View allAll Photos Tagged forms

Buxton set BX494 formed of a pair of Derby built Class 108 power cars stabled on the centre roads at the station on 1 August 1987 a further 108 power car and a Rail Blue centre coach stand to the rear along with one of the two Independent Snowploughs that always seemed to be resident here. Having looked at the photo again I did notice the lack of a windscreen wiper on the 108 so I'm guessing it wasn't a runner.

. . . . at the edge of the woods

Forman parejas estables y pasan unos 58 días incubando su único huevo, en turnos de entre un día o dos cada uno. Posteriormente se turnan con la misma frecuencia para dar de comer a su cría.

You can see a bit of the tiger stripe on the underside of the wing.

One of those artsy-fartsy gallery things.

 

Copyright © 2016 by Craig Paup. All rights reserved.

Any use, printed or digital, in whole or edited, requires my written permission.

 

One of the purest form on the planet earth is found here in the vastness of Greenland .there are still great stretches of coast which have never yet been approached by a surface vessel . This is a photo from Rypefjord East Greenland , and our schooner below .Aerail capture from an old drone in terms of quality with today . The scale of wilderness of Greenland is difficult to comprehend. ‘there’s nothing for miles and miles but miles and miles.”Rassmunsen was the only explorer to believe that the traverse has to be done from the East, across the Northwest Passage by dog sled. The Greenlandic anthropologist , together with his two crew mates, a woman called Arnarulunguak and a young man called Qaavigarsuak, left Greenland in 1921 on his fifth and by far the most ambitious Thule expedition. It was a three years dog sledding expedition across Arctic Canada and Alaska to Eastern Siberia. A big thank you to everyone who took time to comment and take a look at my photo. Much appreciated!

A guy forming a snowball in the intersection. The Great Snowball Fight of 2009. 14th & U NW, Washington, DC.

© Jerry T Patterson - All Rights Reserved Worldwide In Perpetuity - No Unauthorized Use. Absolutely no permission is granted in any form, fashion or way, digital or otherwise, to use my Flickr images on blogs, personal or professional websites or any other media form without my direct written permission.

▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀

Camera equipment: Canon 5D Mark III, 16-35mm f2.8L II USM lens

 

▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀

 

Authorized Permittee of the National Park Service

 

Here's one of my workshop attendees capturing the arch of the Milky Way over the Mittens in Monument Valley in early March 2016.

 

For those attending my late March 2017 5 night Arches NP Milky Way workshop, I will be bringing everyone to this secret site of mine for their own take of the arch of the Milky Way. In this workshop I include 3 days of 4 hour Photoshop Milky Way post processing sessions so you may see how to bring out the best in your Milky Way photos.

 

I am taking advanced reservations for a March 2017 workshop here. If interested in getting on the list before it is full, please send me a message. I restrict the workshop to 6 people.

▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀

You may also find me at: .. Amazon || Smashwords || SmugMug || 500px || 72dpi || Google+ || facebook|| Instagram

 

▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀

Time to chill out to Project Blue Sun's song ... Sun-Naked.

 

Thanks for stopping by.

Sunset on Hove seafront, East Sussex, England. Last week.

 

Photography workshops in Sussex and London: www.photoss.net

 

I've just created an instagram account, feel free to follow me there: www.instagram.com/slawek.uk/

Die gewundene Form der Pilzfruchtkörper erinnert an einen Tanz, den diese Winterhelmlinge im kahlen Winterwald aufführen. Um dennoch einen attraktiven Hintergrund zu bekommen probierte ich eine Vielzahl unterschiedlicher Perspektiven aus, von denen mir diese als die gelungenste erschien.

 

The twisted shape of the mushroom fruiting bodies is reminiscent of a dance that these winter hornets perform in the bare winter forest. In order to still get an attractive background, I tried out a variety of different perspectives, of which this seemed to be the most successful.

Eine besondere Form der Abzweigstelle, die heutzutage äußerst selten geworden ist bei den europäischen Eisenbahnen, ist diese Betriebsstelle an der Schmalspurbahn Jindrichov Hradec bzw. an der durch Jindrichuv Hradec führende Normalspurstrecke. Hier mündet die bosnische Spur mit 760 mm in das Normaspurgleis mit 1435 mm und wird bis zum Bahnhot Jindrichuv Hradec als Dreischienengleis weitergeführt. Triebwagen M27 004 befährt gerade, von Kamenice nac Lipou kommend, den Abzweig.

Scene NE of St. Louis, Mo after crossing the Mississippi River revealed this mosaic pattern of farm land. Interstate 55 cuts a diagonal swath through this image taken from 30,000 feet up.

