View allAll Photos Tagged groupportraits
But the letters of "Best English song" are too large for their silver banner!
Do you like white windows!, I do.
Do you like English songs!, I do sometimes.
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In North York, Toronto, on May 27th, 2018, outside Twister Karaoke on the west side of Yonge Street, south of Finch Avenue West.
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Getty Thesaurus of Geographic Names terms:
• North York (1014976)
• Toronto (7013284)
Art & Architecture Thesaurus terms:
• group portraits (300124525)
• microphones (300266322)
• musical notation (300417622)
• nightclubs (300007107)
• pink (color) (300124707)
• purple (color) (300130257)
• shop signs (300211862)
• singing (performing arts genre) (300264372)
• white (color) (300129784)
• windows (300002944)
Wikidata items:
• 27 May 2018 (Q45920448)
• 24/7 (Q1571749)
• Hangul (Q8222)
• karaoke (Q229345)
• Korean-Canadian culture (Q8575823)
• Korean restaurant (Q41796336)
• Liquor Licence Board of Ontario (Q6557545)
• May 27 (Q2587)
• May 2018 (Q27952528)
• neon sign (Q6006)
• smile (Q487)
• superlative (Q1817208)
• North York Centre (Q4356710)
• Yonge Street (Q20725)
• young adult (Q17156455)
Library of Congress Subject Headings:
• Business names (sh85018315)
• Music in art (sh85088916)
• Small business (sh85123568)
Helmut Newton, a German-Jewish/Australian fashion photographer, is best known for his fashion and female nude studies. Born Helmut Neustadter in Berlin, Germany on Oct. 31, 1920, Newton attended both German and American schools. Newton's proclivity for the unusual, particularly in sexual contexts, is attributed to his early years, when his older brother showed him the "red light" (prostitute) district of Berlin. This early exposure would later lead him to create photographic studies that altered the course of fashion photography.
In 1936, Newton left a floundering school career to apprentice under German photographer Else Neulander Simon (known professionally as Yva). Under political pressure, Else, also a Jew, was forced to close her studio, and in 1938, Newton himself fled Germany for Singapore. Here he worked briefly as a photographer for the Singapore Strait Times until he made another move, this time to Melbourne, Australia.
During World War II Newton served with the Australian army as a truck driver, then decided to follow his dream, opening his first photography studio in 1946. Two years later he married actress June Browne and gained his Australian citizenship. Newton's initial photography work was standard of the time, primarily comprising weddings, baby portraits and mail order catalogs. But in 1952 his big break came when he began working for fashion-iconic Australian Vogue magazine. In 1956 Newton partnered with Henry Talbot and gave his studio a new name: Helmut Newton and Henry Talbot.
By the late 1950s, Newton's reputation as a photographer was growing. He left for London on assignment in 1959 and eventually landed in Paris in 1961. From this new locale, his work appeared nationally and internationally in such magazines as Elle, Marie Claire, Playboy and French Vogue. During this time Newton's photography style began to emerge as covertly sexual, even hinting occasionally at the fetishistic.
Throughout the 1960s Newton's celebrity status brought him increasingly exotic assignments. Then, following a heart attack in 1971, Newton's work took on new purpose. He began to openly explore sexual themes, rocking the photography world and capturing interest around the globe. Newton's wife, June, is said to have encouraged him in this new career course as he began to depict women in increasingly aggressive and sometimes menacing roles. The 1978 horror classic "The Eyes of Laura Mars" was influenced directly by Newton's work.
Newton was the recipient of a number of honors, including Germany's Kodak Award for Photographic Books, the Tokyo Art Director's Club prize and an American Institute of Graphic Arts award. He was also recognized by the French and German governments. Life magazine honored Newton with the Life Legend Award for Lifetime Achievement in Magazine Photography in 1999. In 2003, Newton donated a large photo collection to the Prussian Cultural Heritage Foundation in Berlin, the land of his birth. The collection remains there today.
Newton continued to travel during his waning years, primarily alternating between Los Angeles and Monte Carlo. He died on Jan. 24, 2004, in an automobile accident. His ashes are buried in his home city of Berlin.
Elizabeth, Janet [sisters] and [baby] Ruth.
Look at how beautiful JLB is !
I never thought of my Grandmother as beautiful. She was just Grandma. In this picture I see the vibrant beauty that she possessed. It is evident that she and her sister were close. Elizabeth was a teacher who never married. After Grandma's husband died, she and Elizabeth shared a house for the next almost 50 years. Neither of them drove a car. They both lived to be over 100 years old.
One of my favorite pictures of my grandmother and my mother as an infant.
*
“We are all a complete mixture; yet at the same time, we are all related. Each gene can trace its own journey to a different common ancestor. This is a quite extraordinary legacy that we all have inherited from the people who lived before us. Our genes did not just appear when we were born. They have been carried to us by millions of individual lives over thousands of generations.”
— Bryan Sykes, a former Professor of Human Genetics at the University of Oxford and a current Fellow of Wolfson College, The Seven Daughters of Eve: The Science That Reveals Our Genetic Ancestry, 2001 (via amiquote)
Benscoter Christmas gathering.
My mother is the girl who is standing. Her father is at the head of the table by the Christmas Tree. Her mother the one with her back to us. People are eating, blurry. Dan is smiling in the lower left hand corner. Carl and Bob are obscured. But we get the feeling of the family gathered around the table. I like that people are in motion, in relationship, not posed. We are celebrating.
*
Starting with Little Things
Love the earth like a mole,
fur-near. Nearsighted,
hold close the clods,
their fine-print headlines.
Pat them with soft hands --
Like spades, but pink and loving; they
break rock, nudge giants aside,
affable plow.
Fields are to touch;
each day nuzzle your way.
Tomorrow the world.
~ William Stafford ~
*
Listen in the wind to the sighing of the bush:
This is the ancestors breathing.
Those who are dead are never gone;
The dead are not down in the earth:
They are in the trembling of the trees,
In the groaning of the woods,
In the water that runs, in the water that sleeps.
-traditional saying from Senegal
Creator: H. Allison & Co. Photographers
Date: 1938
Original Format: Glass Plate Negative, 9.5 X 7.5 inches
Description: Group portrait of Armagh Girls High School Hockey Team, 1938
PRONI Ref: D2886/SCH/AGH/4
Copying and copyright:
Please see www.proni.gov.uk/index/research_and_records_held/copying_...
For Copy Orders, contact:
Email: proni@dcalni.gov.uk
Silkscreen on canvas.
Andy Warhol (/ˈwɔrhɒl/;[1] August 6, 1928 – February 22, 1987) was an American artist who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, celebrity culture and advertisement that flourished by the 1960s. After a successful career as a commercial illustrator, Warhol became a renowned and sometimes controversial artist. The Andy Warhol Museum in his native city, Pittsburgh, Pennsylvania, holds an extensive permanent collection of art and archives. It is the largest museum in the United States dedicated to a single artist.
