C.T.B. and J.L.B.'s friends.

*

There is part of a series from a whole album of photos that belonged to my Grandfather called "Stone's Cottage." What was Stone's Cottage? I don't know. The pictures are charming snapshots of life for young professionals in the early 1900s.

Most of the ladies were new schoolteachers. Most of the men were bankers and lawyers. My grandfather posed, lit , shot and developed the photographs, so he is rarely portrayed here.

It is his eye through which we see.

Graham Wallas (seated left), with Harold Laski (right), Walter Lippmann and an unidentified woman in the USA.

Graham Wallas (1858-1932), political scientist, was one of the founders of the London School of Economics (along with George Bernard Shaw and Sidney and Beatrice Webb) and the School's first Professor of Political Science. He retired in 1923.

Harold Laski (1893-1950) lectured at McGill, Harvard and Yale Universities before joining LSE in 1920. He became Professor of Political Science in 1926 and stayed at LSE until his death in 1950.

Walter Lippmann (1889-1974) was an American Pullitzer Prize-winning journalist, philosopher and media and political commentator who studied under Wallas at Harvard.

IMAGELIBRARY/1365

this is our latest Rick Beerhorst Band photo by the talented Seth Tompson holding the dobro guitar. ( Seth's daughter Lilly shot the picture after Dad set it up) www.wealthyorphans.com

Number:

164184

Date created:

1921

Extent:

1 photographic print : gelatin silver ; 15 x 9.5 in.

Front row on porch: 1) D. Ayer; 2) F. Nowell; 3) ____; 4) D. Morrissey; 5) R. McCue; 6) H. Anders; 7) E. Muir; 8) M. Leech; 9) E. Mitchell; 10) E. Miller; 11) Miss Lawler; 12) G. Wells; 13) Miss Taylor; 14) F. Lusk; 15) M. Hutton; 16) N. Wayland; 17) N. Rennie; 18) E. Palliser; 19) ____; 20) M. Wheeler; 21) N. Rudolphi; 22) R. Fobes; 23) Miss Mitchell. Second row on porch: 1) E. Wicklund; 2) ____; 3) L. Savage; 4) Miss Frederick; 5) Miss C. Dick; 6) L. Jewett; 7) ___; 8) ____. Last row on porch: 1) E. Northam; 2) A. Poole; 3) G. Kussmaul; 4) R. Templin; 5) ____; 6) ____; 7) M. Wanzeck; 8) C. Harrington; 9) F. DuFour; 10) M. Zimmerman; 11) ____; 12) ____. On steps, from second step upward: 1) R. Henderson; 2) H. Gee; 3) ____; 4) ____. Seated: 1) ____; 2) ____; 3)____; 4) S. Prichard; 5) M. Mundie; 6) A. Hillman. Standing on ground behind tree: 1) H. Wright; 2) C. Nelson; 3) C. Dittman; 4) J. Fontaine; 5) X. Kneehtel; 6) C. Sadtler; 7) H. Zeigler. In front of rail: 1) ____; 2) L. Putman; 3) ___; 4) L. Williams; 5) ____; 6) L. Fromuth; 7) H. Pease; 8) E. Kennedy; 9) F. Wormer; 10) E. Miller; 11) ____; 12) M. Nelson; 13) M. Moore; 14) D. Randall; 15) ___; 16) L. Engstrand; 17) ___; 18) E. Peelle; 19) F. Wilson; 20) H. Tepper; 21) A. Downs; 22) B. Spiers; 23) R. Hursh; 24) ___; 25) ___; 26) ___.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital School of Nursing--People

Anders, Helen C.

Ayer, Doris M.

Dittman, Cora V.

Downs, Constance I.

McNair, Florence Dufour

Firor, Ruth Fobes

Engstrand, Lillian A.

Fontaine, Janette F.

Wetzel, Lelia Fromuth

Gee, Helen

Harrington, Claire

Henderson, Ruth

Sanders, Alice M. Hillman

Hursh, Ruth

Hutton, Mary B.

Brady, Lucy Jewett

Zinninger, Elizabeth Kennedy

Knechtel, Xenia

Wakeman, Grace Kussmaul

Leech, Mary L.

Prentis, Frances Lusk

McCue, Rose

Miller, Esther E.

Ford, Elizabeth Mitchell

Mitchell, M. Elizabeth Moore

Conroy, Dorothy Morrissey

Wallace, Elizabeth Muir

Mundie, Margaret B.

Nelson, Christine

Nelson, Marion Elizabeth

Newell, Florence E.

Northam, Ethel

Palliser, Elinor M.

Leigh, Helen Pease

Peele, Effie O.

Poole, Alice P.

Prichard, Sarah I.

Putnam, M. Louise

Scott, Della Randall

Rennie, Nora

Rudolph, Naomi L.

Walker, Caroline Sadtler

Savage, Louise

Artman, Bessie Spiers

Vine, Ruth Templin

Tepper, Helena

Schneider, Marie Wanzeck

Graham, Florence Warner

Gravatt, Nancy Wayland McClung

Wells, Gertrude E.

Wheeler, Marian E.

Wicklund, Effie M.

Williams, Lillian M.

Wilson, Frances B.

Wilson, Helen Wright

Tunnell, Helen (Frances) Ziegler

Zimmerman, Mildred I.

Lawler, Elsie M.

Taylor, Effie J.

Shipley, Angela Mitchell

Frederick, Hester K.

Dick, Christine

Weaver, Anita Downs

Nursing students--Maryland--Baltimore--1920-1930

Nurses--Maryland--Baltimore--1920-1930

Graduation ceremonies--Maryland--Baltimore--1920-1930

Portrait photographs

Group portraits

Notes: Photographer unknown.

Natalia Goncharova was born in Nagaevo village near Tula, Russia in 1881. She studied sculpture at the Moscow Academy of Art, but turned to painting in 1904. She was deeply inspired by the primitive aspects of Russian folk art and attempted to emulate it in her own work while incorporating elements of fauvism and cubism. Together with her husband Mikhail Larionov she first developed Rayonism. They were the main progenitors of the pre-Revolution Russian avant-garde organising the Donkey's Tail exhibition of 1912 and showing with the Der Blaue Reiter in Munich the same year.

The Donkey's Tail was conceived as an intentional break from European art influence and the establishment of an independent Russian school of modern art. However, the influence of Russian Futurism is much in evidence in Goncharova's later paintings. Initially preoccupied with icon painting and the primitivism of ethnic Russian folk-art, Goncharova became famous in Russia for her Futurist work such as The Cyclist. She moved to Paris in 1921 where she designed a number of stage sets of Sergei Diaghilev's Ballets Russes. She became a French citizen in 1939.

On June 18, 2007 Goncharova's 1909 painting Picking Apples was auctioned at Christie's for $9.8 million, setting a record for any female artist. The record was updated a year later, when Goncharova's 1912 still-life The Flowers (formerly part of Guillaume Apollinaire's collection) sold for $10.8 million.

Foto: Følstadsamlingen

Har du mer informasjon om dette bildet? Kontakt: fotoarkiv@perspektivet.no

Boris Grigoriev was a Russian painter and graphic artist. He was born in Rybinsk and studied at the Stroganov Art School from 1903 to 1907. Grigoriev went on to study at the Imperial Academy of Arts in Saint Petersburg under Aleksandr Kiselyov, Dmitry Kardovsky and Abram Arkhipov from 1907 to 1912. He began exhibiting his work in 1909 as a member of Union of Impressionists group, and became a member of the World of Art movement in 1913. At that time he also was interesting in literature, writing novel Young Rays. Grigoriev lived for a time in Paris, where he attended the Académie de la Grande Chaumière. In Paris he was strongly influenced by Paul Cézanne.

