View allAll Photos Tagged groupportraits
135 x 159 cm.
Karl Hofer was born in Karlsruhe the son of a military musician. After an apprenticeship in C.F. Müller's court bookstore, he began to study at the Großherzoglich Badische Akademie der Bildenden Künste in Karlsruhe in 1897. Here he studied under Poetzelberger, Kalckreuth and Thoma until 1901. None of these teachers, however, were able to provide him with ideas for his ambitious striving for a new art form and he soon came under the influence of Arnold Böcklin. Hofer traveled to Paris in 1900 where he was greatly impressed by Henri Rousseau's naive painting. The art historian Julius Meier-Graefe introduced Hofer not only to private collections worth while seeing in Paris, but also drew his attention to Hans von Marées. As a result Hofer decided in 1903 to spend a couple of years in Rome. His painting, which was until then influenced by Böcklin's Symbolism, changed in favor of Marées' classic-Arcadian concept. In 1904 the Kunsthaus Zurich presented Hofer's first one-man show within the ‚Ausstellung moderner Kunstwerke', which was afterwards shown in an extended version at the Kunsthalle Karlsruhe and at the Folkwang-Museum in Hagen and in Weimar in 1906. From 1908 Hofer lived temporarily in Paris. The stay changed his style through dealing with influences of Cézanne, French Impressionists and El Greco. In 1913 the artist moved to Berlin. He was interned in France one year later and only returned to Germany in 1917. He accepted a post as a professor at the Kunstschule in Berlin-Charlottenburg in 1921. On the occasion of his 50th birthday a retrospective took place at the Kunsthalle Mannheim, the ‚Berlin Secession' and Alfred Flechtheim's gallery in Berlin. His art was considered "degenerate" during the 'Third Reich' and he was dismissed from his teaching post in 1933/34. His works were exhibited in 1937 in the Munich exhibition 'Entartete Kunst'. Hofer lived in Berlin for the rest of his life. He was the director of the Hochschule für Bildende Künste in Berlin.
Giotto di Bondone better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance. Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years."
Number:
179791
Date created:
1970
Extent:
1 photographic print : gelatin silver ; 7.5 x 9.5 in.
Description:
Front row, from left to right: 1) Valle; 2) Thompson; 3) Rachelefsky; 4) Debuskey; 5) Cooke; 6) Jones; 7) Fost; 8) Headings.
Second row, from left to right: 1) Hanson; 2) Pettegrew; 3) Hyde; 4) Hall; 5) Alter; 6) Coy;e; 7) Gruppo; 8) Livingston.
Third row, form left to right: 1) Kesler; 2) Vangrov; 3) Mishra; 4) Davick; 5) Simon; 6) Chesney.
Fourth row, from left to right: 1) Bartholome; 2) Neidengard; 3) Peterson; 4) Tardo; 5) Smith.
Fifth row, from left to right: 1) Arnold; 2) Kerr; 3) Waller; 4) Barakat; 5) Sightler; 6) Kelly; 7) Thoene.
Sixth row, from left to right: 1) Barnett; 2) Roberts; 3) Ey; 4) Lewis.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital. Department of Pediatrics--People
Valle, David
Thompson, Robert G.
Rachelefsky, Gary S.
Cooke, Robert E.
Jones, Kenneth L.
Fost, Norman C.
Headings, Dennis L.
Hanson, James W.
Pettegrew, Jay W.
Hyde, Thomas P.
Mandik, Judith (Judi)
Alter, Blanche P.
Coyle, Joseph Thomas Jr.
Gruppo, Ralph A.
Livingston, James M.
Kesler, Richard W.
Vangrov, Jan S.
Mishra, Baruni
Davick, Alan M.
Simon, Frank A.
Chesney, Russell W.
Bartholome, William G.
Neidengard, Lee
Peterson, Douglas B.
Tardo, Carmela L.
Smith, Sara Watt
Arnold, Jack E.
Kerr, Douglas S.
Waller, David A.
Barakat, Amin Y.
Sightler, James H.
Kelly, P. Colin
Thoene, Jess G.
Barnett, Stephen T.
Roberts, Kenneth B.
Ey, John Leigh
Lewis, Darrell V. Jr.
Pediatricians
Group portraits
Portrait photographs
Notes: Photographer unknown.
Number:
179693
Date created:
1965
Extent:
1 photographic print : gelatin silver ; 7.5 x 9.5 in.
Description:
Front row, from left to right: 1) Mellinger; 2) Jennings; 3) Jones; 4) Nissley; 5) Asnes; 6) McCloskey; 7) Sigler.
Second row, from left to right: 1) Haslam; 2) Hancock; 3) Gilman; 4) Shen; 5) Kronholm; 6) Gerber; 7) Cooke; 8) Lietman; 9) Reagan; 10) Dyke.
Third row, form left to right: 1) Bloom; 2) Levy; 3) Talamo; 4) Frank; 5) Mendoza; 6) Linarelli; 7) Kotas; 8) Nilson.
Fourth row, from left to right: 1) Schneider; 2) Behrman; 3) Ey; 4) Mahoney; 5) Almand.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital. Department of Pediatrics--People
Mellinger, James F.
Jennings, Rufus B. Jr.
Jones, Kenneth B.
Nissley, Simon P.
Asnes, Russell S.
McCloskey, Keith R.
Sigler, Arnold T.
Haslam, Robert H.
Hancock, Millie A.P.
Gilman, Priscilla A.
Shen, Edith M.
Kronholm, Jean A.
Gerber, Nicholas
Cooke, Robert E.
Lietman, Paul
Reagan, Lenora C.
Dyke, Muriel K.
Bloom, Arthur D.
Levy, Harvey L.
Talamo, Richard C
Frank, Michael M.
Mendoza, Stanley A.
Linarelli, Louie G.
Kotas, Robert V.
Nilson, Bjorn W.
Schneider, Jerry A.
Behrman, Richard E.
Ey, John Leigh
Mahoney, Maurice J.
Almand, Joseph M. Jr.
Pediatricians
Group portraits
Portrait photographs
Notes: Photographer unknown.
Who are these people ? Carl's friends ? Janet's? Wow. I looked at this picture for a long time and it got stranger and stranger. The wacky wallpaper, the crooked pictures on the wall, the streamers, people look wasted -- yet reserved. Is it evening ? Morning ? The day after ? What about that light fixture? What does "PIPI" on the wall mean ? Where? Who? What a party ! Not so different from college days up the time stream. Everyone piled into someone's lodgings for the evening's festivities. I've always loved this photo. It was in an album of my grandfather's. I think its Syracuse University.
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Now and then we had a hope that if we lived and were good, God would permit us to be pirates. -Mark Twain, Life on the Mississippi
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Your life is yours and yours alone. Rise up and live it.
--Terry Goodkind
Oil on canvas; 210 x 600 cm.
