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Kingsburg, Ca.

Kingsburg Historical Park

 

Back in the corner of a barn stuffed full of all manner of junk, I've discovered this setup. It's a table with a couple of formed pieces of metal with holes throughout that I imagine steam goes through. And, then, there are all these forms for different sizes and shapes. I've never seen one of these setup anywhere.

  

On Explore - April 29, 2023 - Thanks to all my Flickr friends!

  

I hope you'll enjoy the my images as much as I enjoyed taking them.

  

Can greylag geese be white?

It can be white, completely gray (like the wild form), or somewhere in-between.

 

Are greylag geese native to UK?

There are two subspecies of Greylag Goose recognised: Western Greylag A. a. anser from Iceland, and north and central Europe; wintering from Scotland, south to northern Africa and east to Iran.

 

The greylag goose is a large, bulky, goose with a big head, and the largest of the grey goose species. It was one of the first species of animals to be domesticated in Ancient Egypt about 3000 years ago and is a typical farmyard goose. The domestic breed is known as A. a. domesticus and can interbreed with Anser anser. Many birds seen in the UK outside of the winter months are re-colonised from domestic populations and are often semi-tame. It is seen as a pest due to overgrazing of agricultural crops and is listed in Schedule 2 of the Wildlife and Countryside Act, meaning it can be killed or taken outside of the close season.

 

Key facts Scientific name: Anser anser

Status: Resident wild and feral populations, winter visitor.

Breeding birds: 46,000 pairs UK wintering birds: 140,000 British birds and 88,000 from Iceland

Conservation status: Amber Family: Ducks, geese & swans

Length: 76 – 90 cm Wingspan: 147 – 180 cm

Weight: 2.9 – 1.4 kg

Typical lifespan: 8 years

  

Thank you so much for visiting my stream, whether you comments , favorites or just have a look.

I appreciate it very much, wishing the best of luck and good light.

  

© All rights reserved R.Ertug Please do not use this image without my explicit written permission. Contact me by Flickr mail if you want to buy or use Your comments and critiques are very well appreciated.

 

Lens - hand held or Monopod and definitely SPORT VR on. Aperture is f5.6 and full length. All my images have been converted from RAW to JPEG.

 

I started using Nikon Cross-Body Strap or Monopod on long walks. Here is my Carbon Monopod details : Gitzo GM2542 Series 2 4S Carbon Monopod - Really Right Stuff MH-01 Monopod Head with Standard Lever - Really Right Stuff LCF-11 Replacement Foot for Nikon AF-S 500mm /5.6E PF Lense -

 

Thanks for stopping and looking :)

Pale shadow

Sensible objects

Intelligible world

Looking great in fresh paint, veteran S317 leads container train 1845 through Lithgow past the last-built member of the 81 class, 8184, in October 2015.

 

Streamlined bulldog and good looker S317 was about to turn 54 years old, while functional 8184, the newest of its class, was a youngish 24. The first of each class entered service in 1957 and 1982 respectively. 8184 was one of four additional 81 class built several years after the rest.

Yesterday we took Jessie to her first ballet class. Does she have good form or what? :) Proud of my girl.

 

She loved the class. It's a once a week class for an hour each Saturday. It's a ballet/tap class, so we have to pick her up some little tap shoes too. She immediately took a liking to one of the other little girls in the class and ended up followed her around and partnering up with her.

Medical Research Centre, Adelaide - South Australia.

- Oct 2019 - Expressionism Clear Day Impressions Color - Topaz Studio 2 - LR-2

 

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© Fotografías de John B

© John Edward Bankson

These were formed by splashing water along the edge of the Ottawa River.

Celles-ci ont été formées en éclaboussant l'eau le long du bord de la rivière des Outaouais.

Icicles formed from spray of Lake Michigan waves crashing in, Rosy Mound Natural Area near Grand Haven, Michigan, USA

street art, auf Bauzaun

Après avoir exposé à Anvers et à Venise, en 1999, l'entreprise a déménagé dans une nouvelle maison connue sous le nom de Kanaal, située à Wijnegem, à vingt minutes à l'est d'Anvers. Construit à l'origine en 1857, le vaste site était un ancien complexe de distillerie et de maltage. L'architecture existante comprenait des entrepôts en briques et des silos à grains en béton situés le long des rives du canal Albert.