After his return to Saint Petersburg in 1913 he became part of the Bohemian scene in St. Petersburg and was close to many artists and writers of the time, such as Sergey Sudeykin, Velimir Khlebnikov and the poet Anna Akhmatova, often painting their portraits. He was also interested in the Russian countryside, its peasants and village life. From 1916 to 1918 he created a series of paintings and graphic works, Russia, depicting the poverty and strength of the Russian peasantry and village life. According to Benois Grigoriev had shown the very essence of Russia in the period before the revolutionary upheaval.

From 1919, Grigoriev traveled and lived abroad in many countries including Finland, Germany, France,USA, Central and South Americas. In 1934 he published his poem Russia (Расея) in American Russian-language newspaper Novoye Russkoye Slovo. The poem was a poetic reflection of his famous Russia series of paintings. He also wrote poem America published only in 2003.

Grigoriev died in Cagnes-sur-Mer in 1939.

Number:

175302

Date created:

1947

Extent:

1 photographic print : gelatin silver ; 11 x 13.5 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital School of Nursing--People

# [Personal name] Stevenson, Helen Tierney

Lambert, Claire

Penrod, Margaret

Storm, Arleen Kluss

Richter, M. Lucretia Henry

Shaw, Frances Kemper

Cooley, Eloise

Aguirre, Graciella

Dawe, Judy Simms

Epstein, Elsa Heilbronn Hafkin

Meyers, Anna L.

Lockwood, Elizabeth Dalziel

Simanton, Donna Honsowetz

Palchak, Bernadette Sullivan

Opper, Lois R.

Collins, Phyllis M.

Snyder, Anna Mary Stull

Griffin, Patricia

Wilson, Louise Marie

Errickson, Celia Isabella Turk

Chamberlain, Betty Brown

Goldsmith, Gene French

Lashinsky, Harriet J.

McKechnie, Margaret L. Heine

Engler, Jeanette Goddard

Harold, Mary Anita

# [Personal name] Keen, Mary Stuart

Kurban, Helena Lu-Affatt

Howes, Patricia L.

Catlin, Rebecca Graham

Hamilton, Ruth N.

Peck, Anna Caraccilo

See, Bonnie Holley

Bryan, Dorothy H.

Stewart, V. Frances Gerwig

Merkel, Nona

Wolf, Anna Dryden

Grainger, Margaret F.

Schuldes, Maddeline Angelone

Gooding, Mary Lou

Hanson, June Glaser

Goldsmith, Anna Herrmann

Campbell, Grace Marie Mueller

Miles, Annabelle

Saugen, Kathryn Heller

Titus, Clair

Hague, Jessie Lehman

Dillon, Eleanor Hadley

Danielson, Mary Williams

Rosett, Margaret McIntosh

Griswold, Kathryn Randall

Coxe, True Summers

Poulson, Miriam Edith

Errickson, Betsy Abel

Clark, Madge Coffman

Frisk, Helen Charlet

Fink, Olive Willson

Spinner, Ellen

Nursing students--Maryland--Baltimore--1940-1950

Nurses--Maryland--Baltimore--1940-1950

Portrait photographs

Group portraits

Notes: Photographer unknown.

Oil on canvas; 154 x 184 cm.

Opie received art instruction from John Wolcot (“Peter Pindar”) in Truro from about 1775 and in 1781 was successfully launched in London as the “Cornish wonder,” a self-taught genius. Opie attempted fashionable portrait painting but was most at ease with unsophisticated subjects, where his gifts for depicting rough textures in strong chiaroscuro could best be displayed. The works of Rembrandt, Caravaggio, and Velázquez were strong formative elements in his art. In 1786 he was commissioned to paint seven illustrations for John Boydell’s Shakespeare Gallery. His first exhibited historical work was the “Assassination of James I of Scotland” (1786), followed by “The Murder of Rizzio” (1787), which secured his election in 1787 as a member of the Royal Academy. He was made a professor of painting at the academy in 1805.

Number:

178315

Date created:

1933

Extent:

1 photographic print : gelatin silver ; 7.5 x 9.5 in.

Description:

Front row: 1) Paul G. Shipley; 2) [unknown]; 3) L. Emmett Holt.

Second row: 1) [unknown]; 2) David H. Shelling; 3) Hugh W. Josephs; 4) Harriet Guild; 5) Laslo Kajdi; 6) Edward Bridge.

Third row: 1) M.S. Hecht; 2) Alice D. Chenoweth; 3) T. F. McNair Scott; 4) Alexander J. Shaffer; 5) Robert L. Munroe; 6) George Parry; 7) Arthur Ward.

Fourth row: 1) John A. Wasington; 2) Hoffman; 3) Helen Taussig; 4) Horace L. Hodes; 5) E.M.R.

Fifth row: 1) R.T. Myers; 2) Herbert C. Tidwell; 3) Perlina Winocur; 4) I. Nachlas.

Sixth row: 1) Harold Blumberg; 2) [unknown]; 3) [unknown]; 4) L. Luth; 5) Miriam Brailey; 6) H.D. Lepp; 7) Crystal Caldwell.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital. Department of Pediatrics--People

Pediatricians

Group portraits

Portrait photographs

Shipley, Paul G.

Holt, L. Emmett (Luther Emmett),

Shelling, David

Josephs, Hugh W.

Scott, T. F. McNair

Alexander J. Shaffer

Guild, Harriet Griggs

Kajdi, L.

Bridge, Edward M.

Hecht Jr., M.

Chenoweth, Alice

Ward, Arthur T. Jr.

Taussig, Helen

Hodes, Horace

Washington, John A.

Tidwell, H.C.

Winocur, P

Nachlas, I. William

Blumberg, Harold

Brailey, Miriam

Caldwell, Crystal

Notes: Photographer unknown.

Number:

171594

Date created:

1920

Extent:

1 photographic print : gelatin silver ; 8 x 10 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital School of Nursing--People

MacCarthy, Helen Abele

Shaw, Barbara Andrews

Andrews, Eleonor J.

Gontrune, Mildred L. Baer

Beerstecher, Ada M.

Reiter, Marie A. Brunk

Schouten, Irene Burch

Meadd, Beatrice Cornforth

Anderson, Gladys Coulter

Gamble, Isabel E. Davidson

Gray, Dorothy Davis

McBride, Dorothy Filler

Fischer, Laura E.

Pendleton, Christina Furnival

Gleave, Nell

Harman, Lilly

Hawley, Jean C.

Wharton, Louise Hazelhurst

Hensler, Florence

Cockman, Margaret Higgins

King, Anna Howerton

Hulsizer, Mary B.

Bartlett, Ethel Hyde

Irwin, Alicia M.

Jones, Mary Eva

Kapteyn, Willemina J.

Keller, Loe

Lovett, Elizabeth Langenfeldt

Pecore, Geneva Lewis

Jessop, Mrs. Norton Merryman

Webb, Florence Malster

McClure, Ethel M.

O'Neal, Abby Metzger

Miller, Rhelda H.

Miller, Grace Theodora

Mitchell, Blanche

Moran, Elizabeth S.

Pine, Dorothy F. (Mrs.)

Piper, Charlotte S.

Mahaney, Rachel Fuller Preston

Crynes, Mabel Resor

Rogers, Adelaide

Rowe, Frances E.

Warner, Anne Santos

Sewell, Barbara L.

Sheldon, Ruby M.

Shriver, Ruth T.

Smith, Jennie M.

Clement, Mary Spafford

Huyler, Patricia Sproule

Coburn, Gertrude Steffins

Schlaepfer, Helen Stelling

Loucks, Mary Swisher

White, Lillian V.

Wunsch, Marie Adolphine

Taylor, Effie J.

Lawler, Elsie M.

Dick, Christina

Oliver, Evelyn

Kolb, Louisa

King, Daisy B.