Buffet was born in Paris and studied art at the École Nationale Supérieure des Beaux-Arts and worked in the studio of the painter Eugène Narbonne. Among his classmates were Maurice Boitel and Louis Vuillermoz. Sustained by the dealer Maurice Garnier, Buffet produced religious pieces, landscapes, portraits and still-lifes. In 1946, he had his first painting shown, a self-portrait, at the Salon des Moins de Trente Ans at the Galerie Beaux-Arts. He had at least one major exhibition every year. Buffet illustrated "Les Chants de Maldoror" written by Comte de Lautréamont in 1952. In 1955, he was awarded the first prize by the magazine Connaissance des arts, which named the 10 best post-war artists. In 1958, at the age of 30, the first retrospective of his work was held at the Galerie Charpentier.
Pierre Bergé was Buffet's live-in lover until Bergé left Buffet for Yves Saint Laurent. In 1958 Buffet married the writer and actress Annabel Schwob. They had three children. In 1973 he was named "Chevalier de la Légion d'honneur". November 23, 1973 the Bernard Buffet Museum was inaugurated; it was founded by Kiichiro Okano, in Surugadaira, Japan. At the request of the French postal administration in 1978, he designed a stamp depicting the Institute et le Pont des Arts - on this occasion the Post Museum arranged a retrospective of his works. Buffet created more than 8.000 paintings and many prints as well. He committed suicide at his home in Tourtour, Southern France, on October 4, 1999. Buffet was suffering from Parkinson's disease and was no longer able to work.
Johann Liss was a leading German Baroque painter of the 17th century, active mainly in Venice. He was born in Schleswig-Holstein, Germany. After an initial education in his home state, he continued his studies with Hendrick Goltzius in Haarlem and Amsterdam. Around 1620 he traveled through Paris to Venice. He moved to Rome around 1620-2, and his first works there were influenced by the style of Caravaggio.
Although his earlier work was concerned with the contrasts of light and shade, his final move to Venice in the early 1620s modified his style and gave impetus to brilliant color and a spirited treatment of the painted surface. His loose brushstrokes is a precursor to the rococo styles of the Guardi brothers. This final style, along with that of other "foreign" painters residing in Venice, represent the first inroads of the Baroque style into the republic.
Liss fled to Verona to escape the Plague spreading in Venice, but succumbed there prematurely in 1629. His legacy is as a painter of both sensuous mythological and pious biblical subjects, a master of colors and Baroque painting. He was most influential to Venetian 18th century painters like Sebastiano Ricci, Giovanni Battista Tiepolo and Giovanni Piazzetta.
Isaak Izrailevich Brodsky was a Soviet painter whose work provided a blueprint for the art movement of socialist realism. He is known for his iconic portrayals of Lenin and idealized, carefully crafted paintings dedicated to the events of the Russian Civil War and Bolshevik Revolution. He studied at Odessa Art Academy and the Imperial Academy of Arts in Saint Petersburg. In 1916 he joined the Jewish Society for the Encouragement of the Arts. When Brodskiy asked Lenin to autograph his painting Lenin, he said: "I am signing to what I don't agree with for the first time"
Brodskiy was on good terms with many leading Russian painters, including his mentor, Ilya Repin. He was an avid art collector who donated numerous first-class paintings to museums in his native Ukraine and elsewhere. His superb art collection included important works by Repin, Vasily Surikov, Valentin Serov, Isaak Levitan, Mikhail Vrubel, and Boris Kustodiev. After his death Brodsky's apartment on Arts Square in St. Petersburg was declared a national museum. His art collection is still on exhibit there.
Brodsky was an Honoured Artist of the Russian SFSR and a member of the Union of Russian Artists. He was the first painter to be awarded the Order of Lenin. In 1934 he was appointed Director of the All-Russian Academy of Arts.
You should really check this band out if you are enjoy local underground music and pop-punk! They are just starting out, but honestly they have such great potential as artists!!! Fiction Department is a band from Kansas City. Check them out.
In conjunction with Cosimo Tura, Cossa is now known for fresco decoration of the summer pleasure villa/palazzo known as the Palazzo Schifanoia, located just outside the city gates. Together, they painted a series of the elaborate allegories around the themes of zodiacal signs and months of the year. These were only partially restored in the 20th century, and there are three that are reasonably assigned to Cossa.
The Allegory of April has a depiction of the trio of Graces, one of the earliest Post-classical representations of the naked intertwined dancers in painting. Sandro Botticelli's version in Primavera dates from 1482. Assuming the date of death of Cossa is correct, this one must have been completed prior to the others.
Boris Kustodiev was born in Astrakhan (Russia) into the family of a professor of philosophy, history of literature, and logic. The Kustodiev family rented a small wing in a rich merchant's house. It was there that the boy's first impressions were formed of the way of life of the provincial merchant class. The artist later wrote, "The whole tenor of the rich and plentiful merchant way of life was there right under my nose... It was like something out of an Ostrovsky play." The artist retained these childhood observations for years, recreating them later in oils and water-colors.
Number:
164455
Creator:
Hughes Company
Date created:
1947-05-29
Extent:
1 photographic print : gelatin silver ; 8 x 10 in.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Church Home and Hospital (Baltimore, Md.). School of Nursing
Baker, Joyce Natalie
Bell, Carolyn Estelle
Chart, Helen Louise
Clark, Dorothy Mae
Cook, Mary Ethel
Crouse, Betty Ann
Daughtery, Nora Elaine
Davis, Jannie Catherine
Davis, Rachel Elen
Elste, June Vivian
Ely, Vera Lee
Embert, Charlotte Ann
Flanigan, Mary Evelyn
Ford, Betty Jane
Gilmore, Mary Margaret
Habicht, Dorothy Elizabeth
Hamm, Jean Louise
Hignutt, Christine Ann
Hitchcock, Alice Yvonne
Hoover, Cleone Elizabeth
Howell, Ethel May
Howell, Monna Elizabeth
Hyde, Mary Phyllis
Johnson, Margaret Roberta
Jones, Maralee Mae
Keefer, Virgie Mae
Knight, Bettie Jean
Lanier, Mildred Odethel
McKinney, Nancy Elizabeth
Mahone, Bland Ruth
Mathias, Mary Louise
Moellman, Miriam Alice
Nash, Charlotte Rachel
Pape, Charlotte Ruth
Poyner, Peggy Lyndell
Reesey, Mildred Antoinette
Robinson, Ruth Catherine
Sherman, Hazel Elizabeth
Shinnick, Leola Abigail
Smith, Loretta Catharine
Wagaman, Margaret Ora
Webster, Lucille Lee
Wilson, Rita LaRene
Wright, Jane Eileen
Yingling, Edith Joyce
Zolman, Hilda Helen
Regester, Mabel E.
Creutzburg, Freda Lewis, 1898-1963
Nash, Jane Evans, 1880-1955
Elliott, Margaret, 1884-1966
Nursing students--Maryland--Baltimore--1940-1950
Nurses--Maryland--Baltimore--1940-1950
Graduation ceremonies--Maryland--Baltimore--1940-1950
Nursing schools--Faculty
Group portraits
Portrait photographs
Number:
163900
Date created:
1936
Extent:
1 photographic print : gelatin silver ; 9.25 x 6.5 in.
