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Our polka dot moth caterpillars [Syntomeida epilais] have coccooned right up and formed chrysalis'.
The long "hairs" on the caterpillar seem to have exploded outward into the web of the coccoon!
Cut up milk jug strips, bonded wax paper with rubber cement, and created molds with masking taping. Surprisingly effective.
formed by accumulation of iron oxide around outlets of three cold mineral springs. the greenish colour is the result of the mixing of fresh water.
A Coleção fotográfica faz parte integrante da cobertura efetuada durante a mesa redonda, realizada a 27 de outubro no Auditório da ESTIG, com Ricardo, ex-guarda redes da Selecção Nacional, e Rui Dias (Director Criativo da Sporting TV)
Todas as fotografias estão otimizadas para a internet e fazem parte do espólio do Instituto Politécnico de Beja. Nenhumas das fotografias podem ser reproduzidas, no seu todo ou parcialmente, de forma eletrónica ou impressas, sem a autorização do IPBeja. Para adquirir fotografias com maior resolução contacte o Gabinete de Imagem e Comunicação do Instituto Politécnico de Beja através dos seguintes mail:
gicom@ipbeja.pt
apassarinho@ipbeja.pt
jdomingos@ipbeja.pt
Site Institucional: WWW.ipbeja.pt
38° 00' 46.87''N
7° 52' 22.19''W
Sunrise illuminated the rocky shore, making millions of beautiful forms along the water's edge.
Part of the set, Crete.
I bought a pair of wooden shoe forms one day at a local thrift shop for 99 cents... have since bought two more pairs — guess that means I'm collecting them now!
I also bought a bunch of little glass drinking glasses (various shapes and sizes) at a local junk shop, they are perfect vases when our Lily of the Valley is in bloom!
A Coleção fotográfica faz parte integrante da cobertura efetuada durante a mesa redonda, realizada a 27 de outubro no Auditório da ESTIG, com Ricardo, ex-guarda redes da Selecção Nacional, e Rui Dias (Director Criativo da Sporting TV)
Todas as fotografias estão otimizadas para a internet e fazem parte do espólio do Instituto Politécnico de Beja. Nenhumas das fotografias podem ser reproduzidas, no seu todo ou parcialmente, de forma eletrónica ou impressas, sem a autorização do IPBeja. Para adquirir fotografias com maior resolução contacte o Gabinete de Imagem e Comunicação do Instituto Politécnico de Beja através dos seguintes mail:
gicom@ipbeja.pt
apassarinho@ipbeja.pt
jdomingos@ipbeja.pt
Site Institucional: WWW.ipbeja.pt
38° 00' 46.87''N
7° 52' 22.19''W
El Pleno de la Cámara de Diputados aprobó en lo general y en lo particular y en tiempo y forma el Presupuesto de Egresos de la Federación para el Ejercicio Fiscal 2012, por un monto de 3 billones 706 mil 922 millones 200 mil pesos. Se envía al Ejecutivo para sus efectos constitucionales. Participación de Diputados del PRI.
Anish Kapoor in Pitzhanger Manor, optical tricks with mirrors and metal
Anish Kapoor
(March to August 2019)
Within the newly restored gallery, with its three circular skylights, Kapoor’s sculptures challenge our traditional notion of form and space by disorientating the viewer and transforming their surroundings.
These sculptures echo Soane’s complex use of mirrors and light and will enable visitors to Pitzhanger to see Soane’s architecture from a fresh perspective.
[Pitzhanger Manor & Gallery]
Pitzhanger Manor was bought by Sir John Soane (1753-1837) in 1800. He demolished most of George Dance's building but retained the southern extension, replacing the main block with one of his own design. In the same year Soane employed John Haverfield to produce new designs for the grounds which were delivered by September 1800 (guidebook). The new mansion was used to display Soane's art collection and for entertaining, his Lincoln's Inn house being retained as the family residence. By 1809 Soane was only occasionally at Pitzhanger and in June of that year he instructed James Christie to sell the house and the estate. Once again the property passed through a series of owners until, in 1843, it was sold to the politician Spencer Walpole and became the home of his four unmarried sisters-in-law, the daughters of the Rt Hon Spencer Perceval. Prior to the death aged ninety-five of the last-surviving Perceval sister, Frederika, in May 1900, her nephew, Sir Spencer Walpole, had begun negotiations with Ealing District Council for the sale of the house and the estate. The sale negotiations were completed early in January 1900 and, following Miss Perceval's death, alterations were carried out. The then Borough Surveyor, Charles Jones, was responsible for the designs for the alterations to the house and grounds and in April 1902 the building was opened as a public library. At the time of the sale, the property was variously referred to as Manor House Park (Middlesex County Times, 19 May 1900) and Perceval Park (Middlesex County Times, 28 July 1900). The name Walpole Park was adopted after communications between the last owner and Ealing Borough Council towards the end of 1900.
Further major alterations to the library building were completed by 1940 and then, in 1984, the Central Library was moved to new premises in Ealing. The following year a continuing programme of restoration and repair to both the mansion and the grounds began. The restored manor house was reopened as a museum and centre for cultural events in the late 1990s. The grounds continue (2000) in the ownership of the London Borough of Ealing.
[Historic England]
Life Drawing
Through my sixth form I have had the wonderful opportunity to take two life drawing courses with a selection of models and a specialist instructor. On the course I was guided to quickly sketch using a variety of different techniques whilst using an array of mediums. This really helped my practical ability and has defiantly improved my spatial and compression skills as this was what was focused upon. At the end of the course I was asked to use the sketches I took to make a painting in a unique style.
Formed from the Bungarider Fault, one of three large faults in a NW-SE direction on the proprerty.
PS Breccia is an Italian word with the 'cc' presumably pronounced as in capuccino (which would have been nice in the remote location!)
you could always encounter the same few lichen species but their random arrangement always draws new landscapes
To take this shot was a little exhausting. It took me a while to create a nice look of different light forms...something like...100 pictures later .....
This picture has no mainpulation at all, just the frame around it.
Maybe someone can give me some critics about the picture. I know, it's not perfect, but it's a beginning for creativity
Enjoy!
Shape is an area enclosed by a line. It visually describes an object. It is two-dimensional with height and width. Shapes can be geometric with straight edges and angels, such as squares, rectangles, or triangles or circles; or they can be organic with irregular and curvilinear lines. Organic shapes are found in nature-seashells, flower petals, insects, animals, people!
Form looks like a three-dimensional shape. The object looks as if it has height, width and depth. Artists use shading to create the illusion of form. The shading indicates depth by creating shadows.
Now it's your turn to create shapes and forms.
Divy Rollform Limited set technologically advanced manufacturing facility for manufacturing high quality Cold - Roll Formed Sections & Profiles
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.