Nursing students--Maryland--Baltimore--1920-1930

Nurses--Maryland--Baltimore--1920-1930

Graduation ceremonies--Maryland--Baltimore--1920-1930

Portrait photographs

Group portraits

Notes: Photographer unknown.

A student of Alexandre Cabanel (1823-1889), Regnault won the Prix de Rome in 1866. Rather than spending the duration of his scholarship in Italy, he requested and received permission to visit Spain. During his first trip there in late 1868, he became fascinated by the various Spanish "types" he encountered, particularly the exotic toreadors in their colorful costumes. Via Granada, he went on to Morocco and, together with his friend Georges Clairin (1843-1919), established a house and studio in Tangier where they intended to stay indefinitely. At the outbreak of the Franco-Prussian War in 1870, however, Regnault volunteered for military service and returned to France. Shortly before the end of the war he died in battle at age 27.

Frederic Sackrider Remington was an American painter, illustrator, sculptor, and writer who specialized in depictions of the Old American West, specifically concentrating on the last quarter of the 19th century American West and images of cowboys, American Indians, and the U.S. Cavalry.

Oil on canvas; 142 x 221 cm.

Michael Peter Ancher was a Danish impressionist artist. He is most associated with his paintings of fishermen and other scenes from the Danish port of Skagen. His paintings are classics and he is probably one of Denmark's most popular artists.

He studied at the Royal Danish Academy of Art in Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. Here he also met Karl Madsen, who would later become Skagen Museum's first director and who invited him to travel to Skagen. A group of artists had congregated to form the Skagen Painters in Skagen, a small fishing village in the north of Denmark.

After Ancher first visited Skagen in 1874, he settled there joining the growing society of artists. In 1880 Ancher married fellow painter and Skagen native Anna Brøndum, whose father owned the Brøndums Hotel. In the first years of their marriage, the couple had a home and studio in the "Garden House", which is now in Skagen Museum garden. After the birth of his daughter Helga in 1883 the family moved to Markve in Skagen.

He got his artistic breakthrough in 1879 with the painting Will he Round the Point?. Michael Ancher's works are true-to-life depictions of reality and at the same time monumental figure compositions. Michael Ancher's life's work is founded on the heroic series The Lifeboat is Carried Through The Dunes (1883), The Crew Are Saved (1894) and The Drowned Man (1896).

Michael Ancher was influenced by his traditional training at the Royal Danish Academy of Fine Arts in the 1870s which imposed strict rules for composition, and he found it difficult to adjust to Scandinavian painting's modern breakthrough, the "Skagen School". His marriage to Anna Ancher did, however, introduce him to the naturalistic concept of undecorated reproduction of reality and its colours. By combining the pictorial composition of his youth with the teachings of naturalism, Michael Ancher created what has been called modern monumental figurative art such as A Baptism.

Anna and Michael Ancher are currently featured on the front side of the DKK1000 bill. The current version of this bill came into circulation on 25 November 2004. The front of the banknote has a double portrait of Anna and Michael Ancher, derived from two 1884 paintings by Peder Severin Krøyer.

Photographer: Reuben R. Sallows (1855 - 1937)

Description:

Posed portrait of thirty-seven men wearing suits, shirts and ties. Large doors of County Court House in center back, block corners of building frame image on left and right; foliage in foreground. Sallows imprint in lower left corner of matte; writing across bottom identifies subjects: Huron County Council, 1922; Back row - R. Buchanan; T.R. Patterson, Co. Engineer; G.B. Hanley; J.F. Collins; B.S. Naylor; A.E. Erwin; C.A. Robertson; W.H. Coates; 3rd Row - M. Armstrong; J. Jamieson; J.H. Fear; J. McNaughton; J. McNabb; J.J. Moser; B.W.F. Beavers; J. Dodds; Dr. Gallow; 2nd Row - A.C. Baeker; T. Inglis; J. Irwin, Prov. Engineer; R.J. Miller; Alex. Smith; W.H. Spotton; A. Tipling; D. Webb; J. Porter; J. Douglas; J.F. Johnston; 1st Row - F.J. McQuaid; E.F. Klopp; Geo. W. Holman, C. Clerk; P.E. Doig, Ex-Warden; N.W. Trewartha, Warden; W. Lane, Co. Treasurer; R.G. Parke; A.H. Neeb; H.G. James, Caretaker.

Object ID : 0474-rrs-ogohc-ph

Order a higher-quality version of this item by contacting the Huron County Museum (fee applies).

Women dancers from Kiralfy's Carnival of Venice, "The Trail," Lewis and Clark Exposition, Portland, Oregon, 1905

Photographer:

Unknown

Subjects (LCSH):

Lewis and Clark Centennial Exposition (1905 : Portland, Or.)

Digital Collection:

Alaska, Western Canada and United States Collection

http://content.lib.washington.edu/alaskawcanadaweb/index.html

Item Number: AWC2308

Persistent URL:

http://content.lib.washington.edu/u?/alaskawcanada,2283

Visit Special Collections reproductions and rights page for information on ordering a copy.

University of Washington Libraries. Digital Collections http://content.lib.washington.edu/

135 x 159 cm.

Karl Hofer was born in Karlsruhe the son of a military musician. After an apprenticeship in C.F. Müller's court bookstore, he began to study at the Großherzoglich Badische Akademie der Bildenden Künste in Karlsruhe in 1897. Here he studied under Poetzelberger, Kalckreuth and Thoma until 1901. None of these teachers, however, were able to provide him with ideas for his ambitious striving for a new art form and he soon came under the influence of Arnold Böcklin. Hofer traveled to Paris in 1900 where he was greatly impressed by Henri Rousseau's naive painting. The art historian Julius Meier-Graefe introduced Hofer not only to private collections worth while seeing in Paris, but also drew his attention to Hans von Marées. As a result Hofer decided in 1903 to spend a couple of years in Rome. His painting, which was until then influenced by Böcklin's Symbolism, changed in favor of Marées' classic-Arcadian concept. In 1904 the Kunsthaus Zurich presented Hofer's first one-man show within the ‚Ausstellung moderner Kunstwerke', which was afterwards shown in an extended version at the Kunsthalle Karlsruhe and at the Folkwang-Museum in Hagen and in Weimar in 1906. From 1908 Hofer lived temporarily in Paris. The stay changed his style through dealing with influences of Cézanne, French Impressionists and El Greco. In 1913 the artist moved to Berlin. He was interned in France one year later and only returned to Germany in 1917. He accepted a post as a professor at the Kunstschule in Berlin-Charlottenburg in 1921. On the occasion of his 50th birthday a retrospective took place at the Kunsthalle Mannheim, the ‚Berlin Secession' and Alfred Flechtheim's gallery in Berlin. His art was considered "degenerate" during the 'Third Reich' and he was dismissed from his teaching post in 1933/34. His works were exhibited in 1937 in the Munich exhibition 'Entartete Kunst'. Hofer lived in Berlin for the rest of his life. He was the director of the Hochschule für Bildende Künste in Berlin.

Giotto di Bondone better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance. Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years."

Number:

179791

Date created:

1970

Extent:

1 photographic print : gelatin silver ; 7.5 x 9.5 in.

Description:

Front row, from left to right: 1) Valle; 2) Thompson; 3) Rachelefsky; 4) Debuskey; 5) Cooke; 6) Jones; 7) Fost; 8) Headings.

Second row, from left to right: 1) Hanson; 2) Pettegrew; 3) Hyde; 4) Hall; 5) Alter; 6) Coy;e; 7) Gruppo; 8) Livingston.

Third row, form left to right: 1) Kesler; 2) Vangrov; 3) Mishra; 4) Davick; 5) Simon; 6) Chesney.