Front row (seated): 1) L. Morris; 2) M. Engleking; 3) J. Lowder; 4) K. Jordan; 5) L. Diekman; 6) B. McKeller; 7) G. Schmidbauer; 8) Miss Lawler; 9) E. A. Prickett; 10) Z. Hardin; 11) A. Gorman; 12) K. Eye; 13) E. Valentine; 14) D. Brooks; 15) I. Price. Second row: 1) K. Nelson; 2) J. Roach; 3) A. Peters; 4) H. Ainsley; 5) M. McGill; 6) L. Ludwig; 7) E. Larsen; 8) I. Gasteier; 9) R. Curtis; 10) C. Whitely; 11) E. Knight; 12) G. Albright; 13) M. Steinbrecher; 14) S. Sekerak; 15) H. Estabrook; 16) L. Straw; 17) J. Buzz; 18) E. Mauch. Third row: 1) K. McCarthy; 2) E. Weber; 3) M. Woodside; 4) E. Niernsee; 5) A. Garrison; 6) V. Struve; 7) L. Hendricks; 8) M. Schmidt. Fourth row: 1) F. Weir; 2) A. Ricks; 3) H. Shoff; 4) J. Lucke; 5) M. Drake; 6) M. Cowan. Fifth row: 1) S. Merritt; 2) B. Wilcox; 3) D. Doster; 4) C. Cassidy; 5) M. Windebrenner.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital School of Nursing--People
Reppert, Hannah Ainsley
Boyd, Geraldine Albright
Lush, Dorothy Brooks
MacKenzie, Julia Buzz
Sherman, Christabel Casady
Laughlin, Mary H. Cowan
Popham, Ruth Curtis
Stanley, Lorraine Diekmann
Doster, Daphine
Drake, Margery E.
Jessen, Marianna Engelking
Hill, Harriet Estabrook
Eye, Katherine
Garrison, Alice Opal
Moltzau, Irene Gasteiger
Gorman, Alice J.
Hardin, Zelpha
Haufler, Lillian Hendricks
Jordan, Kathryn Geraldine
Rather, Eleanor Knight
Larsen, Ethel E.
Johnson, Jean Lowder
Wedum, Janet Lucke
Fiske, Louise Ludwig
Simpson, Margaret Macready
Forsyth, Esther Mauch
McCarthy, Katherine L.
Wood, Marian McGill
Davis, Beatrice McKellar
Astwood, Sarah Ruth Merritt
Reistetter, Lucille Morris
Nelson, Katherine R.
Godfrey, Eleanor Niernsee
Peters, Anna M.
Price, Ida Graham
Prickett, Edna Ann
Roach, Jessie
Schmidbauer, Gisele
Schmidt, Marie W.
Gaug, Sophie V. Sekerak
Hambright, Helen Shoff
Moody, Muriel Steinbrecher
Miller, Lonah Straw
Struve, Virginia
Marra, Elsie Valentine
Fradkin, Esther Weber
Queen, Ella Weir
Whitely, Charlotte
Wilcox, Barbara
Winebrenner, Mary Ruth
Pritchard, Mary Margaret Woodside
Lawler, Elsie M.
Nursing students--Maryland--Baltimore--1930-1940
Nurses--Maryland--Baltimore--1930-1940
Graduation ceremonies--Maryland--Baltimore--1930-1940
Portrait photographs
Group portraits
Notes: Photographer unknown.
Number:
179848
Date created:
1958
Extent:
1 photographic print : gelatin silver ; 7.5 x 9.5 in.
Description:
Front row, from left to right: 1) Cavanaugh; 2) Ruben; 3) Guild; 4) Cooke; 5) Alexander; 6) J. Battaglia; 7) Neerhout; 8) Dodson.
Second row, from left to right: 1) Wood; 2) Felty; 3) Kenny; 4) Bramley; 5) Hayes; 6) Drash.
Third row, form left to right: 1) Hutchinson; 2) Godenne; 3) Sidbury; 4) Larson; 5) David; 6) Srsic.
Fourth row, from left to right: 1) Ottenheimer; 2) Pakula; 3) Jones; 4) Straus; 5) Shaver.
Fifth row, from left to right: 1) Hopkins; 2) Levin; 3) Rosen; 4) Bunnell.
Sixth row, from left to right: 1) Budner; 2) Jelks; 3) Gibson; 4) O'Neil; 5) Richardson.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital. Department of Pediatrics--People
Cavanaugh, James J. A.
Ruben, Barbara L.
Guild, Harriet Griggs
Cooke, Robert E.
Alexander, David S.
Battaglia, Frederick Camillo
Neerhout, Robert C.
Dodson, Jerry G.
Wood, David E.
Felty, Jean B.
Kenny, Frederic M.
Bramley, Gertrude L.
Hayes, Virginia Lindner
Drash, Allan L.
Hutchinson, Jean O.
Godenne, Ghislaine D.
Sidbury, James B.
David, Raphael
Srsic, Raymond Peter
Ottenheimer, Edward J. Jr.
Pakula, Lawrence C.
Jones, William O.
Straus, Donald
Shaver, Benjamin A. Jr.
Hopkins, Edward W.
Levin, Ephraim Yale
Rosen, Lawrence J.
Bunnell, David J. Jr.
Budner, Harvey M.
Jelks, Edward
Gibson, Lewis E.
O'Neil, Richard R.
Richardson, Frederick M.D.
Pediatricians
Group portraits
Portrait photographs
Notes: Photographer unknown.
Identifier: SFFf-100585.271316
Photographer: Kristian Berge.
Medium: Cellulose nitrate negative.
Extent: 7 x 12 cm.
Original caption (from Berge's negative album): Påsken 1921 noch "En glad aften".
Abraham Walkowitz was an American painter grouped in with early American Modernists working in the Modernist style. He was born in Tyumen, Siberia to Jewish parents. He emigrated with his mother to the United States in his early childhood. He studied at the National Academy of Design in New York City and the Académie Julian in Paris under Jean-Paul Laurence. Walkowitz and his contemporaries later gravitated around photographer Alfred Stieglitz's 291 Gallery, originally titled the Little Galleries of the Photo-Secession, where the forerunners of modern art in America gathered and where many European artists were first exhibited in the United States. During the years, Walkowitz worked closely with Stieglitz as well as Arthur Dove, Marsden Hartley, and John Marin (often referred to as "The Stieglitz Quartet").
Walkowitz was drawn to art from childhood. In a 1958 oral interview with Abram Lerner, he recalled: "When I was a kid, about five years old, I used to draw with chalk, all over the floors and everything... I suppose it's in me. I remember myself as a little boy, of three or four, taking chalk and made drawings." In early adulthood, he worked as a sign painter and began making sketches of immigrants in New York's Jewish ghetto where he lived with his mother. He continued to pursue his formal training, and with funds from a friend traveled to Europe in 1906 to attend the Académie Julian. Through introductions made by Max Weber, it was here that he met Isadora Duncan in Auguste Rodin's studio, the modern American dancer who had captured the attention of the avant-garde. Walkowitz went on to produce more than 5,000 drawings of Duncan.
Walkowitz' approach to art during these years stemmed from European modernist ideas of abstraction, which were slowly infiltrating the American art psyche at the turn of the century. Like so many artists of the time, Walkowitz was profoundly influenced by the 1907 memorial exhibition of Cézanne's work in Paris at the Salon d'Automne. Artist Alfred Werner recalled that Walkowitz found Cézanne's pictures to be "simple and intensely human experiences." Working alongside other Stieglitz-supported American modernists, Walkowitz refined his style as an artist and produced various abstract works.
