ownby, Ralph Jr.

Van Wyk, Judson J.

Migeon, Claude J.

Debuskey, Buster Matthew

Broering, Donald B.

Steinborn, Kurt

Norton, Clayton

Pediatricians

Group portraits

Portrait photographs

Notes: Photographer unknown.

Number:

164545

Date created:

1974-06-05

Extent:

1 photographic print : col. ; 8 x 10 in.

Scope and content:

Back row: 1) Clara Mae Kisselvoich; 2) Charlene Anita Price; 3) Paula Louise Clifton; 4) Lettie Elizabeth Revell; 5) Thorenna Kees; 6) Theda Kees; 7) Christine A. Becker; 8) Ellen Marie Kilby; 9) Rosemary Lynn Lambie; 10) Kathy Hannigan; 11) Bernadette Ledden; 12) Marjorie Maisak; 13) George Mason; 14) Janice Ruth Buckel; 15) Cathleen Gale Peck; 16) Anne Christine Brookfield; 17) Joyce B. Preston; 18) Jayne Stephanie Naylor; 19) Karen Lorraine Kane. Front row: 1) Gail Lynn Pardoe; 2) Patricia Anne Apell; 3) Vicky Lynn Sewell; 4) Cheryl Elaine Chrest; 5) Cecile G. Plichta; 6) Suzanne Ludwika Barrett; 7) Carol Ann Meyer; 8) Deborah Ann Witten; 9) Deborah Ann Goeller; 10) Sharon Elise Lock

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Amprey, Sheila Squire

Apell, Patricia Anne

Barrett, Suzanne Ludwika

Becker, Christine A.

Brookfield, Anne Christine

Buckel, Janice Ruth

Chrest, Cheryl Elaine

Clifton, Paula Louise

Goeller, Deborah Ann

Kane, Karen Lorraine

Kees, Theda

Kilby, Ellen Marie

Kisselovich, Clara Mae

Lambie, Rosemary Lynn

Lock, Sharon Elise

Meyer, Carol Ann

Naylor, Jayne Stephanie

Pardoe, Gail Lynn

Peck, Cathleen Gale

Plichta, Cecile G.

Preston, Joyce B.

Price, Charlene Anita

Revell, Lettie Elizabeth

Sewell, Vicky Lynn

Witten, Deborah Ann

Guido, Susan Kay Richardson

Smith, Janet Lee Rever

Mason, George W.

Maisak, Marjorie B.

Nursing students--Maryland--Baltimore--1970-1980

Nurses--Maryland--Baltimore--1970-1980

Graduation ceremonies--Maryland--Baltimore--1970-1980

Nursing schools--Faculty

Group portraits

Portrait photographs

Notes:

Photographer unknown.

ca. 1890-ca. 1930

All whole-length, full face, man is wearing suit, cap and smoking a pipe, two girls on right are wearing dresses with smocks and hats, one is holding a tennis racket, boy on left is standing.

Visit our catalogue to download a hi-res copy or find out more about this image: handle.slv.vic.gov.au/10381/82297

Want to find more pictures from the State Library of Victoria's collections? guides.slv.vic.gov.au/pictures

Soyer relates:

During 1935 and 1936, I was employed by the WPA as a supervising artist to execute ten portable murals, the theme of which was ‘Children at Play.’ I was given a beautiful studio on 59th Street [in New York City] and a group of artists and models to assist me. The painting represents my assistants working on the murals after [my designs] had been traced onto canvas. . . . In the foreground my model Mary Anne is posing for Jacob Friedland, who built all the easels, props, stretched the canvases, etc. and kept us all amused and in good spirits by his stories and jokes.

Number:

171528

Date created:

1907

Extent:

1 photographic print : gelatin silver ; 3 x 4 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital School of Nursing--People

Adams, Helen Augusta

Addison, Sarah

Benzinger, M. Elizabeth

Boley, Rosa F.

Holt, Florence Boyce

Cadel, Inez Louise

Carter, Emma E.

McClain, Grace Carter

Coale, Edith Skipwith

Crenshaw, Sue Brown

Freeman, Ethel

Henderson, Alice

Miller, Mary Hooper

Keating, Mary A. R.

Duer, Leah Kirkland

Jones, Helen Landers

Denningsmith, Colina Macdonald

Mills, Alice Chester

O'Connell, Anne H.

Patterson, Florence

Quaintance, Bertha B.

Raymond, Agnes M.

Reed, Mary Elkins

Saxton, Mary Howard

Cannon, Camsadel Shipley

Staley, Bertha D.

Taylor, Effie J.

Thomas, Sarah Margaret

Ainley, Charlotte Turford

Tyree, M. Evelyn

Bromley, Beatrice Adelaide Whish

Downey, May Lee Willis

Nursing students--Maryland--Baltimore--1900-1910

Nurses--Maryland--Baltimore--1900-1910

Graduation ceremonies--Maryland--Baltimore--1900-1910

Portrait photographs

Group portraits

Notes: Photographer unknown.

Local Accession Number: 11_07_003691

Title: Elderly couple put up Christmas wreath, Shelburne Falls

Creator/Contributor: Grant, Spencer, 1944- (Photographer)

Genre: Slides; Group portraits

Date created: 1979

Physical description: 1 slide : color ; 35 mm.

General notes: Title from photographer caption.

Subjects: Older people; Couples; Christmas decorations; Wreaths

Collection: Spencer Grant Collection

Location: Boston Public Library, Print Department

Rights: Copyright (c) Spencer Grant

George Grosz was a German artist known especially for his savage caricature drawings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic before he emigrated to the United States in 1932.

In his drawings, usually in pen and ink which he sometimes developed further with watercolor, Grosz did much to create the image most have of Berlin and the Weimar Republic in the 1920s. Corpulent businessmen, wounded soldiers, prostitutes, sex crimes and orgies were his great subjects. His draftsmanship was excellent although the works he is best known for adopt a deliberately crude form of caricature.

Number:

164452

Creator:

Hughes Company

Date created:

1946-06-25

Extent:

1 photographic print : gelatin silver ; 8 x 10 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Harris, Eleanor Mae

Mercer, Vivian Ruth

Daugherty, Mary Elizabeth

Hall, Sara Esther

Anderson, Joy

Schrenheider, Lois Marie

Phelps, Elizabeth Pearl

Fullem, Gail Baldwin

Cooper, Dorothy May

Appler, Peggy May

Dirst, Annie Nancy

Eggleston, Hilda Fay

Harlem, Teresa Eliza

Bloom, Odessa

Hanson, Sarah Mildred

Getz, Mary Mae

Martin, Dorothy Jean

Barton, Hester Ann

Schmitz, Laura Betty

Fowke, Betty Fay

Fields, June Louise

Geipe, Martha Claire

Yeager, Viola May

Arnold, Mary Helen

Smith, Jennie Lee

Moreland, June Frances

Hurley, Janet Muriel

Myers, Eileen Emma

Walker, Wilda Annetta

Birmingham, Rowena Theresa

Blumenauer, Juanita M.

Hoar, Helen Louise

Merritt, Lois Colgate

Coleman, Margaret J.

