Alessandro Magnasco was an Italian Rococo painter from Northern Italy. He is best known for stylized, fantastic, often phantasmagoric genre or landscape scenes. Born in Genoa to a minor artist, Stefano Magnasco, he apprenticed with Valerio Castello, and finally with Filippo Abbiati in Milan. Except when working in Florence for the Grand Duke Cosimo III, Magnasco worked in Milan until 1735, when he returned to his native Genoa. Rudolf Wittkower derides him as "solitary, tense, strange, mystic, ecstatic, grotesque, and out of touch with the triumphal course of the Venetian school" from 1710 onward. Nevertheless, Magnasco found contemporary patronage for his work among prominent families and collectors of his time.

Magnasco's style is strikingly original and transcends the provincial but tired Baroque that epitomized much of contemporary Genoese art. In late-baroque and Rococo painting, the loose brush became a tool used for all types of themes, from landscapes to historical painting to decorative frolics, while for Magnasco, it entraps reality in a gloomy cobweb. Ultimately, his work may have influenced Marco Ricci, Giuseppe Bazzani, Francesco Maffei, and the famed painters de tocco (by touch) Gianantonio and Francesco Guardi in Venice.The influences on his work are obscure. Some suspect the influence of the loose painterly style of his Venetian contemporary Sebastiano Ricci , the Genoese Domenico Piola and Gregorio de Ferrari, although the most prominent of the three, Ricci, painted in a more monumental and mythic style .

Oil tempera on canvas; 116 x 73 cm.

REGINALD GRAY is known as one of today's important portrait painters. He was born in Dublin in 1930. After studies at the National College of Art he became designer for the Pike and Gate Theatres Dublin and the Lyric Theatre London. He has had one-man exhibitions in Dublin, London, New York, Paris and Rouen and been represented at the Royal Academy and the Irish Exhibition of Living Art. His life portrait of Francis Bacon is in the permanent collection of the National Portrait Gallery London. In the late 1950s and early 60s Gray was part of The School of London which was led by Bacon, Freud and Auerbach. First one-man exhibition at Abbott & Holder Gallery, London, 1960. His portraits from life include writers Samuel Beckett and Jill Neville, the prince of Brunei, actors Julitte Binoche and Laurent Terzieff and Britpop Artist Justine Frischmann. He has created two bookcovers for the prominent Irish poet Derry O'Sullivan. The New York film director Kerry Franzman produced the film "Portrait of a Portrait Artist" on the life of Gray which was selected for the New York Film Festival December 2001. In February 2002, Gray was elected an official member of The American Society of Portrait Painters.

www.adrianmichaelphotography.com/blog

Keith, John Frank, 1883-1947, photographer.

ca. 1910-1940

1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)

Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.

Nikolai Yaroshenko was a Russian painter of Ukrainian origin. He was born to a son of a Russian Army officer. He chose a military career, but also studied art at Kramskoi's drawing school and at the Saint Petersburg Imperial Academy of Arts.

In 1876, he became a leading member of a group of Russian painters called the Peredvizhniki (also known as the Itinerants). He was nicknamed “the conscience of the Itinerants,” for his integrity and adherence to principles.

Yaroshenko painted many portraits, genre paintings, and drawings. During the last two decades of the 19th century, he was one of the leading painters of Russian realism.

I love this photo. The guy in the suit. The beauty with the dark eyes next to him. My grandmother and the other girl in the middie blouse in the bow. I assume my grandfather was astern shooting the photo. He was good at capturing people in their moods. I feel like I'm getting to know him, seeing through his eyes.

Identifier: SFFf-1991100.118647

Media: Glass plate negative

Extent: 18 x 24 cm

Photographer: Jens Knudsen Maurseth

Michael Peter Ancher was a Danish impressionist artist. He is most associated with his paintings of fishermen and other scenes from the Danish port of Skagen. His paintings are classics and he is probably one of Denmark's most popular artists.

He studied at the Royal Danish Academy of Art in Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. Here he also met Karl Madsen, who would later become Skagen Museum's first director and who invited him to travel to Skagen. A group of artists had congregated to form the Skagen Painters in Skagen, a small fishing village in the north of Denmark.

After Ancher first visited Skagen in 1874, he settled there joining the growing society of artists. In 1880 Ancher married fellow painter and Skagen native Anna Brøndum, whose father owned the Brøndums Hotel. In the first years of their marriage, the couple had a home and studio in the "Garden House", which is now in Skagen Museum garden. After the birth of his daughter Helga in 1883 the family moved to Markve in Skagen.