Warhol's art encompassed many forms of media, including hand drawing, painting, printmaking, photography, silk screening, sculpture, film, and music. He was also a pioneer in computer-generated art using Amiga computers that were introduced in 1984, two years before his death. He founded Interview Magazine and was the author of numerous books, including The Philosophy of Andy Warhol and Popism: The Warhol Sixties. He is also notable as a gay man who lived openly as such before the gay liberation movement. His studio, The Factory, was a famous gathering place that brought together distinguished intellectuals, drag queens, playwrights, Bohemian street people, Hollywood celebrities, and wealthy patrons.
Warhol has been the subject of numerous retrospective exhibitions, books, and feature and documentary films. He coined the widely used expression "15 minutes of fame". Many of his creations are very collectible and highly valuable. The highest price ever paid for a Warhol painting is US$100 million for a 1963 canvas titled Eight Elvises. The private transaction was reported in a 2009 article in The Economist, which described Warhol as the "bellwether of the art market".[2] Warhol's works include some of the most expensive paintings ever sold.
One of the most successful French painters of his period. He won the Prix de Rome in 1797, and his later successes included becoming director of the French Academy in Rome in 1822 and being created a baron in 1829. His style was derived mainly from David, but his scenes from classical history and mythology are less severe and more stagey. As the teacher of Géricault and Delacroix amongst others, he was an important figure in the transition from Neoclassicism to Romanticism. He laid particular emphasis on the painted sketch and as a professor at the École des Beaux-Arts, he was instrumental in establishing a sketch competition as a preliminary to the Prix de Rome.
Number:
164462
Creator:
Hughes Company
Date created:
1948
Extent:
1 photographic print : gelatin silver ; 8 x 10 in.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Church Home and Hospital (Baltimore, Md.). School of Nursing
Allen, Elizabeth Marie
Ammons, Marie Barbara
Anderson, Alberta Lillian
Bayda, Marie
Black, Barbara Allison
Bohanan, Doris Maretta
Bohow, Barbara Wayne
Bower, Geneva Juanita
Bremer, Pauline Violet
Brice, Betty Marie
Brosius, Elizabeth Rue
Cooper, Nancy Jean
Deigert, Lillian Margaret
Dennis, Norma Emma
Droneburg, Neva Jean
Duvall, Arlene Marie
Fischer, Ruth Naomi
Fogwell, Christine Mary
Harper, Eleanor Kathleen
Harrigan, Nancy Lee
Heaton, Martha Childs
Heller, Anna Carolyn
Heller, Helen Alberta
Hepler, Clara Elizabeth
Hoffman, Ella Beatrice
Holland, Julia Frances
Libby, Martha Jane
Merrim, Mary Ann
Mosier, Jean Elizabeth
Neutzel, Audrey Lauretta
Peyton, Sarah Wynne
Plough, Shirley Juanita
Reck, Kathryn Jane
Reynolds, Nancy Virginia
Rogers, Shirley Harriet
Schelberg, Sarah Bolling
Schick, Martha Marie
Seitz, Margaret Miller
Shaive, Jeanne Adele
Shelley, Beverly June
Shock, Vivian Ruth
Snyder, Jean Lois
Stirn, Ruth Anna
Truitt, Ernestine Sterling
Wagner, Mary Lavinia
Wagoner, Helen Elizabeth
Walter, Shirley Mae
Elliott, Margaret, 1884-1966
Nash, Jane Evans, 1880-1955
Creutzburg, Freda Lewis, 1898-1963
Nursing students--Maryland--Baltimore--1940-1950
Nurses--Maryland--Baltimore--1940-1950
Graduation ceremonies--Maryland--Baltimore--1940-1950
Nursing schools--Faculty
Group portraits
Portrait photographs
Number:
179691
Date created:
1964
Extent:
1 photographic print : gelatin silver ; 7.5 x 9.5 in.
Description:
Front row, from left to right: 1) Reagan; 20 Gilman; 3) Powell; 4) Cooke; 5) Storey; 6) M. Forman; 7) Cohen.
Second row, from left to right: 1) Kronholm; 2) Hancock; 3) Weldon; 4) Schwartz; 5) Mellinger; 6) Hiahulatti.
Third row, form left to right: 1) Garcia; 2) Friedman; 3) Kaback; 4) Jennings.
Fourth row, from left to right: 1) Bruton; 2) P. Forman; 3) Katz; 4) Fleischman.
Fifth row, from left to right: 1) Rosenstein; 2) Sigler; 3) Bloom; 4) Behrman.
Sixth row: 1) Rause; 2) Elliott; 3) Mize; 4) Schneider.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital. Department of Pediatrics--People
Gilman, Priscilla A.
Powell, Thomas H.
Cooke, Robert E.
Storey, G. N. Bruce
Forman, Marjorie L.
Cohen, Janice E.
Kronholm, Jean A.
Hancock, Millie A.P.
Weldon, Virginia V.
Reagan, Lenora C.
Schwartz, Henry G.
Mellinger, James F.
Garcia, Roberto S.
Friedman, William Foster
Kaback, Michael M.
Jennings, Rufus B. Jr.
Bruton, H. David
Forman, Phillip M.
Katz, Harvey P.
Fleischmann, Larry E.
Rosenstein, Beryl J.
Sigler, Arnold T.
Bloom, Arthur D.
Behrman, Richard E.
Rowse, John C.
Elliott, Donald A.
Mize, Charles E.
Schneider, Jerry A.
Pediatricians
Group portraits
Portrait photographs
Notes: Photographer unknown.
Creator: H. Allison & Co. Photographers
Date: 1943
Original Format: Glass Plate Negative, 9.5 X 7.5 inches
Description: Group portrait of Armagh Girls High School Hockey Team, 1943
PRONI Ref: D2886/SCH/AGH/5
Copying and copyright:
Please see www.proni.gov.uk/index/research_and_records_held/copying_...
For Copy Orders, contact:
Email: proni@dcalni.gov.uk
Number:
171523
Date created:
1905
Extent:
1 photographic print : gelatin silver ; 4 x 7 in.
Back row: 1) F. Hewes; 2) C. Sparrow; 3) M. Vannier; 4) E. Hardenberg; 5) G. Jones; 6) E. Rooth; 7) I. Grant; 8) C. Ilig; 9) L. Simpson; 10) Miss Nutting; 11) C. Finney; 12) R. Riley; 13) E. Batterman; 14) E. Smith; 15) H. Wilmer; 16) S. Knox; 17) K. Blackinton; 18) K. Lownsbrough; 19) L. Kent; 20) B. Beck; 21) M. Bunting; 22) M. Cook; 23) M. Carter; 24) C. McCabe. Center row: 1) H. Mullin; 2) A. Fitsgerald; 3) Miss Ross; 4) M. Ellison; 5) M. Rosser; 6) D. Jamieson; 7) I. Chambers; 8) Miss Lawler; 9) S. Barnes; 10) H. Erskine. Front row: 1) H. Wadland; 2) I. Green; 3) C. Baker; 4) A. Dammann; 5) F. McQuaide; 6) E. Geddes; 7) L. D'Espard; 8) K. Steelman.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital School of Nursing--People
Helves, Frances
Withrow, Caroline Sparrow
Vannier, Marion L.
