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Don Stephen Senanayake (October 20, 1884–22 March 1952) was an independence activist who formed the Sri Lankan United National Party, which demanded independence from Britain. He became the first Prime Minister of what was then Ceylon (later called Sri Lanka) from 1947 to 1952.
Brought up in a devout Buddhist family, he entered a Christian school on his father's orders, and converted to Christianity. An intelligent student, he quickly found work in the Surveyor General's office before working as a supervisor on his father's plantation.
He entered politics at the age of thirty-eight, and in 1931 became Minister of Agriculture and Lands. He combatted Sri Lanka's agricultural problems effectively, and established the LDO, an agricultural policy that countered Sri Lanka's rice problems. This policy earned him respect, and he continued to be a minister for fifteen years. He also enforced "Agricultural Modernisation", which increased production output. However, he resigned in 1946 and fought for Sri Lanka's independence. In only a year he succeeded, and was elected as Sri Lanka's first Prime Minister. He refused a knighthood, but maintained good relations with Britain. He boldly made plans to spread out the population, and his Gal Oya scheme relocated over 250,000 people. His other plans included the increase of hydroelectric power, but he was killed in an unexpected horse-riding accident at the age of sixty-eight.
His son, Dudley Shelton Senanayake (1911–1973), succeeded him as Prime Minister in 1952, followed by another relative, Sir John Kotelawala (1897–1980) in 1953, but this nine-year family dynasty was ended by a landslide victory for Solomon West Ridgeway Dias Bandaranaike in 1956, campaigning under the "Sinhala Only" slogan. Dudley Senanayake regained the Prime Ministership in 1960, and again from 1965 to 1970).
D.S Senanayake is respected by Sinhalese and some muslims. However, Tamils were not happy with his citizenship laws that disenfanchised virtually all Tamils of recent Indian origin living in the central highlands. His bold agricultural plans and pro-Western policies, however, attracted criticism for their modern and untraditional nature. Under his family's leadership, Sri Lanka's economy flourished, and D.S Senanayake holds is still known as "The Father of Sri Lanka". He was however later linked to the Church of Scienttology, and theories exist suggesting that his death was far more sinister than first thought.
"Colour Form View Dress"
rapu caluson x mayako nakamura
MODESTE cafe・gallery / Hachioji, Tokyo
2013.08.20-25
www.modeste.info/mayako.rapu.tenji.html
いろ かたち みる まとう
rapu caluson x mayako nakamura
MODESTE cafe・gallery / 八王子
2013.08.20-25
www.modeste.info/mayako.rapu.tenji.html
ワークショップを開催いたします
Name: Kamen Rider Kuuga (仮面ライダークウガ)
Form: Dragon form
Series: Kamen Rider Kuuga
Official Video: www.youtube.com/watch?v=o9fEMLIRtnk&t=2s
This is my channel: www.youtube.com/channel/UC9ZlM…
Facebook page: www.facebook.com/demon1408/
Twitter: twitter.com/demon14082000
While alive, Harry Houdini could escape any form of man-made bonds. Chains, ropes, padlocks, handcuffs, even specially made cuffs.
He also dabbled in séances. Some believed he could conjur and speak with the deceased.
Harry Houdini promised that if there was life after death, he would return and speak to us. My father and I are magicians and members of MAES; Magicians of the Eastern States.
Harry Houdini...Eric Weiss died on Halloween day.
We magicians still await your other-wordly message.
Halloween Day 31
May the dead find their way to eternal rest this night.
The lava met the water and formed what is called the "dragon's tail". People were actually hiking out on this very rough and rugged structure. I cut my leg on some of the lava rock.
A look around the Piazza dei Miracoli
The Piazza dei Miracoli (English: Square of Miracles), formally known as Piazza del Duomo (English: Cathedral Square), is a walled 8.87-hectare area located in Pisa, Tuscany, Italy, recognized as an important center of European medieval art and one of the finest architectural complexes in the world. Considered sacred by the Catholic Church, its owner, the square is dominated by four great religious edifices: the Pisa Cathedral, the Pisa Baptistry, the Campanile, and the Camposanto Monumentale (Monumental Cemetery). Partly paved and partly grassed, the Piazza dei Miracoli is also the site of the Ospedale Nuovo di Santo Spirito (New Hospital of the Holy Spirit), which houses the Sinopias Museum (Italian: Museo delle Sinopie) and the Cathedral Museum (Italian: Museo dell'Opera del Duomo).
The name Piazza dei Miracoli was coined by the Italian writer and poet Gabriele d'Annunzio who, in his novel Forse che sì forse che no (1910), described the square as the "prato dei Miracoli," or "meadow of miracles". The square is sometimes called the Campo dei Miracoli (Field of Miracles). In 1987, the whole square was declared a UNESCO World Heritage Site.
You first see the Pisa Baptistery, to the left of the Cathedral and Leaning Tower.
The Pisa Baptistery of St. John (Italian: Battistero di San Giovanni) is a Roman Catholic ecclesiastical building in Pisa, Italy. Construction started in 1152 to replace an older baptistery, and when it was completed in 1363, it became the second building, in chronological order, in the Piazza dei Miracoli, near the Duomo di Pisa and the cathedral's free-standing campanile, the famous Leaning Tower of Pisa. The baptistery was designed by Diotisalvi, whose signature can be read on two pillars inside the building, with the date 1153.
The largest baptistery in Italy, it is 54.86 m high, with a diameter of 34.13 m. The Pisa Baptistery is an example of the transition from the Romanesque style to the Gothic style: the lower section is in the Romanesque style, with rounded arches, while the upper sections are in the Gothic style, with pointed arches. The Baptistery is constructed of marble, as is common in Italian architecture.
The portal, facing the facade of the cathedral, is flanked by two classical columns, while the inner jambs are executed in Byzantine style. The lintel is divided in two tiers. The lower one depicts several episodes in the life of St. John the Baptist, while the upper one shows Christ between the Madonna and St John the Baptist, flanked by angels and the evangelists.
The interior is overwhelming and lacks decoration. The octagonal font at the centre dates from 1246 and was made by Guido Bigarelli da Como. The bronze sculpture of St. John the Baptist at the centre of the font, is a work by Italo Griselli.
The pulpit was sculpted between 1255-1260 by Nicola Pisano, father of Giovanni, the artist who produced the pulpit in the Duomo. The scenes on the pulpit, and especially the classical form of the nude Hercules, show Nicola Pisano's qualities as the most important precursor of Italian Renaissance sculpture by reinstating antique representations: surveys of the Italian Renaissance often begin with the year 1260, the year that Nicola Pisano dated this pulpit.
Constructed on the same unstable sand as the tower and cathedral, the Baptistery leans 0.6 degrees toward the cathedral. Originally the shape of the Baptistery, according to the project by Diotisalvi, was different. It was perhaps similar to the church of Holy Sepulchre in Pisa, with its pyramidal roof. After the death of the architect, Nicola Pisano continued the work, changing the style to the more modern Gothic one. Also an external roof was added giving the shape of a cupola. As a side effect of the two roofs, the pyramidal inner one and the domed external one, the interior is acoustically perfect, making of that space a resonating chamber.
Out of the Archives: Placing the cement mortar lining inside one of the Catskill Aqueduct’s steel pipe siphons on a steep hill in Putnam County. The forms were made of boards and kept mortar from sliding downslope, plus they imprinted a wood pattern in the finished lining. September 26, 1923. (Image ID: p011764)
The Massed Pipes and Drums of The Edinburgh Military Tattoo, 2006.
BBC highlight video of the Massed Pipes and Drums.
La cathédrale Notre-Dame-de-l'Assomption de Clermont est une cathédrale gothique située à Clermont-Ferrand. Elle a été édifiée à partir de 1248 au centre de la ville de Clermont, la capitale historique de l'Auvergne. Elle a remplacé une cathédrale romane située au même endroit qui elle-même avait été précédée par deux autres sanctuaires chrétiens. Son patronage initial est celui de saint-Vital et saint-Agricol. La majeure partie de la construction actuelle date de la seconde moitié du XIIIe siècle, c'est le premier exemple d'utilisation en architecture de la pierre de Volvic. La façade occidentale et d'autres rénovations ont été effectuées par Eugène Viollet-le-Duc au cours de la seconde moitié du XIXe siècle.
Deutsche Beschreibung siehe unten
I only use shed antlers. Ich benutze nur Abwurfstangen (Gehörn, das das Reh bzw. der Hirsch jährlich selbst abwirft).
Dear visitor,
I don´t sell via Flickr. You can find my artwork also on:
Etsy: www.etsy.com/de/shop/NymphspellDesign
Facebook: www.facebook.com/nymphspelldesign/
Flickr: www.flickr.com/photos/nymphspelldesign
DeviantArt: nymphspelldesign.deviantart.com/
YouTube: www.youtube.com/channel/UCgdSI66eaR09xtvoiyvrlOQ
Instagram: www.instagram.com/nymphspelldesign/
and Pinterest: www.pinterest.com/nymphspell/
About Nymphspell Design:
I create unique jewelry and decorative objects based on my designs. It is possible for me to create hair jewelry like hair sticks, hair clips and dread jewelry, headdresses like tiaras, crowns and headpieces, jewelry like chokers, pendants, bracelets, rings and earrings, belts, book covers, jewelry boxes and other decorative objects.
Since 2018 I offer drawings on paper and wood.
My inspiration are the mysticism, mythology, the world of mythical creatures, the dark romanticism, the depths of the sea and the forest and the folklore of various countries. Often it is my imagination that goes into my creations. I model all details by hand. Don´t hesitate to write me if you have questions. I will reply to you as soon as possible.
Lieber Besucher,
ich verkaufe nicht über Flickr. Du findest meine Werke auch hier:
Etsy: www.etsy.com/de/shop/NymphspellDesign
Facebook: www.facebook.com/nymphspelldesign/
Flickr: www.flickr.com/photos/nymphspelldesign"
DeviantArt: nymphspelldesign.deviantart.com
YouTube: www.youtube.com/channel/UCgdSI66eaR09xtvoiyvrlOQ
Instagram: www.instagram.com/nymphspelldesign/
und Pinterest: www.pinterest.com/nymphspell/
Bitte meine Fotos nicht kopieren oder verwenden ohne mich vorher gefragt zu haben. Danke.
Über Nymphspell Design:
Ich stelle einzigartige, nach meinen Vorstellungen designte, Zier- und Schmuckgegenstände her.
