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"Aboriginalities" is an exhibition to immerse into the universe of Aboriginal painting – an art form that is both ancestral and contemporary, always rooted in spirituality (Exhibition 2021 at Royal Museums of Fine Arts of Belgium).
As a window on the spiritual, Aboriginal art tells the story of the creation of the world – called "Dreamtime"* – and the original link between humans and the earth. The numerous motifs (dotted lines, spirals, zigzags, crosshatching...) are passed down from generation to generation by members of the same community, concealing centuries-old secrets as well as a map of their territory. This ancestral and highly symbolic art form was originally concealed: drawn in the sand or applied on rocks on territories forbidden to laypersons. But in the early 1970s, amidst struggles for the recognition of an Aboriginal identity, the Papunya Tula community translated their cultural practices and symbolic knowledge through paint. Using non-traditional methods borrowed from Western culture (acrylics, brushes, cardboard and later canvas), the indigenous people of Australia found a modern way to express their cultural, political, social and economic struggles.
City of Rocks State Park
Grant County, New Mexico
The bedrock forming City of Rocks was created 34.9 million years ago by a volcanic eruption. Then over millions of years, erosion sculpted the rock formations seen today.
The eruption was from the Emory Caldera, centered near Hillsboro Peak at the southern end of the Black Range. The eruption was estimated to be a VEI 8 eruption, and it emplaced the Kneeling Nun Tuff, a tuff bed covering an area of 314-square-mile (810 km2), which makes up the bedrock of the park.
The rocks formed were shaped by the weathering of ash-flow tuff, through a combination of freeze-thaw cycles and plant growth. Water enters the crevices, expands when freezing, which widens the cracks. Plant growth in the cracks also contribute to the expansion of the cracks.
The site of the new Sixth Form “College” adjacent to Morrison’s. Interserve very Welsh Language Act compliant with their entrance control hut being both “Porthdy” and “Gatehouse”.
Markarian's Chain is a stretch of galaxies that forms part of the Virgo Galaxy Cluster. When viewed from Earth, the galaxies lie along a smoothly curved line. The two brightest galaxies in the chain from left to right are M86 and M84. At bottom left of this image is M87, also known as "Virgo A" an elliptical galaxy with a linear diameter of 120,000 light years. Virgo Galaxy Cluster contains about 1300 galaxies and lies about 50 million light-years distant.
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Jacques Maritain held form to be that principle of perfection of a being which accounts for its essence and qualities. He also termed it “the ontological secret that [things] bear within them . . . their operating mystery. . . above all the proper principle of intelligibility, the proper clarity of every thing . . . a vestige or a ray of the creative intelligence at the heart of created being”. 3 Form is the reason we can know and understand reality, and thus it is a source of light in things, the light by which we grasp and appreciate them. Form, therefore, manifests the inner radiance of things, their particular reflections of the divine fullness.
-THOMAS DUBAY, S.M. THE EVIDENTIAL POWER OF BEAUTY
Henry Moore 'Reclining Connected Forms' 1969, Nelson-Atkins Museum Sculpture Park, Kansas City, Missouri
Colecciones de LEONCIO GARCIA-CASTILLA AVILA
Una de las mejores formas de conocer la historia de un pueblo es a través de sus imágenes; en ellas se conserva no sólo su realidad tangible, calles, plazas, monumentos, sino también sus costumbres, fiestas, tradiciones, lenguaje, indumentaria, gestos y miradas, que nos dicen sin palabras como se vivía, cuales eran sus esperanzas y temores, qué había en su pasado, qué esperaban del futuro. Uno de los objetivos más ambiciosos es recuperar y catalogar todo el material gráfico existente en nuestra familia desde 1.915, para después ponerlo a disposición de vosotros, que la historia volviera a sus protagonistas, y los que aún siguen con nosotros pudieran disfrutar con ello. VISITA La colección "CIEN AÑOS DE FOTOGRAFÍA FAMILIA MORENO (1915-2015)" en www.josemariamorenogarcia.es y www.madridejos.net