Fourth row, from left to right: 1) Bartholome; 2) Neidengard; 3) Peterson; 4) Tardo; 5) Smith.

Fifth row, from left to right: 1) Arnold; 2) Kerr; 3) Waller; 4) Barakat; 5) Sightler; 6) Kelly; 7) Thoene.

Sixth row, from left to right: 1) Barnett; 2) Roberts; 3) Ey; 4) Lewis.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital. Department of Pediatrics--People

Valle, David

Thompson, Robert G.

Rachelefsky, Gary S.

Cooke, Robert E.

Jones, Kenneth L.

Fost, Norman C.

Headings, Dennis L.

Hanson, James W.

Pettegrew, Jay W.

Hyde, Thomas P.

Mandik, Judith (Judi)

Alter, Blanche P.

Coyle, Joseph Thomas Jr.

Gruppo, Ralph A.

Livingston, James M.

Kesler, Richard W.

Vangrov, Jan S.

Mishra, Baruni

Davick, Alan M.

Simon, Frank A.

Chesney, Russell W.

Bartholome, William G.

Neidengard, Lee

Peterson, Douglas B.

Tardo, Carmela L.

Smith, Sara Watt

Arnold, Jack E.

Kerr, Douglas S.

Waller, David A.

Barakat, Amin Y.

Sightler, James H.

Kelly, P. Colin

Thoene, Jess G.

Barnett, Stephen T.

Roberts, Kenneth B.

Ey, John Leigh

Lewis, Darrell V. Jr.

Pediatricians

Group portraits

Portrait photographs

Notes: Photographer unknown.

Number:

179693

Date created:

1965

Extent:

1 photographic print : gelatin silver ; 7.5 x 9.5 in.

Description:

Front row, from left to right: 1) Mellinger; 2) Jennings; 3) Jones; 4) Nissley; 5) Asnes; 6) McCloskey; 7) Sigler.

Second row, from left to right: 1) Haslam; 2) Hancock; 3) Gilman; 4) Shen; 5) Kronholm; 6) Gerber; 7) Cooke; 8) Lietman; 9) Reagan; 10) Dyke.

Third row, form left to right: 1) Bloom; 2) Levy; 3) Talamo; 4) Frank; 5) Mendoza; 6) Linarelli; 7) Kotas; 8) Nilson.

Fourth row, from left to right: 1) Schneider; 2) Behrman; 3) Ey; 4) Mahoney; 5) Almand.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital. Department of Pediatrics--People

Mellinger, James F.

Jennings, Rufus B. Jr.

Jones, Kenneth B.

Nissley, Simon P.

Asnes, Russell S.

McCloskey, Keith R.

Sigler, Arnold T.

Haslam, Robert H.

Hancock, Millie A.P.

Gilman, Priscilla A.

Shen, Edith M.

Kronholm, Jean A.

Gerber, Nicholas

Cooke, Robert E.

Lietman, Paul

Reagan, Lenora C.

Dyke, Muriel K.

Bloom, Arthur D.

Levy, Harvey L.

Talamo, Richard C

Frank, Michael M.

Mendoza, Stanley A.

Linarelli, Louie G.

Kotas, Robert V.

Nilson, Bjorn W.

Schneider, Jerry A.

Behrman, Richard E.

Ey, John Leigh

Mahoney, Maurice J.

Almand, Joseph M. Jr.

Pediatricians

Group portraits

Portrait photographs

Notes: Photographer unknown.

Who are these people ? Carl's friends ? Janet's? Wow. I looked at this picture for a long time and it got stranger and stranger. The wacky wallpaper, the crooked pictures on the wall, the streamers, people look wasted -- yet reserved. Is it evening ? Morning ? The day after ? What about that light fixture? What does "PIPI" on the wall mean ? Where? Who? What a party ! Not so different from college days up the time stream. Everyone piled into someone's lodgings for the evening's festivities. I've always loved this photo. It was in an album of my grandfather's. I think its Syracuse University.

*

Now and then we had a hope that if we lived and were good, God would permit us to be pirates. -Mark Twain, Life on the Mississippi

*

Your life is yours and yours alone. Rise up and live it.

--Terry Goodkind

Oil on canvas; 210 x 600 cm.

Buffet was born in Paris and studied art at the École Nationale Supérieure des Beaux-Arts and worked in the studio of the painter Eugène Narbonne. Among his classmates were Maurice Boitel and Louis Vuillermoz. Sustained by the dealer Maurice Garnier, Buffet produced religious pieces, landscapes, portraits and still-lifes. In 1946, he had his first painting shown, a self-portrait, at the Salon des Moins de Trente Ans at the Galerie Beaux-Arts. He had at least one major exhibition every year. Buffet illustrated "Les Chants de Maldoror" written by Comte de Lautréamont in 1952. In 1955, he was awarded the first prize by the magazine Connaissance des arts, which named the 10 best post-war artists. In 1958, at the age of 30, the first retrospective of his work was held at the Galerie Charpentier.

Pierre Bergé was Buffet's live-in lover until Bergé left Buffet for Yves Saint Laurent. In 1958 Buffet married the writer and actress Annabel Schwob. They had three children. In 1973 he was named "Chevalier de la Légion d'honneur". November 23, 1973 the Bernard Buffet Museum was inaugurated; it was founded by Kiichiro Okano, in Surugadaira, Japan. At the request of the French postal administration in 1978, he designed a stamp depicting the Institute et le Pont des Arts - on this occasion the Post Museum arranged a retrospective of his works. Buffet created more than 8.000 paintings and many prints as well. He committed suicide at his home in Tourtour, Southern France, on October 4, 1999. Buffet was suffering from Parkinson's disease and was no longer able to work.

Johann Liss was a leading German Baroque painter of the 17th century, active mainly in Venice. He was born in Schleswig-Holstein, Germany. After an initial education in his home state, he continued his studies with Hendrick Goltzius in Haarlem and Amsterdam. Around 1620 he traveled through Paris to Venice. He moved to Rome around 1620-2, and his first works there were influenced by the style of Caravaggio.

Although his earlier work was concerned with the contrasts of light and shade, his final move to Venice in the early 1620s modified his style and gave impetus to brilliant color and a spirited treatment of the painted surface. His loose brushstrokes is a precursor to the rococo styles of the Guardi brothers. This final style, along with that of other "foreign" painters residing in Venice, represent the first inroads of the Baroque style into the republic.

Liss fled to Verona to escape the Plague spreading in Venice, but succumbed there prematurely in 1629. His legacy is as a painter of both sensuous mythological and pious biblical subjects, a master of colors and Baroque painting. He was most influential to Venetian 18th century painters like Sebastiano Ricci, Giovanni Battista Tiepolo and Giovanni Piazzetta.

Isaak Izrailevich Brodsky was a Soviet painter whose work provided a blueprint for the art movement of socialist realism. He is known for his iconic portrayals of Lenin and idealized, carefully crafted paintings dedicated to the events of the Russian Civil War and Bolshevik Revolution. He studied at Odessa Art Academy and the Imperial Academy of Arts in Saint Petersburg. In 1916 he joined the Jewish Society for the Encouragement of the Arts. When Brodskiy asked Lenin to autograph his painting Lenin, he said: "I am signing to what I don't agree with for the first time"

Brodskiy was on good terms with many leading Russian painters, including his mentor, Ilya Repin. He was an avid art collector who donated numerous first-class paintings to museums in his native Ukraine and elsewhere. His superb art collection included important works by Repin, Vasily Surikov, Valentin Serov, Isaak Levitan, Mikhail Vrubel, and Boris Kustodiev. After his death Brodsky's apartment on Arts Square in St. Petersburg was declared a national museum. His art collection is still on exhibit there.