Es ist mir möglich, Haarschmuck in Form von Haarstäben, Haarspangen und Dreadschmuck, Kopfschmuck in Form von Diademen, Kronen und Headpieces, Schmuck in Form von Halsreifen, Anhängern, Armreifen, Ringen und Ohrringen, sowie Gürtel, Schmuckdosen, Buchcover und andere Ziergegenstände, anzufertigen. Die Produktpalette wird ständig erweitert.
Seit 2018 biete ich Zeichnungen auf Papier und Holz an.
Meine Inspiration sind die Mystik, die Mythologie, die Welt der Fabelwesen, die dunkle Romantik, die Tiefen des Meeres und des Waldes und die Folklore verschiedener Länder. Oft ist es jedoch meine Fantasie, die in meine Kreationen einfließt. Ich modelliere alle Details von Hand.
Impressum:
View at Felix Gonzalez-Torres "Specific Objects without Specific Form" retrospective at Wiels, february 2010.
WIELS premieres a major traveling retrospective of Felix Gonzalez-Torres’ oeuvre, including both rarely seen and more known artworks, while proposing an experimental form for the exhibition that is indebted to the artist’s own radical conception of the artwork.
Gonzalez-Torres (American, b. Cuba 1957-1996), one of the most influential artists of his generation, settled in New York in the early 1980s, where he studied art and began his practice as an artist before his untimely death of AIDS related complications. His work can be seen in critical relationship to Conceptual art and Minimalism, mixing political activism, emotional affect, and deep formal concerns in a wide range of media, including drawings, sculpture, and public billboards*, often using ordinary objects as a starting point—clocks, mirrors, light fixtures. Amongst his most famous artworks are his piles of candy and paper stacks from which viewers are allowed to take away a piece. They are premised, like so much of what he did, on instability and potential for change: artworks without an already preset or specific form. The result is a profoundly human body of work, intimate and vulnerable even as it destabilizes so many seemingly unshakable certainties (the artwork as fixed, the exhibition as a place to look but not touch, the author as the ultimate form-giver).
To present the oeuvre of an artist who put fragility, the passage of time, and the questioning of authority at the center of his artworks, the exhibition will be entirely re-installed at each of its venues halfway through its duration by a different invited artist whose practice has been informed by Felix Gonzalez-Torres’ work. A first version of Felix Gonzalez-Torres. Specific Objects without Specific Form by curator Elena Filipovic will open to the public and on March 5, 2010, the artist Danh Vo will re-install the exhibition, effectively making an entirely new show.
Text source :
© All rights reserved - This photograph is copyright protected. Please do not add to blog sites, reproduce, publish, print, use on the internet or for other purpose without my permission.
Theyyam or Theyyattam or Thira is a popular Hindu ritual form of worship of North Malabar in Kerala state, India, predominant in the Kolathunadu area (consisting of present-day Kasargod, Kannur Districts, Mananthavady Taluk of Wayanad and Vadakara & Koyilandy Taluks of Kozhikode of Kerala state. As a living cult with several thousand-year-old traditions, rituals and customs, it embraces almost all the castes and classes of the Hindu religion in this region. The performers of Theyyam belong to the indigenous tribal community, and have an important position in Theyyam. This is unique, since only in Kerala, do both the upper-caste Brahmins and lower-caste tribals share an important position in a major form of worship. The term Theyyam is a corrupt form of Devam or God. People of these districts consider Theyyam itself as a God and they seek blessings from this Theyyam.A similar custom is followed in the Tulu Nadu region of neighbouring Karnataka known as Bhuta Kola.
Wikipedia:
La Rambla can be considered a series of shorter streets, each differently named, hence the plural form Les Rambles (the original Catalan form; in Spanish it is Las Ramblas). The street is successively called:
Rambla de Canaletes - the site of the Font de Canaletes fountain
Rambla dels Estudis - the site of the former Jesuit University, whose only remainder is the Church of Bethlehem
Rambla de Sant Josep (or de les Flors) - the site of an open-air flower market
Rambla dels Caputxins - the site of a former Capuchin monastery, now dominated by the Liceu opera-house
Rambla de Santa Mònica - named after the convent of St. Monica, now an arts centre.
To the north of La Rambla lies Plaça de Catalunya, a large square in central Barcelona that is generally considered to be both its city centre and the place where the old city and the 19th century-built Eixample meet.
To the east of La Rambla is the Barri Gòtic or Gothic Quarter, the centre of the old city of Barcelona. The Barri Gòtic retains a labyrinthine street plan, with small squares and streets, many of which connect onto the Rambla. One of the larger of these squares is the Plaça Reial, a lively 19th century square with tall palm trees and street lamps designed by Antoni Gaudí, which opens down a short entrance passage off the Rambla dels Caputxins. Further into the Barri Gòtic can be found the Cathedral of Santa Eulàlia and the Plaça Sant Jaume that houses the buildings of the Generalitat of Catalonia and Barcelona’s City Council.
To the west of La Rambla is the rather different El Raval quarter. Outside the city's earliest walls, this area was originally the site of various religious and medical institutions. Later factories grew up along with housing for the workers, whilst the proximity to the port led to the area becoming known for its nightlife and cabarets, as well as prostitution and crime. Today the area still retains a degree of 'edge', but it also home to several important buildings, including Gaudí's Palau Güell, which is only a few steps down the Carrer Nou de la Rambla from the Rambla dels Caputxins.
At the southern end of the Ramblas is the Christopher Columbus Monument and the Port Vell, the old port of Barcelona, now largely given over to pleasure craft. Near to the port end of the Rambla are the Royal Dockyards (in Catalan, Drassanes), which house a maritime museum specifically devoted to naval history in the Mediterranean.
Extensions at either end of the Rambla also carry the name Rambla, but are not normally considered part of La Rambla itself. To the north, the Rambla de Catalunya extends into the Eixample district. To the south, construction of the Maremàgnum in the early 1990s resulted in a continuation of La Rambla on a wooden walkway into the harbour called the Rambla de Mar.
The tree lined central promenade of the Rambla is crowded during the day and until late in the night. Its origins as a watercourse are reflected in the paving design, which appears to ripple like water. Along the promenade's length are kiosks that sell newspapers and souvenirs, other kiosks selling flowers, street traders, performers, and pavement cafes and bars. Several notable sights are also located within the promenade, including a mosaic by Joan Miró, and the Font de Canaletes, a famous fountain and popular meeting point.
The Spanish poet Federico García Lorca once said that La Rambla was "the only street in the world which I wish would never end."
Fun event raises money for our Advent Appeal
Another very successful Sixth Form fancy dress day was recently held at St. Mary’s Menston. Over 250 students and staff arrived for lessons in multi-coloured costumes, each one donating £10 to the school’s annual Advent Appeal, proceeds from which will be sent to St. Gemma’s Hospice, CAFOD, Catholic Care and Martin House. A total of £1700 was raised on the day. This year again there were many different imaginative and creative costumes, some made by the students themselves including Aladdin on his magic carpet, nuns, sheiks, pirates, elves, flower pot men, gorillas, bears and cup-cakes to name but a few. The staff, not to be outdone, also joined in with some departments following a particular theme.
“Standing at the front of the hall delivering an assembly can sometimes be an off-putting experience; looking up from your notes and seeing Bill and Ben, the flowerpot men, bananas in pyjamas, giant-sized tetras boxes or a row of cupcakes, might be enough to put anyone off their lines. Congratulations to Paddy Spiller, our guest speaker from CAFOD who didn’t miss a beat when addressing a Year 11 and Year 13 assembly on Friday, our Fancy Dress day! Each student is to be commended for their generosity and for creating a very happy day for all in our school.”
Mr Sinnett, Director of Sixth Form
This event is not the only one planned by the Sixth Form students to raise as much money as possible this year. A Rich Man Poor Man lunch is planned for the end of the week where pupils and staff purchasing a ‘rich’ ticket win a hearty meal whilst a ‘poor’ ticket merits a cup of soup. A Sixth Form 5-a-side Football match also raised £150.
Over the course of the Advent period, the whole school community will be involved in fund raising activities with the aim of raising £10,000 for our four charities.
www.stmarysmenston.org/News/Pages/Sixth-Form-Fancy-Dress-...
Presidential Candidate 總統候選人
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Tianliang Ma
~ a Taiwanese social reformer, philosopher, photographer and film director
“Touching Fairness and Justice”
馬天亮
~ 臺灣的社會改革者,哲學家,攝影師,和電影導演
《感動的公平與正義》
TianLiang Maa, alternative spelling: Tianliang Ma, also known as Theophilus Raynsford Mann; Ma, Tianliang; Chinese: 馬天亮; 马天亮.
SUMMARY
TianLiang Maa is a naturalist, occultist, Buddhist and Taoist. In 1982, Maa developed a technique for abstract photography, applied “Rayonism” into photographic works. Maa staged 32 individual, extraordinary exhibitions around Taiwan, who was the first exhibitor around Formosa. Maa’s works is the beginning of modernization in the modern abstract arts in the world. At the University of Oxford, Maa’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”; also an author at the University of California, Berkeley and the University of Michigan in the United States; an alumnus from Christ Church College at the University of Oxford in England, the University of Glamorgan in Wales, and National Taiwan University in Taipei on Taiwan. Maa’s works have been quoted by the scholars many times, making Maa one of the highly cited technological, artistic, and managing public administrators in the academia. Maa was listed in “Taiwan Who’s Who In Business” © 1984, 1987, 1989 Harvard Management Service.
Early Life and Record of Genealogy
TianLiang Maa possesses both Taiwanese and German surnames from birth. Usually, whenever anyone asks Maa about where he comes from, he would reply “Formosa” as he grew up and was educated in the Far East and lives in Taiwanese and Japanese lifestyles. Moreover, he often teaches and educates younger generations based on the methods of the Far Eastern teaching he experienced when he was young, though he does not oppose the Western ways of teaching and thinking. Maa takes great pride in his roots, which go back 150 years (since 1864); Maa’s ancestry originates and creates generations, and prepares younger generations to succeed their personality and ethical standards and integrity.
Education in Taiwan and a Brief of Latest Generation of History in Taiwan / Formosa
In 1980, Maa obtained his postgraduate certificate from the Graduate Institute of Electrical Engineering of National Taiwan University in Taipei; successfully completed another graduate studies in Information dBase III Plus and Taiwanese Traditional Chinese Mandarin Information System at National Sun Yat-Sen University in Kaohsiung in 1989.
