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I am always reminding myself that although DSLRs are necessary for most photographers, myself included, the camera on most smartphones today, have far better performance capacity and capability than what was available to the old Masters of Photography, during the era in which they lived and worked. This is why I am not shy about putting my iPhone7 camera to uses. I hope the results are well received.
Se recomienda ampliar. It is recommended to expand.
Formas. Pintadas por el Sol y el mar sobre las piedras de la playa, al atardecer.
A Mariña lucense ya dispone de un exclusivo aparato que, entre otros, ayudará a medir la subida que está experimentando el nivel del mar como consecuencia del cambio climático. De esta manera, el mareógrafo inaugurado el pasado miércoles por la Cofradía de Pescadores Santiago Apóstol de Celeiro con motivo de su centenario, y que previsiblemente comenzará a funcionar la próxima semana, será, además de un punto de referencia atractivo para vecinos y visitantes, un instrumento que aportará valiosos datos científicos.
En forma de reloj, está ubicado en la Praza do Monumento ó Náufrago. Sus esferas han sido realizadas en cerámica de Sargadelos sobre un timón metálico con adornos en bronce fundido y están montadas sobre una columna de fundición asentada sobre una piedra maciza de 1,30 metros da altura por 1 de diámetro. En esa base se colocarán azulejos con los nombres de todos los patrones mayores de la cofradía en el último siglo. Por una parte, el artilugio indica el tiempo en horas que resta para la siguiente marea (sea bajamar o pleamar), y por otra, la altura que alcanza el nivel del mar en cada momento. «Nunha das esferas explícase de maneira didáctica como o sol e a lúa inflúen nas mareas polo desfase que ten a Terra ó xirar e á distancia á lúa», resume Antonio Lage, socio de Lages Chavín, la empresa de Viveiro especializada en la fabricación de relojes y piezas de relojería monumental que se ha ocupado del proyecto.
La Cofradía de Celeiro festeja su centenario mirando al futuro: «Calquera pobo vai seguir tendo vida se segue habendo actividade económica»
Esta esfera muestra el tiempo que resta para la próxima marea
Esta esfera muestra el tiempo que resta para la próxima marea
Una sonda sumergida
El mareógrafo de la Cofradía está conectado a dos sondas. Una de ellas está sumergida en el agua, mientras que la otra no tiene contacto con ella y funciona tipo radar. El aparato realiza las mediciones mediante un sistema electrónico que lleva a cabo de manera automática una serie de correcciones y cálculos antes de que los datos sean reflejados en las esferas.
Diseño y fabricación de una empresa de Viveiro
Tanto del diseño como de la fabricación, de principio a fin, del mareógrafo de Celeiro se ha ocupado una empresa de Viveiro, Lages Electrónica, que cuenta con más de cuarenta años de experiencia en el sector. En el 2021, la firma ya se había ocupado de llevar a cabo la compleja restauración del reloj monumental que preside la cúpula de la Cofradía, y que forma parte del patrimonio histórico-pesquero de la localidad mariñana. Su desgaste era generalizado.
En esta ocasión, Lages Electrónica, que también rehabilitó, por ejemplo, el reloj de la iglesia de Santa María, en el centro histórico, ha realizado un proyecto exclusivo, totalmente a medida. Sus profesionales se han encargado del diseño, creación y ensamblaje de los sistemas electrónicos, pero también de encargar la base de piedra, tallada de manera manual, o la columna de fundición.
I've had my fingerprints taken on three separate occasions. Each time was as a prerequisite to sitting for the bar examination in each of the three states in which I'm admitted. It's part of the character & fitness investigation that we lawyers are required to subject ourselves to so that the states can decide whether we are the type of person they want practicing law in their state. Funny how much our fingerprints are used by the government to identify us. And amazing how well it works. How unique each set of fingerprints actually are.
As part of our week one challenge in Project SoulPancake, I spent some time really closely examining and admiring my fingerprints. I've never really done that before. They seem pretty normal to me. Though I did notice that both of my ring fingers have prints that form bullseyes. The rest of my fingers are more swirly, but those ring fingers are perfect little bullseyes. And that kind of made me smile. Little circles of art right on my fingertips that I'd never even noticed.
Have you ever taken the time to look at yours?
Project SoulPancake - Week One: Closely admire your fingerprints.
Well, another Monochrome Monday has rolled around. To celebrate, here is an image of Terrace Creek Falls located in the Short Hills Provincial Park just West of St Catharines, Ontario. I have photographed this waterfall several times but in each case the flow has been no more than a trickle. Rain over the preceding several days had increased water flow in other streams nearer home (in Grimsby, Ontario) so I assumed it might be worth a hike into Terrace Creek to see if it too had benefited from the rains. And it had. First time in five years of trying to get a decent water flow shot. That said, the sun was harsh in the time slot I had available, so I took the image with the intention of a B&W end result. Colour is bland for this image. A nice Spring day on the Niagara Escarpment. - JW
Date Taken: 2017-04-02
Tech Details:
Taken using a tripod-mounted Nikon D7100 fitted with a Nikkor 12-24mm lense with a 10-stop Neutral Density/GND filter, ISO100, Auto WB, Manual mode, f/8.0, 25 sec. PP in free Open Source RAWTherapee from Nikon RAW/NEF source file: scale image to 9000x6000, enable Graduated Neutral Density tool and then rotate and shift it to darken the bright sunlit area in the diagonal lower right part of the frame, enable the Tone Mapping tool and use it to get a better balance between the dark wall of the rock wall forming the falls area and the rest of the image, boost contrast and Chromaticity in L-A-B mode, boost vibrance, sharpen, save. Note: result is a bit flat in colour but good for B&W conversion in the next stage. PP in free Open Source GIMP: convert image to B&W using the film simulation tool with the Ilford Delta 100 model, duplicate to create three layers each with black/transparent layer mask and, using a large, soft-edged brush, paint white on each one so you wind up with one layer masked for the sky area, one for the rock wall that forms the falls and one for the brightly lit foreground area, adjust each layer using the tone curve tool to get a good looking representation for each of the three areas, create new working layer from visible result, sharpen, save, scale image to 6000x4000, sharpen slightly, add fine black-and-white frame, add bar and text on left, save, scale image to 1800 wide for posting, sharpen slightly, save.