Hardenberg, Else
Williamson, Gertrude Jones
Poynter, Estelle Rooth
Grant, Isabel
Illig, Clara F.
McPhedran, Lila Simpson
Nutting, M. Adelaide (Mary Adelaide), 1858-1948
Finney, Catherine
Riley, Ruby
Batterman, Emma
Nelson, Edith Howard Smith
Athey, Helen S. Wilmer
Blackinton, Katrine
Greene, Kate Lownsborough
Kent, Lucy R.
Robertson, Bessie Beck
Yeager, Mary Bunting
Goldsborough, Mollie Cook
Morris, Mary Carter
Sargent, Cora McCabe
Mullin, Helen E.
Fitzgerald, Alice Louise Florence, 1874-1962
Ross, Georgina
Gilman, Martha Ellison
Rosser, Mary Jane
Claude, Dorcas Jamieson
Chambers, Ina F.
Lawler, Elsie M.
Barnes, Sara N.
Erskine, Helen Mar
Wadland, Helen A.
Musson, Ida Green
Smead, Cora Baker
Rushmore, Alice Dammann
McQuaide, Frances Thornton
Geddes, Elizabeth
D'Espard. Lillian M.
Steelman, Katherine
Nursing students--Maryland--Baltimore--1900-1910
Nurses--Maryland--Baltimore--1900-1910
Graduation ceremonies--Maryland--Baltimore--1900-1910
Portrait photographs
Group portraits
Notes: Photographer unknown.
Number:
163423
Date created:
1902
Extent:
1 photographic print : gelatin silver ; 7.5 x 9.75 in.
Back row: 1) L. Gosman, B. Richardson, Miss Lawler, L. Jack, E. Dick, R. Adamson;
Middle row: M. Brogden, M. Brent, G. Rising, E. Carson, M. Harrell, S. Merrill, F. Manson, M. Hoyt, M. Carey, H. McDonald, A. Goodsill, E. Baker;
Front row: F. Tuthill, C. Gaddis, L. Riggs, L. Bryden, Miss Nutting, Miss Ross, L. Bidle, M. Jamme, M. Boyer, L. Granjean, E. La Motte;
Tight center front: A. Whitman, B. Baker
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital School of Nursing--People
Adamson, Ruth
Baker, Bessie
Rand, Elizabeth Baker
Cator, Mabel Virginia Bent
Biddle, Lydia
Lewis, M. Eleanor Boyer
Brogden, Margaret Smith
Bryden, Lucy A.
Baetjer, Mary Carey
Wilder, Edith Carson
Dick, Eliza M.
Gaddis, Carrie
Slemons, Anna Goodsill
Gosman, Lida H.
Grandjean, Laura
Harrell, Maud
Hoyt, Margaret Bliss
Jack, Louisa
Jamme, Marie
LaMotte, Ellen N.
Macdonald, Helen Ross
Burnham, Florence Manson
Winne Jr, Sarah Foster Merrill
Richardson, Bessie M.
Follis, Louisa Riggs
Rising, Grace B.
Boyer, Florence Tuthill
Taylor, Alice Witman
Lawler, Elsie M.
Nutting, M. Adelaide (Mary Adelaide), 1858-1948
Ross, Georgina
Nursing students--Maryland--Baltimore--1900-1910
Nurses--Maryland--Baltimore--1900-1910
Graduation ceremonies--Maryland--Baltimore--1900-1910
Portrait photographs
Group portraits
Notes: Photographer unknown.
Number:
179791
Date created:
1967
Extent:
1 photographic print : gelatin silver ; 7.5 x 9.5 in.
Description:
Front row, from left to right: 1) Overbach; 2) Stumbaugh; 3) Dodds; 4) Haslam; 5) Cooke; 6) Baghdassarian; 7) Neims; 8) Nilson.
Second row, from left to right: 1) Stinett; 2) R. Johnson; 3) Khodabandelou; 4) MacLean; 5) Almand; 6) Smith; 7) Kaback; 8) Patterson.
Third row, form left to right: 1) Alexander; 2) Wegner; 3) J. Johnson; 4) Kaizer; 5) Poland; 6) Hoffman.
Fourth row, from left to right: 1) Whitworth; 2) Fost; 3) Maxwell; 4) Berns; 5) Swick; 6) Buss; 7) Elliott; 8) Linarelli.
Fifth row, from left to right: 1) Kaplan; 2) Lang; 3) Fleischmann; 4) Bland; 5) Cohen; 6) Adams; 7) Casazza; 8) Coussons.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital. Department of Pediatrics--People
Overbach, Avrin M.
Stumbaugh, Susan D.
Dodds, Richard W.
Haslam, Robert H.
Cooke, Robert E.
Baghdassarian, Alice
Neims, Allen H. (Allen Howard)
Nilson, Bjorn W.
Stinnett, James T. III
Johnson, Robert H.
Khodabandelou, Mohammed
MacLean, William C. Jr.
Almand, Joseph M. Jr.
Smith, Jere P.
Kaback, Michael M.
Patterson, Daniel Y.
Alexander, Duane F.
Wegner, Glen E.
Johnson, John D.
Kaizer, Herbert
Poland, Arnold L.
Hoffman, Leonard S.
Whitworth, Jay M.
Fost, Norman C.
Maxwell, Margaret E.
Berns, Kenneth I.
Swick, Herbert M.
Buss, Mardelle
Elliott, Jan A.
Linarelli, Louie G.
Kaplan, Joseph
Lang, Margaret E.
Fleischmann, Larry E.
Bland, Richard D.
Cohen, Irun R.
Adams, Myron J.
Casazza, Lawrence J.
Coussons, Harriet W.
Pediatricians
Group portraits
Portrait photographs
Notes: Photographer unknown.
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.
Number:
164227
Date created:
1903
Extent:
1 photographic print : gelatin silver ; 9.75 x 7.25 in.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital School of Nursing--People
Austin, Emily S.
Boley, Elizabeth
Butler, Frances K. M.
Chisolm, Lucie V.
Dixon, Mary Bartlett
Ellicott, Nancy P.
Forster, Emma C.
Griffin, Elizabeth
Griffith, Ethel M.
Handy, Ethalinda
Hampson, Laura
Higgins, Rowena
Holmes, Ethel A.
Kennedy, Loula
Little, Hannah Pauline
MacDonald, V. May
MacMahon, Amy E.