He got his artistic breakthrough in 1879 with the painting Will he Round the Point?. Michael Ancher's works are true-to-life depictions of reality and at the same time monumental figure compositions. Michael Ancher's life's work is founded on the heroic series The Lifeboat is Carried Through The Dunes (1883), The Crew Are Saved (1894) and The Drowned Man (1896).

Michael Ancher was influenced by his traditional training at the Royal Danish Academy of Fine Arts in the 1870s which imposed strict rules for composition, and he found it difficult to adjust to Scandinavian painting's modern breakthrough, the "Skagen School". His marriage to Anna Ancher did, however, introduce him to the naturalistic concept of undecorated reproduction of reality and its colours. By combining the pictorial composition of his youth with the teachings of naturalism, Michael Ancher created what has been called modern monumental figurative art such as A Baptism.

Anna and Michael Ancher are currently featured on the front side of the DKK1000 bill. The current version of this bill came into circulation on 25 November 2004. The front of the banknote has a double portrait of Anna and Michael Ancher, derived from two 1884 paintings by Peder Severin Krøyer.

Oil on canvas; 240 x 166 cm.

Sir Joshua Reynolds RA FRS FRSA was an influential 18th century English painter, specializing in portraits and promoting the "Grand Style" in painting which depended on idealization of the imperfect. He was one of the founders and first President of the Royal Academy. George III appreciated his merits and knighted him in 1769. Showing an early interest in art, Reynolds was apprenticed in 1740 to the fashionable portrait painter Thomas Hudson, with whom he remained until 1743. From 1749 to 1752, he spent over two years in Italy, where he studied the Old Masters and acquired a taste for the "Grand Style". From 1753 until the end of his life he lived in London. With his rival Thomas Gainsborough, Reynolds was the dominant English portraitist of 'the Age of Johnson'. It is said that in his long life he painted as many as three thousand portraits. Although not principally known for his landscapes, Reynolds did paint in this genre.

Professionally, Reynolds' career never peaked. He was one of the earliest members of the Royal Society of Arts, helped found the Society of Artists, and, with Gainsborough, established the Royal Academy of Arts as a spin-off organization. In 1768 he was made the RA's first President, a position he held until his death. Reynolds and the Royal Academy have historically received a mixed reception. Critics include many of the Pre-Raphaelites, and William Blake, the latter having published his vitriolic Annotations to Sir Joshua Reynolds' Discourses in 1808. To the contrary, both J. M. W. Turner and James Northcote were fervent acolytes: Turner requested he be laid to rest at Reynolds' side, and Northcote (who lived for four years as Reynolds' pupil) wrote to his family "I know him thoroughly, and all his faults, I am sure, and yet almost worship him." The word worship is second cast; originally Northcote had written adore.

We recently hosted a "Dachshund Meetup" in our backyard. I was hoping for at least one stampede, but it was not to be. The dogs were able, however, to round up their people long enough for a group portrait.

Fuji X-E1; Fujinon XF23mm f/1.4; Adobe Lightroom 5.6 and Nik Silver Efex Pro 2

Number:

164424

Date created:

1941-05-20

Extent:

1 photographic print : gelatin silver ; 8 x 10 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Denny, Florence Elsie

Venzke, Ann Louise

Clippinger, Laura Belle

Hall, Edith Marie

Simmons, Selma Doris

Wessel, Pearle Elizabeth

Graf, Irene Wilhelmina

Elliott, Lucille Reigle

Lambert, Mildred Clarice

Sweetman, Virginia Elva

Will, Anna Gertrude

Miller, Katherine Audrey

Thomas, Verna Elizabeth

Ford, Mary Elizabeth

Carr, Daisy May

Tucker, Julia Hammond

Vojek, Anna Virginia

Cullen, Thomas Stephen, 1868-1953

Nash, Jane Evans, 1880-1955

Elliott, Margaret, 1884-1966

Creutzburg, Freda Lewis, 1898-1963

Nursing students--Maryland--Baltimore--1940-1950

Nurses--Maryland--Baltimore--1940-1950

Graduation ceremonies--Maryland--Baltimore--1940-1950

Nursing schools--Faculty

Group portraits

Portrait photographs

Notes:

Photographer unknown.