In history, the Portuguese explorers discovered and called the island (Taiwan), “Formosa” (meaning “Beautiful Island”) in 1590. They are non-Chinese people; it was long a Chinese and Japanese pirate base. Fighting continued, between its original inhabitants of Taiwanese and the Chinese settlers, into the 19th century. In 1894-95 first Sino-Japanese War that ended in Manchus of the Qing (Ching) dynasty defeat, the late Manchu Qing Government forced to cede Formosa to Japan. This result was made by the Treaty of Shomonoseki in 1895 and remained under Japanese control until the end of the Second World War. Early on, Taiwan was conquered by the Qing in 1683 and for the first time became part of older China dynasty. However, today, the home country of Maa’s origin has around 165 institutions (93 universities) of higher education, which now has one of the best-educated populations in Asia. Among the major public (state) ones are the National Taiwan University (NTU) at Taipei, and National Sun Yat-Sen University (NSYSU) at Kaohsiung. NSYSU is also called National Chun-Shan University; according to Times Higher Education 2010-2011, NSYSU ranks as the 3rd university in Taiwan, 21st in Asia, and 163rd worldwide. National Taiwan University is ranked 51 to 60 ranks on Times Higher Education World University Rankings - Top Universities by Reputation 2013, the United Kingdom (see www.timeshighereducation.co.uk/world-university-rankings/...); King's College London (KCL) (21st in the world and 6th in Europe in the 2010, QS World University Rankings), the University of London, and University of Southern California (is one of the world's leading private research universities, located in the heart of Los Angeles), afterward.
Backing to Maa’s early school-time of Taiwan Provincial Kaohsiung Industrial Senior High School (Kaohsiung Municipal Kaohsiung Industrial High school), the professional technical education, which is equivalent to Advanced Level General Certificate of Education, commonly referred to as an A-level in the United Kingdom; China Electronic Engineering College, the distance learning programme, which is in equivalence as UK’s Diploma of Higher Education / Undergraduate Diploma (as an Associate Degree in the United States). An additional, his middle education was taught by the Kaohsiung Municipal Chihjh (Ci Sian) Junior High School; and Kaohsiung Municipal San Min Elementary School was his first school in Taiwan.
Early Career
In 1989, Maa instituted Maa’s Office of Electrical Engineer, he settled himself in electrical technology and industries as a chief engineer in his early years. He put his professional and precise knowledge to good account in business management. A formal business management with business relationship established to provide for regular services, dealings, and other commercial transactions and deed. He had many customers having a business and credit relationship with his firm then he was a successful engineer.
Study Abroad and Immigration into the United Kingdom
In 1998, Maa studied abroad when he arrived in Great Britain; he studied at School of Built Environment, the University of Glamorgan (Prifysgol Morgannwg) in Merthyr Tydfil, Pontypridd, Wales for a master of science in real estate appraisal. Until the summer of 2000, Maa completed an academic course on “Towns through the Ages” from Christ Church College at the University of Oxford (is ranked the 2nd place worldwide on The Times Higher Education, World University Rankings 2012-2013
www.timeshighereducation.co.uk/world-university-rankings/...) in England. Afterward, Maa immigrated into the United Kingdom in the early year of 2004.
PHILOSOPHICAL VIEWS
Maa is a naturalist; he trusts spiritual naturalism and naturalistic spirituality, which teaches that “the unknown” created this wonderful world. “The unknown” arranged the nature with its law so that everything in nature is kept balanced and in order. However, human beings failed to control themselves, deliberately went against the law of nature, and resulted in disasters, which we deserved. He also is an occultist, a Taoist, and a Buddhist; but in Britain, he frequently goes to Christian and Catholic churches, where he makes friends with pastors and fathers as well as churchgoers. In his mind, he recognizes “Belief is truth held in the mind; faith is a fire in the heart”. He is always a freethinker, does not accept traditional, social, and religious teaching, but based on his ideas: a thought or conception that potentially and actually exists in his mind as a product of mental activity - his opinion, conviction, and principle. If people have not come across eastern classics and philosophy, we are afraid that people would never understand TianLiang Maa. People cannot judge an eastern philosopher based on western ways of thinking. He studies I Ching discovering eastern classics of ancient origin consisting of 64 interrelated hexagrams along with commentaries. The hexagrams embody Taoist philosophy by describing all nature and human endeavour in terms of the interaction of yin and yang, and the classics may be consulted as an oracle.
Back in the 1990s when Maa just arrived at England, he had been offered places to do Ph.D. and LL.M. degrees (degree in Law and Politics of the European Union) by several western professors in the Great Britain. He has met all the requirements for postgraduate admissions to study at UK’s universities.
During his time at Oxford, he learnt a lot of British culture and folk-custom while carrying out research with many British and Western professors, experts, and archaeologists. This proves that Maa understands various aspects in British society, culture, and lifestyles. Of course, he does not fully understand about the perspectives of thinking of a typical British. For example, what would be the most valuable in life for a British person? What would a British want to gain from life? What is the goal in life for a British? Is it fortune or a lover? Alternatively, perhaps honour? On the other hand, maybe being able to travel around the world and see the world?
FAIRNESS and JUSTICE
As TianLiang Maa’s (馬天亮) saying are:
“Touching Fairness and Justice”
Feel good about themselves, but do not know the sufferings of the people...
Who can get easy life like them?
What is profile of modern society?
What type and style is truly solemn for this society identify?
Where “the characterization” is? Who can see? Did you see it?
《感動的公平與正義》
自我感覺良好, 不知民間疾苦...
誰能得到安逸的生活如同他們一樣?
這是個什麼樣子的社會?
這個社會認定什麼樣的類型和風格是真正莊重的?
「特徵」在那裡?誰可以看到?你看到了嗎?
Jurisprudence and Political Philosophy and Perspectives
Maa ever studied judicial review and governmental action, the impact of law and legal techniques, constitutional mechanisms for the protection of basic rights, and ensuring the integrity of commercial activity, the impact of law and legal techniques on government, policymaking, and administration, as well as the creation of markets. He tries to understand these critical trends in the political development of modern state. Maa will combine both theoretical and empirical approaches, and the conditions for democratic transition and the nature of state development in the ‘post-industrial’ era of globalisation and economic integration.
According as Maa’s legal experiences, he comprehend that “the knowledge of the law is like a deep well, out of which each man draught according to the strength of his understanding”, and, law and arbitrary power are in eternal enmity. He is also sure law and institutions are constantly tending to gravitate like clocks; they must be occasionally cleansed, and wound up, and set to true time.
The government issues a decree - an authoritative order having the force of law, which charged with putting into effect a country's laws and the administering of its functions. Any of the officials promulgate a law or put into practice relating to the government charged with the execution and administration of the nation's laws then they announce and carry out the creation of any order or new policy that will be responsible for the people.
Maa had knowledge in connexion with construction law; he also understands architectural arts, and as well learnt the forms by combining materials and parts include as an integral part concerning modern construct. I ever built urban buildings and rural architecture in different styles under new housing and building projects by the governmental administration and construction corporations.
Right now, Maa studies the problems caused by ethnic disputes and human armed conflicts in the modern society resulted code of mixed civil and criminal procedure. He wishes an agreement or a treaty to end human hostilities - the absence of war and other hostilities around the world. The interrelation and arrangement of freedom from quarrels and disagreement become harmonious relations living in peace with each other. Actually, erect peace in more friendly ways of making friendships for modern human society is comfortable in my ideal. It is like building monolithic architecture: houses and buildings for the people. Maa would like to do “something beautiful for `the unknown`”.
In the ethnic disagreement and armed conflicts as concerning the poor people and children notwithstanding they live through a bad environment on any of poor or crowded village or town in a particular manner - lived frugally. However, after years of industrialisation as a more educated population, becomes more aware of global plenum, continuing to be alive. Environmental groups are increasing and lobbing government will legislate to stop bad environmental and social practices. The establishments of human rights’ wide and untiring efforts will be alleviated people’s suffering. And as well the poor people shall meet and debate sustainable development and for a concerted government led action towards sustainability is an example that the younger generation are concerned for the future. It shall be making the younger easier for their life and make better on their lives, and help them to build a better future.
In present world, Maa really knows the full meanings of “Fundamental Human Rights and Equal Opportunities for the People”. He thinks ethics is the moral code governing the daily conduct of the individual toward those about him / her. It represents those rules or principles by which men and women live and work in a spirit of mutual confidence and service. Without going into the question of how an ethical code was formulated or why anybody should obey it, we can look at the matter in a common-sense fashion with reference to its influence upon our legal affairs. In brief, from the law point of view, a reputable ethical code embodies the qualities of accuracy, dependability, fair play, sound judgement, and service. It is based upon honesty.
No person can have an ethical code that concerns him / her alone. Living in society, as he / she must, a person encounters others whose rights must be respected as well as his / her own. An honest regard for the rights of others is an essential element of any decent code of ethics, and one that anyone must observe if anybody intends to follow that code. After all, ethics is not something apart from human beings. Indeed, there is no such thing apart from our actions and us. It is the duty, therefore, of every man and woman in legal affairs to see that his daily associations with others are truly in conformity with the plain meaning of the Ten Commandments: “Thou shalt not barratry, thou shalt not bear false witness, thou shalt not receive illegal fee and the rest”.
The knowledge Maa has, in connection with legal affairs, was usually come from his precious experiences of his past over ten year’s law and political careers. In an interval regarded as a distinct period of 1980s, he studied mixed civil and crime, and the code of mixed civil and criminal procedure for the problems caused by ethnic disputes and human armed conflicts in the modern society. He was especially one who maintains the language and customs of the group, and social security in Taiwan.
Since 30 July of 1988, Maa settled himself in law as a chief executive and scrivener at Central Legal, Real Estate, and Accounting Services Office; it is in the equivalent to a solicitor of the United Kingdom. The Office provided full legal, accounting, real estate, and commercial services to the public. He did his job as a person legally appointed by another to act as his or her agent in the transaction of business, specifically one qualified and licensed to act for plaintiffs and defendants in legal proceedings and affairs. Over and above Maa was a chairman and executive consultant at Taiwan Credit Information Company®, founded in 1994. The company offered services to the public in response to need and demand in the area of credit information.
Maa had excellent experiences in political and law work was pertaining to mixed civil and crime, the code of mixed civil and criminal procedure, construction, and commercial law abroad. The experiences of legal services related to the rights of private individuals and legal proceedings concerning these rights as distinguished. In the criminal proceedings, he did many cases for the defendants. Although an act committed or omitted in violation of a law forbidding or commanding it and for which punishment is imposed upon conviction; but he also laid legal claim, required as useful, just, proper, or necessary to the defendants under the human rights in the meantime. This provision ensures to the defendant a real voice in the subject.