Merriman, Edith
Oliver, Evelyn
Higgins, Cecilia Peake
Phares, Le Moyne
Purnell, Andasia
Retzer, Nannie Ridgely
Schorer, Margaret Shrive
Smith, Grace Porter
Bigley, Alice K. Suydam
Thelin, Reba
Whitney, Mary L.
Ross, Georgina
Lawler, Elsie M.
Nutting, M. Adelaide (Mary Adelaide), 1858-1948
Nursing students--Maryland--Baltimore--1900-1910
Nurses--Maryland--Baltimore--1900-1910
Graduation ceremonies--Maryland--Baltimore--1900-1910
Portrait photographs
Group portraits
Notes: Photographer unknown.
Number:
164483
Creator:
Hughes Company
Date created:
1957-06-07
Extent:
1 photographic print : gelatin silver ; 8 x 10 in.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Church Home and Hospital (Baltimore, Md.). School of Nursing
Ayres, Joanne
Beall, Linda Mead
Beebe, Neva Rae
Bryan, Joan Faye
Colonna, Evelyn
Dorsey, Joyce Elizabeth
Felton, Janet Marie
Fletcher, Ellen Rebecca
Gillan, Lucille Eileen
Glover, Lillian Ruth
Gross, Elizabeth Pauline
Hays, Carloyn Susanne
Hopkins, Helen June
Huang, Joy Ann
Hunter, Lois Carolyn
Knepper, Margaret Lena
Lemmon, Darla Dolores
Mantell, Patricia Ann
Marvel, Beverly Ann
Marvel, Ethel Lois
Mason, Hester Alice
Matthai, Margaret Ruth
Miller, Donna Eve
Moore, Peggy Marie
Reeves, Mary Isabell
Rickett, Frances Ann
Schlesinger, Joy Barbara
Schoepflin, Peggy Lee
Smith, Alice Margaret
Taylor, Elaine Adelia
Turner, Juliet Ann
Veach, Janice Marlene
Wienefeld, Frances Parrish
Witherow, Mary Ann
Creutzburg, Freda Lewis, 1898-1963
Nursing students--Maryland--Baltimore--1950-1960
Graduation ceremonies--Maryland--Baltimore--1950-1960
Nurses--Maryland--Baltimore--1950-1960
Nursing schools--Faculty
Group portraits
Portrait photographs
Pietro Longhi was a Venetian painter of contemporary scenes of life. He was born in Venice. He adopted the Longhi last name when he began to paint. He was initially taught by Antonio Balestra, who then recommended him to apprentice with the Bolognese Giuseppe Maria Crespi, who was highly regarded in his day. Among his early paintings are some altarpieces and religious themes. In 1734, he completed frescoes in Ca' Sagredo, representing the Death of the giants. Henceforward, his work would lead him to be viewed in the future as the Venetian William Hogarth, painting subjects and events of everyday life. The interior scenes reflect the 18th century's turn towards the private and the bourgeois. Many of his paintings show Venetians at play.
Other paintings chronicle the daily activities such as the gambling parlors that proliferated in the 18th century. In some, the insecure or naive posture and circumstance, the puppet-like delicacy of the persons, seem to suggest a satirical perspective of the artists toward his subjects. Nearly half of the figures in his genre paintings are faceless, hidden behind Venetian Carnival masks.
A paraphrase of Bernard Berenson states that "Longhi painted for the Venetians passionate about painting, their daily lives, in all dailiness, domesticity, and quotidian mundanity. In the scenes regarding the hairdo and the apparel of the lady, we find the subject of gossip of the inopportune barber, chattering of the maid; in the school of dance, the amiable sound of violins. It is not tragic... but upholds a deep respect of customs, of great refinement, with an omnipresent good humor distinguishes the paintings of Longhi from those of Hogarth, at times pitiless and loaded with omens of change".
Shalin took this photo - I like how we're talking together. Making comments and having a sort of billiard ball conversation. When we're all together there are certain conventions and rules of conversation and interaction that we unconsciously fall into. It's a kind of ease with one another that I don't quite understand, nor need to understand but purely enjoy for its own sake. I guess it's kind of like being part of "The Borg" - we form our own sort of collective.
*
"The task of building a world community is man’s final necessity and possibility, but also his final impossibility. It is a necessity and possibility because history is a process which extends the freedom of man over natural process to the point where universality is reached. It is an impossibility because man is, despite his increasing freedom, a finite creature, wedded to time and place and incapable of building any structure of culture or civilization which does not have its foundations in a particular and dated locus,"
- Reinhold Niebuhr, "The Children of Light and the Children of Darkness"
*
But my heart is not weary, it's light and it's free
I've got nothin' but affection for all those who've sailed with me
--Bob Dylan, from "Mississippi" (2001)
*
Philip Henslowe: Mr. Fennyman, allow me to explain about the theatre business. The natural condition is one of insurmountable obstacles on the road to imminent disaster.
Hugh Fennyman: So what do we do?
Philip Henslowe: Nothing. Strangely enough, it all turns out well.
Hugh Fennyman: How?
Philip Henslowe: I don't know. It's a mystery.
(lines from the film, "Shakespeare In Love")
*
"Most of us primarily find the sacred within the circle of those we love and find holy ground in our own backyard. Remember the Buddhist monks who go on a three-month retreat during the rainy season? It must be dramatic for them when the retreat ends. For a long time, they have been confined to a temple, with strict instructions to destroy no new life. They carefully watch where they put their feet lest they trample a sprout of grass pushing through the cold earth. Then comes the day the retreat ends and they leave. They are given new robes. At the gate they take their final step out of the temple and their first step into a sunny meadow. It is the same step.
In our own back yards, the leaves may be gone and the tree limbs bare. But tiny new buds are beginning to swell. A time will come soon to step between two seasons. Just as with the monks, it is one step. From holy ground to holy ground.
(Copyright 2006, Tolbert McCarroll, A WINTER WALK, page 150)
Dürer is the greatest exponent of Northern European Renaissance art. While an important painter, in his own day Dürer was renowned foremost for his graphic works. Artists across Europe admired and copied Dürer's innovative and powerful prints, ranging from religious and mythological scenes, to maps and exotic animals. Technically, Dürer's prints are exemplary for their detail and precision. The son of a goldsmith, Dürer was trained as a metalworker at a young age. He applied the same meticulous, exacting methods required in this delicate work to his woodcuts and engravings.
He went to Italy in 1494, and again in 1505-6. Contact with Italian painters resonated deeply in his art. Influenced by Venetian artists, who were renowned for the richness of their palette. Dürer was a great admirer of Leonardo da Vinci. He was intrigued by his studies of the human figure, and after 1506 applied and adapted Leonardo's proportions to his own figures. In the 1520's, he illustrated and wrote theoretical treatises instructing artists in perspective and proportion. More than simply producing works for his own time, Dürer saw his fame and his contribution as enduring, and as part of history.