Gass, Patricia

Heinze, M. Olivia

Elliott, Margaret, 1884-1966

Nash, Jane Evans, 1880-1955

Creutzburg, Freda Lewis, 1898-1963

Nursing students--Maryland--Baltimore--1940-1950

Nurses--Maryland--Baltimore--1940-1950

Graduation ceremonies--Maryland--Baltimore--1940-1950

Nursing schools--Faculty

Group portraits

Portrait photographs

Notes:

Photographer unknown.

Number:

179481

Date created:

1984

Extent:

1 photographic print : gelatin silver ; 7.5 x 9.5 in.

Description:

Front row, from left to right: 1) Driscoll; 2) Jackson; 3) Bittar; 4) Goldstein; 5) DeAngelis; 6) Littlefield; 7) Cole; 8) Stone; 9) Virshup; 10) Beher; 11) Schonwetter.

Second row, from left to right: 1) Bearer; 3) Zuckerman; 4) Nguyen; 5) Bonnucelli; 6) Kolar; 7) Goodman; 8) Rowe; 9) Carpenter; 10) Larsen; 11) McCrindle.

Third row, form left to right: 1) Wiebke; 2) Murphy; 3) Haber; 4) Ashburn; 5) Hudak; 6) Szombathy; 7) Bergstrom; 8) Maldonado; 9) Rowe; 10) Wiley; 11) Keyes.

Fourth row, from left to right: 1) Kaempf; 2) Schwartz; 3) Nogee; 4) Peek; 5) Cutting; 6) Gabriel; 7) Kinsman; 8) Kotin; 7) Famiglio; 8) Hackett; 9) Kokotailo; 10) Ragavan; 11) Strahlman.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital. Department of Pediatrics--People

Driscoll, Daniel J.

Jackson, William Daniel

Bittar, Deborah Link Gisriel

Goldstein, Daniel Arthur

DeAngelis, Catherine D.

Littlefield, John W.

Cole, Cynthia H.

Stone, Pamela Jean

Virshup, David Marc

Behar, Miriam Joy

Schonwetter, Barry S.

Bearer, Cynthia Frances

Zuckerman, Bram

Nguyen, Quan C.

Bonuccelli, Catherine M.

Kolar, Anne F.

Goodman, David C.

Rowe, Peter C.

Carpenter, Richard O.

Larsen, Eric C.

McCrindle, Brian W.

Wiebke, Jennifer C.

Murphy, Anne Margaret

Haber, Barbara A.

Ashburn, N. Kieth

Hudak, Mark Lawrence

Szombathy, Stanley P.

Bergstrom, Steven K.

Maldonado, Yvonne A.

Rowe, Stuart Allen

Wiley, Joseph Byron

Keyes, William G.

Kaempf, Joseph W.

Schwartz, David H.

Nogee, Lawrence Mark

Peek, Sharon K.

Cutting, Garry

Gabriel, Abram

Kinsman, Stephen L.

Kotin, Neal M.

Famiglio, Linda M.

Hackett, Faith A.

Kokotailo, Patricia K.

Ragavan, Nilima

Strahlman, R. Scott

Pediatricians

Group portraits

Portrait photographs

Notes: Photographer unknown.

Number:

178318

Date created:

1937

Extent:

1 photographic print : gelatin silver ; 7.5 x 9.5 in.

Description:

Front row: 1) [unknown]; 2) L. Emmett Holt; 3) [unknown]; 4) Hugh W. Josephs.

Second row: 1) Edwards A. Park; 2) Francis Aylward; 3) Walter Block; 4) Lawson Willkins; 5) [unknown]; 6) Helen Taussig; 7) Harriet Guild; 8) Robert Ward; 9) Laslo Kajdi.

Third row: 1) [unknown]; 2) Mabel Ross; 3) Miriam Brailey; 4) Eleanor J. Rector; 5) Lydia Edwards; 6) Pelina Winocur; 7) John A. Washington; 8) Martin J. Harris; 9) William C. Stifler; 10) Jacob S. Light; 11) Ethel Walker; 12) [unknown].

Fourth row: 1) Frances E. M. Read; 2) Brian C. Thompson; 3) Robert G. Shirley; 4) Helen M.; 5) Irving Rosenbaum Jr.; 6) [unknown]; 7) Emilio de Soto; 8) Charles P. Stevick.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital. Department of Pediatrics--People

Holt, L. Emmett (Luther Emmett)

Josephs, Hugh W.

Park, Edwards A.

Aylward, F.X.

Wilkins, Lawson

Taussig, Helen

Guild, Harriet Griggs

Ward, Robert F.

Ross, Mabel L.

Brailey, Miriam

Edwards, Lydia B.

Winocur, P

Washington, John A.

Harris, Martin J.

Stifler, William C. Jr.

Light, Jacob S.

Walker, Ethel

Read, Frances E. M.

Shirley, Robert

Rosenbaum, Irving Jr.

de Soto, Emilio

Stevick, Charles P.

Pediatricians

Group portraits

Portrait photographs

Notes: Photographer unknown.

Easter Vigil Mass

Baptism RCIA 2020/2021 Mandarin

Celebrant: Father Martin Then, CDD and Father Andrew Wong, CDD

Number:

175300

Creator: Segall-Majestic (Baltimore, MD)

Date created:

1946

Extent:

1 photographic print : gelatin silver ; 9.5 x 13.5 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital School of Nursing--People

Wolf, Anna Dryden

Warder, Anna Mary

Marinak, Helen Roll

Martin, Doris Schroeder

Murphy, Joyce

Franz, Phyllis Becker

Wenderoth, Gloria M.

Bond, Agness C. Fulton

Johnson, Virginia Bard

Weston, Barbara Buzby

Hess, Joan Chesney

Worman, Elizabeth (Betsy) Coe

Gude, Donna Currier

France, Catherine (Kitty) H.

Lacy, Ruth Geren

Gilkey, Helen Huberty

Hamlett, Margaret L.

Cooley, E. Grace Jarnagin

Cokeley, Madeline Krebs

Petrick, Margaret Krebs

Hinshaw, Alice Larson

McCaddon, Mary Elizabeth

McShane, Sara F.

Holleb, Carolyn Oglesby

Pennebaker, Ruth (Penny)

Reeslund, Rosella Potter

Thompson, Dorothy Powers

Pruchnik, Blanche P.

Byers, Lucille Replogle

Reyes, Isabel

Rich, Annette B.

Sanbury, Virginia

McAnerney, Doris Sinclair

Smith, Janet

Mims, Jobyna Smith

Sollogub, Ethel Bittel

Tunner, Madelyn J.

Vacheresse, Helen F.

Walters, Betty Jane

Hinson, Betty Louise Whitley

Grand, Norma K.

Wood, Marjorie B.

Hayden, A. Martyne Woods

Kline, Mary L. Potteiger

Nursing students--Maryland--Baltimore--1940-1950

Nurses--Maryland--Baltimore--1940-1950

Portrait photographs

Group portraits

Number:

164540

Creator:

Hillcrest Studios (Baltimore, Md.)

Date created:

1972-06-07

Extent:

1 photographic print : col. ; 8 x 10 in.