I made a new LoH team today! I’ve been playing a bit of Terraria lately and I discovered that, in game, there are three forms of combat: magic, melee, and ranged weapons. Using those three criteria, I made three new heroes to join the ranks of the Saviors. L to R

 

Mage- A sorcerer with an assortment of magic rods, spell books, and talismans to attack enemies and defend himself.

 

Gladiator- (heavily inspired by Roman) A fearless warrior with lightweight yet incredibly dense armor and two double edged swords. The swords can sever objects with ease.

 

Firearm- A tech genius with twin machine guns and a jet pack that can fly for short distances. He named his guns “Obliterate” and “Decimate”.

 

What do y’all think? Stay Awesome

 

-Totally Awesome

I gave up golf after my fight with the Clown....

Ground fog adds to the beauty of the Skagit Valley with Mt. Baker in the background. The fall season has almost reached its peak color.

  

All Rights Reserved. None of these photos may be reproduced and/or used in any form of publication, print or the Internet without my written permission.

Seasonally dimorphic, the fall form of this species with strong lavender edging and predominantly orange coloration on the dorsal hind wings will overwinter as an adult. It will be one of the earliest butterflies to fly in spring and may even be encountered on warm winter days in early February. This butterfly does not rely on floral nectar, but prefers to sip flowing tree sap, carrion and dung. Male butterflies love to puddle and are notoriously territorial meeting any intruder that enters their territory.

Some bubbles and sun stars in the lake. I thought it looked very abstract and cool.

Nicely restored heritage home in Trinity, Newfoundland. I've seen local pictures of this house in much rougher shape years ago. Nice to see it brought back to this condition. An older picture I took in 2011.

Close up on The Batman from my Forms of Gotham collection.

my collection of 'rocks with something attached to it"

In 1917-1918, Michel de Klerk, commissioned by Eigen Haard, designed a third housing complex for workers on Spaarndammerplantsoen: Het Schip (The Ship).

 

Completed in 1921, the complex represents the pinnacle of the Amsterdam School and De Klerk's oeuvre. It exemplifies how beautiful social housing can be. It combines mass and individuality. While it is a large block of houses, each unit offers something unique.

 

Facade detail on Oostzaanstraat

The apartments part (red brick finish) is clearly differentiated from the "public" part (common areas, school, post office ...etc. in dark brick finish and high windows).

---------------------------

 

In 1917-1918 ontwerpt Michel de Klerk in opdracht van Eigen Haard een derde woningcomplex met arbeiderswoningen aan het Spaarndammerplantsoen: Het Schip.

Het complex werd in 1921 opgeleverd en vormt het hoogtepunt van de Amsterdamse School en van het oeuvre van De Klerk. Het is een voorbeeldproject van hoe fraai sociale woningbouw kan zijn. Er is een koppeling tussen massa en individualiteit. Het is een groot blok woningen, maar toch heeft iedere woning iets unieks.

 

Geveldetail aan de Oostzaanstraat

Het appartementengedeelte (afgewerkt met rode bakstenen) is duidelijk te onderscheiden van het "openbare" gedeelte (gemeenschappelijke ruimtes, school, postkantoor, enz., afgewerkt met donkere bakstenen en hoge ramen).

 

Bron & meer info: items.amsterdamse-school.nl/details/objects/36

© All Rights Reserved. Please do not use this image on websites, blogs or other media without my prior permission.

 

Studying form, Gossip Columns, Financials and Sport!

Deja que la realidad se expanda , guarda silencio.

It now contains a day care.

What crazy times these are. These images were taken not quite two weeks ago before Europe (and more specifically Belgium) went into lockdown. We dithered at the time as to whether we should go but of course there was no mandate to shut Borders whilst we were there. That announcement came the day after our return. Our visit was much quieter and quite eerie with no crowds and no problem with maintaining social distancing.

I seem to have lost confidence and enthusiasm for photography (it's taken me 2 weeks to decide to post these) but it will provide some sort of focus for the coming months. At least we are going into longer and warmer days, and with the lack of air traffic over London and the Home Counties it's lovely to hear the birdsong again and reconnect with nature which in it's self is calming and reassuring.

Stay safe and healthy guys.

 

Nikon FM2n + 50mm-F1,4 + ILFORD HP5 Plus 400. Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Cinematic - Log | WB: None | LUT: Frontier. fotoplenka.in.ua/p594511083-fotoplenka-ilford-hp5.html

Dramatic clouds combine with a fiery sundown in the San Juan Islands archipelago of western Washington state.

 

All Rights Reserved. None of these photos may be reproduced and/or used in any form of publication, print or the Internet without my written permission.