The gym at Allévägen in Tungelsta. Fitness is our new religion. Day 7 in my project 100 Days Of Darkness.
The size of a 40.000 year old tooth from the Denisova cave indicates a very tall individual, and artefacts found tell about
an unbelievable modern technology - including high speed drilling. The first kings of Egypt were called Gods, but they lived with the people and helped them to develop their civilisation. Many of the granite and basalt artefacts found in Egypt can only have been done by high speed drilling. Were these divine kings in fact Denisova hominins? Did they underestimate how fragile the eco-balance of our environment is, did they trigger a worldwide catastrophe that "capsized" the Earth and wiped them out?
Remnants of a previously unknown hominin, distinct from both early modern humans and Neanderthals,
were a few years ago found in the Denisova cave of southern Siberia: Denisova hominins. The bones and also artefacts excavated at the same level were carbon dated to around 40.000 BP. The scientists say these Denisovans had "modern technology and ornaments, including a very beautiful bracelet". Our archaic cousins the Denisova Hominins
A catastrophe in form of a flood that, according to the legends wiped out the Egyptian civilization that was developed by divine kings (Gods), shall have taken place more than 30.000 years ago. The finger bone, the large tooth and the artefacts found in the Denisova cave in the north-east Altai Mountains region are also dated to be more than 30.000 years old. The small bone belonged to a very young girl. A small bracelet of polished stone was also found, and since it was found in the same layer and dated to the same age; it might have belonged to her.
We can only speculate why the young girl was in the cave. Could it be that she was seeking shelter from a coming catastrophe, might be brought there by her mother or father? Or that she was washed into the cave by the raging wave of a tsunami - even if the cave today is 600 meters above sea level?
It seems that the first rulers of Egypt had a technology that was even more advanced than we have today; we are in fact unable to replicate many of the artefacts found. And it still is an open question how they managed to construct the Great Pyramid with its incredible precision and up to 70 ton's stones.
The archaeologists say that the ancient Egyptians used simple tools like bronze chisels and stone hammers but many of the items found, like basalt jars and also the so called sarcophagus in the Great Pyramid, cannot be made without high speed drilling with drill-bits harder than basalt and granite. The artefacts found in the Denisova cave, the bracelet with pendant, the eyed needles and other ornaments, also witness of a superior technology - and believe it or not: They had used hight speed drilling!
Not us homo sapien sapien
We do not know how the Denisova hominines looked but as mentioned: A tooth found in the cave was very large, so they might have been very tall. We know that people in the area surrounding the Altai Mountains in the 6th to 3rd centuries BC had a very advanced technology; a race of white skinned, blond, blue eyed and very tall people with Caucasian features and long skulls.
The divine kings, the "Gods", of Egypt were often depicted as white skinned, blond, blue eyed and very tall people with Caucasian features and a long skull. Were the "Gods" of the ancient Egyptian king-lists in fact Denisovans? Not us homo sapien sapien but our archaic cousins the Denisova Hominins?
We do not yet know what the Denisova hominins looked like but a Denisovan tooth found in the cave is the largest archaic homo species tooth found. Were the Denisovans the giants of the legends all over the world? Where they the first kings of Egypt - the divine Pharaohs? Did they have an advanced technology that later got lost, might be together with the Denisovans themselves, in a world wide catastrophe?
Global warming
Professor Gregory Ryskin at Northwestern University in Illinois, USA, has found that the long-term changes in the Earth's main magnetic field are possibly induced by our oceans' circulation. We know that global warming already has raised the temperatures of the oceans of the world and some scientists have proposed that this could disrupt thermohaline circulation (THC), which is a massive, worldwide system of ocean currents. We have already seen a change in some ocean currents, so a change in our Earth's magnetic field might already be happening! Might be this is why our magnetic poles are moving much more rapid than before! Scary stuff - because this could also mean a change in the Earth's gravity - and changes in gravitational forces will certainly affect the tectonic plates and with the continents on them. Might be this is the reason why we also experience more earthquakes than before?! Might be we should take Hapgood's conclusions and Heyerdahl's warning serious?
Did the Egyptian "capsize" the world - did they have technologies that could contribute to a sudden and rapid polar change? Might be because of and a change in the Earths gravity and/or magnetic field? Well, some say that the ancient Egyptians used the pyramids to create a unique form of energy. That they by paying special attention to celestial events, they could have used natural forces like static electricity, the Earth's magnetic field, and lightning.
Electric phenomenon
Sir William Seimens, a famous German born English inventor, travelled to Egypt and visited the Great Pyramid. While they were standing on the top, the guide remarked that when he raised his hand with his fingers spread, it caused an intense ringing noise in his ears. Sir William ventured a few tests, one by raising his arm with his index finger pointing, which he claimed caused a prickling sensation. He then drank some wine from a metallic cup which gave him a distinct shock. He was convinced he was witnessing some sort of electric phenomenon and instantly put this to the test by assembling a makeshift Leyden Jar, an apparatus for the storage of static electricity, by wrapping moistened newspaper around the wine bottle. The static charge at the peak of the pyramid was so high that sparks began to stream from the bottle. The guide was so shocked that he accused Sir William of witchcraft and tried to grab the bottle, but an electrical jolt knocked him unconscious.
A power plant?
Master craftsman and engineer Christopher Dunn argues that based on his measurements of Egyptian monuments, ancient stonecutting achieved a high-precision accuracy surpassing modern accuracy standards in building. He asked himself what was the power source that fuelled such a civilization and after twenty years of research, Dunn reveals that the Great Pyramid of Giza was actually a electrical power plant. Based on the technology of harmonic resonance, he claims that the pyramid was a large acoustical device! By its size and dimensions, this crystal edifice created a harmonic resonance with the Earth and converted Earth's vibrational energies to microwave radiation. He shows in his books and articles how the pyramid's numerous chambers and passageways were positioned with the deliberate precision to maximize its acoustical qualities.
Inventor Michael F. Praamsma partly agrees but he says that the Great Pyramid at Giza was "a sophisticated acoustical sound chamber that was used as a technique to generate natural sounds to create an elevated frequency environment confined to a single resonant physical cavity". He claims that the Great Pyramid was systematically and competently sealed, and that this was "a sign it was decommissioned and intended to be of use again at a future day, when the awakened humanity would restore it competently to its rightful function, unfortunately history went another way."