Although Walkowitz drew influences from modern European masters, he was cautious not to be imitative. Artist and critic Oscar Bluemner recognized this quality in Walkowitz’s work, citing the differences between the highly influential writings of Kandinsky and Walkowitz' style. He wrote: "Walkowitz is impelled by the ‘inner necessity’: Kandinsky, however, like the other radicals, appears not to proceed gradually and inwardly, but with a mind made up to commit an intellectual feat—which is not art."
Walkowitz first exhibited at the 291Gallery in 1911 after being introduced to Stieglitz through Hartley, and stayed with the gallery until 1917. During the 291 years, the climate for modern art in America was harsh. Until the pivotal Armory Show of 1913 had occurred which Walkowitz was involved with and exhibited in, modern artists importing radical ideas from Europe were received with hostile criticism and a lack of patronage. While never attaining the same level of fame as his contemporaries, Walkowitz' close relationship with the 291 Gallery and Alfred Steiglitz placed him at the center of the modernist movement. His early abstract cityscapes and collection of over 5,000 drawings of Isadora Duncan also remain significant art historical records.
Number:
171674
Date created:
1930
Extent:
1 photographic print : gelatin silver ; 7.5 x 9.5 in.
Front row (seated): 1) H. Grose; 2) M. Hart; 3) R. Baron; 4) M. Crockett; 5) M. Grainger; 6) J. Black; 7) F. Caplan; 8) D. McAlpine; 9) H. Darlington; 10) R. Ammerman; 11) G. Gladfelter; 12) M. Welker; 13) Lewis; 14) H. Moran; 15) G. Nunan; 16) J. White. Second row (standing): 1) T. Arner; 2) U. Thompson; 3) E. Mohr; 4) E. Jacoby; 5) D. Best; 6) Lewis; 7) E. Barber; 8) C. Wasserberg; 9) E. Elgert. Third row: 1) C. Yarnall; 2) C. Minter; 3) A. Armbruster; 4) A. Harnish; 5) L. Hoffmeister; 6) R. Marker; 7) E. Kurtz; 8) E. Dick; 9) F. Raffensberger; 10) D. Richards. Last rows: 1) E. Thorne; 2) A. Meyer; 3) M. Vaiden; 4) E. Thomason; 5) R. Von Kleist; 6) M. Grande; 7) V. Rhea; 8) ___; 9) N. Maxwell; 10) L. Wainwright; 11) E. Hawkins; 12) M. Vander Kam; 13) J. Buckley; 14) R. Worley; 15) E. Custer; 16) M. May; 17) M. Hansbarger; 18) A. Sykes; 19) J. Norris; 20) C. Rohrbaugh; 21) H. Burnham; 22) M. Irvine; 23) S. Carroll; 24) L. Geddes; 25) E. Jones.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital School of Nursing--People
Slavik, Ruth Ammerman
Grayib, Arlene Armbruster
Clark, Twila Arner
McPhee, Eleanor Barber
Ray, Ruth Baron
Best, Dorothy R.
McVicar, Jessie Black
Brawner, Justina Buckley
Burnham, Hilda C.
Caplan, Florence B.
Carroll, Sophia G.
Schwentker, Madalyn Crockett
Custer, Eleanor Wade
Darlington, Hannah W.
Dick, Edith R.
Elgert, Esther M.
Barry, Louise Geddes
Benedict, Grace Gladfelter
Grainger, Margaret F.
Winship, Myrtle Grande
Fallon, Helen Gross
Disney, Madge Hansbarger
Harnish, Anna D.
Best, Mary Woodward Hart
Hawkins, M.M. Elizabeth
Tighe, Loretta H. Hoffmeister
Carr, May Irvine
Jacoby, Esther
Hill, I. Elizabeth Jones
Muffly, Ethna Kurtz
Douglas, Alice Lewis
Altimas, Mary Lewis
Lewis, Mary Land
Loving, Eleanor
Caspari, Ruth Marker
Lunn, Natalie Maxwell
May, Mildred
Young, Dorothy McAlpine
Woke, Anna Meyer
Smith, Catherine Minter
Foerster, Elizabeth Mohr
Lohr, Helen Moran
Cotton, Josephine Norris
Dean, Gertrude Nunan
Raffensberger, Florence M.
Rea, Virginia P.
Brundick, Doris Richards
Rohrbaugh, Catherine
Schlayer, Katherine
Sykes, Agnes L.
Roach, Elizabeth (Betty) Thomasen
Thompson, Ursula
Thorne, Ethel
Aird, Mildred Vaiden
Macaulay, Margaret Vander Kam
Wainwright, Leta
Welker, Marianne H.
White, Julia Elizabeth
Schaffer, Ruth Worley
Yarnall, Catherine
Nursing students--Maryland--Baltimore--1930-1940
Nurses--Maryland--Baltimore--1930-1940
Graduation ceremonies--Maryland--Baltimore--1930-1940
Portrait photographs
Group portraits
Notes: Photographer unknown.
Number:
163411
Date created:
1910
Extent:
1 photographic print : gelatin silver ; 7.5 x 9.5 in.
Back row: C. Brown, H. Gorsuch, A. Clark, I. Steen-Hansen, I. Smith, S. VanDenBerg, M. Kearney, G. Lemmon, M. Noyes, Z. Shaw, G. Miles; Third row: A. Kehoe, N. Lindsay, E. Heath, A. Sansbury, H. Rennie, Miss Taylor, Miss Henderson, L. Grasshoff, J. Hines, C. French, E. Wood, M. Slocum, F. Brooker; Second row: K. Mills, J. Limburg, A. Bonneville, M. Rosenheim, E. Fox, Miss Muldrew, Miss Lawler, Miss De Long, M. Allen, M. Greig, E. Staley, L. Howard; Front row: E. Applegate, G. Rose, E. Elsroad, C. Cresap, B. Beale, M. Geraghty; Absent: M. Weideman
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital School of Nursing--People
Gove, Minnie Allen
Looker, Edith Applegate
Ferenbaugh, Blanche Beale
Bonneville, Annie
Brooke, Frances B.
Brown, Caroline V.
Clarke, Agnes H.
Cresap, Ada R.
Elsroad, Ella C.
Fox, Elizabeth Gordon
French, Corinna
Skinner, Mary Geraghty
Gorsuch, Helen V.
Grasshoff, Lilly C.
Greig, Margaret
Heath, Edna
Houston, Jennie Hines
Howard, Lucy V.
Kearney, Margaret E.
Wilson, Angela Kehoe
Griffith, Grace Lemmon
Nicholson, Jean Limburg
Lawlor, Nancy Lindsay
Morton, G. Elizabeth Miles
Mills, Kate Carswell
Skinner, Margaret Noyes
Rennie, Helen A.
Jelenko, Minnie Rosenheim
Edwards, Grace Rowe
Sansbury, Anne M.
Brotherhood, Zeta Shaw
Harris, Martha Slocum
Purdy, Ida Smith
Deming, Evelyn Staley
Steen-Hansen, Ingeborg
Birnie, Sylvia Van Den Berg
Weidemann, Margaret
Lowe, Emma Wood
Muldrew, Gertrude
Lawler, Elsie M.