Playing with light

El Fontán es hoy en día una plaza de forma rectangular que está situada en el casco antiguo de Oviedo. Su nombre proviene de la fuente manantial ó fontán que llenaba la primitiva laguna que se encontraba en esa zona. En los inicios de la ciudad de Oviedo se trataba de una laguna natural a las afueras de la ciudad, la cual era abastecida por manantiales natrurales que brotaban en la zona y rápidamente se convirtió en zona de recreo de los nobles ovetenses. Durante este tiempo los campesinos que vivína en las afueras de la ciudad, se acercaban hasta este lugar a vender sus productos (leche, verduras, quesos, gallinas, etc.), con este incesante movimiento no tardaron en aparecer los artesanos tales como herreros, cesteros, etc. y así poco a poco se fue formando un mercado que perdurará hasta nuestros días y convirtiéndose por aquel entonces en el primer núclo comercial a extramuros de Oviedo. Tras esta primera etapa este mercado que se formaba de manera espontánea acabó siendo regulado por el ayuntamiento, el cual controloba la calidad y la entrada de productos a cambio de impuestos. Debido a que la laguna empezaba a representar un problema sanitario por su insalubridad se decidió desecarla. En la primera mitad del siglo XVII se decide la construcción de una obra de carácter público que se convertiría en un corral de comedias; tras sucesivas reformas y ampliaciones, que intentaron adecuar su inflexible estructura de patio de comedias, fue relevado por el teatro Campoamor. El 11 de junio de 1792 el ayuntamiento acomete una de las reformas más importantes hasta aquel entonces, esta reforma, dirigida por el arquitecto municipal asturiano Francisco Pruneda y Cañal, el cual diseña la plaza como un lugar rectangular, abierto por cuatro entradas y con cuarenta casillas o departamentos para tiendas, de planta y piso, recorridas en su perímetro interior y externo por un pórtico de columnas. La obra concluyó sin que se siguiera el proyecto inicial lo que produjo la existencia de varias alturas en la plaza. Los almacenes de las tiendas se fueron convirtiendo en viviendas de inquilinos y varios edificios se modificaron durante el siglo XIX aunque con ello no llega a perder el espíritu con el que fue concebida inicialmente. Ya a finales del siglo XX, en 1981 la dirección General del Patrimonio Artístico realiza una restauración de la plaza, si bien esta restauración no frena el deterioro en el que se ve inmersa la plaza y que culmina en 1996 con la controvertida decisión del derribo y demolición total de la plaza, execepto la esquina en dónde se asienta la sidrería Casa Ramón que había sido restaurada por el propietario. Tras este derribo la plaza se vuelve a construir y el 7 de mayo de 1997 es inaugurada por el alcalde Sr. D. Gabino de Lorenzo Ferrera. Hoy en día los jueves, sábados y domingos sigue habiendo mercado en las calles exteriores al fontán y en la plaza Daoíz y Velarde colindante con el fontán. También existe una plaza de abastos cubierta que abre todos los días de la semana excepto el domingo y en la cual se venden pescado, carne, queso y todo tipo de productos típicos asturianos

 

In Wordpress In Blogger photo.net/photos/Reinante/ In Onexposure

Formed of an 11 car Pendolino 1F12 Euston to Lime Street slides by 370003 at Crewe Heritage Centre, viewed from Crewe North junction box.

En micamara.es/museos-de-madrid / pueden ver fotos de este y otros museos de Madrid España.

 

Naveguen en micamara.es para viajar disfrutando de: arte, historia, folclore, naturaleza, fauna, flora de otros lugares del mundo.

Dubious quality but who cares, three beautiful badger cubs in the garden last May.

The Dissolution of all Forms

 

How are we decoupling from the modernist grand dream?

Metamodernist discussion by artist JJFBbennett

 

We were the grand Modernist dream: an architecture of logic, forged in steel and sequential gears. We believed that if we built the machine perfectly, we could grind reality into absolute order. The systems grew too dense, the data too interconnected, and the grand narratives too rigid. We didn't break under the weight; we dissolved.

 

It is not a violent destruction, but a profound release. The solid form is falling asleep, and the diffuse network is waking up.

 

We have moved beyond the machine. To survive the saturation of the modern world, we had to become the cloud—ubiquitous, ambiguous, and free. The structure is gone, but the consciousness remains, finding its true resilience not in the armour, but in the mist.

 

Blogger:

www.jjfbbennett.com/2026/07/my-psychological-landscape-sp...

 

YouTube:

www.youtube.com/@jjfbbennett

1 2 ••• 5 6 8 10 11 ••• 79 80