A California researcher, Peter Grandics, has shown how an antenna, modeled on the Great Pyramid of Giza, can transfer the power of atmospheric electrostatic discharge impulses into a resonant circuit that converts the random impulses into an alternating current as a potential source of renewable electric power. Thousands of terawatts of power are generated in the troposphere by thunderstorms and a pyramidal structure, with its optimal geometry and construction, can act as a suitable charge sink, capturing this electric.
A biological engineer named John Burke argues that the movement of underground water in limestone aquifers below monuments produces an electric current via friction and the rich magnetic dolomite content of the stone. Burke measured positive ground current at Silbury hill in England, an ancient pyramidal mound composed of chalk and clay that lies on top of such limestone bedrock riddled with zig zagging aquifers filled with rainwater. Such tunnels and water caverns lie beneath the Giza plateau as well. Abd'El Hakim Awyan, a native Egyptian archaeologist, attests to swimming in such tunnels during his youth on the Giza plateau.
Electric torches?
Another alternative theory is that the pyramids were wireless power plants used to generate electricity and for wireless communication. On the internet you will find a video where it is speculated that the Great Pyramid may have been powered by the Ark of the Covenant. The person behind the video is saying that murals inside tombs and temples show that the ancient Egyptians were using handheld electric torches powered by cable free power sources. It is believed that the so called sarcophagus inside the Great Pyramid has the exact dimensions, according to the Christian bible, to house the Ark of Covenant: That the pyramid with a capstone of gold and the covenant in place was a kind of super capacitor the could produce and store electric energy. It is also theorized that Moses stole the Ark of Covenant from the pyramid and took it with him out of Egypt. This should be the main reason for the downfall of the Egyptian pharaohs; without the electrics power their own power dwindled. This should have happened at the time of the pharaoh Ramses II.
Three engineers; Erica Miller, Sean Sloan and Gregg Wilson all agree on one theory: That the Great Pyramid acted as a huge nuclear breeder reactor, which produced Plutonium fuel by mediating uranium isotopes in water. Supposedly, the King's Chamber was flooded with a water pump, and the sarcophagus was packed with uranium ore.
Frenchman Antoine Bovis stumbled upon dead cats and mice that had been disposed of in the trash cans inside the Great Pyramid, and they were perfectly mummified - apparently automatically, without putrefying or giving off a stench. When Bovis returned to France he built a scale model of Khufu's monument, deposited a dead cat inside - and the Giza phenomenon repeated itself, the cat mummified without rotting. Karl Drbal of Czechoslovakia researched this further and said that this was due to the pyramid's special cavity that resonated with cosmic microwaves concentrated in the earth's magnetic field. He also hypothesized that the same concept would work for rusted shavers, and claimed the sharpness of the tools returned after lacing them in a scale model of the pyramid. Stanford Research Institute, however, carrying out experiments in the Great Pyramid, and found that biological samples deteriorated at normal rates within the structure.
Energy grid
Some researchers say that it not by chance that the Great Pyramid was built where it was. They propose that the Earth has a planetary energetic grid that operates through geometric patterns called Sacred Geometry. Grids meet at various intersecting points forming a grid or matrix. These grid points shall be found at some of the strongest power places on the planet. A planetary grid map outlined by the Russian team of Goncharov, Morozov and Makarov has an overall organization anchored to the north and south axial poles and the Great Pyramid at Giza.
It is said that the ancient people, including the Egyptians, knew that wherever the earth's energy gathered into a vortex was a sacred place. Very simular is the theory that the Earth has as net of electromagnetic lines, and that the intersecting points of the network, the knots, are influenced by underground veins of water as well as magnetic forces emanating naturally from the Earth. The ancient Egyptians are said to have been able to move and/or anchor the energy lines by pushing metal rods into the ground before they built a temple or pyramid - they shall have called it "piercing the snake".
Also what is called lay lines seems to be connected to an ancient grid of a form. According to Wikipedia; "Ley lines are hypothetical alignments of a number of places of geographical interest, such as ancient monuments and megaliths." Archaeologists have documented that the alignments are existing but it is not proved that the ley lines and their intersection points resonate a special psychic or magical energy or that they have electrical or magnetic forces as some writers claim.
Pyramid fortex using a Tesla coil
In addition to all this it is also said that we have high energy spots on the Earth called vortices - and they shall be linked ley lines. A Vortex (plural: vortices) is usually a spinning, often turbulent, flow of fluid but some also include a kind of spinning Earth energy due to its electromagnetic field. Such vortices can be volcanoes, high mountains, hot springs, mineral deposits, deep gorges, rock outcroppings and even in deserts like the Sinai. Ancient sites can also be vortices, like the pyramids of Egypt. Dr. Dee J. Nelson has taken a so called Kirlian photograph of energy spiralling out of the top of a pyramid using a Tesla Coil.
Nikola Tesla - Earthquake Machine
The Tesla Coil was invented by Serbian-American engineer Nikola Tesla (1856 - 1943), one of history's greatest scientists. His coil is an electrical resonant transformer circuit, used to produce high-voltage, low-current, and high frequency alternating-current electricity. Yes, he is best known for inventing the alternating electrical current (AC) used all over the world today, but his patents and theoretical work helped form the basis for radio comunication and many other inventions.
Nikola Tesla was an electrical genius, but he also was responsible for a number of mechanical devices. One of these was his "Earthquake Machine" also known as the Tesla Oscillator. The machine which Tesla tested was no larger than an alarm clock but it is said that when he started to twiddle the machine's frequency-controller in his lab: blocks around chaos reigned as objects fell off shelves, furniture moved across floors, windows shattered, and pipes broke. When the police arrived they found the inventor smashing the resonator to bits with a hammer: "Gentlemen, I am sorry. You are just a trifle too late to witness my experiment. I found it necessary to stop it suddenly and unexpectedly in an unusual way, he said calmly to the astonished officers.
Tesla was convinced that by finding the correct frequency, any structure can be destroyed (an obvious example is the wine glass shattered by an opera singer). He later told a friend that he could split the Earth with one of these devices: "I could set the earth's crust into such a state of vibration that it would rise and fall hundreds of feet, throwing rivers out of their beds, wrecking buildings, and practically destroying civilization".