The board members of a local bank, Sogndal.

ID: EL.0748.0001

Photographer: Elen Loftesnes

Credit: National Museum of American History

Vintage African American photography courtesy of Black History Album, The Way We Were.

Follow Us On Twitter @blackhistoryalb

Number:

164391

Date created:

1927

Extent:

1 photographic print : gelatin silver ; 7.5 x 9.5 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Ackerman, Adelaide Florence

Denner, Gladys B.

Emlet, Esther L.

Everinghim, Rose Elizabeth

Fischer, Caroline

Frazier, Mary Frances

Gore, Helen Elizabeth

Graney, Helen I.

Harrison, Margaret Gertrude

Kahoe, Helen Elizabeth

Keller, Mary Helen

Long, Edythe Louise

Martin, Enola Merle

Mehring, Beatrice L

Messick, Isabel E.

Murray, Gladys Virginia

McGuigan, Esther I.

Rees, Mary Elizabeth

Warner, Mary Moore

West, M. Swann

Wharton, Sarah I.

Stein, Ruth A.

Cullen, Thomas Stephen, 1868-1953

Nash, Jane Evans, 1880-1955

Elliott, Margaret, 1884-1966

Nursing students--Maryland--Baltimore--1920-1930

Graduation ceremonies--Maryland--Baltimore--1920-1930

Nurses--Maryland--Baltimore--1920-1930

Nursing schools--Faculty

Group portraits

Portrait photographs

Notes:

Photographer unknown.

Identifier: SFFf-1991100.118337

Media: Glass plate negative

Extent: 18 x 24 cm

Photographer: Jens Knudsen Maurseth

Identifier: SFFf-1991100.118348

Media: Glass plate negative

Extent: 18 x 24 cm

Photographer: Jens Knudsen Maurseth

Designer: Liu Yuyi (刘宇一), Liu Haomei (刘浩眉)

ca. 2007

Create the universe together

Gong zhu qian kun (共铸乾坤)

Call nr.: BG E17/68 (IISH collection)

People within the painting (from left to right): Jian Bozan, Liao Chengzhi, Zhang Naiqi, Wang Kunlun, Sai Fuding, Ai Zezi, Ulanhu, Liang Sicheng, Lin Boqu, Zhang Xiruo, Deng Xiaoping, Ren Bishi, Peng Zemin, Zhu De, Tan Pingshan, Shen Junru, Cai Chang, Mao Zedong, Zhou Enlai, Li Weihan, Song Qingling, Guo Moruo, Deng Yingchao, Zhang Lan, He Xiangning, Ma Xulun, Li Jishen, Tan Kah Kee, Situ Meitang, Cheng Qian, Ye Jianying, Chen Yun, Liu Shaoqi, Dong Biwu, Xu Deheng, Chen Shutong, Huang Yanpei, Xie Xuehong, Ma Yinchu, Chen Jiyou, Li Lisan, Hu Yaobang, Fu Zuoyi, Tian Han, Shen Yanbing, Xu Guangping, Xu Beihong, Shi Liang, Cai Tingkai, Wu Yaozong, Zheng Zhenduo, Shao Lizi, Zhang Zhizhong, Ma Sicong, Ju Zan, Ouyang Yuqian, He Lüting, Qian Sanqiang.

More? See: chineseposters.net

Number:

164470

Creator:

Hughes Company

Date created:

1951-06-07

Extent:

1 photographic print : gelatin silver ; 8 x 10 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Bennett, Dorothy May

Bradshaw, Jacqueline Claire

Cornell, Patricia Virginia

Dickey, Sarah Crane

Flynn, Joan Delores

Foltz, Blanche Harriette

Fore, Mildred Edna

Harford, Helen Joanne

Jennewine, Dorothy Carol

Lang, Betty Lou

Richard, Suzanne Lawrence

Lininger, Freda Virginia

Markoe, Betty Lou

Martz, Wilma Grace

Neibich, Ruth Elizabeth

Norris, Betty Hull

Palmer, Sarah Mae

Renner, Doris La Rue

Ryall, Betty Jane

See, Betty Jean

Smith, Georgianna Drusilla

Smith, Jean Cutshall

Smith, Margaret Brown

Sterling, Patricia Ann

Stokely, Ruby Beatrice

Stonesifer, Margaret Louise

Swahn, Mary Agnes

Thomas, Addie Rae Tyler

Vesper, Florence Elizabeth

Walker, Brenda Katherine

Weida, Sally Jane

Yarema, Marianna

Zaminski, Margaret Madeline

Creutzburg, Freda Lewis, 1898-1963

Nash, Jane Evans, 1880-1955

Elliott, Margaret, 1884-1966

Nursing students--Maryland--Baltimore--1950-1960

Nurses--Maryland--Baltimore--1950-1960

Graduation ceremonies--Maryland--Baltimore--1950-1960

Nursing schools--Faculty

Group portraits

Portrait photographs

Group photo during spring blooming in Sogndal.