The men whose judgement we respect are those who do not allow prejudices, preferences, or personalities to influence their decisions. Profit and self-aggrandisement are likewise ignored in their determination to reach an equitable and fair settlement. What are the basic principles upon which good judgement is founded? A keen intellect, a normal emotionally, a through understanding of human nature, experience of law work, sincerity, and integrity.
Developed a Technique for Abstract Photography and Abstractionist
In 1982, Maa developed a technique for abstractive photography, which applied “rayonism” to the photographic works. In November of 1984, Maa was 26-year-old, he instructed many professors and students of National Taiwan Normal University in photography of abstract impressionism and rayonnisme in Taipei, Taiwan. The word “rayonnisme” is French for rayonism - a style of abstract painting developed in 1911 in Russia.
Photographic Exhibitions
TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of “Rayonnisme / Rayonism” Tour - Invitational Exhibition of Taiwan 1983-84.
一九八三〜八四年中華民國臺灣 馬天亮攝影巡迴邀請展
TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism (32 individual exhibitions) 1983~1985.
馬天亮『光影』攝影特展(個人展32場)1983〜1985年.
Maa staged 32 individual, extraordinary exhibitions and annual special exhibitions on photography of abstractive image and Rayonnisme around Taiwan / Formosa. Maa was the first exhibitor around the country. All of the invited displays were by the Chinese Government, cultural and artistic organisations, and sponsors. Maa’s earliest exhibition took place in the National Taiwan Arts Education Institute (Museum) on 19 December 1983 when Maa was 25 years old; Maa was the youngest exhibitor in the history of the Institute in any solo exhibitions. The Institute that was opened in March 1957, kept a collection of Maa’s work. It is currently updating the Institute’s internal organisation and strengthening co-operation with leading institutes and museums around the world. Meanwhile, it widened the institute’s scope to increase its emphasis on Taiwan’ regional culture and folk arts.
Modernization in the Modern Abstract Arts of Taiwan
Maa’s works is the beginning of modernization in the modern abstract arts of Taiwan, China and greater Chinese society in the world. The use of “modernisation” as a concept that is opposed to “Traditional” of “Conservative” ideas began with the approach of the 20th century. It spreads rapidly through academic circles, and was broadly accepted as a means to reform society. Chinese Manchu Qing (Ching) dynasty’s first steps toward modernisation began in the Tung-chih era (1862-1874) with the “Self-Empowerment Movement”. During the late 19th century, as late Manchu dynasty was confronted on all sides by foreign aggression, voices throughout society debated the most effective means to reform and strengthen the country. Some advocated “combining the best of East and West”, while others went so far as to call for “complete Westernisation”. Taiwan was at the centre of these waves of reform. Faced with direct threats against the island by foreign enemies, the Chinese Ching dynasty court took special steps to push Taiwan’s modernisation.
In a role just like that of a gardener wanting to create a rich and fertile environment for the seeds of culture, one in which Maa may sprout, grow and bloom. Maa aims to provide an educational stimulus for society by introducing his works - Maa can express the neo-romantic spirit deftly from various creations and supporting international artistic exchanges. Maa believes that the first step in creating such a new and independent state is the real emergence of culture and arts, for which the art and science of designing and erecting buildings, and fine arts (including photography and motion picture) of the civilization is a good measurement of success. For the foreseeable future, Maa should be continuing to forge ahead, working diligently and unceasingly towards its mission of raising China and Formosa / Taiwan’s culture in his spare time.
Became an Author and a Scholar
In 1980, TianLiang Maa completed his first book - scenario original “The Soul's Sentimentalizing”, also named: “Hun Yun : Jin Qi Tu Rui” 電影原著《魂韻》(衿契吐蕊) then Maa was at the age of 22. In 1983, The General Library of the University of California, Berkeley in the United States of America, collected and kept Maa’s writings - scenario original 「魂韻 : 衿契吐蕊」“Hun Yun : jin qi tu rui”, included a musical composition of his own – “Sonate Nr. 1 C-dur op. 3 für Klavier (piano)”, composed on 3rd April 1977 then Maa was 18 years old. The works were published in 1980; the theme was based on “The Soul's Sentimentalizing”. Another masterpiece was an Album of Academic Work for News Publication “TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism”, published in 1985. The Hathi Trust Digital Library, the University of Michigan also collected and kept Maa’s writings.
Authorship
Maa’s articles and writings were published in more than 200 different kinds of domestic and foreign magazines, newspapers, and periodicals, in the period between May of 1972 and 1990s. It was all started when Maa was just 13-year-old. Many of which have been very influential. These have been quoted by Western and Eastern scholars many times in the last few years, making Maa one of the highly cited technological, artistic, and managing public administrators in the world in the late 20th and early 21st century. The Ministry of the Interior in Taiwan had registered Maa’s professional writings and given him two certificates of copyright. The numbers are 33080 and 33081 on 4th July of 1985; and Taiwan’s Gazette of The Presidential Office issue No. 4499, featured his writings on 4th September 1985.
Became an Academic and Film Director
Today, Maa is a professor at Space Time Life Research Academy, and a photographer, film director, and computer engineer now live and work in London.
Director Works:
FILMS:
Experimental Film “New Image for the Spring” © 1982
Documentary Film “Rayonnisme” © 2011
“The Soul's Sentimentalizing” of the feature film is based on the scenario original “The Soul's Sentimentalizing” (preparation)
FASHION SHOWS:
New Image for the Spring of Shapely Models International © 1982
High Lights on the Summer and Fall Fashion of Shapely Models Int’l © 1982
ART EXHIBITIONS:
The Cadillac Club International Fine Arts Exhibition © 1981
The Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts © 1981
Musician Work:
MUSIC COMPOSITION:
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) © 1977, © 1980, © 1981, © 1983, the theme was based on “The Soul's Sentimentalizing”.
PHOTOGRAPHIC ALBUMS:
Portrait and Landscape in France © 2000
Portrait and Landscape in Scotland © 2001
Portrait and Landscape in England © 2009
Portrait at Queen Mary, University of London © 2010
Rayonism of London © 2011
Portrait at The University of Nottingham, United Kingdom © 2011
Snowy London © 2012
Portrait at King's College London © 2013
BOOKS:
Scenario Original「魂韻」(衿契吐蕊) “Hun yun: jin qi tu rui” © December 1980, © 1981, © 1983 (Date of First Publication: 31 December 1980, Second Edition on 29 July 1981, Date of Revision: Revised Edition on 8 May 1983), Languages: Chinese (traditional), and English language.
“Album of the Cadillac Club International Fine Arts Exhibition” © 1981
“Album of the Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts” © 1981
“Album of New Image for the Spring of Shapely Models International” © 1982
“Album of High Lights on the Summer and Fall Fashion of Shapely Models Int’l” © 1982
“Romantic Carol” © 1982
Album of Academic Work for News Publication: “TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibitions of Rayonnisme” © May 1985
新聞出版之學術著作專輯「馬天亮『光影』“Rayonism” 攝影展」© May 1985
New version of scenario original “The Soul's Sentimentalizing” (to be published)
「曾經輝煌到頂天立地」 “The Indomitable Spirit Was Brilliant to Upright” (individual biography, to be published)
“My Life, My History, and My Love” (based on a legend, to be published, a film scenario will be developed later)
「感動的公平與正義」“Touching Fairness and Justice” (political science and social studies, to be published)
Research Interests:
University of Oxford
Research Studies in Archaeology:
Maa’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”.
National Taiwan University
Graduate Certificate,
Graduate Institute of Electrical Engineering:
Maa’s monograph of seminar was “Applied the sequence control in the electric power distribution engineering”.
University of Glamorgan
M.Sc. Course,
Master of Science in Real Estate Appraisal:
Maa’s thesis - major subject, with relevant construction law was “The Assignment is under Economics of Construction Management in Architecture”.
National Sun Yat-Sen University
Postgraduate Certificate,
Postgraduate Studies in Computing:
Maa’s required subject was Information dBase III Plus and Taiwanese Traditional Mandarin Chinese Information System. He combined academic course work and practical laboratory sessions in “Applied Mandarin Phonetic Symbols into Traditional Taiwanese Personal Computer and Its Information System”.
Associations:
Since 1980, a member of Chinese Taipei Film Archive (CTFA, National Film Archive, Taiwan; founded in 1978), The Motion Picture Foundation, R.O.C. (member of Fédération Internationale des Archives du Film, FIAF; The International Federation of Film Archives was founded in Paris in 1938 by the British Film Institute, the Museum of Modern Art in New York City, the Cinémathèque Française and the Reichsfilmarchiv in Berlin.)
Commissioner of the cinema, photography, radio, and television committee of The Culture and Arts Association (Chinese Writers and Artists Association) of Taiwan ever since September 1983.
Classic member, the membership is equivalent to a doctorate membership of the Chinese Institute of Electrical Engineering since 23 March 1984.
On 15 March 1989, Maa promoted and founded the Consortium Juridical Person Mr. TianLiang Maa Social Benefit Foundation 財團法人馬天亮先生社會公益基金會 in Taiwan. near.archives.gov.tw/cgi-bin/near2/nph-redirect?rname=tre...
Classic member, the membership is equal to a professor or associate professor of The Chinese Institute of Engineers since 30 September 1991.
Honours:
Listed on ‘Taiwan Who’s Who In Business’, © 1984, © 1987, and © 1989 Harvard Management Service.
中華民國企業名人錄編纂委員會, 哈佛企業管理顧問公司.
On 26 August 1985, Maa was awarded a professional certificate of the Outdoor Artistry Activities issued by Education Bureau, Kaohsiung City Government, Taiwan. He acquired awards and certificates of honour about twenty times from National Taiwan Arts Education Center (Museum) on 24 December 1983; Kaohsiung Municipal Social Education Center on 17 March 1984, Kaohsiung Cultural Center, Taipei Cultural Center (Taipei Municipal Social Education Hall); and Taiwan Province Government, Taipei City Government, Kaohsiung City Government, and many cultural centres and art galleries, and so on.
Careers:
Honorary Professor at Space Time Life Research Academy, 7 June 2012 to present; Professor at Space Time Life Research Academy, 1 September 2011 to 1 June 2012 in London, United Kingdom:
Academia,
Teaching and Research:
business management and consultant, political philosophy, Chinese classics, Chinese humanities, modern Chinese language and literature, photography (portrait, fashion, commercial, digital, architectural, abstract photography), visual arts and film production.
教學與研究:
企業管理及顧問、政治哲學、中華經典 (古典漢學、文學、藝術、語言) 、中華人文、中華現代語言與文學、攝影 (人像、時裝、商業、數位/數碼、建築、抽象攝影) ,視覺藝術和影片製作。
Consultant and Translator at Eternal Life Consultants of Immigration and Translations Services, 10 March 2004 to present in London, United Kingdom:
consultants of immigration, translations, and legal services.
永生移民顧問翻譯服務社的移民諮詢顧問和翻譯:
移民事務,翻譯和法律服務。
Computer Hardware & Networking Engineer at Maa Office of Electrical Engineer, 8 March 2004 to present in London, United Kingdom:
Computer Engineering and Network Services. Repairing of Motherboards, Monitors, Power Supplies, CD-ROM Drives; UPS, Hard Disk Drives, H.D.D Data Recovery; BIOS Programming, and all types of Computer Hardware and Software Solutions.
計算機工程和網絡服務。維修主機板,顯示器,電源供應器,光碟機/光盘驱动器,不斷電系統,硬碟/硬盘,硬盤數據恢復,基本輸入輸出系統編程,以及所有類型的電腦/計算機硬體/硬件和軟體/軟件解決方案。
Film Director & Photographer at Photographer and Film Director (Shapely), 2 April 2007 to present in London, United Kingdom:
1) Photo, Video and Film Production; 2) Graphic Design, Web Design, Social Networking, Social Media and Advertising; 3) Architectural Design and Interior Design.
www.facebook.com/filmshapely/info
Reformer and Philosopher at Taiwanese Social Reformer and Philosopher, 7 April 2012 (location: Los Angeles, California) to present in London, United Kingdom:
Social Reform in Taiwan
www.facebook.com/twreform/info
《魂韻》(衿契吐蕊) - 馬天亮22歲寫的電影原著。TianLiang Maa (Theophilus Raynsford Mann) wrote “Hun Yun” (Jin Qi Tu Rui), scenario original “The Soul’s Sentimentalizing” © 1980, 1981, 1983, was at the age of 22.
Website
mtltwp.pixnet.net/album/set/1265174
photo.roodo.com/photos/mtltwp/albums/small/100469.html
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) by Theophilus Raynsford Mann (TianLiang Maa 馬天亮) © 1977, © 1980, © 1981, © 1983. The Sonate composed on 3rd April 1977 then Maa was 18-year-old. The work was published in 1980; the theme was based on “The Soul's Sentimentalizing”.
Website
LINKS:
University of California, Berkeley
berkeley.worldcat.org/search?q=Ma%2C+Tianliang&dblist...
berkeley.worldcat.org/title/hun-yun/oclc/813684284?refere...
oskicat.berkeley.edu/record=b11283690~S1
University of Michigan
mirlyn.lib.umich.edu/Record/006237256
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WorldCat® Identities
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National Bibliographic Information Network (NBINet)
nbinet3.ncl.edu.tw/search~S10?/a%7bu99AC%7d%7bu5929%7d%7b...
192.83.186.170/search*cht/a%E9%A6%AC%E5%A4%A9%E4%BA%AE
National Yang Ming University 國立陽明大學
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National Taiwan University of Science and Technology 國立臺灣科技大學
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國家圖書館 期刊文獻資訊網, 臺灣期刊論文索引
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聲音藝術的審美角度, 大學雜誌, 天然
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為文化中心把脈, 幼獅文藝
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科學家與守財奴, 中國地方自治
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University of California, Berkeley period
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University of Michigan period
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University of Oxford period
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University of Glamorgan period
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University of Huddersfield period
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art galleries uk
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Mitrasites system
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articles.whmsoft
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German
www.wer-ist.org/person/Jin_Mann
www.pediatr.org.tw/DB/News/file/1913-1.pdf
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Biografia:
Formou uma banda na cidade de Congonhas e com ela tocou em bailes e festas da região. Mais tarde passou a compor as próprias músicas, alcançando sucesso com Nega de Obaluaê, de sua autoria.
O maior sucesso de sua carreira é Fogo e Paixão, de 1985. Os discos têm títulos sugestivos como Ui-Wando de Paixão, Vulgar e Comum É Não Morrer de Amor, Obsceno, Depois da Cama, Tenda dos Prazeres, Mulheres, o que lhe rendeu o título de o cantor mais erótico do Brasil.
Em seus shows, os cenários em geral apresentam banheiras, camas, haréns e existe distribuição de calcinhas perfumadas.
Flamboyant in Concert:
O Flamboyant In Concert iniciou no dia 16 de março sua sexta temporada de shows. Até outubro, mês de encerramento do projeto, serão apresentados a cada 25 dias, nove shows, sempre às terças-feiras, a partir das 19h, no Deck Parking Sul – térreo 1.
A temporada 2010 marca a ampliação do projeto, que passa a ter capacidade para receber até 1.200 pessoas sentadas. Outra novidade é a diversificação de ritmos e estilos para agradar os variados públicos do shopping. Além de João Bosco, a diversidade musical brasileira estará representada pelo animado forró de Elba Ramalho, pela viola caipira de Renato Teixeira e rock anos 80 de Marina Lima. Também estão confirmados shows de Jair Rodrigues, Guilherme Arantes, Wando, Toni Garrido e Ivan Lins.
Mais infos:
EXIF:
Camera: Canon EOS 5D Mark II
Lens: 135 mm
Exposure: Manual exposure, 1/332 sec, f/2.8, ISO 400
*Canon 5D Mark II + Canon 70-200mm f/2.8
*Copyright © 2008 Naldo Mundim. All rights reserved.
*Reprodução proibida. © Todos os direitos reservados.
*Imagem protegida pela Lei do Direito Autoral Nº 9.610 de 19/02/1998
They want this fast and they want a photo that looks like the location they're going. Is this horrible? Obviously, the title just a place holder. Have to print this tomorrow. Thanks.
Canopy.The Bunya Mountains are a distinctive set of peaks forming an isolated section of the Great Dividing Range in southern Queensland. The mountain range forms the northern edge of the Darling Downs near Bell and Dalby. The mountains are south of Kingaroy and just to the south west of Nanango. The range is the remains of a shield volcano which was built from numerous basalt lava flows about 23-24 million years ago..
he mountains are covered with ancient conifer rainforest that co-exists with a number of other unique natural features - 'balds' which are open grasslands including some that contain rare grass species, vine, and sclerophyll forests..
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Parts of the forest were once logged for various timbers including red cedar, bunya pine and hoop pine. However, most of the peaks are completely uncleared and covered in forest as the range was too steep for early timber clearers. The mountains are home to the largest natural Bunya pine forest in the world..
The Bunya Mountains and neighbouring areas were the focus of major gatherings of Indigenous Australians from South East and Central Queensland to north east New South Wales. The gatherings occurred during the seasons when the bountiful nuts of the bunya pine ripened, from December through to March, and especially during 'bumper crops' which appeared to occur about every three or four years.
Located on the grounds of the New York Hall of Science, this distinctive sculpture, dating to 1964, is by the modernist sculptor Theodore Roszak (1907–1981). It was commissioned as part of the permanent sculptural program of the New York World’s Fair of 1964-65.
Forms in Transit is a 43-foot long sculpture of aluminum and steel tubes and sheet metal. It suggests an aircraft, with fuselage and wings, but it is also meant to embody the concept of motion and change. The work is in keeping with one of the central themes of the fair, space exploration, and complemented several other significant features in the park, such as The Rocket Thrower statue, Court of Astronauts, Fountain of the Planets, Space Park and The Unisphere.
Portions of a damaged wing were removed in 1970. Though environmental corrosion is evident, some of the patchy, blistered surface of the sculpture appears to be original to the piece, and intended to suggest the incendiary voyage of the vessel as it passes at rapid speed through the atmosphere.
This is not the statues original location, although it is close to it. It was originally in the vicinity of the Chrysler and Transportation & Travel Pavilions, about 1/10 mile to the south.
Gold vessel in the form of a fish
This vessel may have been used to contain expensive oils. On the side is a loop intended either for suspension or to attach a stopper which was later lost. The detail of the decoration suggests that it is an attempt to accurately represent a particular type of fish, perhaps a carp or similar species.
5th-4th century BCE
Dieu peut changer le temps et les circonstances."
Il EST Ecrit!
Je connais les projets que J’ai formé à votre égard, dit l’Éternel, projets de paix et non de malheur, afin de vous donner un avenir et de l’espérance. Jérémie 29 :11
Notre Cher Haïti, Nos Frères et Sœurs haïtiens, dépendent de la bénédiction et de la sécurité de Dieu pour sortir de cette fange, et non pas sur la Capacité et sur l’intelligence d’une personne ou sur les 42 esprits ou Loas, souvent appelé dieux tutélaires de la race. !!! Le Dieu d’Abraham, d’Isaac, de Jacob et d’Harry Laventure, Qui se révèle comme YHVH est le seul Vrai créateur en Jésus Christ qui est le pourvoyeur de la sécurité, l’habitat et la nourriture.
Dans l'histoire, il est d'importantes périodes transitoires, véritables charnières entre plusieurs époques. En1492, Christophe Colomb conquit Haïti, tua ses habitants et emmena d’autres ressortissants.
Alors Haïti (Ayiti) Quisqueya Bohio, dans le langage des indigénistes jadis, traduit littéralement « terre de haute montagne », Terre qu’Espagne avait choisi en vue faire résider son nom, devient propriété des nations. Les dominateurs de l'histoire le foulèrent tour à tour : Le Portugal, La France, l’Angleterre, l’Allemagne, Les Etats-Unis et aujourd’hui tous les organisations paria de la terre connus sous les sobriquets « des nations unies, l’OEA, la Caricom » ; tous établirent successivement leur autorité, et se préoccupaient bien peu du bien être de nos frères et soeurs.
Durant 2 siècles (d’indépendance), les descendants du peuple noir choisi d’Afrique qui avaient chassé en 1804 leurs usurpateurs, connurent soit la dictature, soit l'occupation.
Et pour cause : un enseignement débraillé de la « La BIBLE »:
Il est écrit « Faites donc du règne de Dieu et de ce qui est juste à ses yeux votre préoccupation première, et toutes les choses matérielles vous seront données en plus. Matthieu 6 : 33
Mon peuple est détruit, parce qu’il lui manque la connaissance. Puisque tu as rejeté la connaissance, Je te rejetterai, et tu seras dépouillé de mon sacerdoce; Puisque tu as oublié la loi de ton Dieu, J’oublierai aussi tes enfants ». Osée 4 :6
Quand tu seras entré dans le pays que l’Éternel, ton Dieu, te donne, tu n’apprendras pas à faire selon les abominations de ces nations : il ne se trouvera au milieu de toi personne qui fasse passer par le feu son fils ou sa fille, ni devin qui se mêle de divination, ni pronostiqueur, ni enchanteur, ni magicien, ni sorcier, ni personne qui consulte les esprits, ni diseur de bonne aventure, ni personne qui interroge les morts ; car quiconque fait ces choses est en abomination à l’Éternel ; et à cause de ces abominations, l’Éternel, ton Dieu, les dépossède devant toi. Tu seras parfait avec l’Éternel, ton Dieu. Car ces nations, que tu vas déposséder, écoutent les pronostiqueurs et les devins ; mais pour toi, l’Éternel, ton Dieu, ne t’a pas permis d’agir ainsi.
Le 29 février 2004 de nouveau avec la complicité les frustrés de la race, le dérayé Jan Bètran Aristid a été kidnappé et déporté, surpris par le dénouement inattendu de cette kidnapping, voila l'arrivée des vomissements technocrates, bibliquement aveugles au timon des affaires du pays, Deux ans plutard ont cédé la place a René€ Garcia Préval(e) un récidiviste notoire, aveugle et vide. C’est toujours le même drame. Hélas, à l'heure où plus que jamais Nos Frères et Sœurs discutent sur leur sort, il est impérieux de nous pencher sur un changement vital et durable qui doit se reposer sur Deux grands axes:
1.-UNE AGRICULTURE Systématisée à partir (de 10 carreaux et avec tous les adjuvants par fermier sous la supervision directe d’un état responsable, exclut du système caporalisme agraire) 2- : UNE ÉDUCATION Décentralisée avec des écoles primaires secondaires universitaires et techniques fonctionnelles et uniformes dans tous les (570) sections communales.
La grande question »trouverions-nous un homme fidèle, ayant en lui l’Esprit du Dieu Saint pour concrétiser ce changement éternel tant souhaité dans la fidélité »?
! Ah !!!!!!!!!!!!!!!!!Fidélité… En Haïti ? !
« La Fidélité » Ce petit mot brille comme un joyau dans la Bible si souvent annonciateur de sombres événements.
Le dictionnaire définit la fidélité en ces termes : Constance= Insistance= Patience= Persévérance =Ténacité ; respect de la parole donnée ; qualité de celui qui ne varie pas dans ses goûts et ses attachements ; probité =moralité= vertu= intégrité, conformité à la vérité, exactitude.
En nos temps d'infidélité et immoralité on comprend mieux à quel point le psalmiste avait raison lorsqu'il se lamentait à ce sujet: "Les fidèles disparaissent parmi les fils de l'homme."(Psaume 12:2) ; Son fils Salomon criait : Beaucoup d’hommes proclament chacun leur bonté ; mais un homme fidèle, qui le trouvera ? Proverbes 20 :6
Aujourd'hui, le Seigneur Jésus Christ cherche douze dirigeants Politiques, douze Pasteurs fidèles pour sauver ce peuple dispersé dans ce coin de terre, Haïti: "Il déclare « Celui qui est fidèle dans les moindres choses l'est aussi dans les grandes, et celui qui est injuste dans les moindres choses l'est aussi dans les grandes »." (Luc 16:10) ; "Paul nous dit : « ce qu'on demande des dispensateurs, c'est que chacun soit trouvé fidèle »." (1Corinthiens 4: 2)
Soyons fidèle à tous égards. Agriculteur, Paysan comme moi, Pasteur, Docteur, ingénieur, agronome, Avocat, Juge, Casec, Magistrat communal, Député, sénateur, Président. Et retenez ceci "Si tu marches dans le feu, tu ne te brûleras pas, Et la flamme ne t'embrasera pas. Car Je Suis l'Eternel, ton Dieu, Le Saint d'Israël, ton Sauveur." (Esaïe 43:2-3) Car, Je connais les projets que J’ai formés à votre égard, projets de paix et non de malheur, afin de vous donner un avenir et de l’espérance. Jérémie 29 :11
Choisi la Fidélité, c'est aussi choisi le programme de Dieu pour notre vie,
De ce choix dépendent : notre existence (dans sa totalité, la vie de tout notre être) la prolongation de nos jours (l’éducation, l’agriculture, l’urbanisation, le travail, la santé, la sécurité) Notre bonheur dans notre pays (la jouissance des biens, la protection, la paix.
Ces promesses de Dieu prennent un extraordinaire relief de nos jours, alors que les garanties humaines ont perdu de leur évidence.
Choisi la BIBLE... la compréhension afin que nous aimions notre Dieu en Jésus notre Sauveur Spirituel ; la force, afin que nous possédions la faculté d’obéir à sa voix ; et la Fidélité, afin que nous vivions éternellement..."
Ce Nègre de la race né en Égypte, Moïse, est non seulement l'auteur - sous l'inspiration du Saint-Esprit - les cinq premiers livres de la Bible et bien d’autre, mais un personnage historique qui est à la base de la vie nationales d'Israël noir avant notre déportation et notre éradication de l’Afrique du nord. Sa vie, ses expériences de conducteur, sa relation intime avec Dieu, sont les sources d'un enseignement qui nous concerne encore aujourd'hui comme Africain d’origine, déporté sur le continent Américain et propriétaire patenté de cette l’ile, la république d’Haïti. ( Ke’n acheté ak Sang’ n+Kob Nou)
Moise : le messager, le meneur d’homme, Pasteur, le général en chef de l’armée des premiers israéliens noir, l’écrivain sacré ne s'est pas trompé; quand Il nous introduit déjà dans l'état éternel, dont le temps présent n'est que le tremplin.
Choisir sans hésitation, sachant que ce choix implique l'amour, l'obéissance, la joie, la paix, la patience, la bonté, la bienveillance, la fidélité, la douceur, la tempérance et un attachement indéfectible à Jésus Christ, Notre Sauveur.
Montrons-nous dignes et fermes après avoir choisi, car nous sommes certains d'atteindre le but fixé de donner à manger à chaque frère et chaque sœur et de les instruire afin de gagner Haïti pour Jésus Christ, et vivre une vie bienheureuse.
Comme la fraîcheur de la neige au temps de la moisson, Ainsi est un messager fidèle pour celui qui l'envoie; Il restaure l'âme de son maître. Proverbes 25 :13 (Louis Segond) Soyez fidèle à tous égards.
Dr Harry Laventure,
mon appareil photo un 6X9 en bakélite avec comme réglage 1/25° et 1/100° pour le diaphragme grand trou et petit trou + une position pose.... les réglages étaient vite fait
57305 shunts Barrow Marine Terminal on 20 June 2018, in order to form 6X24, the 1220 Barrow Marine Terminal to Sellafield.
Una invitación de #AlAireLibro para leer por dos horas. Una forma diferente de apropiarse de la ciudad y de sus cotidianidades
Arsenal (Vienna)
The Vienna Arsenal, object 1
(Pictures you can see by clicking on the link at the end of page!)
The Arsenal in Vienna is a former military complex in the southeast of the city, located in the 3rd district of Vienna. The mighty, consisting of several brick buildings facility is located on a rectangular plan on a hill south of the Country Road Belt (Landstraßer Gürtel).
Meaning
The Arsenal is the most important secular assembly of Romantic Historicism in Vienna and was conducted in Italian-Medieval and Byzantine-Moorish forms. Essentially the complex is preserved in its original forms; only the former workshop buildings within the bounding, from the the outside visible wings were replaced by new constructions.
History to 1945
Bird's eye view of the complex, arsenal, lithography Alexander Kaiser, 1855
Vienna Arsenal (Museum of Military History)
Arsenal, with HGM (Heeresgeschichtliches Museum) from the East
The complex, with a total of 31 "objects" (buildings) was built from 1849 to 1856 on the occasion of the March Revolution of 1848 and was the first building of the fortress triangle, replacing the old Vienna's city walls, with the Rossauer Barracks and the now-defunct Franz Joseph barracks at Stubenring. These buildings should not serve to deter foreign enemies from the city, but to secure state power in the event of revolutionary upheavals in Vienna. The decision to build the Arsenal, it came from the 19-year-old Emperor Franz Joseph I who on 2 December 1848 had come to the throne.
The design for the Imperial Artillery Arsenal came from General Artillery Director Vincenz Freiherr von Augustin, to which, subsequently, the site management had been transferred. Under his leadership, the buildings under assignment of sectors have been planned of the architects Carl Roesner, Antonius Pius de Riegel, August Sicard von Sicardsburg, Eduard van der Nüll, Theophil von Hansen and Ludwig Förster and built by the company of the architect Leopold Mayr.
From 1853 to 1856, Arsenal church was built by the architect Carl Roesner. The K.K. Court Weapon Museum, later K.K. Army Museum, now Museum of Military History, housed in a separate representative free-standing wing, was completed structurally in 1856, but was only in 1869 for the first time accessible.
For the construction of the Arsenal 177 million bricks were used. Construction costs totaled $ 8.5 million guilders. In the following years, there have been extensions. During the two world wars, the complex served as a weapons factory and arsenal, especially as barracks.
The record number of employees in Arsenal was reached in the First World War, with around 20,000 staffers. After 1918, the military-industrial operation with own steel mill was transformed into a public service institution with the name "Austrian Factories Arsenal". However, there were almost insoluble conversion problems in the transition to peacetime production, the product range was too great and the mismanagement considerable. The number of employees declined steadily, and the company became one of the great economic scandals of the First Republic.
By the fall of 1938, the area belonged to the 10th District Favoriten. However, as was established during the "Third Reich" the Reich District of Greater Vienna, became the arsenal complex and the south-east of it lying areas in the wake of district boundary changes parts of the 3rd District.
During the Second World War, in the Arsenal tank repair workshops of the Waffen-SS were set up. In the last two years of the war several buildings were severely damaged by bombing. During the Battle of Vienna, in the days of 7 to 9 April 1945, was the arsenal, defended by the 3rd SS Panzer Division "Totenkopf", focus of the fighting, the Red Army before its victory facing heavy losses.
History since 1945
Ruins of the object 15 after the air raids 1944
Deposits at the Arsenal Street
After heavy bomb damages during the Second World War, the buildings of the Arsenal were largely restored to their original forms.