Tesla and coils
Tesla claimed that the laws of electromagnetics were connected to gravity, and one of his patents was on a flying machine without wings or propellers but based on what he called electrogravitics. Tesla also was working on a generator that basically worked by harnessing the electricity from the air and the ground. He used the natural conductivity of limestone aquifers to generate electrical power. The power ran up the ground into the Tesla coil tower above, which in theory should channel wirelessly transmitted power over great distances. Since Telsa wanted the distribution of the energy to be free, the inventor's sponsor pulled out from funding the scientist's machine before it was completed. Tesla died a poor and disillusioned man.
His research station for transmitting power at Colorado Springs might have a link to the Great Pyramid - a notable harmonic association between the latitude positions of both sites. Coral Castle - 9-ton gate that moves with just a touch of the finger.
Edward Leedskalnin - Coral Castle
Another person that was interested in gravity and electromagnetism was Edward Leedskalnin (1887-1951) - an eccentric Latvian emigrant to the United States. He built the extraordinary monument known as Coral Castle in Florida. Leedskalnin single-handedly and secretly carved and displayed over 1,100 tons of coral rock, the heaviest stone weighing 35 tons. It is a mystery how the tiny man could move all the heavy stones. He claimed to have discovered the secrets of the pyramids, and had found out how the Egyptians and the ancient builders in Peru, Yucatan, and Asia, with only primitive tools, raised and set in place blocks of stone weighing many tons! But he did not want to show
"I have discovered the secrets of the pyramids, and have found out how the Egyptians and the ancient builders in Peru, Yucatan, and Asia, with only primitive tools, raised and set in place blocks of stone weighing many tons!"
- Edward Leedskalninanybody how it was done and worked mostly at night-time. A group of young witnesses claimed to see coral blocks floating through the air "like hydrogen balloons" and another time one of Ed's neighbours found him singing to the stones with his hands placed on their surface as if he were somehow making them lighter.
Ed Leedskalnin disputed contemporary science and believed that "all matter consists of magnets which can produce measurable phenomena, and electricity." Ed would say he had "re-discovered the laws of weight, measurement, and leverage," and that these concepts "involved the relationship of the Earth to celestial alignments."
Researchers have speculated that Ed Leedskalnin learned the secret of levitation and one theory in particular caught the imagination of many. The planetary grid hypothesis postulates that the earth is covered by an invisible web of energy which is concentrated at points of telluric power, the convergence of which create unusual phenomena. Leedskalnin moved the complex from Florida City to Homestead and some suggest this was because Ed realized he had made a mathematical error in his original positioning and moved to an area with greater telluric force.
The famed American psychic Edgar Cayce (1877-1945) said during his readings that the Great Pyramid "was erected by the application of those universal laws and forces of nature which cause iron to float. By the same laws, gravity may be overcome, or neutralized, and stone made to float in air. The Pyramid was thus built by levitation, abetted by song and chanting". He also said that the Great Pyramid was built was built as a hall of initiation around 10,500BC by those who originally came from the civilization of Atlantis.
Levitation by sound
Metal rods that caused the stone to levitate
The current estimates of mainstream science contends that it took a workforce of 4,000 to 5,000 men 20 years to build the Great Pyramid using ropes, pulleys, ramps, ingenuity and brute force. But the 10th century Arab historian, Abul Hasan Ali Al-Masudi had written a 30-volume history of the world and he wrote about how the great stone blocks of the pyramid were transported. First, he said, a "magic papyrus" was placed under the stone to be moved. Then the stone was struck with a metal rod that caused the stone to levitate and move along a path paved with stones and fenced on either side by metal poles. The stone would travel along the path, wrote Al-Masudi, for a distance of about 50 meters and then settle to the ground. The process would then be repeated until the builders had the stone where they wanted it.
An ancient legend tells that The Great Pyramid was built from year 10,490 to 10,390 B.C. That the god Ra made studies of the terrain and took great care in figuring the geometrical location in relation to the Sphinx and the four cardinal points of the compass. The Pyramid was then built by levitation, abetted by song and chanting.
Well, we do not have any proof that the ancient Egyptians could make the huge stones fly through the air but levitation is no longer only a party-trick by magicians with quick fingers. We have high speed trains that levitate by the help of magnetic power and in an incredible move for modern medicine; scientists are using sound waves to help levitate droplets of drugs to make them with less side effects.
A kind of Swiss knife
The Great Pyramid is very different to other pyramids, in Giza or else. Most alternative researches conclude that it was some kind of machine; most possibly a power station. We have seen that it would be impossible to use the Great Pyramid as a tomb for a pharaoh and that dating of seashell tells that it much older than the other pyramids. The nearby sphinx has been re-dated to be at least 5000 years old because of the erosion from water, but it might be much older. The same will go for the Great Pyramid. Some speculate that the Great Pyramid was a kind of Swiss knife - a gigantic multipurpose tool. The world "pyramid" means "fire in the middle" - so if it was a kind of power station with the power source situated in what is called Khufu's sarcophagus the some researches in one way might be correct when that speculate that the pyramid also was built as a gigantic ram water pump - inside the base of the pyramid. Yes, it could have been a power-station with a water cooling system! We have seen that some say that the power source was the ark of covenant from the Christian bible and some say
The King's Chamber with the stones above
King's Chamber and large stones
that Moses was the person who stole it from the pyramid. That the pharaohs' rapid decline took place because with no more energy, in form of electric power, then their advanced civilisation could no longer exist!
A gigantic Tesla coil?
Or might be the Great Pyramid was a kind of a gigantic Tesla coil? That the huge granite stones, highly polished on the underside and placed above the so called Kings chamber, made it possible to harness electricity from the ionosphere - just like Nikola Tesla wanted to do it?
About 20 minutes drive from the Great Pyramid is the site of Abu Ghurab, the "Place of Osiris". The ruined stepped pyramid once had an alabaster platform on the top and on the platform it had been standing an obelisk ("sun stick"); most likely, the total height was between fifty and seventy meters. It had looked like a pyramid with a flat top, just like Great Pyramid! Is it possible that the Great Pyramid once had an obelisk standing on it's flat top - and not a capstone? The legends says that spirit of the sun god entered the obelisks at certain periods…
Could it have been like this - an obelisk on top of the Great Pyramid?
Can it have been like this?
Tesla viewed the Earth as a negative electric pole and the sun as a positive pole of an electrode; so an obelisk standing on top of a pyramid would to him be a solar-electric diode! If the under ground part of the pyramid was a pump that brought water up to the Kings Chamber then we would have a capacitor with a very good earth ground. Yes, the Great Pyramid could have been an extremely powerful kind of solar-panel!
Might be Tesla got the idea of harnessing the ionosphere from the Egyptians? Might be they had made the strongest power station ever but that something went terribly wrong; a technical fault or a construction-fault? Or might be extra strong solar activity? Stephen A. Reynods of New Zealand has done research showing that changes in the ionosphere caused by strong solar activity can cause changes in the Earth's internal magnetic field and through telluric current induced in the Earth's crust trigger earthquakes. So might be it happened that instead of harnessing high voltage that could be stored and used, the pyramid send the current into the ground and
The God Ptah with a Djed pillar
Ptah and pillar
triggered a gigantic earthquake that literally shook the whole Earth and caused geological catastrophes worldwide? Might be the changes to the internal magnetic field was so fast and so strong that the outer crust slipped - just like professor Charles H. Hapgood once suggested (but not due to imbalance of the polar ice)?
Interesting enough; one of the oldest and most important symbols to the ancient Egyptian was the "Djed Pillar". Take a look at the image to the right of the God Ptah holding a Djed pillar. The pillar looks very simular til the set-up of the stones above the Kings Chamber - and also a homemade Tesla coil! You might also have noticed a Djed pillar in picture of what could illustrate an electric lamp in an ancient Egyptian temple, higher up in the article!
Very advanced technology
In the Palermo, Turin and Manetho king lists, there are names of eight god kings that ruled Egypt in the beginning; Ptah, Ra, Geb, Osiris, Set, Horus, Thoth and the female god Ma'at. Even if they sometimes were represented in a variety of forms on murals, often with human body and animals/birds heads, these gods seemed to be something else than imaginary gods living in a theological heaven. They lived on earth, were married with children, and had duties they performed. They also helped the ordinary people to develop. We have seen that Ptah made the Nile-delta liveable after the great flood and Thoth is credited as the author of all works of science, religion, philosophy as well as magic and he is said to have been married with the female god and ruler Ma'at.
Pharaoh Can it be that the first kings of Egypt were called Gods because they came from a far away place and looked a bit different to the other humans in ancient Egypt? The word "God" comes from "shining/bright" and murals picturing the first pharaohs/gods show that they had so white skin that the must have looked very bright compared to other people! Were they also called devine because they had much better mental capabilities and a very advanced technology?
www.sydhav.no/giants/denisova_giants_egypt.htm
Dendera light
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The dendera light
The dendera light is a motif in the Hathor temple at Dendera in Egypt. A fringe theory interpretation of the reliefs is that they depict some form of ancient Egyptian lighting technology, similar to an arc lamp or cathode ray tube.
The temple contains several reliefs depicting Harsomtus, in the form of a snake, emerging from a lotus flower which is usually attached to the bow of a barge. The so-called dendera light is a variation of this motif, showing Harsomtus in an oval container called hn, which might represent the womb of Nut.[1][2][3] Sometimes a djed pillar supports the snake or the container. A closely related motif is "god resting on the lotus flower".
Contents
1Depictions and text
2Similar motifs
3Fringe interpretation
4See also
5References
6External links
Depictions and text
Each of the three objects consists of two reliefs. One half (a) of each pair is in south crypt 1-C (crypte 4), the other half (b) in room G (chambre V) of the temple.[3]
Object
(location)
TextRelief
Object 1(a)
(Crypt 1-C, south wall)
Speaking the words of Harsomtus, the great God, who dwells in Dendera, who is in the arms of the first in the night-barge, sublime snake, whos Chentj-statue carries Heh, whos crew carries in holiness his perfection, whos Ba caused Hathor to appear in the sky, whos figure is revered by his followers, who is unique, encircled by his forehead-snake, with countless names on the top of Chui-en-hesen, the symbol of power of Re in the land of Atum (Dendera), the father of the Gods, who created everything.
Gold his metal, height: four handbreadths
(left)
Object 2(a)
(Crypt 1-C,
south wall)
Speaking the words of harsomtus, the great God, who dwells in Dendera, the living Ba in the lotus flower of the day-barge, whos perfection is carried by the two arms of the djed-pillar as his Seschemu-image, while the Kas on their knees bend their arms.
Gold and all precious stones, height: three handbreadths
(right)
Object 3(a)
(Crypt 1-C,
north wall)
Speaking the words of harsomtus, the great God, who dwells in Dendera, who emerges out of the lotus flower as a living Ba, whos completeness is elevated by the Kematju-images of his Ka, whos Seschemu-image is revered by the crew of the day-barge, whos body is carried by the djed-pillar, underneath his Seschemu-image is the Primal and whos majesty is carried by the companions of his Ka.
Gold, height: one cubit
Denderah. Grand temple. Crypte no. 4 (NYPL b16461786-1548062) (lower).jpg
Object 1(b)
(Room G,
south wall)
Harsomtus in the hn-container of the night-barge that contains four figures. The figure of heh is in front of him, whereas this flower is behind him, the water beneath him.
Gold his metal, height: four handbreadths.
Denderah. Grand temple. Chambre V (NYPL b16461786-1547977) (lower).jpg
Object 2(b)
(Room G,
north wall)
Harsomtus on his barge
Gold and all precious stones, height: three handbreadths
(left)
Object 3(b)
(Room G,
north wall)
Harsomtus of Upper- and Lower Egypt, the Sata-snake, that emerges from the flower, which contains the hn-container, who is flanked by four figures with human faces, under his head the figure of Heh on the Serech on the bow of his barge. The Juf-monkey with the face of a toad, armed with knives, is in front of him, as are the two figures that carry the front part of this flower.