ID: LE.0003.0002

Photographer: Elen Loftesnes

Number:

164385

Date created:

1921

Extent:

1 photographic print : gelatin silver ; 7.5 x 10.5 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing Anderson, Eslie Reid

Bafford, Eula Frances

Beemer, Mary Jane

Brown, Susan Jarrett

Compton, Mary Knight

Copper, Jessie Perkins

Creutzburg, Freda Lewis, 1898-1963

Gunn, La Rue Henrietta

Haller, Regina S.

Harrington, Edith T.

Hoyt, Donna

Hutchins, Helen Elizabeth

Lauster, Ruth M.

Levy, Roberta Dixon

McAbee, Edna Blauch

McSherry, Caroline R.

Mantz, Leda Catherine

Musante, Madeline Marguerite

Myers, Elsie C.

Seeger, Katherine Elizabeth

Stuart, Wilhelmina

Williams, Carolyn White

Naill, Catherine E.

Otten, Margaret E.

Nash, Jane Evans, 1880-1955

Cullen, Thomas Stephen, 1868-1953

Nursing students--Maryland--Baltimore--1920-1930

Nurses--Maryland--Baltimore--1920-1930

Graduation ceremonies--Maryland--Baltimore--1920-1930

Group portraits

Portrait photographs

Notes:

Photographer unknown.

I bought this one for the frame and not the photo, but found, of course, that I could not in good conscience remove the photo from the frame and use it for something else. The photo does have that chemical problem (insufficient

time in the fixer, is that right, Victorie?), but even shown to best advantage, it's not that great. But I do like the frame. Really nice antique frames are often underpriced, though hard to find at any money.

Jürgen Ovens, German portrait painter. He is best known for his painting in the city hall of Amsterdam and paintings for the Dukes of Holstein-Gottorp for whom he worked for more than 30 years, also as an art dealer. Since 1640 he worked for Hendrick van Uylenburgh with Govaert Flinck in the Sint Antoniesbreestraat. He probably went to Italy between 1643 and 1649. Until 1651, he lived in Amsterdam, then in 1651 he went back to Schleswig-Holstein, claimed by Frederick III, Duke of Holstein-Gottorp.

In 1654 Ovens spent a few weeks in Stockholm to paint the marriage between Charles X Gustav and Hedwig Eleonora of Holstein-Gottorp. In 1657 Ovens traveled to Amsterdam. Ovens became a citizen of Amsterdam in order to get a job, as the rules of guilds were very strict. He painted - among others - portraits of Charles II of England and Christina of Sweden. From 1674 to 1675, he lived again in Holland. After returning to Holstein he painted the altarpiece of St Christopher's in Friedrichstadt, painting himself in its top right section. His grave is also in the church. Ovens' best-known work is the Blue Madonna in Schleswig Cathedral. A self-portrait may be seen in the Laurentius-Kirche in Tönning.

132 x 163 cm.

Tadeusz Makowski was a prominent Polish painter active in France for most of his life. He was born in Oświęcim. Makowski attended the Academy of Fine Arts in Kraków. He studied under Jan Stanisławski and Józef Mehoffer. In 1909, he departed for Paris. Makowski started off as a landscape painter but then shifted towards Post-Impressionism and Cubism. However, he is arguably most famous for his rural landscape paintings. He met Pablo Picasso,who was his good friend.

Identifier: SFFf-1991100.118336

Description: The persons have not yet been identified.

Media: Glass plate negative

Extent: 24 x 18 cm

Photographer: Jens Knudsen Maurseth

Local Accession Number: 11_07_003623

Title: Blind boys feel model of human fetus at Perkins School for the Blind, Watertown

Creator/Contributor: Grant, Spencer, 1944- (Photographer)

Genre: Slides; Group portraits

Date created: 1980

Physical description: 1 slide : color ; 35 mm.

