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Dougherty Mission House-Facing Southwest
Here Rev. Peter Dougherty and his wife, Maria Higgins, conducted their Indian mission.
Built in 1842, the first frame house in the Grand Traverse region.
The Dougherty Mission House is a two-story symmetrical frame structure on a fieldstone foundation with a side-gable roof and centered front gable. The sides are clad with clapboard siding and the roof with cedar shingles. There are attached porches on three sides of the house, and a kitchen addition at the rear that was likely added in the late 19th century. The front facade has a full-width porch with a center entrance. Four windows line the first floor around the entrance, placed nearly regularly, save for one offset window. The second floor has a center sash window located in the gable, flanked by two smaller eyebrow windows.
One side of the house has six windows in the main section: three on the first floor, two on the second, and one in the attic.[5] The other side lacks the attic window. There are additional windows in the rear and in the kitchen addition.
The interior of the house contains 1160 square feet of space on each floor, plus an additional 370 square feet in the kitchen addition. The first floor contains eight rooms: a front entryway, parlor, and master bedroom, plus a second bedroom, two smaller rooms, a small bathroom, and the kitchen in the rear. A stairway leads to the second floor, where six bedrooms open off a central hall.
Also on the grounds are an original detached kitchen, an outhouse, and an ice house. The nearby replica mission church is a single-room front-gable log building.
Computer designed highly detailed film frame with space for your text or image. Nice grunge element for your projects. More images like this in my portfolio
I really like this one. I was playing around with natural framing and deliberately wanted to create a photograph that would mess with your eyes. There are three subjects here, and you have to consider each one separately or your eye starts jumping around.
For the first time since I started posting on flickr, we decided to frame and mat and display some of my photos. This was taken during our trip to Georgia Southern University. We hung the photo in our bedroom. See the original photo here.
There was a little abandon cabin before this mountain scape so it made a natural frame around the Grand Tetons.
For processing, this was an HDR image (including 11 images - the interior was extremely dark) then I pumped it up a bit in Lightroom and applied the following effects in Perfect Effects 4: Green Enhancer, Just enough darkness, Magic desert, sharpening and a vignette.
These etchings are pieces I did when I was a printmaker in the seventies. So I have all these prints hanging around and I thought it would be nice to build some frames which really integrated with the art. Sort of enlarged the idea behind the print. Thus, my new category of 'framed art'.
#AbFav_IN_THE_FRAME_️
Walking around, eyes wide open, always looking for THE SHOT...
And then, you'll see the strangest images, that make one smile.
With love to you and thank you for ALL your faves and comments! M, (* _ *)
For more: www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved
Frame, people, dogs, ducks, windows, car, bicycle, safety, colour, Africa, Europe, horizontal, NikonD7000, "Magda indigo"
Seen from a slightly unusual angle at the corner of Morley and Cobden Streets, this is the fine Fifteenth Century Gainsborough Old Hall. Timber framed, but with parts having an early brick skin, the Hall has been the Town's centrepiece for over 600 years.
The Hall was built (largely) by the Yorkist Lord of the Manor, Sir Thomas Burgh, who entertained King Richard III here in 1470. However, the house was built on the site of a much earlier dwelling, and there is evidence to suggest that there are few sites in England where a house has stood longer.
In 1596 the house was sold to a London Merchant, William (later Sir William) Hickman, and he added the East Wing between 1597 and 1600. In 1720 his decendent, Sir Neville Hickman moved out of the Old Hall, and into a new dwelling at Thonock, about 2 miles away.
By the early 1950s, the building was in a parlous state, and was donated to the Town. Gainsborough Urban Distric Council had plans to demolish the building and build a car park on the site, but fortunately this never came to pass. Thanks to the work of local volunteers, especially Mr Harold Brace and the group he founded - the Friends of The Old Hall, the building was not demolished. Instead the building was restored between the late 1950s and the early 1980s, and is now run by English Heritage, and a visit can not be recomended highly enough.
Camera: Nikon F5
Lens: Nikkor 35-70mm zoom
Film: Fujicolor C200
Frame :*SURLY* cross-check CUSTOM PAINT by Cook Paint Works
Headset :*PHILWOOD*
Wheels :*H PLUS SON* the box × *GRAN COMPE* small track hub
Tire :*PANARACER* pasela tire
Brake Lever :*PAUL* love lever compact
Crankset :*SUGINO* RD2BX
Brake :*PAUL* neo retro × touring canti brake
Brake hanger:*PAUL* funky monkey front
Handle :*NITTO* b602F bosco bar
Saddle :* BROOKS*b17
Front Rack :*NITTO* M-1B BL special front rack + *WALD* 137 basket
Stem :*FAIRWEATHER* MT-31 side clamp stem
Grip :*BROOKS* slender leather grip
Pedal :*MKS* PAMBDA pedal
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Framed miniature paintings, frames, and stands by Fabergé. Made about 1895 to 1900. The workman was Mikhail Evlampievich Mirkhin. The miniaturist was Johannes Zehgraf.
Left: Czar Nicholas II.
Right: Grand Duchess Olga.
Of gold, ruby, diamond, gouache, ivory, and glass.
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© Kaaviyam Photography - All Rights Reserved. Text and images by Kaaviyam Photography are the exclusive property of Kaaviyam Photography protected under international copyright laws. Any use of this work in any form without written permission of Kaaviyam Photography will result in violations as per international copyright laws.
Read the post about the glulam beams at akhouseproject.com
Note that the framing pictured here was demolished due to extensive and unfixable construction defects.
This photo is provided under a Creative Commons Attribution license. Please provide the following credit: "Photo courtesy Paxson Woelber, akhouseproject.com"
Combines the core torso of the Conscript with the arms and legs of the Zealot, and then with giant eagle wings.
The trees as framers stand for inevitable connection, almost a net, connecting all different elements, making it a whole. “Framed Ben” has many conceptual levels. It mocks the touristy postcard landscapes, depicts a city as a “modern jungle” but more importantly sends a message of connection. History, present, architecture, technology, people, nature… Everything is connected, linked. It is our territory, our world, and our net.
I took this within the Lampshade installation in iLights 2016, designed by Snøhetta , Norway. I found the gaps between the structural frame to be quite interesting, and circled the exhibit numerous times finding interesting subject to fill the frames.
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Copyright © 2016 Wei Kiat.
All rights reserved.
Drop me a email (kiatography@gmail.com) if you wish to purchase my images.
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