Scope and content:

Back row: 1) Linda Lee Jennings; 2) Patricia Ann Levardsen; 3) Cynthia Ann Lewis; 4) Cheryl Lee Halston; 5) Judith Ann Chamberlain; 6) Linda Carol Rhodes; 7) Colleen Dianne Coleman; 8) unidentified; 9) George Mason; 10) Mrs. Maisak; 11) Mrs. Fowler; 12) Nancy Mae Bowen; 13) Brenda Skinner; 14) Diann Dee Dekowski Kittok; 15) Jo Ann Stogsdill; 16) Deborah J. Mazan; 17) Lawonne Darlene Wilson; 18) Kathryn Beatrice Porter. Front row: 1) Cecelia Ann Manning; 2) Lisa Anne Stoddard; 3) Rhonda Sue Montagna; 4) Charmaine Carter; 5) Sharon Carol Plane; 6) Mary Ellen Dotter; 7) Karen Frances Milwee; 8) Ana Didniuk Straw; 9) Jean Ann Hugunin Mallis; 10) Cecilia Marie Gartside; 11) Joan Lee Kensall; 12) Susan Cilleen Titter Pennington

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Straw, Ana Bidniuk

Bowen, Nancy Mae

Carter, Charmaine

Chamberlain, Judith Ann

Coleman, Colleen Dianne

Kittok, Diann Dee Dekowski

Dotter, Mary Ellen

Gartside, Cecilia Marie

Hlaston, Cheryl Lee

Mallis, Jean Ann Hugunin

Jennings, Linda Lee

Kendall, Joan Lee

Loux, Donna Jean

Levardsen, Patricia Ann

Lewis, Cynthia Ann

Manning, Cecelia Ann

Mazan, Deborah J.

Milwee, Karen Frances

Montagna, Rhonda Sue Allgood

Muir, Lynne Hagerman

Plaine, Sharon Carol

Porter, Kathryn Beatrice

Rhodes, Linda Carol

Skinner, Brenda

Stoddard, Lisa Anne

Stogsdill, Jo Ann

Pennington, Susan Colleen Titter

Wilson, Lawonne Darlene

Mason, George W.

Funsten, Pat

Maisak, Marjorie B.

Fowler, Helen

Nursing students--Maryland--Baltimore--1970-1980

Nurses--Maryland--Baltimore--1970-1980

Graduation ceremonies--Maryland--Baltimore--1970-1980

Nursing schools--Faculty

Group portraits

Portrait photographs

Creator: H. Allison & Co. Photographers

Date: 1933-34

Original Format: Glass Plate Negative, 9.5 X 7.5 inches

Description: Group portrait of Armagh Girls High School Hockey Team, 1933-34

PRONI Ref: D2886/SCH/AGH/4

Copying and copyright:

Please see www.proni.gov.uk/index/research_and_records_held/copying_...

For Copy Orders, contact:

Email: proni@dcalni.gov.uk

Easter 1955

Someone told these kids to stand up straight.

Look at the various interpretations of what that means.....

Easter in the 1950s

*

“Stones, flesh, stars, and those truths the hand can touch.”

— Albert Camus, from

The Myth of Sisyphus & Other Essays; “Summer in Algiers”

*

It's Easter Sunday so I'm remembering past Easters - as well as my own spiritual journey which began with my parents and extended family of organists, music directors, choir directors, chaplains, builders of churches and devoted Sunday school teachers.

Sometimes I wonder - what happened to our family? We had so many good things between us, so much love and devotion. All destroyed to the point that my mother never attended church at all and my father went but would shrug and indicate that he didn't believe much of anything anymore.

Loss of faith. Not even about belief, really. It was deeper than that. The world that had birthed them and the world that they had fought for had moved on and they were left behind in some fundamental way.

Their own church communities had abandoned them, let them down and in turn been abandoned by them. Human relationships are so difficult. Leadership, especially spiritual leadership is really tricky. Or maybe it isn't, it just has a lot of pitfalls that are just too easy to drop into.

Our Church in Juno started in a building that began as a restaurant and became a Methodist Church. This church and it's rector were my spiritual roots and served as the fulcrum to destroy my parents' marriage. The good the bad, the unexpected, the tragic. I'll never know the whole story. Nobody will. I think most groups that are attempting the most deeply transformative work run aground in similar ways. But at the time, I was mostly ignorant, blissfully unaware, filled with my own fantasies and puzzlement. I wasn't much help. But neither was anybody else.

*

“Like wind - In it, with it, of it. Of it just like a sail, so light and strong that, even when it is bent flat, it gathers all the power of the wind without hampering its course.

Like light - In light, lit through by light, transformed into light. Like the lens which disappears in the light it focuses.

Like wind. Like light.

Just this - on these expanses, on these heights.

- Dag Hammarskjöld

*

"I am half inclined to think we are all ghosts…it is not only what we have inherited from our fathers and mothers that exists again in us, but all sorts of old dead ideas and all kinds of old dead beliefs and things of that kind. They are not actually alive in us; but there they are dormant all the same, and we can never be rid of them. Whenever I take up a newspaper and read it, I fancy I see ghosts creeping between the lines. There must be ghosts all over the world. They must be as countless as the grains of the sands, it seems to me. And we are so miserably afraid of the light, all of us."

[Henrik Ibsen’s Ghosts (1881); Act II]

*

Rob Brezsny's Free Will Astrology

Is it really healthy to have a shrill, 25-words-or-less opinion about everything, as radio and TV talk shows seem to imply? Would anyone object if now and then you served as a compassionate witness about the hot-button issues?

Is it conceivable that you could simply sit on the fence in the midst of the wars of words and beam articulate sympathy at both sides?

Yes, you can. I bet you have the rebellious resourcefulness to be a freedom fighter without hating anyone.

*

Parabola Magazine

“Once, during a particularly hard time for me around a relationship that was ending, she asked me what I was afraid of. I thought and thought, and finally said, “I’m afraid of doing real damage to others. And I’m afraid of being distant from God.” Her response was, “You cannot be close to God and not do damage,” As if to say, to be a human being living a real life, is to do damage. We just will. Even with all the best intentions in the world. And often, we do inadvertent damage to those people who we love the most—which makes it even more painful. Sometimes so painful, we literally cannot bear it.

Nothing will save us from this damage, or protect us from this happening. But we can attend to it, with heart. That’s atonement. Attending to the damage that we cause, as adults. It doesn’t mean that we are bad. It means that we are human. If we just use the softer word “misdeed,” we risk blunting the impact of whatever occurred by saying, well we were coming from a place of love, we had great reasons for what we did, etc. All those things may be true, but softening the language of sin can make everything blurry. If we can find a way to use the word “sin,” perhaps we can more directly drop into the work that is before us, we can more clearly see, we are more squarely hit with the reality of the damage that we have contributed to.”

–Joshua Boettiger, a rabbi for a Jewish community in southern Oregon puts forth a wise plea to take sin seriously. From the spring issue exploring the subject of sin. To read the rest of the essay, purchase this issue here:http://bit.ly/1CtKI6h

*

The world is full

of half-enlightened masters.