General notes: Title from photographer caption.

Subjects: Blind persons; Medical equipment & supplies; Mannequins

Collection: Spencer Grant Collection

Location: Boston Public Library, Print Department

Rights: Copyright (c) Spencer Grant

Number:

164416

Date created:

1933-04-28

Extent:

1 photographic print : gelatin silver ; 8 x 10 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Filbey, Gladys A.

Newkirk, Beatrice Louise

Moffett, Ursula

Williams, Rachel Henry

Ford, Ida Grace

Hooper, Gladys

Thompson, Viola Blair

Schultz, Katherine Adel

Lederhas, Atella M.

Bowen, Dorothy Stanley

Craiger, Ruth Caroline

Quinn, Ella Alipia

Pusey, Martha Emily

Richards, Anne Elizabeth

Ailes, Martha Caroline

Norris, Katherine Cornelius

Martin, Frances Eileen

Hall, Charlotte Louise

Akers, Anna Margaret

Nash, Jane Evans, 1880-1955

Elliott, Margaret, 1884-1966

Nursing students--Maryland--Baltimore--1930-1940

Nurses--Maryland--Baltimore--1930-1940

Graduation ceremonies--Maryland--Baltimore--1930-1940

Nursing schools--Faculty

Group portraits

Portrait photographs

Notes:

Photographer unknown.

Local Accession Number: Ms.3898.9 box 1, folder 6

Title: Teddie Gleason, president I.L.A.

Creator/Contributor: Donna Paul Photography

Genre: Group portraits; Photographic prints

Date created: 1961-1993 (approximate)

Physical description: 1 photograph : print ; sheet 13 x 18 cm

Summary/Abstract: Teddy Gleason at the dedication of the International Longshoremen's Association Guaranteed Annual Income. Union Hall, South Boston. Left to right: Bob Calder; Ann Alyward (shoulder), Teddy Gleason; Arthur Lane; Eddie Connolly; Ray Flynn; Walter Sullivan.

General notes: Title supplied by Boston Public Library staff.

Acquisition notes: Donated by Arthur Lane.

Subjects: Public speaking

Collection: Lane/Mead Boston Maritime Collection

Location: Boston Public Library, Rare Books Department

Rights: Rights status not evaluated.

Oil on canvas; 43 x 50 cm.

Nicolai Wilhelm Nikolaj Marstrand, painter and illustrator, was born in Copenhagen, Denmark. Marstrand is one of the most renowned artists belonging to the Golden Age of Danish Painting.

Marstrand studied at Copenhagen's Metropolitan School, but had little interest in books, and left at 16. Christoffer Wilhelm Eckersberg, painter and professor at the Royal Danish Academy of Art in Copenhagen, was a close friend of Wilhelm's father, and it was Eckersberg who recommended an artistic career for young Wilhelm. Wilhelm had already shown artistic talent, tackling difficult subjects such as group scenes with many figures and complicated composition. He attended the academy from 1826 to 1833. Although his interests had a firm hold in genre themes - depiction of the daily life he observed around him in Copenhagen's streets, especially middle class society - he would soon reach for the pinnacle of Academic acceptability: history painting. History painting displayed what was grand - classical themes from mythology and history, rather than daily life. The traditions, and the taste of traditional art critics, strongly favored it. It was therefore something to strive for, in spite of Marstrand's equal skill at depicting more modest themes, and of the enjoyment he had in portraying the crowds and the diversions of the city. At this time Christian Waagepetersen, wine merchant to the Danish court and supporter of the arts, also became an important patron for Marstrand.

Despite an unmistakably growing recognition, Marstrand never received the Academy's gold medal. This medal was coveted not only for its great prestige, but also because it came with a travel stipend. Marstrand's attempts at winning the medal were unsuccessful both in 1833 with his neoclassical "Flight to Egypt" and in 1835 with "Odysseus and Nausikaa". He won both available silver medals in 1833. Gold medal or not however, the Academy awarded Marstrand a travel stipend. In August 1836 he began the first of his many travels, going by way of Germany to Rome. In Italy, where he stayed for four years, he painted many idealized depictions of daily life, especially festivities. He was enchanted with Italy and with the ways of life of the Italian people. He portrayed a colorful, joyous, and romantic view of them, infused with a new found ideal of beauty. He also painted a number of portraits during this first stay in Italy.