Number:
164535
Date created:
1969-06-06
Extent:
1 photographic print : col. ; 8 x 10 in.
Scope and content:
Back row: 1) Karen Ann Richick; 2) Kathleen Hope Riley; 3) Joan Anita Harrison; 4) Martha Emily Parrott; 5) Judy Carlene Shetterly; 6) Katherine Norris Barbour; 7) Roxanne Lee Cochran; 8) Donna Marie DeSisco; 9) Katherine Delia Koubek; 10) Linda Joyce Listopad; 11) Dolores Kathleen Milholland; 12) Margaret Ann House; 13) Nancy Elizabeth Thomas; 14) Karen Anne Brouse; 15) Susan Dawson Deringer; 16) Nancy Lee Vetter; 17) Janice Marie Gasaway; 18) Betty Jean Shaffer; 19) Karen Louise Sweeney; 20) Donna Marion Wimmer. Front row: 1) Peggy Sharon Peterson; 2) Sharon Lee Bell; 3) Carole Ann Madden Turner; 4) Barbara Susan Mitchell Corey; 5) Lynne Marie Teuteberg; 6) Barbara Zelenka; 7) George Mason; 8) Margorie Maisak; 9) Geri Mendelson; 10) Donna Lynn Wilhelm
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Church Home and Hospital (Baltimore, Md.). School of Nursing
Barbour, Katherine Norris
Bell, Sharon Lee
Brouse, Karen Anne
Deringer, Susan Dawson
DeSisco, Donna Maria
Gasaway, Janice Marie
Harrison, Joan Anita
House, Margaret Ann
Koubek, Katherine Delia
Listopad, Linda Joyce
Turner, Carole Ann Madden
Milholland, Dolores Kathleen
Corey, Barbara Susan Mitchel
Parrott, Martha Emily
Peterson, Peggy Sharon
Richick, Karen Ann
Riley, Kathleen Hope
Shaffer, Betty Jean
Shetterly, Judy Carlene
Sweeney, Karen Louise
Teuteberg, Lynne Marie
Thomas, Nancy Elizabeth
Vetter, Nancy Lee
Wilhelm, Donna Lynn
Webb, Carolyn Jean
Wimmer, Donna Marion
Zelenka, Barbara
Cochran, Roxanne Lee
Mason, George W.
Maisak, Marjorie B.
Nursing students--Maryland--Baltimore--1960-1970
Nurses--Maryland--Baltimore--1960-1970
Graduation ceremonies--Maryland--Baltimore--1960-1970
Nursing schools--Faculty
Group portraits
Portrait photographs
Notes:
Photographer unknown.
Number:
164418
Date created:
1935-04-30
Extent:
1 photographic print : gelatin silver ; 8 x 10 in.
Scope and content:
Front row: 1) Annette Mathers; 2) unidentified; 3) Malinda Engel; 4) Mary Williams; 5-10) unidentified; 11) Emily Ruark. Middle row: 1)Mary Gardner; 2-8) unidentified; 9) Myrtle Miler; 10) unidentified. Back row: 1) Georgia Lee Robinson; 2) unidentified; 3) Jessie Redding; 4) unidentified; 5) unidentified; 6) Helen Armacost; 7) Doris Wagner; 8) unidentified; 9) Mary Shoemaker; 10) unidentified; 11) unidentified
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Church Home and Hospital (Baltimore, Md.). School of Nursing
Ruark, Sophia Emily
Deane, Audrey L.
Armacost, Helen Elizabeth
Gardner, Mary M.
Weller, Yvonne
MacDowell, Marguerite
Robinson, Mazie Virginia
Fehl, Jean
Sipple, Blanche
Null, Amelia Virginia
Schmidt, Martha Christine Ruth
Shoemaker, Mary Alicia
Stansfield, Lillian Miriam
Rutherford, Alice Nilson
Wagner, Doris E.
Lamb, E. Jeanette
Mathers, Annette C.
Miller, Myrtle
Walker, Elizabeth Hazel
Roberts, Frances Mae
Vondracek, Fhama Lee
Billmire, Dorothy Mary
Tracey, Grace Louise
Williams, Mary Harris
Bullock, Margaret Helen
Redding, Jennie
Fulcher, Gracie Lutha
Robinson, Georgia Lee
Engel, Malinda H.
Nash, Jane Evans, 1880-1955
Elliott, Margaret, 1884-1966
Creutzburg, Freda Lewis, 1898-1963
Nursing students--Maryland--Baltimore--1930-1940
Nurses--Maryland--Baltimore--1930-1940
Graduation ceremonies--Maryland--Baltimore--1930-1940
Nursing schools--Faculty
Group portraits
Portrait photographs
Notes:
Photographer unknown.
Warsaw, March 2022
Activists, Human Rights Defenders, founders of Abortion Dream Team (ADT) ngo in Poland and Abortion Without Borders, international movement, Natalia Broniarczyk, Justyna Wydrzyńska, Kinga Jelińska, Karolina Więckiewicz. Right to a safe abortion in Poland is very restricted and since the ruling of Constitutional Tribunal in October 2020, when abortion on basis of fetus defect was banned, having legal abortion became almost impossible. These 4 brave women from ADT provide counseling, funding for travel abroad for abortion and reliable information in line with the World Health Organization (WHO) guidelines for safe pill abortion. In 2021, the prosecutor's office charged Justyna for helping a pregnant woman to obtain abortion pills.The portraits were made for Amnesty International campaign to support Justyna and call on the polish Attorney General to drop the charges against her.
Number:
178362
Date created:
1943
Extent:
1 photographic print : gelatin silver ; 7.5 x 9.5 in.
Description:
Front row: 1) Frank Kibbe; 2) Margaret H. D. Smith; 3) Beach Chenoweth; 4) [unidentified]; 5) Frances E. M. Read; 6) Dean Roberts; 7) Robert D. Solomon.
Back row: 1) [unknown]; 2) Francis Helfrick; 3) Phyllis Koteen; 4) Paul E. Wilson; 5) Barton Childs; 6) Demetrius Traggis; 7) Antonio J. Waring Jr.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital. Department of Pediatrics--People
Smith, Margaret H.D.
Koteen, Phyllis
Waring, Antonio J.
Kibbe, Frank W.
Helfrick, Francis W.
Chenoweth, Beach M., Jr.
Wilson, Paul E.
Childs, Barton
Read, Frances E. M.
Traggis, Demetrius G.
Roberts, Dean
Solomon, Robert D.
Park, Edwards A.
Pediatricians
Group portraits
Portrait photographs
Notes: Photographer unknown.
Sotilaita poseeraamassa Suomenlinnassa.
Suomenlinna on Helsingin edustalla sijaitseva merilinnoitus, jonka rakentaminen aloitettiin vuonna 1748. Suomen sisällissodan aikaan 1918 Suomenlinnassa oli vankileiri punavankeja varten.