Brodsky was an Honoured Artist of the Russian SFSR and a member of the Union of Russian Artists. He was the first painter to be awarded the Order of Lenin. In 1934 he was appointed Director of the All-Russian Academy of Arts.

15 x 20

You should really check this band out if you are enjoy local underground music and pop-punk! They are just starting out, but honestly they have such great potential as artists!!! Fiction Department is a band from Kansas City. Check them out.

Boris Kustodiev was born in Astrakhan (Russia) into the family of a professor of philosophy, history of literature, and logic. The Kustodiev family rented a small wing in a rich merchant's house. It was there that the boy's first impressions were formed of the way of life of the provincial merchant class. The artist later wrote, "The whole tenor of the rich and plentiful merchant way of life was there right under my nose... It was like something out of an Ostrovsky play." The artist retained these childhood observations for years, recreating them later in oils and water-colors.

Number:

164455

Creator:

Hughes Company

Date created:

1947-05-29

Extent:

1 photographic print : gelatin silver ; 8 x 10 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Baker, Joyce Natalie

Bell, Carolyn Estelle

Chart, Helen Louise

Clark, Dorothy Mae

Cook, Mary Ethel

Crouse, Betty Ann

Daughtery, Nora Elaine

Davis, Jannie Catherine

Davis, Rachel Elen

Elste, June Vivian

Ely, Vera Lee

Embert, Charlotte Ann

Flanigan, Mary Evelyn

Ford, Betty Jane

Gilmore, Mary Margaret

Habicht, Dorothy Elizabeth

Hamm, Jean Louise

Hignutt, Christine Ann

Hitchcock, Alice Yvonne

Hoover, Cleone Elizabeth

Howell, Ethel May

Howell, Monna Elizabeth

Hyde, Mary Phyllis

Johnson, Margaret Roberta

Jones, Maralee Mae

Keefer, Virgie Mae

Knight, Bettie Jean

Lanier, Mildred Odethel

McKinney, Nancy Elizabeth

Mahone, Bland Ruth

Mathias, Mary Louise

Moellman, Miriam Alice

Nash, Charlotte Rachel

Pape, Charlotte Ruth

Poyner, Peggy Lyndell

Reesey, Mildred Antoinette

Robinson, Ruth Catherine

Sherman, Hazel Elizabeth

Shinnick, Leola Abigail

Smith, Loretta Catharine

Wagaman, Margaret Ora

Webster, Lucille Lee

Wilson, Rita LaRene

Wright, Jane Eileen

Yingling, Edith Joyce

Zolman, Hilda Helen

Regester, Mabel E.

Creutzburg, Freda Lewis, 1898-1963

Nash, Jane Evans, 1880-1955

Elliott, Margaret, 1884-1966

Nursing students--Maryland--Baltimore--1940-1950

Nurses--Maryland--Baltimore--1940-1950

Graduation ceremonies--Maryland--Baltimore--1940-1950

Nursing schools--Faculty

Group portraits

Portrait photographs

Number:

163900

Date created:

1936

Extent:

1 photographic print : gelatin silver ; 9.25 x 6.5 in.

Front row (seated): 1) L. Morris; 2) M. Engleking; 3) J. Lowder; 4) K. Jordan; 5) L. Diekman; 6) B. McKeller; 7) G. Schmidbauer; 8) Miss Lawler; 9) E. A. Prickett; 10) Z. Hardin; 11) A. Gorman; 12) K. Eye; 13) E. Valentine; 14) D. Brooks; 15) I. Price. Second row: 1) K. Nelson; 2) J. Roach; 3) A. Peters; 4) H. Ainsley; 5) M. McGill; 6) L. Ludwig; 7) E. Larsen; 8) I. Gasteier; 9) R. Curtis; 10) C. Whitely; 11) E. Knight; 12) G. Albright; 13) M. Steinbrecher; 14) S. Sekerak; 15) H. Estabrook; 16) L. Straw; 17) J. Buzz; 18) E. Mauch. Third row: 1) K. McCarthy; 2) E. Weber; 3) M. Woodside; 4) E. Niernsee; 5) A. Garrison; 6) V. Struve; 7) L. Hendricks; 8) M. Schmidt. Fourth row: 1) F. Weir; 2) A. Ricks; 3) H. Shoff; 4) J. Lucke; 5) M. Drake; 6) M. Cowan. Fifth row: 1) S. Merritt; 2) B. Wilcox; 3) D. Doster; 4) C. Cassidy; 5) M. Windebrenner.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital School of Nursing--People

Reppert, Hannah Ainsley

Boyd, Geraldine Albright

Lush, Dorothy Brooks

MacKenzie, Julia Buzz

Sherman, Christabel Casady

Laughlin, Mary H. Cowan

Popham, Ruth Curtis

Stanley, Lorraine Diekmann

Doster, Daphine

Drake, Margery E.

Jessen, Marianna Engelking

Hill, Harriet Estabrook

Eye, Katherine

Garrison, Alice Opal

Moltzau, Irene Gasteiger

Gorman, Alice J.

Hardin, Zelpha

Haufler, Lillian Hendricks

Jordan, Kathryn Geraldine

Rather, Eleanor Knight

Larsen, Ethel E.

Johnson, Jean Lowder

Wedum, Janet Lucke

Fiske, Louise Ludwig

Simpson, Margaret Macready

Forsyth, Esther Mauch

McCarthy, Katherine L.

Wood, Marian McGill

Davis, Beatrice McKellar

Astwood, Sarah Ruth Merritt

Reistetter, Lucille Morris

Nelson, Katherine R.

Godfrey, Eleanor Niernsee

Peters, Anna M.

Price, Ida Graham

Prickett, Edna Ann

Roach, Jessie

Schmidbauer, Gisele

Schmidt, Marie W.

Gaug, Sophie V. Sekerak

Hambright, Helen Shoff

Moody, Muriel Steinbrecher

Miller, Lonah Straw

Struve, Virginia

Marra, Elsie Valentine

Fradkin, Esther Weber

Queen, Ella Weir

Whitely, Charlotte

Wilcox, Barbara

Winebrenner, Mary Ruth

Pritchard, Mary Margaret Woodside

Lawler, Elsie M.

Nursing students--Maryland--Baltimore--1930-1940

Nurses--Maryland--Baltimore--1930-1940

Graduation ceremonies--Maryland--Baltimore--1930-1940

Portrait photographs

Group portraits

Notes: Photographer unknown.

Number:

179848

Date created:

1958

Extent:

1 photographic print : gelatin silver ; 7.5 x 9.5 in.

Description:

Front row, from left to right: 1) Cavanaugh; 2) Ruben; 3) Guild; 4) Cooke; 5) Alexander; 6) J. Battaglia; 7) Neerhout; 8) Dodson.

Second row, from left to right: 1) Wood; 2) Felty; 3) Kenny; 4) Bramley; 5) Hayes; 6) Drash.

Third row, form left to right: 1) Hutchinson; 2) Godenne; 3) Sidbury; 4) Larson; 5) David; 6) Srsic.

Fourth row, from left to right: 1) Ottenheimer; 2) Pakula; 3) Jones; 4) Straus; 5) Shaver.

Fifth row, from left to right: 1) Hopkins; 2) Levin; 3) Rosen; 4) Bunnell.

Sixth row, from left to right: 1) Budner; 2) Jelks; 3) Gibson; 4) O'Neil; 5) Richardson.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital. Department of Pediatrics--People

Cavanaugh, James J. A.

Ruben, Barbara L.

Guild, Harriet Griggs

Cooke, Robert E.

Alexander, David S.

Battaglia, Frederick Camillo

Neerhout, Robert C.

Dodson, Jerry G.

Wood, David E.

Felty, Jean B.

Kenny, Frederic M.

Bramley, Gertrude L.

Hayes, Virginia Lindner

Drash, Allan L.