Marstrand returned to Denmark at the end of 1841. He became a member of the art Academy in 1843, after submitting the painting "Erasmus Montanus" as his admissions piece. He became a professor at the Academy in 1848. Among his students were the two most renowned Skagen painters Peder Severin Krøyer and Michael Ancher, as well as Carl Bloch and Kristian Zahrtmann. Marstrand continued to travel regularly around Europe throughout his life. Marstrand also continued to apply inspiration from Italy in his paintings. He now supplied it with themes from literature and the theatre. He also continued to paint genre paintings, and to make sketches, caricatures, and drawings, capturing the spirit of his time with gentle or more biting satire.

In 1850 Marstrand married Margrethe Christine Weidemann, with whom he was to have five children. His family became yet a new source for his art. Marstrand returned to portrait painting with even more seriousness in the late 1850s. During the 1850s and 1860s, and especially after the death of his wife in 1867, he finally turned to religious themes. He also gave renewed attention to mythology and history. He painted two remarkable great murals for King Christian IV's chapel in Roskilde Cathedral in 1864-1866. He painted an important altarpiece at Faaborg Church. At the same time, during the last ten years of his life, part of his work became very intimate. A series of paintings made during the last 6 years of his life featured a naked woman, while others were deeply religious.

To his contemporaries and a further few generations, Marstrand ranked among Denmark's great painters of all time. Certainly, he was vastly productive and mastered a remarkable variety of genres - his disinterest for landscape art being a notable exception. More relevant today is the rather striking number of his works which are now familiar signposts of Danish history and culture: scenes from drawing-rooms and streets of Copenhagen during his younger days; the festivity and public life captured in Rome; the many representative portraits of citizens and innovators; even the monumentalist commissions for university and monarchy. Still, as the 20th Century progressed, his work had become less valued artistically and downright unfashionable; conversely, recent decades seem to have afforded new appreciation.

Persistent URL: floridamemory.com/items/show/4876

Local call number: PR05684

Title: 4-H Club gathered around farming implements - Monticello

Date: ca. 1935

Physical descrip: 1 photoprint - b&w - 8 x 10 in.

Series Title: Print Collections

Repository: State Library and Archives of Florida

500 S. Bronough St., Tallahassee, FL, 32399-0250 USA, Contact: 850.245.6700, Archives@dos.myflorida.com

Number:

164421

Date created:

1938-05-27

Extent:

1 photographic print : gelatin silver ; 8 x 10 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Hoffecker, Hester Louise

O'Neill, Catherine

Adams, Helen Louise

Huff, M. Marguerite

Empie, Hester Elizabeth

Hall, Irene

Thomas, Beryl Sydoni

Noel, Virginia Anne

Getz, Eva Kathleen

Russell, Helen Jeanette

Zimmerman, Katherine Laverne

Strasbaugh, Gene Enright

Twigg, Dorothy Lee

Dize, Frances Elaine

Tawes, Josephine Frances

Umstet, Irma Catherine

Woodruff, Clara Frances

Price, Naomi E.

Fost, Mary Edith

Nash, Jane Evans, 1880-1955

Elliott, Margaret, 1884-1966

Creutzburg, Freda Lewis, 1898-1963

Nursing students--Maryland--Baltimore--1930-1940

Nurses--Maryland--Baltimore--1930-1940

Graduation ceremonies--Maryland--Baltimore--1930-1940

Nursing schools--Faculty

Group portraits

Portrait photographs

Notes:

Photographer unknown.

Keith, John Frank, 1883-1947, photographer.

ca. 1910-1940

1 photographic print : gelatin silver; 9 x 14 cm. (3.5 x 5.5 in.)

Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.

Number:

178279

Date created:

1936

Extent:

1 photographic print : gelatin silver ; 7.5 x 9.5 in.

Description:

Front row: 1) Martha K. Reese; 2) Frederick W. Barnes Jr.; 3) Robert Ward; 4) John A. Washington; 5) Lydia B. Edwards; 6) Marcus M. Ravitch; 7) Louise Snyder.

Back row: 1) Helen M. Aff; 2) George M. Wheatly; 3) Edgar S. Childs; 3) Ralph W. Hunter, [unknown], William H. Wood Jr.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital. Department of Pediatrics--People

Reese, Martha K.

Barnes, Frederick W. Jr.