Overly clever, too “sensitive” to

live in the real world, they

surround themselves with selfish

pleasures and bestow their grandiose

teachings upon the unwary.

Prematurely publicizing themselves, intent

upon reaching some spiritual climax, they

constantly sacrifice the truth

and deviate from the Tao.

What they really offer the world

is their own confusion.

The true master understands that

enlightenment is not the end,

but the means. Realizing that

virtue is her goal, she accepts

the long and often arduous cultivation

that is necessary to attain it.

She doesn’t scheme to become a leader,

but quietly shoulders whatever

responsibilities fall to her.

Unattached to her accomplishments,

taking credit for nothing at all,

she guides the whole world by guiding

the individuals who come to her.

She shares her divine energy with

her students, encouraging them,

creating trials to strengthen them,

scolding them to awaken them,

directing the streams of their lives

toward the infinite ocean of the Tao.

If you aspire to this sort of mastery,

then root yourself in the Tao. Relinquish

your negative habits and attitudes.

Strengthen your sincerity.

Live in the real world, and extend

your virtue to it without discrimination

in the daily round.

Be the truest father or mother,

the truest brother or sister,

the truest friend, and the truest disciple.

Humbly respect and serve your teacher,

and dedicate your entire being

unwaveringly to self-cultivation.

Then you will surely achieve self-mastery

and he able to help others in doing the same.

from the text

Hua Hu Ching

[via livethetao]

*

“Hope means to keep living

amid desperation

and to keep humming

in the darkness.

Hoping is knowing that there is love,

it is trust in tomorrow

it is falling asleep

and waking again

when the sun rises.

In the midst of a gale at sea,

it is to discover land.

In the eyes of another

It is to see that he understands you.

….

As long as there is still hope

There will also be prayer.

….

And God will be holding you

in his hands.”

-Henri Nouwen-

With Open Hands"

[With thanks to "spiritually directed…"]

*

Everything always passes, and everything is already okay. Stay in the place where you can see that, and nothing will resist you.

~ Martha Beck, Steering by Starlight

*

"Today is the feast day of George Herbert who wrote the poem whose words incorporate the most beautiful hymn in the 1982 Hymnal of the Episcopal Church, wherein the hymn is called General Seminary. Other hymnals have the words, but none of the others have the hauntingly beautiful melody: "King of Glory, King of Peace, I will love thee"..."

George Herbert

King of glory, King of peace,

I will love thee;

and that love may never cease,

I will move thee.

Thou hast granted my request,

thou hast heard me;

thou didst note my working breast,

thou hast spared me.

Wherefore with my utmost art

I will sing thee,

and the cream of all my heart

I will bring thee.

Though my sins against me cried,

thou didst clear me;

and alone, when they replied,

thou didst hear me.

Seven whole days, not one in seven,

I will praise thee;

in my heart, though not in heaven,

I can raise thee.

Small it is, in this poor sort

to enroll thee:

e'en eternity's too short

to extol thee.

*

Number:

179469

Date created:

1985

Extent:

1 photographic print : gelatin silver ; 7.5 x 9.5 in.

Description:

Front row, from left to right: 1) Raymond; 2) Kinsman; 3) Kaempf; 4) Metz; 5) Littlefield; 6) Pinheiro; 7) Zucker; 8) Felt.

Second row, from left to right: 1) Barnes; 2) Bloom; 3) Driscoll; 4) Schwartz; 5) Ault; 6) Kavanaugh-McHugh; 7) Counts; 8) Famiglio; 9) Harris; 10) Plautz.

Third row, form left to right: 1) Gabrie; 2) Cutting; 3) Wood; 4) Keyes; 5) Larsen; 6) Byrne; 7) Carpenter; 8) Rasmusson; 9) Cadwalader; 10) Keller.

Fourth row, from left to right: 1) Kang; 2) Ragavan; 3) Wiley; 4) Kotin; 5) Haber; 6) Thompson; 7) Mussman; 8) Wong; 9) Hudak; 10) Kokotailo.

Fifth row, from left to right: 1) Jackson; 2) McCloskey; 3) Corson; 4) Brewer; 5) Upchurch; 6) Willoughby; 7) Kastan.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital. Department of Pediatrics--People

Raymond, Gerald V.

Kinsman, Stephen L.

Kaempf, Joseph W.

Metz, Stephen

Littlefield, John W.

Pinheiro, Joaquim M. B.

Zucker, Howard S.

Felt, Barbara

Barnes, Steven A.

Bloom, Kenneth E.

Driscoll, Daniel J.

Schwartz, David H.

Ault, Bettina H.

Kavanaugh-McHugh, Ann

Famiglio, Linda M.

Harris, Anne E.

Plautz, Gregory E.

Gabriel, Abram

Cutting, Garry

Wood, Robert A.

Keyes, William G.

Larsen, Eric C.

Byrne, Barry

Carpenter, Richard O.

Rasmusson, Ann M.

Cadwalader, Ann M.

Keller, David M.

Kang, Jungjoo

Ragavan, Nilima

Wiley, Joseph Byron

Kotin, Neal M.

Haber, Barbara A.

Thompson, William R.

Mussman, Mary G.

Wong, Albert James

Hudak, Bonnie

Kokotailo, Patricia K.

Jackson, William Daniel

McCloskey, John J.

Corson, Thomas

Brewer, Paul C.

Upchurch, Brent H.

Willoughby, Rodney Erwin Jr.

Kastan, Michael B.

Pediatricians

Group portraits

Portrait photographs

Notes: Photographer unknown.

Number 100243

date created: 2008-05-22

Extent: 1 photograph : digital print

But the letters of "Best English song" are too large for their silver banner!

Do you like white windows!, I do.

Do you like English songs!, I do sometimes.

-----------------------

In North York, Toronto, on May 27th, 2018, outside Twister Karaoke on the west side of Yonge Street, south of Finch Avenue West.

-----------------------

Getty Thesaurus of Geographic Names terms:

• North York (1014976)

• Toronto (7013284)

Art & Architecture Thesaurus terms:

• group portraits (300124525)

• microphones (300266322)

• musical notation (300417622)

• nightclubs (300007107)

• pink (color) (300124707)

• purple (color) (300130257)

• shop signs (300211862)

• singing (performing arts genre) (300264372)

• white (color) (300129784)

• windows (300002944)

Wikidata items:

• 27 May 2018 (Q45920448)

• 24/7 (Q1571749)

• Hangul (Q8222)

• karaoke (Q229345)

• Korean-Canadian culture (Q8575823)

• Korean restaurant (Q41796336)

• Liquor Licence Board of Ontario (Q6557545)

• May 27 (Q2587)

• May 2018 (Q27952528)

• neon sign (Q6006)

• smile (Q487)

• superlative (Q1817208)

• North York Centre (Q4356710)

• Yonge Street (Q20725)

• young adult (Q17156455)

Library of Congress Subject Headings:

• Business names (sh85018315)

• Music in art (sh85088916)

• Small business (sh85123568)

Helmut Newton, a German-Jewish/Australian fashion photographer, is best known for his fashion and female nude studies. Born Helmut Neustadter in Berlin, Germany on Oct. 31, 1920, Newton attended both German and American schools. Newton's proclivity for the unusual, particularly in sexual contexts, is attributed to his early years, when his older brother showed him the "red light" (prostitute) district of Berlin. This early exposure would later lead him to create photographic studies that altered the course of fashion photography.