De Long, Katherine C.
Taylor, Effie J.
Henderson, Alice E.
Nursing students--Maryland--Baltimore--1920-1920
Nurses--Maryland--Baltimore--1910-1920
Graduation ceremonies--Maryland--Baltimore--1910-1920
Portrait photographs
Group portraits
Notes: Photographer unknown.
Persistent URL: floridamemory.com/items/show/13137
Local call number: PR15024
Title: May Day king and queen with court and child attendants - Tallahassee
Date: May 2, 1956
Physical descrip: 1 photonegative - b&w - 4 x 5 in.
Series Title: Print Collections
Repository: State Library and Archives of Florida
500 S. Bronough St., Tallahassee, FL, 32399-0250 USA, Contact: 850.245.6700, Archives@dos.myflorida.com
Number:
171620
Date created:
1926
Extent:
1 photographic print : gelatin silver ; 7 x 9.5 in.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital School of Nursing--People
Slessinger, Julia Alexander
Bast, Evelyn Alling
Swackhamer, Elizabeth Bass
Munroe, Ethel Berger
Stowers, Jennie Bishop
Willard, Caroline Bliss
Helbling-Bolger, Anna
Brierly, Charlotte M.
Jinks, Ruth Brister
Brown, Barbara
Cruickshank, Josephine Brown
Carn, Irene
Mentzer, Gladys Cox
Davies, M. Isabel
Barton, Dorothy Diggs
Lewis, Emily A. Engle
Wilkinson, Elizabeth Franzoni
Mabrey, Grace Furniss
Glenn, Sarah
Hains, M. Lois
Hanes, M. Inez
Hartwell, Sara M.
Willliams, Helen Hess
Hoff, Dorothy E.
Coffman, Mary Holloway
Jones, Alberta I.
Tyner, Grace Replogle Kagarise
Keener, Anne
Laxton, Augusta A.
Lahmann, Florence Lesser
Long, Mary Thelma
Noon, Marie MacDonald
Elmer, Edyth Marshall
Mason, Mrs. Mollie Couldourn
Stewart, Mildred Miller
Moser, Elizabeth
Nordin, Gunda R.
Ober, Hazel
Schmalbach, Hilda Ostrom
Parkhouse, Mary Ruby
Anders, Winifred Patrick
Robinson, Roda Mabel
Segelke, Hilda A.
Ewert, Louise M. Sheddan
Weiler, E. Ruth Smith
McLain, Edith Sparklin
Stoutner, Clare Elaine
Stayer, Lois Naomi
Struve, Mildred
Fuller, Dorothy Sutton
Switzer, Sarah A.
Thomason, Florine N.
Thuma, Marion E.
Tittsworth, Munsey A.
Legenbauer, Dorothy Van Patten
Warfield, Hester Ann
Watson, Mary Louise
Lawler, Elsie M.
Seckinger, June Smith Worley
Ault, Margaret G.
Wirt, Verna
Nursing students--Maryland--Baltimore--1920-1930
Nurses--Maryland--Baltimore--1920-1930
Graduation ceremonies--Maryland--Baltimore--1920-1930
Portrait photographs
Group portraits
Notes: Photographer unknown.
Jack Vettriano OBE born Jack Hoggan is a Scottish painter. Vettriano's breakthrough year was 1988, when he submitted two canvases for the Royal Scottish Academy annual show. Both paintings sold on the first day and Vettriano was approached by several galleries who wanted to sell his other work. Further successful exhibitions followed in Edinburgh, London, Hong Kong, Johannesburg, and New York. His paintings are reminiscent of the film noir genre, often with romantic or nude themes.
His original paintings now regularly fetch six figure prices, but he is thought to make more money from the sale of reproductions. According to The Guardian, he earns £500,000 a year in print royalties.
Number:
164476
Creator:
Mettee, Holmes I.
Date created:
1954-06-04
Extent:
1 photographic print : gelatin silver ; 8 x 10 in.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Church Home and Hospital (Baltimore, Md.). School of Nursing
Baker, Nettye June
Bausam, Ida Adaline
Blubaugh, Doris Elaine
Bryan, Patricia May
Burns, Bridget Kathryn
Buterbaugh, Verna JoanClair, Margaret Lou
Crane, Helen Marie
Davies, Shirley Ann
Elliott, Nancy Louise
Gadd, Patsy Belle
Goldsborough, Catherine Cecelia
Hall, Betty Josephine
Jurasic, Bosilka
King, Joan Bernice
Klos, Martha Ann
Lillard, Jarvis Roxanne
MacVean, Jean Millar
Mann, Phyllis Ruth
Myers, Barbara Rae
Proskey, Barbara Joan
Pruitt, Mina Dolores
Roberts, Pauline Anna
Scarff, Martha Wheeler
Sholly, Marguerite Ann
Shook, Patricia Ann
Smith, Janet Lou Elizabeth
Smith, Joan Louise
Snyder, Sarah Grace
Taylor, Thelma Charlotte
Westphal, Dorothy Maude
Westphal, Margaret Alice
Wilcox, Mary Wolfe, Jean LaRue
Wyatt, Katherine Virginia
Zombro, Marie Gertrude
Creutzburg, Freda Lewis, 1898-1963
Nash, Jane Evans, 1880-1955
Elliott, Margaret, 1884-1966
Nursing students--Maryland--Baltimore--1950-1960
Graduation ceremonies--Maryland--Baltimore--1950-1960
Nurses--Maryland--Baltimore--1950-1960
Nursing schools--Faculty
Group portraits
Portrait photographs
Émile-Jean-Horace Vernet, known as Horace Vernet, was son of Antoine-Charles-Horace Vernet and grandson of Claude-Joseph Vernet, one of the leading French landscape painters of his period. He was one of the most prolific of French military painters, specializing in scenes of the Napoleonic era. He remained an ardent Bonapartist, and his chief work was the huge Gallery of Battles at Versailles, painted for Louis Philippe. A portrait of Napoleon and four battlepieces by him are in the National Gallery, London. He also did animal and Oriental subjects. From 1828 to 1835 he was Director of the French Academy in Rome.
Vernet developed a disdain for the high-minded seriousness of academic French art influenced by Classicism, and decided to paint subjects taken mostly from contemporary culture. Therefore, he began depicting the French soldier in a more familiar, vernacular manner rather than in an idealized fashion of David. Some of his paintings that represent French soldiers in a more direct, less idealizing style, include Dog of the Regiment, Trumpeter's Horse, and Death of Poniatowski. He gained recognition during the Bourbon Restoration for a series of battle paintings commissioned by the duc d'Orleans. Critics marveled at the incredible speed with which he painted. Many of his paintings made during this early phase of his career were considered to combine anecdotal accuracy with a charged romantic landscape. Examples of paintings in this style include the Battle of Valmy, the Battle of Jemappes, and the Battle of Montmirail.
Number:
175289
Date created:
1970
Extent:
1 photographic print : gelatin silver ; 10.5 x 13.5 in.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital School of Nursing--People
Almack, Deborah
Bickerton, MaryAnn
Blakeslee, Lynne
Bowers, Sally
Haber, Linda Cade
Centofanti, Lynnette (Lynette)
Coffin, Patricia (Pat) Lee
Combs, Karen
Day, Judith
Dieterle, Anne
Dorgan, Patricia D.