Le développement initial du Kanaal comprenait l'installation des bureaux et des studios de l'entreprise. Cela a été rapidement suivi par l'acquisition d'installations artistiques permanentes, telles que celle d'Anish Kapoor, Au bord du monde. Un plan a été conçu pour faire de Kanaal un centre culturel et résidentiel, un processus qui a commencé au début des années 2000.

Les plans de transformation du site se sont appuyés sur le caractère et l'histoire des bâtiments d'origine pour donner à l'ensemble du quartier un nouveau souffle authentique. C'est un trait central de beaucoup de nos projets. Dick Vervoordt a mené un plan ambitieux pour combiner les efforts de trois équipes d'architectes - Bogdan & Van Broeck, Coussée & Goris, Stéphane Beel - avec le paysagiste Michel Desvigne. La qualité de vie était une priorité absolue et les plans ont été conçus pour adapter la conception de l'intérieur vers l'extérieur, convertissant les anciens bâtiments en nouveaux espaces de vie et de travail.

En 2017, la galerie anversoise déménage dans un nouvel espace au Kanaal, ouvrant par une rétrospective monumentale de Kazuo Shiraga.

Le premier programme de la galerie comprenait une spécialité dans l'art d'après-guerre et contemporain avec un accent particulier sur l'art d'Europe, du Japon et de Corée, en particulier l'art des mouvements ZERO et Gutai. L'accent mis sur Dansaekhwa a suivi, alors que le programme de la galerie et sa participation à des foires d'art mondiales ont pris de l'importance et que sa liste d'artistes s'est élargie.

 

After exhibiting in Antwerp and Venice, in 1999 the company moved to a new house known as Kanaal, located in Wijnegem, twenty minutes east of Antwerp. Originally built in 1857, the sprawling site was a former distillery and malting complex. The existing architecture included brick warehouses and concrete grain silos located along the banks of the Albert Canal.

The initial development of the Kanaal included the installation of corporate offices and studios. This was quickly followed by the acquisition of permanent art installations, such as Anish Kapoor's At the Edge of the World. A plan has been devised to make Kanaal a cultural and residential center, a process that began in the early 2000s.

The site's transformation plans have built on the character and history of the original buildings to give the whole area an authentic new lease of life. This is a central feature of many of our projects. Dick Vervoordt led an ambitious plan to combine the efforts of three teams of architects - Bogdan & Van Broeck, Coussée & Goris, Stéphane Beel - with landscaper Michel Desvigne. Quality of life was a top priority and plans were made to adapt the design from the inside out, converting old buildings into new living and working spaces.

In 2017, the Antwerp gallery moved to a new space at Kanaal, opening with a monumental retrospective of Kazuo Shiraga.

The gallery's first program included a specialty in post-war and contemporary art with a particular focus on art from Europe, Japan and Korea, particularly art from the ZERO and Gutai movements. The focus on Dansaekhwa followed, as the gallery's program and its participation in global art fairs grew in importance and its roster of artists grew.

The new year brought us quite a treat! Orcas Island is in the background. Welcome 2020.

 

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Canon A1 / Ilford HP5+ / Ilfotec DD-X

This was part of a much larger berg at Jokulslaron in Iceland, I lay down on my stomach and shot it with a 70-200mm lens.

 

Just beautiful

Mitt bidrag till Fotosöndag 2020-08-23 på temat form. Ännu en "klassisk Magnus". Inget planerat under veckan blev en snabbt genomförd idé på lördagen när den dök upp i huvudet. Skönt att alltid ha en kamera i fickan nu för tiden.

The thought forms in the soul as clouds form in the air. (Joseph Joubert)

 

Vosges

 

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This is a quarter view of a 1955 Mercury D-528 concept car at The Petersen Automotive Museum in Los Angeles, California. The rounded fenders were actually functional -- a spare tire was beneath one and a gas tank beneath the other.