In 1936, Newton left a floundering school career to apprentice under German photographer Else Neulander Simon (known professionally as Yva). Under political pressure, Else, also a Jew, was forced to close her studio, and in 1938, Newton himself fled Germany for Singapore. Here he worked briefly as a photographer for the Singapore Strait Times until he made another move, this time to Melbourne, Australia.

During World War II Newton served with the Australian army as a truck driver, then decided to follow his dream, opening his first photography studio in 1946. Two years later he married actress June Browne and gained his Australian citizenship. Newton's initial photography work was standard of the time, primarily comprising weddings, baby portraits and mail order catalogs. But in 1952 his big break came when he began working for fashion-iconic Australian Vogue magazine. In 1956 Newton partnered with Henry Talbot and gave his studio a new name: Helmut Newton and Henry Talbot.

By the late 1950s, Newton's reputation as a photographer was growing. He left for London on assignment in 1959 and eventually landed in Paris in 1961. From this new locale, his work appeared nationally and internationally in such magazines as Elle, Marie Claire, Playboy and French Vogue. During this time Newton's photography style began to emerge as covertly sexual, even hinting occasionally at the fetishistic.

Throughout the 1960s Newton's celebrity status brought him increasingly exotic assignments. Then, following a heart attack in 1971, Newton's work took on new purpose. He began to openly explore sexual themes, rocking the photography world and capturing interest around the globe. Newton's wife, June, is said to have encouraged him in this new career course as he began to depict women in increasingly aggressive and sometimes menacing roles. The 1978 horror classic "The Eyes of Laura Mars" was influenced directly by Newton's work.

Newton was the recipient of a number of honors, including Germany's Kodak Award for Photographic Books, the Tokyo Art Director's Club prize and an American Institute of Graphic Arts award. He was also recognized by the French and German governments. Life magazine honored Newton with the Life Legend Award for Lifetime Achievement in Magazine Photography in 1999. In 2003, Newton donated a large photo collection to the Prussian Cultural Heritage Foundation in Berlin, the land of his birth. The collection remains there today.

Newton continued to travel during his waning years, primarily alternating between Los Angeles and Monte Carlo. He died on Jan. 24, 2004, in an automobile accident. His ashes are buried in his home city of Berlin.

www.asgard.ie/helmutnewton/

Elizabeth, Janet [sisters] and [baby] Ruth.

Look at how beautiful JLB is !

I never thought of my Grandmother as beautiful. She was just Grandma. In this picture I see the vibrant beauty that she possessed. It is evident that she and her sister were close. Elizabeth was a teacher who never married. After Grandma's husband died, she and Elizabeth shared a house for the next almost 50 years. Neither of them drove a car. They both lived to be over 100 years old.

One of my favorite pictures of my grandmother and my mother as an infant.

*

“We are all a complete mixture; yet at the same time, we are all related. Each gene can trace its own journey to a different common ancestor. This is a quite extraordinary legacy that we all have inherited from the people who lived before us. Our genes did not just appear when we were born. They have been carried to us by millions of individual lives over thousands of generations.”

— Bryan Sykes, a former Professor of Human Genetics at the University of Oxford and a current Fellow of Wolfson College, The Seven Daughters of Eve: The Science That Reveals Our Genetic Ancestry, 2001 (via amiquote)

Benscoter Christmas gathering.

My mother is the girl who is standing. Her father is at the head of the table by the Christmas Tree. Her mother the one with her back to us. People are eating, blurry. Dan is smiling in the lower left hand corner. Carl and Bob are obscured. But we get the feeling of the family gathered around the table. I like that people are in motion, in relationship, not posed. We are celebrating.

*

Starting with Little Things

Love the earth like a mole,

fur-near. Nearsighted,

hold close the clods,

their fine-print headlines.

Pat them with soft hands --

Like spades, but pink and loving; they

break rock, nudge giants aside,

affable plow.

Fields are to touch;

each day nuzzle your way.

Tomorrow the world.

~ William Stafford ~

*

Listen in the wind to the sighing of the bush:

This is the ancestors breathing.

Those who are dead are never gone;

The dead are not down in the earth:

They are in the trembling of the trees,

In the groaning of the woods,

In the water that runs, in the water that sleeps.

-traditional saying from Senegal

Creator: H. Allison & Co. Photographers

Date: 1938

Original Format: Glass Plate Negative, 9.5 X 7.5 inches

Description: Group portrait of Armagh Girls High School Hockey Team, 1938

PRONI Ref: D2886/SCH/AGH/4

Copying and copyright:

Please see www.proni.gov.uk/index/research_and_records_held/copying_...

For Copy Orders, contact:

Email: proni@dcalni.gov.uk

Silkscreen on canvas.

Andy Warhol (/ˈwɔrhɒl/;[1] August 6, 1928 – February 22, 1987) was an American artist who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, celebrity culture and advertisement that flourished by the 1960s. After a successful career as a commercial illustrator, Warhol became a renowned and sometimes controversial artist. The Andy Warhol Museum in his native city, Pittsburgh, Pennsylvania, holds an extensive permanent collection of art and archives. It is the largest museum in the United States dedicated to a single artist.

Warhol's art encompassed many forms of media, including hand drawing, painting, printmaking, photography, silk screening, sculpture, film, and music. He was also a pioneer in computer-generated art using Amiga computers that were introduced in 1984, two years before his death. He founded Interview Magazine and was the author of numerous books, including The Philosophy of Andy Warhol and Popism: The Warhol Sixties. He is also notable as a gay man who lived openly as such before the gay liberation movement. His studio, The Factory, was a famous gathering place that brought together distinguished intellectuals, drag queens, playwrights, Bohemian street people, Hollywood celebrities, and wealthy patrons.

Warhol has been the subject of numerous retrospective exhibitions, books, and feature and documentary films. He coined the widely used expression "15 minutes of fame". Many of his creations are very collectible and highly valuable. The highest price ever paid for a Warhol painting is US$100 million for a 1963 canvas titled Eight Elvises. The private transaction was reported in a 2009 article in The Economist, which described Warhol as the "bellwether of the art market".[2] Warhol's works include some of the most expensive paintings ever sold.

en.wikipedia.org/wiki/Andy_Warhol

One of the most successful French painters of his period. He won the Prix de Rome in 1797, and his later successes included becoming director of the French Academy in Rome in 1822 and being created a baron in 1829. His style was derived mainly from David, but his scenes from classical history and mythology are less severe and more stagey. As the teacher of Géricault and Delacroix amongst others, he was an important figure in the transition from Neoclassicism to Romanticism. He laid particular emphasis on the painted sketch and as a professor at the École des Beaux-Arts, he was instrumental in establishing a sketch competition as a preliminary to the Prix de Rome.