Suomenlinna fortress is situated on the shores of Helsinki. It is a maritime fortress that was built in the 18th century when Finland was a part of Sweden. During the Civil War in Finland 1918 Red Guard prisoners were kept in Suomenlinna in prison camps.
kuvauspaikka: Suomenlinna
ajoitus: 1918
kuvaaja:
kuva-alan mitat: 113x69
tekniikka: valokuvavedos
merkintöjä: Kyrkostaketet / Sveaborg
inventointinumero: Kot.12/43
kokoelma: Akseli Gallen-Kallelan valokuvakokoelma
tutki lisää / explore further:
Tiedätkö lisää tästä kuvasta? Kerro meille!
Do you have information on this photo? Let us know!
This is the re-edit of my first attempt (next in my stream) at using the Brenizer Method in any of my photography work. It's a composition of 78 stills (...a bit overkill) using my NIKKOR 50mm f1.8. I'm really happy with how it turned out (thank you computer for chugging away for 45 minutes to get decent stitches), but it's by no means perfect. Still lots to work to do with the stitching, but I'll get there in time.
Thanks to the NeoTrio for being patient with me!
Number:
171934
Date created:
1898
Extent:
1 photographic print : gelatin silver ; 7.5 x 9.5 in.
Back row: 1) H. VanDenBerg; 2) M. O'Grady; 3) G. Derickson; 4) N. Holman; 5) H. Washington; 6) A. Henderson.
Third row from front: 1) E. Lawler; 2) J. Johnston; 3) K. Aubrey; 4) K. Fitch; 5) F. Pratt; 6) M. McKinnon; 7) J. Coffin; 8) A. Anderton.
Second row from front: 1) C. Dick; 2) F. Ames; 3) G. Guyton; 4) M. Watts; 5) E. Bent; 6) F. Hunt; 7) E. Hein; 8) F. Colburn.
Between front and second rows: 1) M. Sullivan, 2) H. Wadsworth; 3) L. Steffens.
Front row: 1) V. Rice; 2) A. Merwin; 3) E. Corwin; 4) E. Hughes; 5) A. Frankel; 6) J. McCallum; 7) T. Poe.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital School of Nursing--People
Johns Hopkins Hospital. School of Nursing--Rites & ceremonies
Anderton, Alice Maud
Johnston, Katherine Aubrey
Hein, Elizabeth
Allen, Jeanette Johnston
Pratt, Frances L.
Randall, Frances Ames
Bent, Edith
Coffin, Josephine
Colburn, Florence P.
Griffith, Edith Corwin
Trowbridge, Grace Derickson
Dick, Christina
Fitch, Katharine
Hernsheim, Alice Frankel
Kempter, Grace Guyton
Henderson, Adele F.
Holman, Nora Kathleen
Steele, Elsie Hughes
Hunt, Florence A.
Lawler, Elsie M.
McCallum, Jessie
Ellis, Margaret McKinnon
Birdseye, Alice Merwin
O'Grady, Margaret
Rice, Virginia
Suggett, Louise Steffens
Sullivan, Mary V.
Van den Berg, Henrietta
Adams, Helen Wadsworth
Washington, Hallie Lee
Watts, Marion
Nursing students--Maryland--Baltimore--1890-1900
Nurses--Maryland--Baltimore--1890-1900
Graduation ceremonies--Maryland--Baltimore--1890-1900
Portrait photographs
Group portraits
Notes: Photographer unknown.
Number:
180032
Date created:
1953
Extent:
1 photographic print : gelatin silver ; 7.5 x 9.5 in.
Description:
Front row, from left to right: 1) Markowitz; 2) Bongiovanni; 3) Najjar; 4) Schwentker; 5) Clayton; 6) Wilkins; 7) Guild.
Second row, from left to right: 1) Chandler; 2) Perlman; 3) Reichelderfer.
Third row, from left to right: 1) Herndon; 2) Hingston; 3) Block; 4) Livingston; 5) Kolls; 6) Auld; 7) Sims; 8) Kaiser.
Fourth row, from left to right: 1) Mellins; 2) Dreiss; 3) Phillips; 4) Kirkman; 5) Ziai; 6) Taylor; 7) Doss.
Fifth row, from left to right: 1) ___; 2) Doyle; 3) ___; 4) Foxworthy.
Sixth row, from left to right: 1) Mosier; 2) Porter; 3) ___; 4) Pinkerton; 5) ___; 6) Seidel; 7) Pauli.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital. Department of Pediatrics--People
Markowitz, Milton
Bongiovanni, Alfred M.
Najjar, Victor
Schwentker, Francis F.
Clayton, George
Wilkins, Lawson
Guild, Harriet Griggs
Chandler, Caroline A.
Perlman, Anthony
Reichelderfer, Thomas E.
Herndon, Robert E.
Hingston, James
Block, Walter
Livingston, Samuel
Kolls, Alfred C. Jr.
Auld, Richard M.
Sims, Neil H.
Kaiser, Theodore H.
Mellins, Robert B.
Dreiss, Gustavo
Phillips, Ruth M.
Kirkman, Henry Neil
Ziai, Mohsen
Taylor, Paul M.
Doss, John W.
Doyle, Patrick J.
Foxworthy, John P.
Mosier, H. David Jr.
Porter, Frederick Stanley Jr.
Pinkerton, Herman H. Jr.
Seidel, Henry M.
Pediatricians
Group portraits
Portrait photographs
Notes: Photographer unknown.
The first locomotive in Alaska, purchased by White Pass and Yukon Railroad, Skagway, Alaska, 1898
Photographer:
Unknown
Subjects (LCSH):
White Pass & Yukon Route (Firm)
Skagway (Alaska)--Buildings, structures, etc.
Digital Collection:
Alaska, Western Canada and United States Collection
content.lib.washington.edu/alaskawcanadaweb/index.html
Item Number: AWC0378
Persistent URL:
content.lib.washington.edu/u?/alaskawcanada,417
Visit Special Collections reproductions and rights page for information on ordering a copy.
University of Washington Libraries. Digital Collections content.lib.washington.edu/
Persistent URL: digital.lib.muohio.edu/u?/snyder,3598
Subject (TGM): Women's education; Group portraits;
Number:
164537
Creator:
Brinley of Baltimore
Date created:
1970-06-12
Extent:
1 photographic print : col. ; 8 x 10 in.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Church Home and Hospital (Baltimore, Md.). School of Nursing
Barringer, Robyn Suzanne
Bounds, Sarah Ritchings
Bowman, Mary Ann
Burkland, Vickie Shroades
Casey, Kathleen Alice
DeRoy, Patricia Lee
Donnelly, Dorothea Ann
Forgione, Carol Bauman
Hannigan, Elizabeth Ann
Helwig, Catherine Theresa
Horn, Nancy Lee
Jones, Judith Ann
Kedzior, Jacqueline Mae
Kline, Sheila Jean
Lescalleet, Linda Marie
Miller, Janet Katherine Mandley
March, Janis Lee
Mason, Susan Patricia
Micklewright, Catherine Ann
Mihaltian, Linda Finney
Mitchell, Judith Armitage
Mullen, Margaret Ann
Muse, Mary Catherine
Neff, Mary Esther
Peiffer, Bobbie Leigh
Renshaw, Nancy Katherine
Rose, Pamela Millicent
Sills, Barbara Jo
Spedden, Linda Lee
Taylor, Sharon Elaine
Urspruch, Donna Lynn
West, Julia Ann
Mason, George W.