Fisher, Sherry
Floro, Eileen, P.
Null, Treen Funk
Hague, Roberta Lee
Hammer, Sandra Raye
Hirsch, Geraldine M.
Ireland, Susan
Jefferson, Patricia Ann
Jones, Lynne
Joseph, Anita M.
Keefe, Patricia
Keen, Mary Frances (Fran)
Kelley, Nancy J.
Knaub, Loretta E.
Kwartek, Zita
Nagy, Linda Sue Lane
Lappin, Kittrin L.
Montague, Sandra
Morris, M. Cynthia
Nizzardini, Carol
Payne, Laurie
Riegel, Jane
Schieve, Cecelia Loretta
Smith, Kay Ellen
Smith, Vicki Leigh
Schlicht, Janet (Jan) Snelson
Sullivan, Martha (Marty)
Kolbe, Sherry Sye
Timms, Eileen Tyrell
Upton, Carol
Vanaman, Martha Ann
Walsh, Sheila
Wood, Carol
Woodruff, Sherry
Collins, Barbara
Lyvers, Nona
Schieve, Cecilia
Corbett, Gayle
O'Connor, Christine Fowler
Magill, Patricia
Nursing students--Maryland--Baltimore--1970-1980
Nurses--Maryland--Baltimore--1970-1980
Portrait photographs
Group portraits
Fruit and vegetable vendors, Pike Place Market, Seattle, Washington
Photographer:
Depue, Earl B.
Subjects (LCSH):
Fruit trade--Washington (State)--Seattle
Vegetable trade--Washington (State)--Seattle
Pike Place Market (Seattle, Wash.)
Markets--Washington (State)--Seattle
Digital Collection:
Seattle Photograph Collection
content.lib.washington.edu/seattleweb/index.html
Item Number: SEA0468
Persistent URL:
content.lib.washington.edu/u?/seattle,821
Visit Special Collections reproductions and rights page for information on ordering a copy.
University of Washington Libraries. Digital Collections content.lib.washington.edu/
Number:
164499
Creator:
Brinley of Baltimore
Date created:
1965-08-27
Extent:
1 photographic print : col. ; 8 x 10 in.
Scope and content
Back row: 1) Linda Kay Morris Burdock; 2) Leeland Elizabeth Huesman; 3) Judith Ann Young; 4) unidentified; 5) Susan Elizabeth Smull; 6) Martha Lee Startt; 7) Margaret Arnold Fowler; 8) Karen Natalie Sager; 9) unidentified; 10) Sandra Joyce Smith; 11) unidentified; 12) Martha Jane Pyles Jolle; 13) Dedra Claire Peterson; 14) Beverly Ann Francis; 15) Stella Winskowski Montgomery; 16) unidentified; 17) Nancy Towson Realo; 18) Janice Simpson Todd Walter; 19) Gail Allison Keller; 20) Mary Ann DeSisco; 22) Doris Louise Davis; 23) Phyllis Jean Clingan Bohli; 24) unidentified. Front row: 1) Teresa Louise Mason; 2) unidentified; 3) Camille Mangogna; 4) unidentified; 5) Patsy Dorothy May Green; 6) Anna Rasmussen; 7) Jane Balfour; 8) Marjorie Maisak; 9) Barbara Eugenie Armiger; 10) Norma Cheryl Tammeta; 11) Patricia Lee Wilson; 12) Emily Jane Sharretts; 13) Deborah Elin Barnhart; 14) Patricia Marie Kniffin
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Church Home and Hospital (Baltimore, Md.). School of Nursing
Armiger, Barbara Eugenie
Barnhart, Deborah Elin
Bohli, Phyllis Jean Clingan
Creighton, Gayle Anne Rumminger
Davis, Doris Louise
DeSisco, Mary Ann
Fowler, Margaret Arnold
Francis, Beverly Ann
Fredericks, Sally Lou Wheeler
Freeman, Kathryn Lee Bloom
Green, Patsy Dorothy May
Huesman, Leland Elizabeth
Jolle, Martha Jane Pyles
Keller, Gail Allison
Kniffin, Patricia Marie
Magnogna, Camille
Mason, Teresa Louise
Montgomery, Stella Winskowski
Burdock, Linda Kay Morris
Owens, Patricia Marie
Peterson, Dedra Claire
Renneberger, Vivian Gail
Realo, Nancy Towson
Ruppersberger, Susan Ann
Sager, Karen Natalie
Sharretts, Emily Jane
Smith, Betty Sue
Smith, Sandra Joyce
Smull, Susan Elizabeth
Startt, Martha Lee
Tammeta, Norma Cheryl
Walker, Joyce Lynn
Walter, Janice Simpson Todd
Wilson, Patricia Lee
Young, Judith Ann
Nursing students--Maryland--Baltimore--1960-1970
Nurses--Maryland--Baltimore--1960-1970
Graduation ceremonies--Maryland--Baltimore--1960-1970
Nursing schools--Faculty
Group portraits
Portrait photographs
Daniel Vázquez Díaz was a Spanish painter.
Born in Nerva, Spain, Vázquez Díaz settled in Paris in 1918, where he found cubism to be the ideal form of expression. Unlike other artists such as Juan Gris, he was not an intellectual cubist; he used external forms and the morphology of cubism to redo his language, characterized by the use of sober and gray colors, and by the vigor of his planes.
These characteristics give a special solemnity to his works, considered by some authors to be in the style of Zurbarán, and also similar to those of his compatriot, friend and contemporary Eugenio Hermoso, with whom he made his first studies in Seville and in Madrid. Among his works are the portraits of outstanding artists and Spanish intellectuals of the 20th century, such as Unamuno, as well as the frescos that he painted in the La Rabida Monastery in 1930, dedicated to Christopher Columbus and his relationship with his native province.
As a professor of mural painting in Madrid, Vázquez Díaz had among his students Salvador Dalí, Jorge Gallardo and Modesto Ciruelos. After the Spanish Civil War, he continued teaching such artists as Rafael Canogar, and Agustín Ibarrola.
Díaz's paintings are showcased at the Museo de Arte Contemporáneo in Madrid.
Local Accession Number: Ms.3898.9 box 1, folder 6
Title: Lane, President, Boston Shipping Assoc. Teddie Gleason, Pres, I.L.A.
Creator/Contributor: Donna Paul Photography
Genre: Group portraits; Photographic prints
Date created: 1961-1993 (approximate)
Physical description: 1 photograph : print ; sheet 18 x 13 cm
Summary/Abstract: Arthur Lane and Teddy Gleason at the dedication of the International Longshoremen's Association Guaranteed Annual Income. Union Hall, South Boston. Left to right: Arthur Lane, President, Boston Shipping Association; Teddy Gleason, President, I.L.A.
General notes: Title supplied by Boston Public Library staff.
Acquisition notes: Donated by Arthur Lane.
Collection: Lane/Mead Boston Maritime Collection
Location: Boston Public Library, Rare Books Department
Rights: Rights status not evaluated.