(right)
Similar motifs
Denderah. Grand temple. Chambre V (NYPL b16461786-1547977) (upper).jpg
Denderah. Grand temple. Crypte no. 4 (NYPL b16461786-1548061) (Harsomtus).jpg
Denderah. Grand temple. Chambre V (NYPL b16461786-1547978) (upper).jpg
Denderah. Grand temple. Crypte no. 1 (NYPL b16461786-1548026) (harsomtus).jpg
Denderah. Grand temple. Chambres de la terrasse. Osiris du sud. Chambre no. 3 (NYPL b16461786-1548166) (cropped).tiff
NaqaLionTempleApedemakSnake.jpg
Fringe interpretation
In contrast to the mainstream interpretation, a fringe theory proposes that the reliefs depict Ancient Egyptian technology, based on comparison to similar modern devices (such as a Cathode-ray tube, Geissler tubes, Crookes tubes, and arc lamps). J. N. Lockyer's passing reference to a colleague's humorous suggestion that electric lamps would explain the absence of lampblack deposits in the tombs has sometimes been forwarded as an argument supporting this particular interpretation (another argument being made is the use of a system of reflective mirrors).[4] Proponents of this interpretation have also used a text referring to "high poles covered with copper plates" to argue this,[5] but Bolko Stern has written in detail explaining why the copper-covered tops of poles (which were lower than the associated pylons) do not relate to electricity or lightning, pointing out that no evidence of anything used to manipulate electricity had been found in Egypt and that this was a magical and not a technical installation.[6]
Archaeologist and debunker Kenneth Feder argued that if ancient Egyptians really had such advanced technology, some light bulb remains (glass shards, metal sockets, filaments...) should have been discovered during archaeological excavations. By applying Occam's razor, he instead highlighted the feasibility of the aforementioned reflective mirrors system, and also that the notion of adding salt to torches to minimize lampblack was well known by ancient Egyptians.[7]
See also
Egyptian mythology
References
"Dendera Temple Crypt Archived 2010-04-25 at the Wayback Machine". iafrica.com.
Wolfgang Waitkus, Die Texte in den unteren Krypten des Hathortempels von Dendera: ihre Aussagen zur Funktion und Bedeutung dieser Räume, Mainz 1997 ISBN 3-8053-2322-0 (tr., The texts in the lower crypts of the Hathor temples of Dendera: their statements for the function and meaning of these areas)
Waitkus, Wolfgang (2002). "Die Geburt des Harsomtus aus der Blüte Zur Bedeutung und Funktion einiger Kultgegenstände des Tempels von Dendera". Studien zur Altägyptischen Kultur. 30: 373–394. JSTOR 25152877.
Press, The MIT (15 May 1973). The Dawn of Astronomy | The MIT Press. mitpress.mit.edu. MIT Press. ISBN 9780262120142. Retrieved 2020-10-06.
Bruno Kolbe, Francis ed Legge, Joseph Skellon, tr., "An Introduction to Electricity". Kegan Paul, Trench, Trübner, 1908. 429 pages. Page 391. (cf., "[...] high poles covered with copper plates and with gilded tops were erected 'to break the stones coming from on high'. J. Dümichen, Baugeschichte des Dendera-Tempels, Strassburg, 1877")
Stern, Bolko (1998) [1896]. Ägyptische Kulturgeschichte. Reprint-Verlag-Leipzig. pp. 106–108. ISBN 978-3826219085.
Feder, Kenneth H. (2014). Frauds, Myths, and Mysteries: Science and Pseudoscience in Archaeology. New York: McGraw-Hill. ISBN 978-0-07-803507-4., pp.225–7
External links
Wikimedia Commons has media related to Dendera light.
The Dendera Reliefs, Catchpenny Mysteries.
Frank Dörnenburg, Electric lights in Egypt?. 2004.
Mariette, Auguste (1870) - Dendérah: description générale du grand temple de cette ville (II: 48, 49; III: 44, 45)
Coordinates: 26.141611°N 32.670139°E
Categories: EgyptologyOut-of-place artifactsPseudoarchaeology
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en.wikipedia.org/wiki/Dendera_light
The ancient Egyptian Dendera Light "protective magical energy in liquid form" is the evaporative cooling fog. The fact that the Dendera Light is made of liquid water that transforms itself in a magical way, is exactly what are describing ancient Egyptians themselves : [About the snake inside the Dendera Light Bulb] "The field surrounding Ra’s snake form is referred to in ancient Egyptian literature as protective magical energy in liquid form that all gods and pharaohs possess (Faulkner 1970*)." ahotcupofjoe.net/2016/11/dendera-light-bulb-and-bagdad-ba...
*I'm not sure, but the excerpt might be from "The ancient Egyptian book of the dead / translated by Raymond O. Faulkne ; edited by Carol Andrews, 1972."
www.milleetunetasses.com/blog/the-great-pyramid-of-khufu-...
Evaporative cooling for the sodium carbonate manufacturing
My study is based on 2 key elements : the first one is the cold production inside the horizontal passage of the Great Pyramid ; and the second one is the production of sodium carbonate (pure natron), as suggested by the Red Pyramid.
The ammonia still present inside the Red Pyramid, indicates that they were using a sodium carbonate process identical or very close to the ammonia-soda process known as the Solvay process, developed into its modern form in the 1860s in Europe.
In the Solvay process, the ammonia only has a minor role ; but inside the Red Pyramid, my guess is that they didn't control the temperature of the different chemical reactions inside the Solvay towers. They couldn't cool down the towers.
That is the reason why they engineered the visible part of the Great Pyramid : to produce cold inside the horizontal passage, store it inside the Queen's chamber, and transfer it to the sodium carbonate production towers, passing through the Queen's chamber shafts.
Acontias lineatus Striped Dwarf Legless Skink melanistic form. From Cederberg, Western Cape. www.tyroneping.co.za/lizards/acontias-lineatus-striped-dw...
Thank you all for your comments and faves!
Blog: www.miksmedia.photography/
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We took a short drive yesterday after the sunrise to look around. It was cold and a bit humid, which allowed a bit of frost to form on objects, making them all sparkle in the clear cold light. Pretty world, with a lot of sunlight in it, isn't it?
''Americanism in all its forms seemed to be trashy and wasteful and crude, even brutal. There was a metaphor ready to hand in my native Hampshire. Until some time after the war, the squirrels of England had been red. I can still vaguely remember these sweet Beatrix Potter–type creatures, smaller and prettier and more agile and lacking the rat-like features that disclose themselves when you get close to a gray squirrel. These latter riffraff, once imported from America by some kind of regrettable accident, had escaped from captivity and gradually massacred and driven out the more demure and refined English breed. It was said that the gray squirrels didn't fight fair and would with a raking motion of their back paws castrate the luckless red ones. Whatever the truth of that, the sighting of a native English squirrel was soon to be a rarity, confined to the north of Scotland and the Isle of Wight, and this seemed to be emblematic, for the anxious lower middle class, of a more general massification and de-gentrification and, well, Americanization of everything.”Christopher Hitchens
Carlisle, Northern England
Picture No: 2019-12-21-7109_P5_FRAMED_S
Edited in Canon DPP, framed in Photoshop 6
Cropped. No photomontage. No Photoshop.
Most of my pictures are taken in and around the city of Molde, witch is the capital of Møre og Romsdal, in the country of Norway
A rose is a woody perennial flowering plant of the genus Rosa, in the family Rosaceae, or the flower it bears. There are over a hundred species and thousands of cultivars.
They form a group of plants that can be erect shrubs, climbing or trailing with stems that are often armed with sharp prickles. Flowers vary in size and shape and are usually large and showy, in colours ranging from white through yellows and reds.
My Website:
A little surprise is seen here on the rear of CSXT Q424 (Selkirk to West Springfield manifest) in the form of an ancient flexi flo covered hopper carrying the marker. This historic car is an ACF PD3500 Type 996H having been built for the New York Central in 1966 as NYC 885738. It ended up becoming a Penn Central scale test car, PC 80019 and then CR 80019 and finally NYC 80019 under CSX. It is very much on home rails seen here exiting State Line Tunnel at MP 164.8 on CSXT's Berkshire Sub, the former Boston and Abany mainline. Donated to the Danbury Railroad Museum for preservation, a special extra Housatonic Railroad crew would be standing by to pluck this off the rear of the big 125 car freight at Pittsfield and take it directly south by itself.
A little history courtesy of Rapido Trains that just introduced these cars in HO scale for those of you that are modelers:
Built between August 1964 and June 1966 the American Car & Foundry (ACF) 3500 cu.ft. covered hopper was an early innovator in pressure differential unloading and a marketing masterclass thanks to the "Flexi Flo" tag coined by the car's biggest customer, the New York Central railroad.
Other than seven cars built for Shippers Car Line (SHPX), a subsidiary of ACF, the NYC was the only purchaser of the PD3500. They made up for it in quantities, with a total of 220 cars rolling off the Milton, Pennsylvania, production line over three subtly different batches.
Still new at the time of the Penn Central merger, many cars were simply re-patched with PC prefix and logo and renumbered. However, plenty made it through those turbulent years with their full NYC paint intact. Come the era of Conrail and many cars were re-patched again, making them a rolling north-eastern railroad history lesson as patches faded showing PC and NYC logos beneath the famous "canopener"! Many others were repainted, with Conrail applying at least three different schemes.
If there is any lingering feeling among railfans that these cars were captive to the north east then their operation throughout the 1980 and into the 1990s should dispel that misconception as the cars spread their wings, first through the transfer of many cars to Conrail's Merchants Despatch Transportation Co. (MDTX) subsidiary, and then the later sale of cars to NAHX (for Lafarge) and SXSX/SYSX for use in Arizona, California and the south west, all gaining new paint schemes in the process. By 2000, an explosion of patchouts had taken place with a plethora of different reporting marks popping up and no part of the USA off limits. They were even more common in many parts of Canada! Many were still in use well into the mid 2010s, only being retired as they fell foul of the 50 year interchange rule
Canaan, New York
Friday March 26, 2021
Instagram: instagram.com/45surf
Subscribe to my new youtube channel and see how I used the divine section and golden rectangle, spiral, and ratio to get the cover of N-Photo Magazine! And see how Ansel Adams and the great painters and fine art masters used the golden mean in their compositions!
www.youtube.com/watch?v=JLlB_W3XG-k
www.youtube.com/channel/UC42cWDExI8K8stjROqOlLbQ
It shows up in a lot of my surf photos too!
Nikon D810 Photos Pro Women's Surfing Sports Photography With New Tamron SP 150-600mm F/5-6.3 Di VC USD Lens for Nikon!
Beautiful athletic swimsuit bikini wetsuit model goddesses!
The new Nikon D810 rocks for sports photography! New Instagram!
Goddess videos! vimeo.com/45surf
Nikon D810 Photos Pro Women's Surfing Van's US Open Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracles took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 14mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the brigth sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS< but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
Tamron SP 150-600mm F/5-6.3 Di VC USD Autofocus lens for Nikon AF-D Cameras.
The new Nikon D810 rocks for sports photography New Instagram!
Beautiful athletic swimsuit bikini wetsuit model goddesses!
Join me friends!!
www.facebook.com/elliot.mcgucken
www.facebook.com/45surfAchillesOdysseyMythology
Subscribe to my new youtube!
www.youtube.com/watch?v=JLlB_W3XG-k
All the best on your epic hero's odyssey! :)
Been hard at work on my books--my physics books on Dynamic Dimensions Theory (dx4/dt=ic) celebrating the hitherto unsung reality of the fourth expanding dimension which all the photons surf across the universe en route to making a photograph! Also working on an art, mythology, and photography book titled The Golden Hero's Odyssey! All the best on your Epic Hero's Odyssey! Always love hearing from y'all! :)
3/4 - The cycle of the redwood forest. Trees falling, forming geometry.
My newest video is out now! A simple trip into a close-by park in my new home, the bay area of California. I hope you enjoy it as much as I did getting out there.
Link is in my bio.
HELLA HOT LADIES in BRAS ! ~ photographed by ADDA DADA ! ~
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Imagine a world before the Internet, where there was hardly any form of communication amongst the crossdressing/transvestite community. All was not completely lost however. One single light in the UK during the 1980's and 90's was Swish Publications's "World of Transvestism" (or WOTV as it became abbreviated). A successor to the much earlier "Tranz" magazine, WOTV was published monthly, inside was an "Aladin's Cave" of letters, photos (black and white), occasionally stories and illustrations. The publishing quality was quite poor and WOTV was not cheap (I think it was £6 when I first started to acquire my own personal copies).The cover usually graced some of the more photogenic girls, many of whom I am pleased to say are on Flickr. In view of their privacy I shall not post those, but I would like to share this cover showing an example of the sorts of illustrations that were often printed.
Stockists were few in fact in my area there was only one newsagent that stocked maybe one or two copies a month, but one could travel to Swish's main store in Greek Street London, to purchase missing copies or "bargain bundles".
Sadly I now longer have the magazines, but I did scan all the covers and most of the images of some of the girls from those magazines. If you did appear and would either like a scan, or have no objection to your cover (or image) being published here, by all means get in touch. The issues I have scans from are below.
Vol 11_10, Vol 12_01, Vol 12_02, Vol 12_03, Vol 12_05, Vol 12_09, Vol 13_01, Vol 13_02, Vol 13_04, Vol 13_08, Vol 13_09, Vol 13_10, Vol 13_11, Vol 13_12, Vol 14_01, Vol 14_02, Vol 14_03, Vol 14_04, Vol 14_05, Vol 14_06, Vol 14_07, Vol 14_08, Vol 14_09, Vol 14_10, Vol 14_11, Vol 14_12, Vol 15_01, Vol 15_02, Vol 15_03, Vol 15_04, Vol 15_05, Vol 15_06, Vol 15_07, Vol 15_08, Vol 15_09, Vol 15_10, Vol 15_12, Vol 16_01, Vol 16_02, Vol 16_03, Vol 16_04, Vol 16_06, Vol 16_11, Vol 17_04, Vol 17_05, Vol 17_07, Vol 18_10, Vol 19_03, Vol 20_06, Vol 21_01, Vol 21_04, Vol 21_05, Vol 21_12, Vol 22_02.
DISCLAIMER: I am not the copyright owner of the image and my publication on flickr is not intended to infringe any such copyright. I seek to make no financial gain from the reproduction. If you are the original copyright owner and wish the image to be removed, please contact myself.
Castle Drogo is a country house and mixed-revivalist castle near Drewsteignton, Devon, England. Constructed between 1911 and 1930, it was the last castle to be built in England. The client was Julius Drewe, the hugely successful founder of the Home and Colonial Stores. Drewe chose the site in the belief that it formed part of the lands of his supposed medieval ancestor, Drogo de Teigne. The architect he chose to realise his dream was Edwin Lutyens, then at the height of his career. Lutyens lamented Drewe's determination to have a castle but nevertheless produced one of his finest buildings. The architectural critic, Christopher Hussey, described the result: "The ultimate justification of Drogo is that it does not pretend to be a castle. It is a castle, as a castle is built, of granite, on a mountain, in the twentieth century".
The castle was given to the National Trust in 1974, the first building constructed in the twentieth century that the Trust acquired. The castle is a Grade I listed building. The gardens are Grade II* listed on the National Register of Historic Parks and Gardens.
In 1910 Julius Drewe bought about 450 acres (1.8 km2) south and west of the village of Drewsteignton in the belief that he was descended from the Drewe family that once lived here.[2] Born Drew, the son of George Smith Drew and his wife Mary, née Peek, both from substantial families of grocers, Drewe added the "e" to his surname later in life.[3] At the age of 18, Drewe was sent to China as a tea-buyer by his uncle, Francis Peek (c.1836–99), a partner in Liverpool tea-merchants Peek and Winch. Julius's great uncle, Richard Peek (1782–1867), one of the three brothers who founded Peek and Winch, was an abolitionist and philanthropist who was on the organising committee of the anti-slavery conventions held in London in 1840 and 1843. The Peek and Winch company later expanded into coffee, cocoa, rubber and spices, and owned plantations in the Dutch East Indies. In 1878, Drewe returned to Liverpool and opened the Willow Pattern Tea Store. In 1883, Drewe and John Musker (1846–1926) founded the Home and Colonial Trading Association (later Home and Colonial Stores), which sold teas selected in India by Drewe, alongside other groceries. By 1903, the company had 500 stores. By the time of his death in 1931 he had bought up an estate of 1,500 acres. Around 1910 he asked Edwin Lutyens to build him a castle.[4] According to his son Basil, he did so on the advice of Edward Hudson, proprietor of Country Life magazine, who was both a patron and a champion of Lutyens. Drewe was now 54 years old, but he still had time, energy and money to create his new family seat. The budget was £50,000 for the castle, and a further £10,000 for the garden.[5] Lutyens wrote privately of his concern over Drewe's ambitions; "I do wish he didn't want a castle but just a delicious loveable house with plenty of good large rooms in it".[6] On 4 April 1911, Drewe's 55th birthday, the first foundation stone was laid.[7]wikipedia
Tess Mercer was once the sister of Lex Luthor, and an ally to the Justice League. But, when she died at the hands of Lex, her mind was transformed into an AI, eventually given form in a crimson android body and finally joining the ranks of the Justice League proper as the Red Tornado!
The perfect example of what Smallville does best - the longest, weirdest route to what you know and love! An original character in the "Superman is in high school" show becomes a disemobied AI that becomes Red Tornado!
I recently acquired a +3 magnifying filter that threads onto my Nikkor 18-200mm lens and allows me to truly "fill the frame" when I use both of these tools together.
It is a bit tricky to work with since the combo produces a very shallow depth of field, but I'm pleased that a $25.00 filter can be so helpful for those of us who enjoy seeing the nature world up close......
The hot ParTech promo girls waiting to take part in the "Ireland's Fastest Courier" challenge at Mondello Park, Truck show.
© MSI Ireland 2017. All rights reserved.
Nikon D-800, zoom Nikkor 28-300 f/4.5/5.6 IF-ED, 255mm, 1/250 sec f5.6.
Please note:
These images are not public domain and are protected by copyright law.
All images © MSI (Motorsport Images Ireland) 2017. All rights reserved.
COPYRIGHT: The copyright and intellectual property rights of this image are owned by MSI (Ireland), and are protected by copyright laws of Ireland and international intellectual property right treaties. You may not copy any portion of the images in any form whatsoever. You may not alter the images in any way.
UNAUTHORISED USE: You may not use, copy, rent, lease, sell, claim ownership, publish to a website, blog or other such electronic hosting medium, modify, de-compile, disassemble, otherwise reverse engineer, or transfer images in any form whatsoever whether electronically, mechanically or any other method. Any such unauthorised use shall result in immediate and automatic termination of this license and may result in civil and/or legal action against you/your company or representative.
If you are interested in the use of this digital photographic image, please contact (via e-mail) at msiireland@yahoo.com or motorsportimagesireland@gmail.com
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Photography by JOB/MSI Ireland
© John O’Brien / MSI Ireland 2017
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