Maisak, Marjorie B.
Nursing students--Maryland--Baltimore--1960-1970
Nurses--Maryland--Baltimore--1960-1970
Graduation ceremonies--Maryland--Baltimore--1960-1970
Nursing schools--Faculty
Group portraits
Portrait photographs
Andrea Mantegna was a North Italian Renaissance painter , a student of Roman archeology, and son in law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g., by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500.
Mantegna openly avowed that he considered ancient art superior to nature as being more eclectic in form. As a result, the painter affected precision of outline, privileging the figure. Overall, Mantegna's work thus tended towards rigidity, demonstrating an austere wholeness rather than graceful sensitivity of expression. His draperies are tight and closely folded. His figures are slim, muscular and bony; the action impetuous but of arrested energy. Finally, tawny landscape, gritty with littering pebbles, marks the athletic hauteur of his style. Mantegna never changed the manner which he had adopted in Padua, though his coloring—at first neutral and undecided—strengthened and matured. Throughout his works there is more balancing of color than fineness of tone. One of his great aims was optical illusion, carried out by a mastery of perspective which, though not always mathematically correct, attained an astonishing effect in those times.
Tempera on canvas; 107.5 x 118 cm.
Alexandre Yevgenievich Jacovleff (also spelt Iacovleff or Yakovlev) was a Russian neoclassicist painter, draughtsman, designer and etcher. Alexandre was the son of a naval officer from Saint Petersburg, where he was born. Between 1905 and 1913 he studied at the Imperial Academy of Arts under Kardovsky. While a student he enjoyed drawing and worked for the art magazines Apollon, Satiricon, Niva, New Satiricon. After 1912, Jacovleff was a member of Mir Iskusstva. Jacovleff's large group portrait On Academic Dacha was exhibited at the Baltic Exhibition in Malmö in 1912, and received praise from the critics present, including Alexandre Benois. During his student days he befriended another Academy student, Vladimir Shukhaev. They were almost inseparable, and received the nickname of The Twins.
In 1913, Jackovleff received the rank of an Artist and a scholarship to study abroad for his paintings Bathing (Купание) and In Banya. He went to Italy and Spain together with Shukhaev. There they painted their double self-portrait as Harlequin and Pierrot. Another important work of that period was Violinist painted in 1915. At that time Jacovleff attempted to integrate Renaissance art with Primitivism, particularly the Russian Lubok.
In 1915, Jacovleff returned to Petrograd. The same year his works were shown at a Mir Iskusstva exhibition and caused mixed reactions. While some critics praised them, the Academy of Arts rejected them. Jackovleff painted a lot of Sanguine drawings including the Shalyapin portrait. He frescoed Firsanov's mansion in Moscow, and the artistic cabaret Prival Komediantov in Petrograd. He also lectured on Women's Architect Courses and organized his own (together with Shukhaev, Radlov and Kardovsky) artistic movement: St. Luke Guild of Painters.
In the summer of 1917, Jacovleff received a scholarship to study in the Far East. He traveled to Mongolia, China and Japan (1917–1919). Subsequently he settled in Paris and obtained French Citizenship. Between 1924 and 1925 he took part in an expedition to the Sahara desert and Equatorial Africa organized by Citroën (Croisi-24re Noire). His African paintings were a big success and as a result Jacovleff was awarded the Legion of Honor by the French government in 1926. In 1928, Jacovleff organized a large personal exhibition in Moscow.
Between 1931 and 1932, he was the Artistic Adviser of another Citroën expedition, this time across Asia. He travelled through Syria, Iran, Afghanistan, Mongolia and China, and created a number of exotic paintings. From 1934 to 1937, Jackovleff was the Director of the Painting Department of the School of the Museum of Fine Arts, Boston, Massachusetts. He spent the last months of his life in Paris and Capri.
Otto Dix, Gera-Untermhaus 1891 - Singen am Hohentwiel 1969
Gruppenbildnis / Group Portrait (1923)
Nationalgalerie Berlin
Das Gruppenbild zeigt den Galeristen und Kunstsammler Günter Franke, den Kunsthistoriker und Museumsdirektor Paul Ferdinand Schmidt und den Galeristen Karl Nierendorf.
Number:
179667
Date created:
1975
Extent:
1 photographic print : gelatin silver ; 7.5 x 9.5 in.
Description:
Front row, from left to right: 1) Cohen; 2) Hemphill; 3) Roberts; 4) Littlefield; 5) Headings; 6) Rogol; 7) Dover.
Second row, from left to right: 1) Fleishman; 2) Vogelstein; 3) McCormick; 4) Ransom; 5) Fusner; 6) Kang; 7) Cohn; 8) Saulsbury.
Third row, form left to right: 1) Dorkin; 2) Zuckerman; 3) Paulson; 4) Alpert; 5) Hayford; 6) Ritchey; 7) Borzy; 8) Sutphen.
Fourth row, from left to right: 1) Roseman; 2) Kurlandsky; 3) McClain; 4) Clement; 5) Pinney; 6) Schultz; 7) Green; 8) Baker.
Fifth row, from left to right: 1) Vovakes; 2) Jason' 3) Engelke; 4) Munoz; 5) Stokes; 6) Gardiner; 7) Pepple.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital. Department of Pediatrics--People
Cohen, Stanley A.
Hemphill, John M.
Roberts, Kenneth B.
Littlefield, John W.
Headings, Dennis L.
Rogol, Alan D.
Dover, George
Fleishman, Alan R.
Vogelstein, Bert
McCormick, Marie Clare
Ransom, J. Laurence
Fusner, June E.
Kang, Harriet
Cohn, Richard A.
Saulsbury, Frank T.
Dorkin, Henry Lawrence
Zuckerman, Alan E.
Paulson, Jerome A.
Alpert, Bruce Stephen
Hayford, John T.
Ritchey, A. Kim
Borzy, Michael Steven
Sutphen, James L.
Roseman, Bruce
Kurlandsky, Lawrence E.
McClain, Kenneth L.
Clement, Loran T.
Pinney, John Douglas
Schultz, Fred R.
Green, Robert Spencer
Baker, Raymond C.
Vovakes, Michael Jon
Jason, Casey J.
Engelke, Stephen Carl
Munoz, Louis L.
Stokes, Dennis C.
Gardiner, Ted M.
Pepple, James M.