I'll be honest, I got a little misty-eyed making this post. This was such a touching shoot to get to be part of. Read about why these friends are on a couch in a public park on my website.
Local Accession Number: 06_11_005107
Title: Woman wearing pearls and pointed hat
Statement of responsibility: Fritz Luckhardt. Photographer of the r. & imperial court of Austria in Vienna
Creator/Contributor: Luckhardt, Fritz, 1843-1894 (photographer)
Genre: Stereographs; Photographic prints; Group portraits
Date issued: 1850-1920 (approximate)
Physical description: 1 photographic print on stereo card : stereograph ; 9 x 18 cm.
General notes: Title supplied by cataloger.
Date notes: Date supplied by cataloger.
Subjects: Clothing & dress; Accessories (Clothing & dress); Women
Collection: Stereographs Collection
Location: Boston Public Library, Print Department
Shelf locator: Vienna, Austria
Rights: Rights status not evaluated
Number:
179622
Date created:
1971
Extent:
1 photographic print : gelatin silver ; 7.5 x 9.5 in.
Description:
Front row, from left to right: 1) Pearl; 2) Headings; 3) Thompson; 4) Cooke; 5) Fost; 6) Mishra; 7) Simon; 8) Thoene.
Second row, from left to right: 1) Sheff; 2) Parker; 3) Goldstein; 4) Shamma; 5) Olson; 6) Valle; 7) Schwarz; 8) Arkans; 9) Fleischmann.
Third row, form left to right: 1) Pacanowski; 2) Hanson; 3) Tardo; 4) Plotnick; 5) DeAngelis; 6) Hall; 7) MacLean; 8) Allen.
Fourth row, from left to right: 1) Williams; 2) Shapiro; 3) Tripp; 4) Fomufod; 5) Fields; 6) Hatch.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital. Department of Pediatrics--People
Pearl, Elliott R.
Headings, Dennis L.
Cooke, Robert E.
Fost, Norman C.
Mishra, Baruni
Simon, Frank A.
Thoene, Jess G.
Scheff, David Johathan
Parker, Winifred Berner
Goldstein, Penny
Shamma, Amal M. R.
Olson, Mary I.
Valle, David
Schwarz, Milton D.
Arkans, Howard D.
Fleischman, Alan R.
Pacanowski, John P.
Hanson, James W.
Tardo, Carmela L.
Plotnick, Leslie
DeAngelis, Catherine D.
Mandik, Judith (Judi)
MacLean, William C. Jr.
Allen, James R.
Williams, H. Stephen
Shapiro, Gail Greenberg
Tripp, Ray W.
Fomufod, Antoine K.
Fields, Alan I.
Hatch, Terry F.
Pediatricians
Group portraits
Portrait photographs
Notes: Photographer unknown.
Persistent URL: floridamemory.com/items/show/261015
Local call number: TD00330
Title: May Court in Tallahassee, Florida
Date: April 19, 1957
Physical descrip: 1 photonegative - b&w - 5 x 4 in.
Series Title: Tallahassee Democrat Collection
Repository: State Library and Archives of Florida
500 S. Bronough St., Tallahassee, FL, 32399-0250 USA, Contact: 850.245.6700, Archives@dos.myflorida.com
One of my responsibilities is being the Chairman of The Ashcombe Village Club. This evening we presented cheques totalling £10,000 this evening to Devon Air Ambulance, AIMS, Dawlish Youth Football, Ashcombe Church, Dawlish Disability Transport, Steps2Starz and The Addington Fund... on top of the £1,000 already given to Children In Need and £6,000 in other off-site money raising.
We've only got 80 adults in the village and about 200 members of the club, so it's punching above its weight! Oh yes and I have to be the official photographer too!
Number:
171751
Date created:
1933
Extent:
1 photographic print : gelatin silver ; 5 x 9 in.
Front row: 1) L. Kelley; 2) B. Tarkoff; 3) E. Swaney; 4) I. Boyer; 5) B. Ellmer; 6) M. Prime; 7) L. Shattuck; 8) V. Compton; 9) E. Stevens; 10) S. Johnson; 11) A. Koblarchick; 12) R. Crawford; 13) M. White; 14) M. Clark; 15) M. Troop; 16) T. Skrivan; 17) L. Van Horn. Second row: 1) P. Anderson; 2) P. Gattis; 3) R. Furlong; 4) N. Hackman; 5) A. Mustard; 6) M. Mann; 7) M. Mulson; 8) Miss Lawler; 9) Miss Hay; 10) M. Bard; 11) V. Fuller; 12) M. McIntosh; 13) P. Hodges; 14) N. Replogle; 15) M. Wilbur; 16) E. Willmore; 17) L. Schulze. Third row: 1) V. Marshall; 2) M. Mears; 3) C. Waldron; 4) E. Nemecek; 5) M. Davis; 6) M. Argo; 7) S. Doggett; 8) M. Seeds; 9) K. Petzold; 10) E. Johnson; 11) M. Hoch; 12) L. Marshall; 13) A. Megules; 14) C. Merrill. Back row: 1) M. Rinehart; 2) L. McGranahan; 3) G. Hawley; 4) A. Bowman; 5) G. McCuen; 6) G. Alt.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital School of Nursing--People
Alt, Grace E.
Mahoney, Pauline Anderson
Argo, Myrtle B.
Vinczeller, Marian Bard
Betzold, K. Virginia
Bowman, Anita Grace
Maxwell, Inez Boyer Robson
Hisle, Margaret Clark
Mulford, Virginia Compton
Crawford, Rose
Sarney, Eugenia Davis
Joerger, Sarah Doggett
Elmer, Blanche
Walton, Virginia A. Fuller
Furlong, Rose Lilyan
Gatts, Patsy
Hackman, Naomi Ruth
Oard, Gertrude Hawley
Hoch, Margaret A.
Hopkins, Pauline Hodges
Powers, Esther Johnson
Johnson, Sara M.
Daniel, Lillie Kelley
Koblarchick, Anna May
Feldman, Marjorie Mann
Marshall, Lilyan May
Parsons, Virginia Marshall
Richardson, Margaret McIntosh
McCuen, Georgia
McGranahan, Lois
Mears, Margaret C.
Cousins, Agnes M. Megules
Cover, Carolyn Merrill
Dalton, Madeleine Mulson
Mustard, Alice Isabel
Nemecek, Emelia P.
Nickel, Marjorie Prime
Fenn, Nannie Mae Replogle
Moran, Irene Rinehart
Lawrence, Leona Schulze
Seeds, Margaret
Richardson, Louise Shattuck
Skrivan, Theresa
Stevens, Elizabeth R.
Swaney, Edith M.
Tarkoff, Bessie
Troop, Mary Elizabeth
Van Horn, Lena
Waldron, Catherine
Brandt, Mary Eleanor White
Henninger, Mabel E. Wilbur
Wilmore, Emma Rachel
Lawler, Elsie M.
Nursing students--Maryland--Baltimore--1930-1940
Nurses--Maryland--Baltimore--1930-1940
Graduation ceremonies--Maryland--Baltimore--1930-1940
Portrait photographs
Group portraits
Notes: Photographer unknown.