Hutchinson, Jean O.

Godenne, Ghislaine D.

Sidbury, James B.

David, Raphael

Srsic, Raymond Peter

Ottenheimer, Edward J. Jr.

Pakula, Lawrence C.

Jones, William O.

Straus, Donald

Shaver, Benjamin A. Jr.

Hopkins, Edward W.

Levin, Ephraim Yale

Rosen, Lawrence J.

Bunnell, David J. Jr.

Budner, Harvey M.

Jelks, Edward

Gibson, Lewis E.

O'Neil, Richard R.

Richardson, Frederick M.D.

Pediatricians

Group portraits

Portrait photographs

Notes: Photographer unknown.

Identifier: SFFf-100585.271316

Photographer: Kristian Berge.

Medium: Cellulose nitrate negative.

Extent: 7 x 12 cm.

Original caption (from Berge's negative album): Påsken 1921 noch "En glad aften".

Abraham Walkowitz was an American painter grouped in with early American Modernists working in the Modernist style. He was born in Tyumen, Siberia to Jewish parents. He emigrated with his mother to the United States in his early childhood. He studied at the National Academy of Design in New York City and the Académie Julian in Paris under Jean-Paul Laurence. Walkowitz and his contemporaries later gravitated around photographer Alfred Stieglitz's 291 Gallery, originally titled the Little Galleries of the Photo-Secession, where the forerunners of modern art in America gathered and where many European artists were first exhibited in the United States. During the years, Walkowitz worked closely with Stieglitz as well as Arthur Dove, Marsden Hartley, and John Marin (often referred to as "The Stieglitz Quartet").

Walkowitz was drawn to art from childhood. In a 1958 oral interview with Abram Lerner, he recalled: "When I was a kid, about five years old, I used to draw with chalk, all over the floors and everything... I suppose it's in me. I remember myself as a little boy, of three or four, taking chalk and made drawings." In early adulthood, he worked as a sign painter and began making sketches of immigrants in New York's Jewish ghetto where he lived with his mother. He continued to pursue his formal training, and with funds from a friend traveled to Europe in 1906 to attend the Académie Julian. Through introductions made by Max Weber, it was here that he met Isadora Duncan in Auguste Rodin's studio, the modern American dancer who had captured the attention of the avant-garde. Walkowitz went on to produce more than 5,000 drawings of Duncan.

Walkowitz' approach to art during these years stemmed from European modernist ideas of abstraction, which were slowly infiltrating the American art psyche at the turn of the century. Like so many artists of the time, Walkowitz was profoundly influenced by the 1907 memorial exhibition of Cézanne's work in Paris at the Salon d'Automne. Artist Alfred Werner recalled that Walkowitz found Cézanne's pictures to be "simple and intensely human experiences." Working alongside other Stieglitz-supported American modernists, Walkowitz refined his style as an artist and produced various abstract works.

Although Walkowitz drew influences from modern European masters, he was cautious not to be imitative. Artist and critic Oscar Bluemner recognized this quality in Walkowitz’s work, citing the differences between the highly influential writings of Kandinsky and Walkowitz' style. He wrote: "Walkowitz is impelled by the ‘inner necessity’: Kandinsky, however, like the other radicals, appears not to proceed gradually and inwardly, but with a mind made up to commit an intellectual feat—which is not art."

Walkowitz first exhibited at the 291Gallery in 1911 after being introduced to Stieglitz through Hartley, and stayed with the gallery until 1917. During the 291 years, the climate for modern art in America was harsh. Until the pivotal Armory Show of 1913 had occurred which Walkowitz was involved with and exhibited in, modern artists importing radical ideas from Europe were received with hostile criticism and a lack of patronage. While never attaining the same level of fame as his contemporaries, Walkowitz' close relationship with the 291 Gallery and Alfred Steiglitz placed him at the center of the modernist movement. His early abstract cityscapes and collection of over 5,000 drawings of Isadora Duncan also remain significant art historical records.

Number:

171674

Date created:

1930

Extent:

1 photographic print : gelatin silver ; 7.5 x 9.5 in.

Front row (seated): 1) H. Grose; 2) M. Hart; 3) R. Baron; 4) M. Crockett; 5) M. Grainger; 6) J. Black; 7) F. Caplan; 8) D. McAlpine; 9) H. Darlington; 10) R. Ammerman; 11) G. Gladfelter; 12) M. Welker; 13) Lewis; 14) H. Moran; 15) G. Nunan; 16) J. White. Second row (standing): 1) T. Arner; 2) U. Thompson; 3) E. Mohr; 4) E. Jacoby; 5) D. Best; 6) Lewis; 7) E. Barber; 8) C. Wasserberg; 9) E. Elgert. Third row: 1) C. Yarnall; 2) C. Minter; 3) A. Armbruster; 4) A. Harnish; 5) L. Hoffmeister; 6) R. Marker; 7) E. Kurtz; 8) E. Dick; 9) F. Raffensberger; 10) D. Richards. Last rows: 1) E. Thorne; 2) A. Meyer; 3) M. Vaiden; 4) E. Thomason; 5) R. Von Kleist; 6) M. Grande; 7) V. Rhea; 8) ___; 9) N. Maxwell; 10) L. Wainwright; 11) E. Hawkins; 12) M. Vander Kam; 13) J. Buckley; 14) R. Worley; 15) E. Custer; 16) M. May; 17) M. Hansbarger; 18) A. Sykes; 19) J. Norris; 20) C. Rohrbaugh; 21) H. Burnham; 22) M. Irvine; 23) S. Carroll; 24) L. Geddes; 25) E. Jones.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital School of Nursing--People

Slavik, Ruth Ammerman

Grayib, Arlene Armbruster

Clark, Twila Arner

McPhee, Eleanor Barber

Ray, Ruth Baron

Best, Dorothy R.

McVicar, Jessie Black

Brawner, Justina Buckley

Burnham, Hilda C.

Caplan, Florence B.

Carroll, Sophia G.

Schwentker, Madalyn Crockett

Custer, Eleanor Wade

Darlington, Hannah W.

Dick, Edith R.

Elgert, Esther M.

Barry, Louise Geddes

Benedict, Grace Gladfelter

Grainger, Margaret F.

Winship, Myrtle Grande

Fallon, Helen Gross

Disney, Madge Hansbarger

Harnish, Anna D.

Best, Mary Woodward Hart

Hawkins, M.M. Elizabeth

Tighe, Loretta H. Hoffmeister

Carr, May Irvine

Jacoby, Esther

Hill, I. Elizabeth Jones

Muffly, Ethna Kurtz

Douglas, Alice Lewis

Altimas, Mary Lewis

Lewis, Mary Land

Loving, Eleanor

Caspari, Ruth Marker

Lunn, Natalie Maxwell

May, Mildred

Young, Dorothy McAlpine

Woke, Anna Meyer

Smith, Catherine Minter

Foerster, Elizabeth Mohr

Lohr, Helen Moran

Cotton, Josephine Norris

Dean, Gertrude Nunan

Raffensberger, Florence M.

Rea, Virginia P.

Brundick, Doris Richards

Rohrbaugh, Catherine

Schlayer, Katherine

Sykes, Agnes L.

Roach, Elizabeth (Betty) Thomasen

Thompson, Ursula

Thorne, Ethel

Aird, Mildred Vaiden

Macaulay, Margaret Vander Kam

Wainwright, Leta

Welker, Marianne H.

White, Julia Elizabeth

Schaffer, Ruth Worley

Yarnall, Catherine

Nursing students--Maryland--Baltimore--1930-1940

Nurses--Maryland--Baltimore--1930-1940

Graduation ceremonies--Maryland--Baltimore--1930-1940

Portrait photographs

Group portraits

Notes: Photographer unknown.