The Source is the heart of all things, of all appearances, of all forms that soon deform themselves, to be transformed into new forms, which soon will be deformed too, but the heart, blind to all, remains as the Source. Silence is the Source of the sound, of the music, of the whisper, of the loud speak! All this is changing, but not the Silence! The Silence remains silent!~M. Gualberto ⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ Here we are before this silence ...the finding of this Silence. Truth is what we are, not what with which we identify ourselves in this illusory experience, this dual experience - "I and the world."So, the relationship between consciousness - that is what perceives - and what is perceived, in fact, is an illusion.The body, the mind and the world, as any experience, appear in this Consciousness and they are not separate from It. There is no separation. ~Master Gualberto ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ A Fonte é o coração de todas as coisas, de todas as aparições, de todas as formas que logo se deformam, para se transformarem em novas formas, que logo vão se deformar também, mas o coração, cego de tudo, permanece como a Fonte. O Silêncio é a Fonte do som, da música, do sussurro, da fala alta! Tudo isso está mudando, mas o Silêncio não! O Silêncio permanece em silêncio! O som pode ser musical, estridente; pode ser a voz humana, o gorjear de pássaros, gritos, sussurros, mas o Silêncio não muda! ~M. Gualberto ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ ▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ #ramanashramgualberto #mestregualberto #satsang #ramana #ramanamaharshi #yogi #gratidão #namaste #god #zen #love #awareness #quoteoftheday #paradigmshift #wellness #Graça #loveandlight #omshanti #goodvibes #meditacao #pazinterior #osho #freedom #awakening #om #meditation #enlightenment #buddha #papaji ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Students enrolled in the “Improvisational Forms” dance course at Wesleyan University performed May 6 and May 8 at various locations, and on objects, around campus. The class is designed to explore various approaches to dance improvisation. Students learn to expand movement vocabulary, increase compositional awareness, develop their creative thinking and observational skills, and sharpen their performance presence.The class is taught by Susan Lourie, adjunct professor of dance. (Photos by Olivia Drake)
Some of these were black like this and some were a greyish color. For margined blister beetle the bug guide Identification goes: "Occurs in 3 color forms, cinereous, margined and black; intermediates are known, check (1); enlarged palpi and the slender, rather filiform antennae separate funebris from cinerea, pensylvanica and other similar things." Being naturalist-challenged, I don't fully understand those words so any ID help or confirmation would be appreciated. The flower is whole-leaf rosinweed.
Margined Blister Beetle: bugguide.net/node/view/23802
Could also be black blister beetle: bugguide.net/node/view/23806
A two-car train of F79.2 stock (formed of cars 2674 and 2675) stands at Hauptbahnhof, the western terminus of Berlin's shortest U-bahn line, the U55, which only had three stations.
Completion of the planned U5 extension from Alexanderplatz westwards to the new Hauptbahnhof was delayed when Berlin city council suffered a major financial crisis. Construction had, however, begun in 2000, and money had been accepted from the federal government which would have to be returned if no trains ran on the line before a certain date. A compromise was reached whereby the almost complete westernmost section, from the new Berlin Hauptbahnhof to Brandenburger Tor (with one intermediate station, at Bundestag) and 1.8km long, would open as a single track route with no signalling and just one train running back and forth; the U55 was born, and opened in August 2009.
It was operated with four F79 stock units, dedicated to the isolated route. The basic F stock design dates from 1974, but there were several versions of it, designated F74, F76, F79, F84, F87, F90 and F92, with the F79 built in three batches (1977-78, 1978-79 and 1980-81). They are two-car units.
The U5 extension was finally completed over a decade later, and opened throughout (as a twin-tunnel route) in December 2020, and the U55 ceased to exist.
(LtoR) Row 1 [1] xxx [2] xxx [3] xxx [4] GD Raj Kumar [5] Harbajan Singh [6] Chia Keng Boon [7] xxx [8] xxx [9] xxx
Row 2 [1] xxx [2] xxx [3] xxx [4] xxx [5] xxx [6] xxx [7] xxx [8] xxx [9] xxx [10] xxx [11] xxx
Row 3 [1] xxx [2] xxx [3] xxx [4] xxx [5] xxx [6] xxx [7] xxx [8] xxx [9] xxx [10] xxx [11] xxx [12] xxx
Photo contributed by The Tarsian 1972
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Positive Runway Global Catwalk African Fashion Show African Ambassadors & Diaspora Interactive Form AAIF United Nations buildings International Maritime Organization HQ IMO London. Photo Opportunity with Epi Mabika and Meeta Joshi
Big Eastern Barista Competition & Brewer's Cup 2014, co-hosted by Dallis. Bros Coffee and Counter Culture Coffee at the Cotton Room, Durham, NC
15th June 2012, Dunhuang, Gansu, China
UNESCO World Heritage Site
The Mogao Caves or Mogao Grottoes 莫高窟; form a system of 492 temples 25 km southeast of the center of Dunhuang, an oasis strategically located at a religious and cultural crossroads on the Silk Road, in Gansu province, China. The caves contain some of the finest examples of Buddhist art spanning a period of 1,000 years. The first caves were dug out 366 AD as places of Buddhist meditation and worship.[2] The Mogao Caves are the best known of the Chinese Buddhist grottoes
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husbandâs passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as âCourtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment