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First experiments with a new form in the ever-evolving world of Pano-Sabotage photography that's been dubbed "MonitorPano". It's both a new turn for me and a return to a very old tactic I used in 2012 where I achieved coarse but provoking layers by photographing, with my Canon Rebel XS, my computers screen saver as it faded in and out between images in my photo files. The great thing was that the images didn't just click from one to the next like a slide show, they faded in and out over top of each other. There was always a "crossover" point where the two images would occupy the same amount of "presence" on the screen thereby becoming "fused" or "blended" ... in effect ... layered. A cruder version of Brian Enos Installation piece, "77 Million Paintings", perhaps, but using the same idea.
www.youtube.com/watch?v=h0_4rCfpNzw
By the time Apple brought out the next Operating System, they'd taken out that scrolling slide show feature from what was then "iPhoto" and re-dubbed it "Photos". It always amazes me how the Silicon Valley geeks always "improve" things by taking out unique and wonderful features. Gotta mow it all down to sameness and uniformity, I guess. Unique features are seen as "mistakes".
Liz Mack has asked, "How long will it take for Apple to 'correct' the algorithms that allow for Pano-Sabotage photography ?"
MonitorPano, even though being hotly used right now and to great effect has actually been around quietly for a few years now. Don of the PANO-vision group was actually one of the first Pano-Sabotage artists to start "pano-ing" his desktop screen, and has often produced some very unique work with this method. Recently, Bill Smith, Paul Ewing and Liz Mack have taken it up with a vengeance with striking results.
"Graph ET 1" is the first finished piece that I created using the same technique the Paul, Bill, Liz and Don use. All of us in "PANO-Vision" learn a lot from each other and each of us makes invaluable contributions to the groups knowledge and technique base by that sharing. In PANO, as well call it for short, it's not about competition. We thrive by sharing. Each of us grows by contributing to an ongoing and easy exchange.
"MonitorPano" is achieved by setting one's cell phone camera on "Pano", clicking it on, while focusing on the desktop monitor and using the other hand to tap the arrow right ( or left ) key to quickly jump from photo to photo while the cell phone hand is pano-sabotaging the whole "pass". Tricky, and it takes some co-ordination, but it can be quite surprising what results.
This image was created for the PANO-Vision Groups Summer Contest, "PANO to the Metal".
www.flickr.com/groups/2892788@N23/discuss/72157667684597037/
Image culled from SLR shots done in 2011 and
"MonitorPanoed" and processed June 6, 2018.
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© Richard S Warner ( Visionheart ) - 2018. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.
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I am VERY proud to announce that I was chosen to be the feature artist of the "Kreative People" Group's Spring Gallery - Running until the end of June. I really must thank both abstractartangel77 and Xandram for bestowing me with this great honour. The link to the gallery appears below:
Please visit my Kreative People Highlight Gallery HERE
J'ai pris ces photos un matin, à 5h40, lorsque le soleil se levait..
I took these pictures a morning at 5:40am, during the sunrise
Julien Delfort ©
A still from the video I posted recently. RAW to render. No processing. This one struck me as some kind of sea creature. But it's just ice.
00807947
In 1917-1918, Michel de Klerk, commissioned by Eigen Haard, designed a third housing complex for workers on Spaarndammerplantsoen: Het Schip (The Ship).
Completed in 1921, the complex represents the pinnacle of the Amsterdam School and De Klerk's oeuvre. It exemplifies how beautiful social housing can be. It combines mass and individuality. While it is a large block of houses, each unit offers something unique.
Facade detail on Oostzaanstraat
The apartments part (red brick finish) is clearly differentiated from the "public" part (common areas, school, post office ...etc. in dark brick finish and high windows).
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In 1917-1918 ontwerpt Michel de Klerk in opdracht van Eigen Haard een derde woningcomplex met arbeiderswoningen aan het Spaarndammerplantsoen: Het Schip.
Het complex werd in 1921 opgeleverd en vormt het hoogtepunt van de Amsterdamse School en van het oeuvre van De Klerk. Het is een voorbeeldproject van hoe fraai sociale woningbouw kan zijn. Er is een koppeling tussen massa en individualiteit. Het is een groot blok woningen, maar toch heeft iedere woning iets unieks.
Geveldetail aan de Oostzaanstraat
Het appartementengedeelte (afgewerkt met rode bakstenen) is duidelijk te onderscheiden van het "openbare" gedeelte (gemeenschappelijke ruimtes, school, postkantoor, enz., afgewerkt met donkere bakstenen en hoge ramen).
Bron & meer info: items.amsterdamse-school.nl/details/objects/36
Imagen creativa. Photosoph. Gracias de antemano por vuestros comentarios, awards, favoritos, invitaciones a grupo y la elección para galerías; perdonad que quizás no pueda responder individualmente . Todos los derechos reservados
BLS 475 met een shuttle richting Antwerpen ?
6 juni 2024, Hulten
© Alle rechten voorbehouden.
Deze afbeelding is beschermd door Nederlandse en internationale auteursrechtwetten. U mag deze afbeelding in geen enkele vorm gebruiken of reproduceren, inclusief kopiëren en plakken, zonder mijn voorafgaande toestemming.
© All rights reserved.
This image is protected by Dutch and international copyright laws. You may not use or reproduce this image in any form, including copy and paste, without my prior permission.
We were driving and saw this phenomenal cloud- but it looked like a mushroom cloud! I have to admit I was somewhat fearful at first, even with the beauty of it!
The photograph shows the former Jarisch villa located at 88 Kościuszki Avenue.
Built in the years 1923-1925 on behalf of Alfred and Bodo Jarisch, sons of the industrialist Florian Jarisch (at the back of the tenement house built by their father in 1892 from the side of 153 Piotrkowska Street).
The author of the design was Karl Seidl, a Viennese architect.
The villas are decorated with two loggias on the left side and impressive stairs on the right, which lead to the ground floor and the first floor. A turret rises above the central semicircular bay window. Additional decorations are double semi-columns located between the windows on the ground floor and the first floor.
Throughout its history, the building has been used as a Wedding Palace, Tourist Information Centre, and the Resident Service Centre of the City of Łódź Office for the Central district.
I just popped up to the local village churchyard, hoping to see some of these. This one is the only individual where I managed some half-decent shots.
Sminthurinus aureus has several colour forms. There is an all yellow form and some dark forms. The dark forms like this, often retain the yellow legs and antennae. This individual was 0.6mm in length. They can be quite difficult to find (I use a 5x hand-lens) until you "get your eye in". This one was under a fallen laurel leaf. Whenever I see see fallen laurel leaves, I always check underneath for springtails!
Seasonally dimorphic, the fall form of this species with strong lavender edging and predominantly orange coloration on the dorsal hind wings will overwinter as an adult. It will be one of the earliest butterflies to fly in spring and may even be encountered on warm winter days in early February. This butterfly does not rely on floral nectar, but prefers to sip flowing tree sap, carrion and dung. Male butterflies love to puddle and are notoriously territorial meeting any intruder that enters their territory.
I got this little "wire" dress form in a little local shabby chic store. I though it was so cute and want to dress it up a little with some ribbon and flowers. Its about 18" tall and aqua blue. yum
A Brooks Kingsnake (Lampropeltis getula brooksi) crawls across a trail in southern Florida.
Miami-Dade county, FL
A cyanotype version of the previous post
All my photographs are © Copyrighted and All Rights Reserved. None of these photos may be reproduced and/or used in any form of publication, print or the Internet without my written permission.
Ein Bild, welches sich in dieser Form nicht wiederholen lassen wird. Die ehemalig DB Lokomotive 120 145-8, die seit einigen Monaten der WRS Deutschland GmbH mit Sitz in Karlsruhe gehört, wurde vor wenigen Wochen blau lackiert und mit einem weißen Frontlatz versehen. In diesem Bild hat sie das Altmühltal verlassen und eilt samt Kesselwagenzug (DGS 95141) ihrem Zielbahnhof Singen entgegen. Am Zugschluss befand sich die silberne 182 602.
Yet another picture that might be called unique, for it cannot be taken again. The former DB class 120 locomotive was re-painted in blue and white, according to WRS Deutschland's colours a few months ago. In this picture the tank car train has just left the Altmühl Valley and is heading for its final destination Singen.