In the southern part and in the former courtyard of the arsenal several new buildings were added, among them 1959-1963 the decoration workshops of the Federal Theatre designed by the architects Erich Boltenstern and Robert Weinlich. From 1961 to 1963, the telecommunications central office was built by the architect Fritz Pfeffer. From 1973 to 1975 were built operation and office building of the Post and Telephone Head Office for Vienna, Lower Austria and Burgenland (now Technology Centre Arsenal of Telekom Austria) with the 150-meter high radio tower in Vienna Arsenal according to the plans of architect Kurt Eckel. In the 1990s, a rehearsal stage of the Castle Theater (Burgtheater) was built according to plans by Gustav Peichl.
Also the Austrian Research and Testing Centre Arsenal, now Arsenal Research, which has made itself wordwide a celebrity by one of the largest air chambers (now moved to Floridsdorf - 21st District), was housed in the complex. A smaller part of the complex is still used by the Austrian army as a barracks. Furthermore, the Central Institute for Disinfection of the City of Vienna and the Central Chemical Laboratory of the Federal Monuments Office are housed in the arsenal. The Military History Museum uses multiple objects as depots.
In one part of the area residential buildings were erected. The Arsenal is forming an own, two census tracts encompassing census district, which according to the census in 2001 had 2.058 inhabitants.
End of 2003, the arsenal in connection with other properties of the Federal Property Society (BIG - Bundesimmobiliengesellschaft) was sold to a private investor group. Since early 2006, the lawyer of Baden (Lower Austria, not far away from Vienna) Rudolf Fries and industrialist Walter Scherb are majority owners of the 72,000 m2 historic site that they want to refurbish and according to possibility rent new. Fries also plans to enlarge the existing living space by more than a half (about 40,000 m2).
An architectural design competition, whose jury on 28 and 29 in June 2007 met, provided proposals amounting to substantial structural changes in the complex. Such designed competition winner Hohensinn a futuristic clouds clip modeled after El Lissitzky's cloud bracket, a multi-level horizontal structure on slender stilts over the old stock on the outskirts of the Swiss Garden. The realization of these plans is considered unlikely.
Some objects are since 2013 adapted for use by the Technical University of Vienna: Object 227, the so-called "Panzerhalle" will house laboratories of the Institute for Powertrains and Automotive Technology. In object 221, the "Siemens hall", laboratories of the Institute for Energy Technology and Thermodynamics as well as of the Institute for Manufacturing Technology and High Power Laser Technology are built. In object 214 is besides the Technical Testing and Research Institute (TVFA) also the second expansion stage of the "Vienna Scientific Cluster" housed, of a supercomputer, which was built jointly by the Vienna University of Technology, the University of Vienna and the University of Agricultural Sciences.
Accessibility
The arsenal was historically especially over the Landstraßer Gürtel developed. Today passes southeast in the immediate proximity the Südosttangente called motorway A23 with it connection Gürtel/Landstraßer Hauptstrasse. Southwest of the site runs the Eastern Railway, the new Vienna Central Station closes to the west of the arsenal. Two new bridges over the Eastern Railway, the Arsenal Stay Bridge and the Southern Railway bridge and an underpass as part of Ghegastraße and Alfred- Adler-Straße establish a connection to the on the other side of the railway facilities located Sonnwendviertel in the 10th District, which is being built on the former site of the freight train station Vienna South Station.
On the center side is between Arsenal and Landstraßer Gürtel the former Maria Josefa Park located, now known as Swiss Garden. Here stands at the Arsenal street the 21er Haus, a branch of the Austrian Gallery Belvedere, on the center-side edge of the Swiss Garden has the busy suburban main railway route the stop Vienna Quartier Belvedere, next to it the Wiener Linien D (tram) and 69A (bus) run.
Naturally formed ice that occurs in Tennessee at below freezing temperatures,i call them ice flowers!The formation of frost flowers, also known as "ice flowers," is apparently dependent on a freezing weather condition occurring when the ground is not already frozen. The sap in the stem of the plants will expand (water expands when frozen), causing long, thin cracks to form along the length of the stem. Water is then drawn through these cracks via capillary action and freezes upon contact with the air. As more water is drawn through the cracks it pushes the thin ice layers further from the stem, causing a thin "petal" to form. In the case of woody plants and (living or dead) tree branches the freezing water is squeezed through the pores of the plant forming long thin strings of ice that look uncannily like hair i.e. "frost beard".
The petals of frost flowers are very delicate and will break when touched. They usually melt or sublimate when exposed to sunlight and are usually visible in the early morning or in shaded areas.
Forming extensive sheets on the trunks of Beech trees in Drumlanrig Castle Estate, Dumfries and Galloway.
Haredi Judaism is usually referred to as ultra-orthodox Judaism, though Haredi Jews (or Haredim) object to this title. Theologically they are more conservative than any other form of Judaism.
PB140467
Hasidism is a sub-sect within Haredi Judaism. It can often (but not always) be distinguished by its clothing:
"Clothing
Another notable distinction among Hasidic Jews is their mode of dress. Though black outerwear and white shirts are standard for men and long-sleeved and high-necked clothing are typical for women, several groups have subtly distinct clothing for men identifying them as members of a particular Hasidic sect. Chabad men, for example, wear a black fedora-style hat. In other groups, the men wear a more elaborate fur-trimmed hat called a shtreimel or a spodik. (Some non-Hasidic ultra-Orthodox Jews also wear black hats.) Hasidic men typically wear a black overcoat known as a bekishe or a kapota. And in some groups, men wear distinctive white stockings. Most Hasidic groups still use Yiddish as their primary language." — myjewishlearning.com
From Studies in Judaism, First Series by Solomon Schechter (1911) [3rd excerpt]:
[Hassidism is a sub-sect of Haredi Judaism, ultra-ultra-orthodox Judaism.]
After seven years, Gershon, who was well aware of the bitter poverty which his sister endured, relented and brought her and her husband back to Brody. At first he employed Baalshem as his coachman, but as he proved wholly unfit for this work Gershon rented a small inn in a remote village, and there established his sister and her husband. The business of the inn was managed by the wife, while Baalshem passed most of his time in a hut in a neighbouring forest. Here he once more gave himself up to meditation and preparation for his future work, and here, a little later, when nearly forty-two years of age, to a few chosen spirits, afterwards his most fervent disciples, he first revealed his true character and mission.
From this point unfortunately the materials for a continuous biography are wanting; we next hear of Baalshem discharging the functions of an ordinary Rabbi at Miedziboz in Podolia, but for the remainder of his personal history we have to be content with detached anecdotes [pg 010] and fragmentary passages in his life, the sum total of which goes to show that he resided in Podolia and Wallachia, teaching his doctrines to his disciples and “working Wonders.” He does not seem to have figured as a public preacher, nor has he left behind him any written work. He appears rather to have used the method, familiar to students of Greek philosophy, of teaching by conversations with his friends and disciples. These conversations, and the parables with which they were largely interspersed, were remembered and stored up by his hearers. By his neighbours the country folk, Baalshem was regarded simply as “a man of God.” He was allowed to pursue his course undisturbed by persecution of the serious character which his more aggressive successors provoked. Such of the Rabbis as were aware of his existence despised him and his ways, but the Rabbinical world was at that time too much occupied in the controversy between Eybeschütz and Emden to concern itself with the vagaries of an obscure and apparently “unlearned” eccentric. Baalshem also took part in the disputes which were held in Lemberg, the capital of Galicia (1757?), between the Rabbis and the Frankists,6 who denounced the Talmud to the Polish Government and wanted to have all the Rabbinical books destroyed. Baalshem suffered from this excitement in a most terrible way. The abrogation of the Oral Law meant for him the ruin of Judaism.
Baalshem, in forming the little band of devoted followers who were destined to spread a knowledge of his creed, travelled considerably about Wallachia. He at one time decided to make a pilgrimage to Palestine, but when he reached Constantinople he felt himself inspired [pg 011] to return and continue his work at home. He died at Miedziboz on the eve of Pentecost, 1761.
After his death his disciples, of whom one Beer of Mizriez was the most prominent, undertook the proselytising mission for which Baalshem had prepared them, but from which he himself appears to have abstained. They preached and taught in all the provinces of Russia where Jews may reside, and in Roumania, and Galicia. The number of the sect at the present day is probably about half a million.
Returning now to Baalshem the founder, it may be noted that his appearance as a teacher and reformer was accompanied and justified by a customary and adequate number of miracles. To one disciple he revealed secrets which could have become known to him only by divine revelation; to another he appeared with a nimbus round his head. On the evidence of the Chassidim we learn that Baalshem performed all the recognised signs and marvels which have ever been the customary minor characteristics of men of similar type in similar environment. When Baalshem desired to cross a stream, he spread forth his mantle upon the waters, and standing thereupon passed safely to the other side. Ghosts evacuated haunted houses at the mere mention of his name. Was he alone in the forest on a wintry night, he had but to touch a tree with his finger tips and flames burst forth. When his spirit wandered through the angelic spheres, as was frequently the case, he obtained access to Paradise for millions of pining souls who had vainly waited without through long thousands of mournful years. These and other miracles need not be examined. Here, as in the case of other such blissful seasons of grace, they were the [pg 012] ephemeral though important accessories in establishing the inspired character of his utterances and the authority of his injunctions. It is not as a worker of miracles, but as a religious teacher and reformer, that Baalshem is interesting.
Properly to understand the nature and special direction of his teaching, it is necessary in some measure to realise the character of the field in which he worked; to consider, in other words, the moral and religious condition of the Jews in those districts where Chassidism first took root.
In a Hebrew Hymn, written about 1000 a.c., and still recited in the synagogue on the Day of Atonement, the poet expresses the strange and bitter fortunes of his race in touching words of mingled sorrow and exultation.
Destroyed lies Zion and profaned,
Of splendour and renown bereft,
Her ancient glories wholly waned,
One deathless treasure only left;
Still ours, O Lord,
Thy Holy Word.