Number:

163411

Date created:

1910

Extent:

1 photographic print : gelatin silver ; 7.5 x 9.5 in.

Back row: C. Brown, H. Gorsuch, A. Clark, I. Steen-Hansen, I. Smith, S. VanDenBerg, M. Kearney, G. Lemmon, M. Noyes, Z. Shaw, G. Miles; Third row: A. Kehoe, N. Lindsay, E. Heath, A. Sansbury, H. Rennie, Miss Taylor, Miss Henderson, L. Grasshoff, J. Hines, C. French, E. Wood, M. Slocum, F. Brooker; Second row: K. Mills, J. Limburg, A. Bonneville, M. Rosenheim, E. Fox, Miss Muldrew, Miss Lawler, Miss De Long, M. Allen, M. Greig, E. Staley, L. Howard; Front row: E. Applegate, G. Rose, E. Elsroad, C. Cresap, B. Beale, M. Geraghty; Absent: M. Weideman

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital School of Nursing--People

Gove, Minnie Allen

Looker, Edith Applegate

Ferenbaugh, Blanche Beale

Bonneville, Annie

Brooke, Frances B.

Brown, Caroline V.

Clarke, Agnes H.

Cresap, Ada R.

Elsroad, Ella C.

Fox, Elizabeth Gordon

French, Corinna

Skinner, Mary Geraghty

Gorsuch, Helen V.

Grasshoff, Lilly C.

Greig, Margaret

Heath, Edna

Houston, Jennie Hines

Howard, Lucy V.

Kearney, Margaret E.

Wilson, Angela Kehoe

Griffith, Grace Lemmon

Nicholson, Jean Limburg

Lawlor, Nancy Lindsay

Morton, G. Elizabeth Miles

Mills, Kate Carswell

Skinner, Margaret Noyes

Rennie, Helen A.

Jelenko, Minnie Rosenheim

Edwards, Grace Rowe

Sansbury, Anne M.

Brotherhood, Zeta Shaw

Harris, Martha Slocum

Purdy, Ida Smith

Deming, Evelyn Staley

Steen-Hansen, Ingeborg

Birnie, Sylvia Van Den Berg

Weidemann, Margaret

Lowe, Emma Wood

Muldrew, Gertrude

Lawler, Elsie M.

De Long, Katherine C.

Taylor, Effie J.

Henderson, Alice E.

Nursing students--Maryland--Baltimore--1920-1920

Nurses--Maryland--Baltimore--1910-1920

Graduation ceremonies--Maryland--Baltimore--1910-1920

Portrait photographs

Group portraits

Notes: Photographer unknown.

Persistent URL: floridamemory.com/items/show/13137

Local call number: PR15024

Title: May Day king and queen with court and child attendants - Tallahassee

Date: May 2, 1956

Physical descrip: 1 photonegative - b&w - 4 x 5 in.

Series Title: Print Collections

Repository: State Library and Archives of Florida

500 S. Bronough St., Tallahassee, FL, 32399-0250 USA, Contact: 850.245.6700, Archives@dos.myflorida.com

Number:

171620

Date created:

1926

Extent:

1 photographic print : gelatin silver ; 7 x 9.5 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital School of Nursing--People

Slessinger, Julia Alexander

Bast, Evelyn Alling

Swackhamer, Elizabeth Bass

Munroe, Ethel Berger

Stowers, Jennie Bishop

Willard, Caroline Bliss

Helbling-Bolger, Anna

Brierly, Charlotte M.

Jinks, Ruth Brister

Brown, Barbara

Cruickshank, Josephine Brown

Carn, Irene

Mentzer, Gladys Cox

Davies, M. Isabel

Barton, Dorothy Diggs

Lewis, Emily A. Engle

Wilkinson, Elizabeth Franzoni

Mabrey, Grace Furniss

Glenn, Sarah

Hains, M. Lois

Hanes, M. Inez

Hartwell, Sara M.

Willliams, Helen Hess

Hoff, Dorothy E.

Coffman, Mary Holloway

Jones, Alberta I.

Tyner, Grace Replogle Kagarise

Keener, Anne

Laxton, Augusta A.

Lahmann, Florence Lesser

Long, Mary Thelma

Noon, Marie MacDonald

Elmer, Edyth Marshall

Mason, Mrs. Mollie Couldourn

Stewart, Mildred Miller

Moser, Elizabeth

Nordin, Gunda R.

Ober, Hazel

Schmalbach, Hilda Ostrom

Parkhouse, Mary Ruby

Anders, Winifred Patrick

Robinson, Roda Mabel

Segelke, Hilda A.

Ewert, Louise M. Sheddan

Weiler, E. Ruth Smith

McLain, Edith Sparklin

Stoutner, Clare Elaine

Stayer, Lois Naomi

Struve, Mildred

Fuller, Dorothy Sutton

Switzer, Sarah A.

Thomason, Florine N.

Thuma, Marion E.

Tittsworth, Munsey A.

Legenbauer, Dorothy Van Patten

Warfield, Hester Ann

Watson, Mary Louise

Lawler, Elsie M.

Seckinger, June Smith Worley

Ault, Margaret G.

Wirt, Verna

Nursing students--Maryland--Baltimore--1920-1930

Nurses--Maryland--Baltimore--1920-1930

Graduation ceremonies--Maryland--Baltimore--1920-1930

Portrait photographs

Group portraits

Notes: Photographer unknown.

Amanda and freinds before Junior Prom

Jack Vettriano OBE born Jack Hoggan is a Scottish painter. Vettriano's breakthrough year was 1988, when he submitted two canvases for the Royal Scottish Academy annual show. Both paintings sold on the first day and Vettriano was approached by several galleries who wanted to sell his other work. Further successful exhibitions followed in Edinburgh, London, Hong Kong, Johannesburg, and New York. His paintings are reminiscent of the film noir genre, often with romantic or nude themes.

His original paintings now regularly fetch six figure prices, but he is thought to make more money from the sale of reproductions. According to The Guardian, he earns £500,000 a year in print royalties.

Number:

164476

Creator:

Mettee, Holmes I.

Date created:

1954-06-04

Extent:

1 photographic print : gelatin silver ; 8 x 10 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Baker, Nettye June

Bausam, Ida Adaline

Blubaugh, Doris Elaine

Bryan, Patricia May

Burns, Bridget Kathryn

Buterbaugh, Verna JoanClair, Margaret Lou

Crane, Helen Marie

Davies, Shirley Ann

Elliott, Nancy Louise

Gadd, Patsy Belle

Goldsborough, Catherine Cecelia

Hall, Betty Josephine

Jurasic, Bosilka

King, Joan Bernice

Klos, Martha Ann

Lillard, Jarvis Roxanne

MacVean, Jean Millar

Mann, Phyllis Ruth

Myers, Barbara Rae

Proskey, Barbara Joan

Pruitt, Mina Dolores

Roberts, Pauline Anna

Scarff, Martha Wheeler

Sholly, Marguerite Ann

Shook, Patricia Ann

Smith, Janet Lou Elizabeth

Smith, Joan Louise

Snyder, Sarah Grace

Taylor, Thelma Charlotte

Westphal, Dorothy Maude

Westphal, Margaret Alice

Wilcox, Mary Wolfe, Jean LaRue

Wyatt, Katherine Virginia

Zombro, Marie Gertrude

Creutzburg, Freda Lewis, 1898-1963

Nash, Jane Evans, 1880-1955

Elliott, Margaret, 1884-1966

Nursing students--Maryland--Baltimore--1950-1960

Graduation ceremonies--Maryland--Baltimore--1950-1960

Nurses--Maryland--Baltimore--1950-1960

Nursing schools--Faculty

Group portraits

Portrait photographs

Émile-Jean-Horace Vernet, known as Horace Vernet, was son of Antoine-Charles-Horace Vernet and grandson of Claude-Joseph Vernet, one of the leading French landscape painters of his period. He was one of the most prolific of French military painters, specializing in scenes of the Napoleonic era. He remained an ardent Bonapartist, and his chief work was the huge Gallery of Battles at Versailles, painted for Louis Philippe. A portrait of Napoleon and four battlepieces by him are in the National Gallery, London. He also did animal and Oriental subjects. From 1828 to 1835 he was Director of the French Academy in Rome.