Number:

164462

Creator:

Hughes Company

Date created:

1948

Extent:

1 photographic print : gelatin silver ; 8 x 10 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Allen, Elizabeth Marie

Ammons, Marie Barbara

Anderson, Alberta Lillian

Bayda, Marie

Black, Barbara Allison

Bohanan, Doris Maretta

Bohow, Barbara Wayne

Bower, Geneva Juanita

Bremer, Pauline Violet

Brice, Betty Marie

Brosius, Elizabeth Rue

Cooper, Nancy Jean

Deigert, Lillian Margaret

Dennis, Norma Emma

Droneburg, Neva Jean

Duvall, Arlene Marie

Fischer, Ruth Naomi

Fogwell, Christine Mary

Harper, Eleanor Kathleen

Harrigan, Nancy Lee

Heaton, Martha Childs

Heller, Anna Carolyn

Heller, Helen Alberta

Hepler, Clara Elizabeth

Hoffman, Ella Beatrice

Holland, Julia Frances

Libby, Martha Jane

Merrim, Mary Ann

Mosier, Jean Elizabeth

Neutzel, Audrey Lauretta

Peyton, Sarah Wynne

Plough, Shirley Juanita

Reck, Kathryn Jane

Reynolds, Nancy Virginia

Rogers, Shirley Harriet

Schelberg, Sarah Bolling

Schick, Martha Marie

Seitz, Margaret Miller

Shaive, Jeanne Adele

Shelley, Beverly June

Shock, Vivian Ruth

Snyder, Jean Lois

Stirn, Ruth Anna

Truitt, Ernestine Sterling

Wagner, Mary Lavinia

Wagoner, Helen Elizabeth

Walter, Shirley Mae

Elliott, Margaret, 1884-1966

Nash, Jane Evans, 1880-1955

Creutzburg, Freda Lewis, 1898-1963

Nursing students--Maryland--Baltimore--1940-1950

Nurses--Maryland--Baltimore--1940-1950

Graduation ceremonies--Maryland--Baltimore--1940-1950

Nursing schools--Faculty

Group portraits

Portrait photographs

Number:

179691

Date created:

1964

Extent:

1 photographic print : gelatin silver ; 7.5 x 9.5 in.

Description:

Front row, from left to right: 1) Reagan; 20 Gilman; 3) Powell; 4) Cooke; 5) Storey; 6) M. Forman; 7) Cohen.

Second row, from left to right: 1) Kronholm; 2) Hancock; 3) Weldon; 4) Schwartz; 5) Mellinger; 6) Hiahulatti.

Third row, form left to right: 1) Garcia; 2) Friedman; 3) Kaback; 4) Jennings.

Fourth row, from left to right: 1) Bruton; 2) P. Forman; 3) Katz; 4) Fleischman.

Fifth row, from left to right: 1) Rosenstein; 2) Sigler; 3) Bloom; 4) Behrman.

Sixth row: 1) Rause; 2) Elliott; 3) Mize; 4) Schneider.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital. Department of Pediatrics--People

Gilman, Priscilla A.

Powell, Thomas H.

Cooke, Robert E.

Storey, G. N. Bruce

Forman, Marjorie L.

Cohen, Janice E.

Kronholm, Jean A.

Hancock, Millie A.P.

Weldon, Virginia V.

Reagan, Lenora C.

Schwartz, Henry G.

Mellinger, James F.

Garcia, Roberto S.

Friedman, William Foster

Kaback, Michael M.

Jennings, Rufus B. Jr.

Bruton, H. David

Forman, Phillip M.

Katz, Harvey P.

Fleischmann, Larry E.

Rosenstein, Beryl J.

Sigler, Arnold T.

Bloom, Arthur D.

Behrman, Richard E.

Rowse, John C.

Elliott, Donald A.

Mize, Charles E.

Schneider, Jerry A.

Pediatricians

Group portraits

Portrait photographs

Notes: Photographer unknown.

Creator: H. Allison & Co. Photographers

Date: 1943

Original Format: Glass Plate Negative, 9.5 X 7.5 inches

Description: Group portrait of Armagh Girls High School Hockey Team, 1943

PRONI Ref: D2886/SCH/AGH/5

Copying and copyright:

Please see www.proni.gov.uk/index/research_and_records_held/copying_...

For Copy Orders, contact:

Email: proni@dcalni.gov.uk

League Group Portrait with President Harry Truman, September 17, 1945

Number:

171523

Date created:

1905

Extent:

1 photographic print : gelatin silver ; 4 x 7 in.

Back row: 1) F. Hewes; 2) C. Sparrow; 3) M. Vannier; 4) E. Hardenberg; 5) G. Jones; 6) E. Rooth; 7) I. Grant; 8) C. Ilig; 9) L. Simpson; 10) Miss Nutting; 11) C. Finney; 12) R. Riley; 13) E. Batterman; 14) E. Smith; 15) H. Wilmer; 16) S. Knox; 17) K. Blackinton; 18) K. Lownsbrough; 19) L. Kent; 20) B. Beck; 21) M. Bunting; 22) M. Cook; 23) M. Carter; 24) C. McCabe. Center row: 1) H. Mullin; 2) A. Fitsgerald; 3) Miss Ross; 4) M. Ellison; 5) M. Rosser; 6) D. Jamieson; 7) I. Chambers; 8) Miss Lawler; 9) S. Barnes; 10) H. Erskine. Front row: 1) H. Wadland; 2) I. Green; 3) C. Baker; 4) A. Dammann; 5) F. McQuaide; 6) E. Geddes; 7) L. D'Espard; 8) K. Steelman.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital School of Nursing--People

Helves, Frances

Withrow, Caroline Sparrow

Vannier, Marion L.

Hardenberg, Else

Williamson, Gertrude Jones

Poynter, Estelle Rooth

Grant, Isabel

Illig, Clara F.

McPhedran, Lila Simpson

Nutting, M. Adelaide (Mary Adelaide), 1858-1948

Finney, Catherine

Riley, Ruby

Batterman, Emma

Nelson, Edith Howard Smith

Athey, Helen S. Wilmer

Blackinton, Katrine

Greene, Kate Lownsborough

Kent, Lucy R.

Robertson, Bessie Beck

Yeager, Mary Bunting

Goldsborough, Mollie Cook

Morris, Mary Carter

Sargent, Cora McCabe

Mullin, Helen E.

Fitzgerald, Alice Louise Florence, 1874-1962

Ross, Georgina

Gilman, Martha Ellison

Rosser, Mary Jane

Claude, Dorcas Jamieson

Chambers, Ina F.

Lawler, Elsie M.

Barnes, Sara N.

Erskine, Helen Mar

Wadland, Helen A.

Musson, Ida Green

Smead, Cora Baker

Rushmore, Alice Dammann

McQuaide, Frances Thornton

Geddes, Elizabeth

D'Espard. Lillian M.

Steelman, Katherine

Nursing students--Maryland--Baltimore--1900-1910

Nurses--Maryland--Baltimore--1900-1910

Graduation ceremonies--Maryland--Baltimore--1900-1910

Portrait photographs

Group portraits

Notes: Photographer unknown.

Number:

163423

Date created:

1902

Extent:

1 photographic print : gelatin silver ; 7.5 x 9.75 in.