And this Divine Word it was, which a persecuted religion has sought to preserve intact through so many centuries of persecution, and for the sake of which no labour seemed too severe, no sacrifice too large. “Bethink Thee, O God,” exclaimed one of our Jewish sages who flourished about the same period, “bethink Thee of Thy faithful children who, amid their poverty and want, are busy in the study of Thy Law. Bethink Thee of the poor in Israel who are willing to suffer hunger and destitution if only they can secure for their children the knowledge of Thy Law.” And so indeed it was. Old and [pg 013] young, weak and strong, rich and poor, all pursued that single study, the Torah. The product of this prolonged study is that gigantic literature which, as a long unbroken chain of spiritual activity, connects together the various periods of the Jews' chequered and eventful history. All ages and all lands have contributed to the development of this supreme study. For under the word Torah was comprised not only the Law, but also the contributions of later times expressing either the thoughts or the emotions of holy and sincere men; and even their honest scepticism was not entirely excluded. As in the canon of the Bible, Ecclesiastes and the Song of Solomon found place in the same volume that contains the Law and the Prophets, so at a later time people did not object to put the philosophical works of Maimonides and the songs of Judah Hallevi on the same level with the Code of the Law compiled by R. Isaac Alfasi, and the commentaries on the Bible by R. Solomon b. Isaac.7 None of them was declared infallible, but also to none of them, as soon as people were convinced of the author's sincerity, was denied the homage due to seekers after truth. Almost every author was called Rabbi (“my master”) or Rabbenu (“our master”),8 and nearly every book was regarded more or less as a contribution to the great bulk of the Torah. It was called Writ,9 and was treated with a certain kind of piety. But, by a series of accidents too long to be related here, sincerity ceased and sport took its place. I refer to the casuistic schools commonly known by the name of Pilpulists10 (the “seasoned” or the “sharp” ones), who flourished in the last two centuries preceding ours. To the authors of this unhappy period, a few glorious exceptions always allowed, the preceding [pg 014] Jewish literature did not mean a “fountain of living waters,” supplying men with truth and religious inspiration, but rather a kind of armoury providing them with juristic cases over which to fight, and to out-do each other in sophistry and subtlety. As a consequence they cared little or nothing for that part of the Jewish literature that appeals less to the intellect than to the feelings of men. In short, religion consisted only of complicated cases and innumerable ordinances, in which the wit of these men found delight. But the emotional part of it, whose root is the Faith and Love of men, was almost entirely neglected.
Hon. Stephen Goudge, Toronto - former judge in the Court of Appeal for Ontario.
He served as Commissioner for the Public Inquiry into Pediatric Forensic Pathology. This led to a fundamental restructuring of the delivery of forensic pathology services in Ontario.
L'honorable Stephen Goudge, Toronto - ancien juge de la Cour d'appel de l'Ontario.
Il a servi en tant que commissaire de l'Enquête sur la médecine légale pédiatrique en Ontario. Cette enquête a conduit à une restructuration fondamentale de la prestation des services de médecine légale en Ontario.
Afternoon view of high desert landscape atop the Black Hills ACEC, Feb. 21, 2017, by Greg Shine, BLM.
The rocky outcrops that define the Black Hills are all that remains of an eroded dome of volcanic tuff, formed 4-7 million years ago.
Covered with hardy, low-growing plants, this high desert ecosystem hosts 3 BLM Special Status Species of plants: Cusick’s buckwheat (Eriogonum cusickii), Warner Mountain bedstraw (Galium serpenticum var. warnerense) and snowline cymopteris (Cymopteris nivalis).
The site offers opportunities for hiking, wildflower hunting, photography, and viewing of viewing of bobcats (Lynx rufus), coyotes (Canis latrans), golden eagles (Aquila chrysaetos), pronghorn antelope (Antilocapra americana) and many other large and small mammals, birds, and reptiles who call the Black Hills home.
Know Before You Go:
The Black Hills Recreation Area is open for day use only. Water is not available and there are no restrooms. The nearest services are in Christmas Valley, Oregon. Camping and collection of dead or downed woody material for campfire use is prohibited. The area is closed to wood and plant collecting, though scientific plant collection and research permits are available at the Lakeview BLM Office. Rock and boulder climbing and rappelling are prohibited. Geocaching is not permitted.
Directions: Take County Road 5-14F south from the town of Christmas Valley. When the main roads turns to the west, continue south on the dirt road to the sign at the north edge of the site. To enter the site, turn east (left) for ¼ mile and then turn south up a rough jeep trail to the visitor information sign. This road should only be used by 4-wheel drive vehicles.
Point of Interest:
The Black Hills interpretive site is a popular starting point for day hiking and photography. Accessible by foot or 4WD vehicle, it includes a parking area, fencing, and an interpretive sign.
Contact:
Bureau of Land Management, Lakeview District
1301 South G Street
Lakeview, OR 97630
541-947-2177
BLM_OR_LV_Mailbox@blm.gov
In the Sailor Moon universe, the team eventually gets upgraded into their super forms during the aptly named SuperS series. it would have been great to get all the Super ones, but I'd be happy with a team of the regular form ladies as, well, I'm cheap. But, as fate would have it, I recently came upon an well priced ad for one of the Senshi that I did not have, and it happened to be in her Super form.
Presenting the SH Figuarts Super Sailor Jupiter figure, purchased off Kijiji for $55 CAD.
For the uninitiated, what is a Super Sailor Senshi? Well, like all series, new elements are introduced to reinvigorate interest in a franchise. In the fourth season of Sailor Moon (SuperS), Usagi, Chibi Moon, and the rest of the Inner Senshi are upgraded by a benevolent creature called Pegasus. I've seen enough bits and pieces throughout the years to visually all this in my head, but I can't exactly say I ever actually watched it on screen. The ladies get snazzier costumes and of course, new ways to unleash hell on their enemies. So what does this mean in terms of the figures?
Well, naturally the Super Senshi would have their outfits updated to reflect the new look as per the anime. But the bigger change is that Bandai crammed these Super Senshi with more accessories, including much needed attack effects because honestly, with the exception of one or two of the Senshi, hand to hand wasn't really their strength. These upgrades were I'd say very much a necessity to get a collecting public to basically buy the same figure again.. or maybe they just tried harder back then because it's not like they're trying that hard with Dragon Ball that have multiple iterations across the timeline.
So in addition to snagging a pimped out figure for a good price, this one also happens to be Sailor Jupiter, who just happens to be my favourite Inner Senshi in terms of personality and design. Her civilian form is Kino Makoto (Wiki says she's Lita in the DiC dub.. I honestly can't remember). She's easily the most adept at hand to hand asswhooping amongst the group, built like a brawler, but with the dream of settling down and having a family of her own one day. IIRC one of her more humourous traits is that she's one of the more competent cooks in the series, because in anime you're either decent or you effectively cook poison. Being aligned with the planet Jupiter, she exercises control over lightning and plant life.
With that out of the way, lets dive into the figure itself.
Contents of the box shouldn't surprise you at this point seeing how I glossed over it. There's the figure, five total face plates (neutral, smiling, eyes closed, focused attack, winking), 11 additional hands including one dedicated to holding her Crystal Change Rod, the Rod itself, a base, two dynamic stand arms (one for the claw attachment that will hold the figure, the other for supporting the Jupiter Oak Evolution effect), the aforementioned affect, and an additional hair piece with a green energy effect on the peak of the tiara. Based on my reading, effects aside, this set has two extra faces as compared to the first release, and one extra hand, specifically the one that holds the Rod.
Sailor Jupiter is officially 5' 6", which puts her about half a foot shorter than Sailor Uranus, the tallest at 6' even. Perhaps its this shorter stature (by comparison), but Jupiter doesn't seem as stretched out as Uranus is in terms of limb length. Horribly malnourished, sure, but at least she doesn't look like the Kareem Abdul Jabbar of the Sailor Moon universe. As with many of the older lines, it seems that Tamashii Nations stuck to one face shape for ease of production - that's not to say it's horribly off, but it certainly doesn't seem bang on even at the most casual glance. Better than those OG Dragon Ball Figuarts though, mind you. Like all the other Senshi, Jupiter has small, nonsensical feet that make posing or even standing, a test of patience, though at least a challenge that can be completed unlike some other figures in my collection. Her ponytail is sculpted in mid motion, which makes for generally more dynamic poses.
Between the figure in my hand, the figures I own, and recall from an article or two I've read, here's a run down of the differences between the actual pre and post Super figures.
1. Bow on the back are significantly larger and have articulated translucent tails
2. IIRC the colour of the tiaras are different
3. Shoulders of the outfits now have semi clear non coloured plastic extensions
4. it seems to me that, at least on Super Sailor Jupiter, that the skirt material is thinner compared to all the other ladies in my collection, allowing for greater range of motion in the legs
Other than that, the actual figure itself appears to be consistent with the rest of the squad.
Continuing our usual path, we first talk about articulation, and yes, nothing new to report here other than the skirt allowing for more movement. So there's ankles, single jointed knees, hips with the pull down function for more range of motion, waist, mid torso, shoulders, bicep swivel, single jointed elbows. wrist, head, as well as a single point for her pony tail and one point for each of the bow tails. Combine this with the various hands, especially the dedicated attack pose hands, stand, and actual attack effects, you end up with a good range of display options for the bestest Inner Senshi of them all.
Paint, for better or worse, is the same as with all the other Senshi. Generally strong paint applications across the board, with some really clean detailed paint applications on areas such as her choker and the tiara, but suffering from some lacklustre paint masking in areas involving white paint, most notable being where her top meets her skirt. The white on her is predominately a pearl finish coat of paint, with the greens having a metallic finish, and the remainder generally being a flat finish. Her Jupiter Oak Evolution effect is predominately a clear green plastic with some paint applications on the ends of the energy balls. Decals are applied accurately and aren't crooked. As always, I'm overcritical when it comes to things like this, and the short version is that while it's not perfect, you can tell it's not a bootleg.
Build quality is solid. For starters, the arms aren't meant to come off like Uranus and Neptune, and as such there are no issues with limbs falling off. Otherwise, joints hold your position, limbs do not have issues with uneven lengths, tolerances are good, and finishes, while a bit crude on some parts, are generally acceptable overall and do not feel rough to the touch. Moulding of parts is crisp, with all the fine details still present after the application of paint.
So overall, the figure is of the quality one would expect from the Figuarts lineup, which.. makes sense. Having said that, what about value? Well, the original was 4,200 yen in 2014 and Super was 5,500 yen in 2017. Overall, if anything I'd say that original series was probably overpriced, though I guess you could argue that maybe the tooling being already developed made the Super line cheaper to make. There's no doubt that from a presentation perspective, the Super lineup gives you more to play around with, but whether or not its worth the extra $20 - $30 USD (roughly.. your mileage will vary) is up the collector. While I personally don't regret paying the surcharge for Jupiter as she's my favourite, I'm not hardcore enough to go MSRP for the remaining Super Senshi, or to double dip on any of them unless I find them at fire sale prices.
But, regardless, no matter how you look at it, Sailor Jupiter does the Sailor Moon Figuarts lineup proud, and I eagerly continue my hunt across the globe for the rest of the ladies at prices that give my luck a workout.