Ffotograffydd/Photographer: Mary Dillwyn (1816-1906)
Dyddiad/Date: c.1853
Cyfrwng/Medium: Salt print
Cyfeiriad/Reference: mdl00044
Rhif cofnod / Record no.: 3377381
Rhagor o wybodaeth am Ffotograffiaeth Gynnar Abertawe yn Llyfrgell Genedlaethol Cymru
More information about Early Swansea Photography at the National Library of Wales
Number:
164546
Date created:
1975-06-11
Extent:
1 photographic print : col. ; 8 x 10 in.
Scope and content:
Back row: 1) Maryellen Zakwieia; 2) Beverly Ann Dudley; 3) Daria Christine Malan; 4) Pamela Carol Wright; 5) Laura Edith Sabo; 6) Teri Lura Fink Miller; 7) Raymond Peter Naylor; 8) Gloria Imelda Watts; 9) Virginia Lee Cline; 10) Vicky Sewall; 11) Virginia Huss; 12) Karen Elizabeth Cordell; 13) Dana Sue Garber. Middle row: 1) unidentified; 2) Sue Carol Shankster; 3) Patricia Lee McNeir; 4) April Kristy Harrison; 5) Deborah Fay Pineda; 6) Pace Randal Jagodzinski; 7) Martha L. Wheeler; 8) Tamsen Hooper Smith; 9) C. Karen Covey Moore; 10) Bonnie Celeste Howell; 11) Patricia Marilyn Dick; 12) Erica Ann Grayston; 13) Susanne Lee Cannon; 14) Karen Draper Hill; 15) Mary Claire S. Harris. Front row: 1) unidentified; 2) Julia Gibson Dryden; 3) Linda Grace Neightoff; 4) Patti Joe Horst; 5) Barbara Lynne Bowen; 6) Carole Ann Weeks; 7) Linda Marie Brown; 8) Elaine Carol Dunkelberger; 9) Katherine Margaret Gardner; 10) Beverly Ann Reid; 11) Cynthia Ann Norman; 12) Anita Wendy Shauck; 13) Carol Lynn Volz; 14) Rose Marie Seek France; 15) Angela Marie Lilli; 16) unidentified.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Church Home and Hospital (Baltimore, Md.). School of Nursing
Adams, C. Karen Covey
Bowen, Barbara Lynne
Brown, Linda Marie
Cannon, Susanne Lee
Cline, Virginia Lee
Cordell, Karen Elizabeth
Dick, Patricia Marilyn
Dryden, Julia Gibson
Dudley, Beverly Ann
Dufour, Vickie Lynn
Dunkelberger, Elaine Carol
Miller, Teri Lura Fink
Garber, Dana Sue
Gardner, Katherine Margaret
Grayston, Erica Ann
Harris, Mary Claire S.
Harrison, April Kristy
Hill, Karen Draper
Horst, Patti Joe
Howell, Bonnie Celeste
Huss, Virginia
Jagodzinski, Pace Randall
Lilli, Angela Marie
Malan, Daria Christine
McNeir, Patricia Lee
Naylor, Raymond Peter
Neighoff, Linda Grace
Norman, Cynthia Ann
Pace, Dorcas Cherith
Pineda, Deborah Fay
Reid, Beverly Ann
Sabo, Edith Laura
France, Rose Marie Seek
Shankster, Sue Carol
Shauck, Anita Wendy
Smith, Tamsen Hooper
Volz, Carol Lynn
Watts, Gloria Imelda
Weeks, Carole Ann
Wheeler, Martha L.
Wright, Pamela Carol
Zakwieia, Maryellen
Nursing students--Maryland--Baltimore--1970-1980
Nurses--Maryland--Baltimore--1970-1980
Graduation ceremonies--Maryland--Baltimore--1970-1980
Nursing schools--Faculty
Group portraits
Portrait photographs
Notes:
Photographer unknown.
Jack Vettriano OBE born Jack Hoggan is a Scottish painter. Vettriano's breakthrough year was 1988, when he submitted two canvases for the Royal Scottish Academy annual show. Both paintings sold on the first day and Vettriano was approached by several galleries who wanted to sell his other work. Further successful exhibitions followed in Edinburgh, London, Hong Kong, Johannesburg, and New York. His paintings are reminiscent of the film noir genre, often with romantic or nude themes.
His original paintings now regularly fetch six figure prices, but he is thought to make more money from the sale of reproductions. According to The Guardian, he earns £500,000 a year in print royalties.
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.
Oil on canvas; 151.6 x 112.6 cm.
Emanuel Phillips Fox was an Australian Naturalist painter. He was born in Melbourne, Victoria. He studied art at the National Gallery School in Melbourne from 1878 until 1886 under G. F. Folingsby, his fellow students included John Longstaff, Frederick McCubbin, David Davies and Rupert Bunny. In 1886 he went to Paris and enrolled at the Académie Julian, where he gained first prize in his year for design and Ecole des Beaux Arts (1887-1890), where his masters included Adolphe William Bouguereau and Jean-Léon Gérôme, both among the most famous artists of the time. While at Beaux Arts he was awarded a first prize for painting. He was greatly influenced by the fashionable school of en plein air Impressionism. He exhibited at the Paris Salon in 1890, and returned to Melbourne in 1891.
In 1892, Fox opened the Melbourne Art School where he taught European ideas and techniques. He had a considerable influence on Australian art during this period. In his brief career with the Heidelberg School Fox was noted for his figure compositions and subdued landscapes, often painted as nocturnes, utilizing a low-key palette in which the colors, although limited in range, were related to each other "with the utmost delicacy and inventiveness," to quote Australian art scholar James Gleeson. In 1907 he became a full member of the Société Nationale des Beaux Arts, the first Australian artist to attain that honour. He was also exhibiting regularly at the Royal Academy. In 1912 he was elected a member of the International Society of Painters and in the same year spent some time painting in Spain and Algeria.
Oil on canvas; 192.2 x 265.4 cm
Emanuel Phillips Fox was an Australian Naturalist painter. He was born in Melbourne, Victoria. He studied art at the National Gallery School in Melbourne from 1878 until 1886 under G. F. Folingsby, his fellow students included John Longstaff, Frederick McCubbin, David Davies and Rupert Bunny. In 1886 he went to Paris and enrolled at the Académie Julian, where he gained first prize in his year for design and Ecole des Beaux Arts (1887-1890), where his masters included Adolphe William Bouguereau and Jean-Léon Gérôme, both among the most famous artists of the time. While at Beaux Arts he was awarded a first prize for painting. He was greatly influenced by the fashionable school of en plein air Impressionism. He exhibited at the Paris Salon in 1890, and returned to Melbourne in 1891.
In 1892, Fox opened the Melbourne Art School where he taught European ideas and techniques. He had a considerable influence on Australian art during this period. In his brief career with the Heidelberg School Fox was noted for his figure compositions and subdued landscapes, often painted as nocturnes, utilizing a low-key palette in which the colors, although limited in range, were related to each other "with the utmost delicacy and inventiveness," to quote Australian art scholar James Gleeson. In 1907 he became a full member of the Société Nationale des Beaux Arts, the first Australian artist to attain that honour. He was also exhibiting regularly at the Royal Academy. In 1912 he was elected a member of the International Society of Painters and in the same year spent some time painting in Spain and Algeria.