Pediatricians
Group portraits
Portrait photographs
Notes: Photographer unknown.
Sotilaita kirkon aitana toimivien tykkien vierellä.
Suomenlinna on Helsingin edustalla sijaitseva merilinnoitus, jonka rakentaminen aloitettiin vuonna 1748. Suomen sisällissodan aikaan 1918 Suomenlinnassa oli vankileiri punavankeja varten.
Suomenlinna fortress is situated on the shores of Helsinki. It is a maritime fortress that was built in the 18th century when Finland was a part of Sweden. During the Civil War in Finland 1918 Red Guard prisoners were kept in Suomenlinna in prison camps.
kuvauspaikka: Suomenlinna
ajoitus: 1918
kuvaaja:
kuva-alan mitat: 113x69
tekniikka: valokuvavedos
merkintöjä: Kyrkstaketet
inventointinumero: Kot.12/42
kokoelma: Akseli Gallen-Kallelan valokuvakokoelma
tutki lisää / explore further:
Tiedätkö lisää tästä kuvasta? Kerro meille!
Do you have information on this photo? Let us know!
That’s my wonderful wife, her mom and her mom’s husband under the shade of a Crepe Myrtle. Rome’s Broad Street is mostly a boulevard and just lovely. Shot this one just after lunch at Harvest Moon on Broad Street. Used my Lumix LX 100 and fixed it up with Snapseed’s filters and tools.
Note: Army sisters en route to the Third Australian General Hospital at Lemnos
Format: Silver gelatin photographs
From the collections of the Mitchell Library, State Library of New South Wales www.sl.nsw.gov.au
Information about photographic collections of the State Library of New South Wales: acms.sl.nsw.gov.au/search/SimpleSearch.aspx
Persistent url: acms.sl.nsw.gov.au/item/itemDetailPaged.aspx?itemID=69841
Number:
164437
Date created:
1943-09-10
Extent:
1 photographic print : gelatin silver ; 8 x 10 in.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Church Home and Hospital (Baltimore, Md.). School of Nursing
Ridgely, Louise Roman
Ensor, Dorothy Louise
Lutz, Lotta Elva
Scoggins, Anna Rose
Otto, Bernice La Donn
French, Olive Willard
Wheeler, Jean
Galley, Ruth Anderson
List, Betty Ann
Barnes, Nancy
Miller, Helen
Hedrich, Juanita
Getz, Elsie Wayne
Van Meter, Martha A.
Bryant, Magdalene Mattie
Manns, Dorothy La Verne
Moberly, Elaine Pearl
Armiger, Barbara
Etzler, Elizabeth
George, Rhea Belle
Austin, Elizabeth Grace
Van Meter, Tabitha H.
Kessel, Ruth Evangeline
Robinson, Cora Elizabeth
Wilson, Dorothy Eleanor
Gangemi, Mary
Adams, Margaret Elizabeth
Elliott, Margaret, 1884-1966
Nash, Jane Evans, 1880-1955
Creutzburg, Freda Lewis, 1898-1963
Nursing students--Maryland--Baltimore--1940-1950
Nurses--Maryland--Baltimore--1940-1950
Graduation ceremonies--Maryland--Baltimore--1940-1950
Nursing schools--Faculty
Group portraits
Portrait photographs
Notes:
Photographer unknown.
Local accession number: 13_05_000585
Title: H.R.H. the Princess of Wales [front]
Statement of responsibility: W. & D. Downey, photographer to the Queen, 9 Eldon Square, Newcastle on Tyne
Creator/Contributor: W. & D. Downey (Photographer)
Genre: Photographs; Cartes de visite; Group portraits
Date created: 1859-1870 (approximate)
Physical description: 1 photograph : print on card mount ; mount 11 x 7 cm (carte de visite format)
General notes: Title from item or from accompanying material.
Date notes: Date supplied by cataloger.
Subjects: Princesses; Alexandra, Queen, consort of Edward VII, King of Great Britain, 1844-1925; Louise, Princess Royal, Duchess of Fife, 1867-1931
Collection: Cartes de Visite Collection
Location: Boston Public Library, Print Department
Rights: No known copyright restrictions.
Number:
163412
Date created:
1896-06-05
Extent:
1 photographic print : gelatin silver ; 7.25 x 9.25 in.
Description:
Back row: 1) M. Landsky; 2) H. Hutchinson; 3) M. Adelaide Nutting; 4) A. Millard; 5) B. Allemong.
Third row: 1) E. Failing; 2) M. Nichols; 3) V. McMaster; 4) M. Beuhler.
Second row: 1) D. Copeland; 2) E. Miller; 3) M. Stnaley; 4) A. Dunderdale; 5) C. Cowling; 6) M. Lee; 7) A. French; 8) E. Waddell; 9) K. Ferris; 10) I. Carroll; 11) E. Beckwith; 12) F. MacDonald.
Front row: 1) E. Reyburn; 2) C. Dancy; 3) C. Noyes; 4) K. Dumbell; 5) A. Carr; 6) A. Chesley; 7) A. Farquharson; 8) F. Hartwell.
Absent: I. Second; E. Charleton; M. MacInnes; E. Pinkerton; M. S. MacInnes.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital. School of Nursing--Rites & ceremonies
Johns Hopkins Hospital. School of Nursing--People
Day, Maria Landsky
Caples, Helen Hutchinson
Nutting, M. Adelaide (Mary Adelaide), 1858-1948
Millard, Anna
Hagner, Bessie Allemong
Copeland, Jeanette
Failing, Edna
Nichols, Minelle
Foard, Virginia Lee McMaster
Buehler, M. Eloise
Miller, Ella M.
Stanley, Margaret E.
Stokes, Anna Dunderdale
Ramsay, Clara Cowling
Silliman, Mary V. Lee
French, Anna Montague
Waddell, Emily
Hanks, Katherine Ferris
Carroll, Irene
Cullen, Emma Jones Beckwith
MacDonald, Flora B.
Reyburn, Eleanor
Dancy, Charlotte Elizabeth
Noyes, Clara D.
Dumbell, Kate
Carr, Ada M.
Chesley, Annie A.
Farquharson, Amy
Hartwell, Fannie C.
Nursing students--Maryland--Baltimore--1890-1900
Nurses--Maryland--Baltimore--1890-1900
Graduation ceremonies--Maryland--Baltimore--1890-1900
Portrait photographs
Group portraits
Notes: Photographer unknown.
Teitl Cymraeg/Welsh title: Pobl mewn gerddi tŷ anhysbys
Dyddiad/Date: c. 1860
Cyfrwng/Medium:
Cyfeiriad/Reference: crj00025 (PG2604/9)
Rhif cofnod / Record no.: 3590900
Rhagor o wybodaeth am Ffotograffiaeth Gynnar Abertawe yn Llyfrgell Genedlaethol Cymru
More information about Early Swansea Photography at the National Library of Wales