Ward, Robert F.

Washington, John A.

Edwards, Lydia B.

Ravitch, Mark M.

Snyder, Louise

Aff, Helen M.

Wheatley, George M.

Childs, Edgar S.

Pediatricians

Group portraits

Portrait photographs

Notes: Photographer unknown.

Number:

164488

Date created:

1960-09-02

Extent:

1 photographic print : gelatin silver ; 8 x 10 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Blackwell, Katherine Sue

Fifield, Janet Estelle

Fuchs, Margaret Helen

Greer, Lynda Marie

Hebner, Anne Mace

Jordan, Grete

Kahl, Carole Sue

Mann, Mary Eunice

Menicon, Helen Theognosia

Michelberger, Luise Emily

Morrow, Lynn Valentine

Naill, Barbara Ann

O'Brien, Erin Hunt Bridget

Ratsch, Mary Frances

Schehlein, Dorothy Judith

Schubauer, Mary Ellen

Smith, Nancy Engle

Spangler, Nancy Lee

Stansbury, Patricia Lee

Thompson, Michaele Fowler

Uhler, Phyllis Louise

Uphoff, Joyce Arlene

Wood, Josephine Constance

Wysong, Edna French

Young, Alice Gretchen

Zollickoffer, Eliza Gertrude

Nally, Claudette Maureen

Creutzburg, Freda Lewis, 1898-1963

Nursing students--Maryland--Baltimore--1960-1970

Nurses--Maryland--Baltimore--1960-1970

Graduation ceremonies--Maryland--Baltimore--1960-1970

Nursing schools--Faculty

Group portraits

Portrait photographs

Notes:

Photographer unknown.

Number:

179852

Date created:

1961

Extent:

1 photographic print : gelatin silver ; 7.5 x 9.5 in.

Description:

First row, from left to right:1) Starfield; 2) Esterly; 3) Helwig; 4) Cooke; 5) Neerhout; 6) Dong; 7) Azzam.

Second row, from left to right: 1) Freeman; 2) Bianchine; 3) Terry; 4) Charif; 5) Neeroo; 6) Forman.

Third row, form left to right: 1) Hardman; 2) Garrettson; 3) Esselstyn; 4) Battaglia; 5) Cohen.

Fourth row, from left to right: 1) Adler; 2) Plauth; 3) Johnson; 4) Soule.

Fifth row, from left to right: 1) Stowe; 2) Levin; 3) Bell; 4) Lietman; 5) Morris; 6) Marinkovich.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital. Department of Pediatrics--People

Starfield, Barbara

Esterly, Nancy B.

Helwig, Floy C.

Cooke, Robert E.

Neerhout, Robert C.

Dong, Bock L.

Azzam, Jamil T.

Freeman, John M.

Bianchine, Josette W.

Terry, Aubrey E.

Charif, Pija

Neeroo, Nadereth

Forman, Edwin N.

Hardman, George W. Jr.

Garrettson, Lorne K.

Esselstyn, Sarah V.

Battaglia, Frederick Camillo

Cohen, Sanford N.

Adler, Richard Alan

Plauth, William H.

Johnson, Warren R.

Soule, David W.

Stowe, Fred R.

Levin, Sidney

Bell, Thomas R.

Lietman, Paul

Morris, William H. Jr.

Marinkovich, Vincent A.

Pediatricians

Group portraits

Portrait photographs

Notes: Photographer unknown.

Keith, John Frank, 1883-1947, photographer.

ca. 1910-1940

1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)

Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.

Number:

163930

Date created:

1895

Extent:

1 photographic print : gelatin silver ; 7 x 10 in.

Description:

Back row: 1) I. McIntosh; 2) H. Cook; 3) M. Moberly; 4) M. Daniels; 5) M. Shearn; 6) M. Shearn; 7) Miss Nutting; 8) S. Holmes; 9) M. Lent; 10) G. Rawlins; 11) F. Ferris; 12) A. MacLennan; 13) N. Read; 14) M. Elliott.

Center row: 1) C. Wynkoop; 2) G. Sykes; 3) E. Wood; 4) E. McCosh; 5) M. Bean; 6) J. Sampson; 7) L. Gilpin.

Front row: 1) J.Macara; 2) B. Hall; 3) F. Davies; 4) L. Sims.