 

The small twenty-one car ferry docking on the island side during a lovely sunrise. Lummi Island, Washington, USA.

 

Website: edmundlowephoto.com/

  

All my photographs are © Copyrighted and All Rights Reserved. None of these photos may be reproduced and/or used in any form of publication, print or the Internet without my written permission.

A lovely little farmhouse nestled in the idyllic hills of the Palouse.

 

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All my photographs are © Copyrighted and All Rights Reserved. None of these photos may be reproduced and/or used in any form of publication, print or the Internet without my written permission.

I go different ways on my long walks to and from work, and noticed this display the other day. On my way home I purposely went this way again to capture this image through the window.

impressions @ siding track

 

* color-version:

flic.kr/p/2pRESDe

In Window

 

_IMG0085

Suffering, in all it's varied forms, is what exactly?

A compounding of fractured soul, so matter-of-factly,

She said that He Himself said,

That surgery is an art gallery of faith instead

Masterpieces where health invariably decreases

Swan songs of broken hearts where love ceases

To enliven home truth's of carefree surrealism

One empty soul does not make another idealism,

Minimal is the grey day that paves the way for darkness

Looming on the horizon of unseen weathering blackness

A colossus of sky with the upper land

Nature the only card, saviour, and prophet to hand

 

Fear may only be a feeling, but the feeling is beyond fear itself

As they say, depression is expectant as we each try to find oneself

In the mire of news, be it the betrayal of the health of our citizens

Or just the assassination of natural resources wealth, that bloody well glistens

In the headlights and highlights of our obit we now live in memory alone

"A Song for Departure" plays upon the mind that cannot find adequate words to bemoan

The lack of attention paid to the well-being of Mother Nature, ageism spammed!

We are seeking the revolution for the revolving Earth whose door's are jammed

By the annual quagmire of festive exposure by all means time is spent!

Here by the grace of God, we breathe in life, in a place, in grace Heaven sent

 

It's tempting to stop reading, as it is to cease listening, turning a blind eye as well, why not?

But dare I say, it's nigh on impossible for very long to do the whole damned lot!

Mother Nature, She is suffering can't you see upon this obdurate land

We tune-in to be deceived, ghost hunters and faithful followers of a new kind of religious brand

Detect only what the illusion alludes to in the lost art of heart and soul

In part, life is already obfuscated with it's own toxins, we're the decade on parole

1988, 1998, 2008, I remember well, the future that is coming too soon

Here before tomorrow ever knows what to do with itself, we must find the answers to be in tune

Petty arguments wage wars within the minds of boys whose toys have been confiscated by ignorance

A belief of faith cannot be true if it sees red at every turn, nor can it bring hope for the children in whom we bestow what kind of continuance?

Benevolence is awaited with a youthful eagerness that has grown old waiting on the wings of fighters

Knives replace fists that substitute backs for tables in the cities full of such blighters

Intervention risks life and death for the removal of compassion brings the hooded underworld

That has now come up to grab society by the ruddy throat twirled

A society indeed, un-policed and unappeased the x-factor of fearless nerves

Can no longer meet with the supply, that which steals warns of what it serves

 

We're a breed apart though we never used to be and never should be

Walking tall when we should be down on our damned knees begging for forgiveness until we all finally agree

So the trepidant beggars of belief peaceably fly in the face of popular opinion,

For the standards of today will invariably fail the tests of time and ever-changing dominion

If you feel the force of scientific tribulation, will it numb the senses of tomorrow

Can the government's diet, passed fit for us all, sustain us through political sorrow?

If a smile should pass your face someday, cherish it's presence upon the lifestyle that forgot how to use it

Wear yourself well, but for the love of life we must address what does reciprocally befit.

 

by anglia24

09h55: 02/10/2008

©2008anglia24

A combination of pieces from Hiroshi Sugimoto's photographic exhibition at the Museum of Contemporary Art Art Australia.

 

SMC PENTAX (K) 28mm f2 "Hollywood"

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