Back row: 1) L. Gosman, B. Richardson, Miss Lawler, L. Jack, E. Dick, R. Adamson;

Middle row: M. Brogden, M. Brent, G. Rising, E. Carson, M. Harrell, S. Merrill, F. Manson, M. Hoyt, M. Carey, H. McDonald, A. Goodsill, E. Baker;

Front row: F. Tuthill, C. Gaddis, L. Riggs, L. Bryden, Miss Nutting, Miss Ross, L. Bidle, M. Jamme, M. Boyer, L. Granjean, E. La Motte;

Tight center front: A. Whitman, B. Baker

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital School of Nursing--People

Adamson, Ruth

Baker, Bessie

Rand, Elizabeth Baker

Cator, Mabel Virginia Bent

Biddle, Lydia

Lewis, M. Eleanor Boyer

Brogden, Margaret Smith

Bryden, Lucy A.

Baetjer, Mary Carey

Wilder, Edith Carson

Dick, Eliza M.

Gaddis, Carrie

Slemons, Anna Goodsill

Gosman, Lida H.

Grandjean, Laura

Harrell, Maud

Hoyt, Margaret Bliss

Jack, Louisa

Jamme, Marie

LaMotte, Ellen N.

Macdonald, Helen Ross

Burnham, Florence Manson

Winne Jr, Sarah Foster Merrill

Richardson, Bessie M.

Follis, Louisa Riggs

Rising, Grace B.

Boyer, Florence Tuthill

Taylor, Alice Witman

Lawler, Elsie M.

Nutting, M. Adelaide (Mary Adelaide), 1858-1948

Ross, Georgina

Nursing students--Maryland--Baltimore--1900-1910

Nurses--Maryland--Baltimore--1900-1910

Graduation ceremonies--Maryland--Baltimore--1900-1910

Portrait photographs

Group portraits

Notes: Photographer unknown.

Number:

179791

Date created:

1967

Extent:

1 photographic print : gelatin silver ; 7.5 x 9.5 in.

Description:

Front row, from left to right: 1) Overbach; 2) Stumbaugh; 3) Dodds; 4) Haslam; 5) Cooke; 6) Baghdassarian; 7) Neims; 8) Nilson.

Second row, from left to right: 1) Stinett; 2) R. Johnson; 3) Khodabandelou; 4) MacLean; 5) Almand; 6) Smith; 7) Kaback; 8) Patterson.

Third row, form left to right: 1) Alexander; 2) Wegner; 3) J. Johnson; 4) Kaizer; 5) Poland; 6) Hoffman.

Fourth row, from left to right: 1) Whitworth; 2) Fost; 3) Maxwell; 4) Berns; 5) Swick; 6) Buss; 7) Elliott; 8) Linarelli.

Fifth row, from left to right: 1) Kaplan; 2) Lang; 3) Fleischmann; 4) Bland; 5) Cohen; 6) Adams; 7) Casazza; 8) Coussons.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital. Department of Pediatrics--People

Overbach, Avrin M.

Stumbaugh, Susan D.

Dodds, Richard W.

Haslam, Robert H.

Cooke, Robert E.

Baghdassarian, Alice

Neims, Allen H. (Allen Howard)

Nilson, Bjorn W.

Stinnett, James T. III

Johnson, Robert H.

Khodabandelou, Mohammed

MacLean, William C. Jr.

Almand, Joseph M. Jr.

Smith, Jere P.

Kaback, Michael M.

Patterson, Daniel Y.

Alexander, Duane F.

Wegner, Glen E.

Johnson, John D.

Kaizer, Herbert

Poland, Arnold L.

Hoffman, Leonard S.

Whitworth, Jay M.

Fost, Norman C.

Maxwell, Margaret E.

Berns, Kenneth I.

Swick, Herbert M.

Buss, Mardelle

Elliott, Jan A.

Linarelli, Louie G.

Kaplan, Joseph

Lang, Margaret E.

Fleischmann, Larry E.

Bland, Richard D.

Cohen, Irun R.

Adams, Myron J.

Casazza, Lawrence J.

Coussons, Harriet W.

Pediatricians

Group portraits

Portrait photographs

Notes: Photographer unknown.

Keith, John Frank, 1883-1947, photographer.

ca. 1910-1940

1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)

Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.

Number:

164227

Date created:

1903

Extent:

1 photographic print : gelatin silver ; 9.75 x 7.25 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital School of Nursing--People

Austin, Emily S.

Boley, Elizabeth

Butler, Frances K. M.

Chisolm, Lucie V.

Dixon, Mary Bartlett

Ellicott, Nancy P.

Forster, Emma C.

Griffin, Elizabeth

Griffith, Ethel M.

Handy, Ethalinda

Hampson, Laura

Higgins, Rowena

Holmes, Ethel A.

Kennedy, Loula

Little, Hannah Pauline

MacDonald, V. May

MacMahon, Amy E.

Merriman, Edith

Oliver, Evelyn

Higgins, Cecilia Peake

Phares, Le Moyne

Purnell, Andasia

Retzer, Nannie Ridgely

Schorer, Margaret Shrive

Smith, Grace Porter

Bigley, Alice K. Suydam

Thelin, Reba

Whitney, Mary L.

Ross, Georgina

Lawler, Elsie M.

Nutting, M. Adelaide (Mary Adelaide), 1858-1948

Nursing students--Maryland--Baltimore--1900-1910

Nurses--Maryland--Baltimore--1900-1910

Graduation ceremonies--Maryland--Baltimore--1900-1910

Portrait photographs

Group portraits

Notes: Photographer unknown.

Number:

164483

Creator:

Hughes Company

Date created:

1957-06-07

Extent:

1 photographic print : gelatin silver ; 8 x 10 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Ayres, Joanne

Beall, Linda Mead

Beebe, Neva Rae

Bryan, Joan Faye

Colonna, Evelyn

Dorsey, Joyce Elizabeth

Felton, Janet Marie

Fletcher, Ellen Rebecca

Gillan, Lucille Eileen

Glover, Lillian Ruth

Gross, Elizabeth Pauline

Hays, Carloyn Susanne

Hopkins, Helen June

Huang, Joy Ann

Hunter, Lois Carolyn

Knepper, Margaret Lena

Lemmon, Darla Dolores

Mantell, Patricia Ann

Marvel, Beverly Ann

Marvel, Ethel Lois

Mason, Hester Alice

Matthai, Margaret Ruth

Miller, Donna Eve

Moore, Peggy Marie

Reeves, Mary Isabell

Rickett, Frances Ann

Schlesinger, Joy Barbara

Schoepflin, Peggy Lee

Smith, Alice Margaret

Taylor, Elaine Adelia

Turner, Juliet Ann

Veach, Janice Marlene

Wienefeld, Frances Parrish

Witherow, Mary Ann

Creutzburg, Freda Lewis, 1898-1963

Nursing students--Maryland--Baltimore--1950-1960

Graduation ceremonies--Maryland--Baltimore--1950-1960

Nurses--Maryland--Baltimore--1950-1960

Nursing schools--Faculty

Group portraits

Portrait photographs

Pietro Longhi was a Venetian painter of contemporary scenes of life. He was born in Venice. He adopted the Longhi last name when he began to paint. He was initially taught by Antonio Balestra, who then recommended him to apprentice with the Bolognese Giuseppe Maria Crespi, who was highly regarded in his day. Among his early paintings are some altarpieces and religious themes. In 1734, he completed frescoes in Ca' Sagredo, representing the Death of the giants. Henceforward, his work would lead him to be viewed in the future as the Venetian William Hogarth, painting subjects and events of everyday life. The interior scenes reflect the 18th century's turn towards the private and the bourgeois. Many of his paintings show Venetians at play.