Absent: Hope Per-Lee.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Johns Hopkins Hospital School of Nursing--People

Johns Hopkins Hospital. School of Nursing--Rites & ceremonies

McIntosh, Isabelle

Cook, Helen C.

Moberly, May A.

Daniels, Maria L.

Shearn, Mary E.

Nutting, M. Adelaide (Mary Adelaide), 1858-1948

Mellen, Susie Holmes

Lent, Mary E.

Rawlins, Gay Bernard, 1869-1964

Ferris, Mrs. Francis R.

Maclennan, Annabella

Hopkins, Nancy Read

Fentress, Mary Elliott

Wynkoop, Cora

Marshall, Grace Sykes

Wood, Ellen Morris

McCosh, Eva

Bean, Mary Cloud, 1868-1953

Snape, Janet Sampson

Gilpin, Lucy S.

Glasgow, Jean Macara

Shillington, Bertha Hall

Matson, Florence Davies

Sims, Louisa P.

Nursing students--Maryland--Baltimore--1890-1900

Nurses--Maryland--Baltimore--1890-1900

Graduation ceremonies--Maryland--Baltimore--1890-1900

Portrait photographs

Group portraits

Notes: Photographer unknown.

Oil on panel; 25 x 31 cm

One of the leading Austrian painters of the Biedermeier period. He studied at the Vienna Academy. He lived in Bratislava, then worked as a teacher of art in the house of Count Gyulay. After his return to Vienna, he copied pictures of old masters, and painted portraits, genre subjects, and still-life, but is perhaps best known for his landscapes, which in their loving attention to detail illustrate his belief that the close study of nature should be the basis of painting. He became the most significant representative of Biedermeier: he was second to none in depicting nature in delicate colours. His many genre-pictures are also significant. He became a teacher of the Vienna Academy. However, his views were in opposition to the official doctrines of ideal art promulgated by the Vienna Academy, and after he had published his works on art education, he was forced to retire in 1857. He was rehabilitated in 1863.

Number:

164493

Date created:

1961-09-07

Extent:

1 photographic print : gelatin silver ; 8 x 10 in.

Rights:

Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.

Subjects:

Church Home and Hospital (Baltimore, Md.). School of Nursing

Boswell, Evelyn Bell Crotsley

Burton, Patricia Anne

Carty, Judith Ann

Davidson, Carole Rae Myers

Ernst, Susan Cheatham

Fendlay, Phyllis Kay

George, Bernadine Carole

Horak, Virginia Marie

Hull, Elizabeth Ann

Jenezon, Helene Mary

Johnston, Ruby Bernice

Kafka, Patricia Anne

Kaufman, Kay White

Leitch, Elizabeth Ann

Litchfield, Linda May

Morgan, Ida Mae

Smith, Marian Louise

Strumsky, Isabel Christianna

Wighington, Judith Margaret

Creutzburg, Freda Lewis, 1898-1963

Nursing students--Maryland--Baltimore--1960-1970

Nurses--Maryland--Baltimore--1960-1970

Graduation ceremonies--Maryland--Baltimore--1960-1970

Nursing schools--Faculty

Group portraits

Portrait photographs

Notes:

Photographer unknown.

Local Accession Number: Ms.3898.10 box 1

Title: Arthur Lane and others

Genre: Group portraits; Photographic prints

Date created: 1961-1993 (approximate)

Physical description: 1 photograph : print ; sheet 13 x 18 cm

General notes: Title supplied by Boston Public Library staff.; On item back: L-R: Back: Billy Mahoney, Al Jennings, , , , Billy Rice, Bob Groom, Billy Donovan, , George Fitzgerald. Front: Billy Mac, Edsa Dalton, Arthur Lane, John Wylde. 21.

Acquisition notes: Donated by the Boston Shipping Association.

Collection: Lane/Mead Boston Maritime Collection

Location: Boston Public Library, Rare Books Department

Rights: Rights status not evaluated.

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Infant Baptism Jan 2020

Local Accession Number: 11_07_003679

Title: Third-grade students make appreciation cake for educational researcher, Acton

Creator/Contributor: Grant, Spencer, 1944- (Photographer)

Genre: Slides; Group portraits

Date created: 1980

Physical description: 1 slide : color ; 35 mm.

General notes: Title from photographer caption.

Subjects: School children; People associated with education & communication; Cakes

Collection: Spencer Grant Collection

Location: Boston Public Library, Print Department

Rights: Copyright (c) Spencer Grant

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