Vernet developed a disdain for the high-minded seriousness of academic French art influenced by Classicism, and decided to paint subjects taken mostly from contemporary culture. Therefore, he began depicting the French soldier in a more familiar, vernacular manner rather than in an idealized fashion of David. Some of his paintings that represent French soldiers in a more direct, less idealizing style, include Dog of the Regiment, Trumpeter's Horse, and Death of Poniatowski. He gained recognition during the Bourbon Restoration for a series of battle paintings commissioned by the duc d'Orleans. Critics marveled at the incredible speed with which he painted. Many of his paintings made during this early phase of his career were considered to combine anecdotal accuracy with a charged romantic landscape. Examples of paintings in this style include the Battle of Valmy, the Battle of Jemappes, and the Battle of Montmirail.

Number:

175289

Date created:

1970

Extent:

1 photographic print : gelatin silver ; 10.5 x 13.5 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital School of Nursing--People

Almack, Deborah

Bickerton, MaryAnn

Blakeslee, Lynne

Bowers, Sally

Haber, Linda Cade

Centofanti, Lynnette (Lynette)

Coffin, Patricia (Pat) Lee

Combs, Karen

Day, Judith

Dieterle, Anne

Dorgan, Patricia D.

Fisher, Sherry

Floro, Eileen, P.

Null, Treen Funk

Hague, Roberta Lee

Hammer, Sandra Raye

Hirsch, Geraldine M.

Ireland, Susan

Jefferson, Patricia Ann

Jones, Lynne

Joseph, Anita M.

Keefe, Patricia

Keen, Mary Frances (Fran)

Kelley, Nancy J.

Knaub, Loretta E.

Kwartek, Zita

Nagy, Linda Sue Lane

Lappin, Kittrin L.

Montague, Sandra

Morris, M. Cynthia

Nizzardini, Carol

Payne, Laurie

Riegel, Jane

Schieve, Cecelia Loretta

Smith, Kay Ellen

Smith, Vicki Leigh

Schlicht, Janet (Jan) Snelson

Sullivan, Martha (Marty)

Kolbe, Sherry Sye

Timms, Eileen Tyrell

Upton, Carol

Vanaman, Martha Ann

Walsh, Sheila

Wood, Carol

Woodruff, Sherry

Collins, Barbara

Lyvers, Nona

Schieve, Cecilia

Corbett, Gayle

O'Connor, Christine Fowler

Magill, Patricia

Nursing students--Maryland--Baltimore--1970-1980

Nurses--Maryland--Baltimore--1970-1980

Portrait photographs

Group portraits

Fruit and vegetable vendors, Pike Place Market, Seattle, Washington

Photographer:

Depue, Earl B.

Subjects (LCSH):

Fruit trade--Washington (State)--Seattle

Vegetable trade--Washington (State)--Seattle

Pike Place Market (Seattle, Wash.)

Markets--Washington (State)--Seattle

Digital Collection:

Seattle Photograph Collection

content.lib.washington.edu/seattleweb/index.html

Item Number: SEA0468

Persistent URL:

content.lib.washington.edu/u?/seattle,821

Visit Special Collections reproductions and rights page for information on ordering a copy.

University of Washington Libraries. Digital Collections content.lib.washington.edu/

Number:

164499

Creator:

Brinley of Baltimore

Date created:

1965-08-27

Extent:

1 photographic print : col. ; 8 x 10 in.

Scope and content

Back row: 1) Linda Kay Morris Burdock; 2) Leeland Elizabeth Huesman; 3) Judith Ann Young; 4) unidentified; 5) Susan Elizabeth Smull; 6) Martha Lee Startt; 7) Margaret Arnold Fowler; 8) Karen Natalie Sager; 9) unidentified; 10) Sandra Joyce Smith; 11) unidentified; 12) Martha Jane Pyles Jolle; 13) Dedra Claire Peterson; 14) Beverly Ann Francis; 15) Stella Winskowski Montgomery; 16) unidentified; 17) Nancy Towson Realo; 18) Janice Simpson Todd Walter; 19) Gail Allison Keller; 20) Mary Ann DeSisco; 22) Doris Louise Davis; 23) Phyllis Jean Clingan Bohli; 24) unidentified. Front row: 1) Teresa Louise Mason; 2) unidentified; 3) Camille Mangogna; 4) unidentified; 5) Patsy Dorothy May Green; 6) Anna Rasmussen; 7) Jane Balfour; 8) Marjorie Maisak; 9) Barbara Eugenie Armiger; 10) Norma Cheryl Tammeta; 11) Patricia Lee Wilson; 12) Emily Jane Sharretts; 13) Deborah Elin Barnhart; 14) Patricia Marie Kniffin

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Armiger, Barbara Eugenie

Barnhart, Deborah Elin

Bohli, Phyllis Jean Clingan

Creighton, Gayle Anne Rumminger

Davis, Doris Louise

DeSisco, Mary Ann

Fowler, Margaret Arnold

Francis, Beverly Ann

Fredericks, Sally Lou Wheeler

Freeman, Kathryn Lee Bloom

Green, Patsy Dorothy May

Huesman, Leland Elizabeth

Jolle, Martha Jane Pyles

Keller, Gail Allison

Kniffin, Patricia Marie

Magnogna, Camille

Mason, Teresa Louise

Montgomery, Stella Winskowski

Burdock, Linda Kay Morris

Owens, Patricia Marie

Peterson, Dedra Claire

Renneberger, Vivian Gail

Realo, Nancy Towson

Ruppersberger, Susan Ann

Sager, Karen Natalie

Sharretts, Emily Jane

Smith, Betty Sue

Smith, Sandra Joyce

Smull, Susan Elizabeth

Startt, Martha Lee

Tammeta, Norma Cheryl

Walker, Joyce Lynn

Walter, Janice Simpson Todd

Wilson, Patricia Lee

Young, Judith Ann

Nursing students--Maryland--Baltimore--1960-1970

Nurses--Maryland--Baltimore--1960-1970

Graduation ceremonies--Maryland--Baltimore--1960-1970

Nursing schools--Faculty

Group portraits

Portrait photographs

Daniel Vázquez Díaz was a Spanish painter.

Born in Nerva, Spain, Vázquez Díaz settled in Paris in 1918, where he found cubism to be the ideal form of expression. Unlike other artists such as Juan Gris, he was not an intellectual cubist; he used external forms and the morphology of cubism to redo his language, characterized by the use of sober and gray colors, and by the vigor of his planes.

These characteristics give a special solemnity to his works, considered by some authors to be in the style of Zurbarán, and also similar to those of his compatriot, friend and contemporary Eugenio Hermoso, with whom he made his first studies in Seville and in Madrid. Among his works are the portraits of outstanding artists and Spanish intellectuals of the 20th century, such as Unamuno, as well as the frescos that he painted in the La Rabida Monastery in 1930, dedicated to Christopher Columbus and his relationship with his native province.

As a professor of mural painting in Madrid, Vázquez Díaz had among his students Salvador Dalí, Jorge Gallardo and Modesto Ciruelos. After the Spanish Civil War, he continued teaching such artists as Rafael Canogar, and Agustín Ibarrola.

Díaz's paintings are showcased at the Museo de Arte Contemporáneo in Madrid.