Other paintings chronicle the daily activities such as the gambling parlors that proliferated in the 18th century. In some, the insecure or naive posture and circumstance, the puppet-like delicacy of the persons, seem to suggest a satirical perspective of the artists toward his subjects. Nearly half of the figures in his genre paintings are faceless, hidden behind Venetian Carnival masks.

A paraphrase of Bernard Berenson states that "Longhi painted for the Venetians passionate about painting, their daily lives, in all dailiness, domesticity, and quotidian mundanity. In the scenes regarding the hairdo and the apparel of the lady, we find the subject of gossip of the inopportune barber, chattering of the maid; in the school of dance, the amiable sound of violins. It is not tragic... but upholds a deep respect of customs, of great refinement, with an omnipresent good humor distinguishes the paintings of Longhi from those of Hogarth, at times pitiless and loaded with omens of change".

Shalin took this photo - I like how we're talking together. Making comments and having a sort of billiard ball conversation. When we're all together there are certain conventions and rules of conversation and interaction that we unconsciously fall into. It's a kind of ease with one another that I don't quite understand, nor need to understand but purely enjoy for its own sake. I guess it's kind of like being part of "The Borg" - we form our own sort of collective.

*

"The task of building a world community is man’s final necessity and possibility, but also his final impossibility. It is a necessity and possibility because history is a process which extends the freedom of man over natural process to the point where universality is reached. It is an impossibility because man is, despite his increasing freedom, a finite creature, wedded to time and place and incapable of building any structure of culture or civilization which does not have its foundations in a particular and dated locus,"

- Reinhold Niebuhr, "The Children of Light and the Children of Darkness"

*

But my heart is not weary, it's light and it's free

I've got nothin' but affection for all those who've sailed with me

--Bob Dylan, from "Mississippi" (2001)

*

Philip Henslowe: Mr. Fennyman, allow me to explain about the theatre business. The natural condition is one of insurmountable obstacles on the road to imminent disaster.

Hugh Fennyman: So what do we do?

Philip Henslowe: Nothing. Strangely enough, it all turns out well.

Hugh Fennyman: How?

Philip Henslowe: I don't know. It's a mystery.

(lines from the film, "Shakespeare In Love")

*

"Most of us primarily find the sacred within the circle of those we love and find holy ground in our own backyard. Remember the Buddhist monks who go on a three-month retreat during the rainy season? It must be dramatic for them when the retreat ends. For a long time, they have been confined to a temple, with strict instructions to destroy no new life. They carefully watch where they put their feet lest they trample a sprout of grass pushing through the cold earth. Then comes the day the retreat ends and they leave. They are given new robes. At the gate they take their final step out of the temple and their first step into a sunny meadow. It is the same step.

In our own back yards, the leaves may be gone and the tree limbs bare. But tiny new buds are beginning to swell. A time will come soon to step between two seasons. Just as with the monks, it is one step. From holy ground to holy ground.

(Copyright 2006, Tolbert McCarroll, A WINTER WALK, page 150)

Dürer is the greatest exponent of Northern European Renaissance art. While an important painter, in his own day Dürer was renowned foremost for his graphic works. Artists across Europe admired and copied Dürer's innovative and powerful prints, ranging from religious and mythological scenes, to maps and exotic animals. Technically, Dürer's prints are exemplary for their detail and precision. The son of a goldsmith, Dürer was trained as a metalworker at a young age. He applied the same meticulous, exacting methods required in this delicate work to his woodcuts and engravings.

He went to Italy in 1494, and again in 1505-6. Contact with Italian painters resonated deeply in his art. Influenced by Venetian artists, who were renowned for the richness of their palette. Dürer was a great admirer of Leonardo da Vinci. He was intrigued by his studies of the human figure, and after 1506 applied and adapted Leonardo's proportions to his own figures. In the 1520's, he illustrated and wrote theoretical treatises instructing artists in perspective and proportion. More than simply producing works for his own time, Dürer saw his fame and his contribution as enduring, and as part of history.

Number:

164535

Date created:

1969-06-06

Extent:

1 photographic print : col. ; 8 x 10 in.

Scope and content:

Back row: 1) Karen Ann Richick; 2) Kathleen Hope Riley; 3) Joan Anita Harrison; 4) Martha Emily Parrott; 5) Judy Carlene Shetterly; 6) Katherine Norris Barbour; 7) Roxanne Lee Cochran; 8) Donna Marie DeSisco; 9) Katherine Delia Koubek; 10) Linda Joyce Listopad; 11) Dolores Kathleen Milholland; 12) Margaret Ann House; 13) Nancy Elizabeth Thomas; 14) Karen Anne Brouse; 15) Susan Dawson Deringer; 16) Nancy Lee Vetter; 17) Janice Marie Gasaway; 18) Betty Jean Shaffer; 19) Karen Louise Sweeney; 20) Donna Marion Wimmer. Front row: 1) Peggy Sharon Peterson; 2) Sharon Lee Bell; 3) Carole Ann Madden Turner; 4) Barbara Susan Mitchell Corey; 5) Lynne Marie Teuteberg; 6) Barbara Zelenka; 7) George Mason; 8) Margorie Maisak; 9) Geri Mendelson; 10) Donna Lynn Wilhelm

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Barbour, Katherine Norris

Bell, Sharon Lee

Brouse, Karen Anne

Deringer, Susan Dawson

DeSisco, Donna Maria

Gasaway, Janice Marie

Harrison, Joan Anita

House, Margaret Ann

Koubek, Katherine Delia

Listopad, Linda Joyce

Turner, Carole Ann Madden

Milholland, Dolores Kathleen

Corey, Barbara Susan Mitchel

Parrott, Martha Emily

Peterson, Peggy Sharon

Richick, Karen Ann

Riley, Kathleen Hope

Shaffer, Betty Jean

Shetterly, Judy Carlene

Sweeney, Karen Louise

Teuteberg, Lynne Marie

Thomas, Nancy Elizabeth

Vetter, Nancy Lee

Wilhelm, Donna Lynn

Webb, Carolyn Jean

Wimmer, Donna Marion

Zelenka, Barbara

Cochran, Roxanne Lee

Mason, George W.

Maisak, Marjorie B.

Nursing students--Maryland--Baltimore--1960-1970

Nurses--Maryland--Baltimore--1960-1970

Graduation ceremonies--Maryland--Baltimore--1960-1970

Nursing schools--Faculty

Group portraits

Portrait photographs

Notes:

Photographer unknown.