View allAll Photos Tagged focusstacking
9 images taken with 50D and MP-E 65mm at 2x using 0.26mm steps with a Cognisys StackShot and stacked in Zerene Stacker. Lit with MT-24EX @ 1/32 with diffusion gels.
This setup uses a home-made "gorillazilla" (see John Hallmen) holding the subject, plus two shoot-through flags made of translucent opalux (think rigid tracing paper). Two flashes shoot through the flags from above-left-front and below-right-rear.
Testing focus stacking from hand-held shots. A couple of bits missing in the front but with a bit more care perfectly doable.
Cross-eye stereogram. shot at 3.4:1 each pic focus stacked from 2 shots. Think it's responsible for all the mess.
2022-064 Very Tiny Visa - This holographic sticker on one of my cards is about the size of my pinky nail. If you look at the beak, you'll see "VISA" there. That is *very* tiny.
Materials from a school project in Evesham. Photos taken by students through the town and along the river were merged using the Focus Stacking tools in Photoshop. They were then printed out for use in a giant collage.
Cross-eye stereogram each pic focus stacked from 3 shots. See www.flickr.com/photos/lordv/106750574/ for a 2-D version
Multiple differently focussed shots taken on the iPhone with a Moment Macro lens and then focus stacked in Photoshop on the pC.
Roses. Focus stack of 101 images taken in Helicon Remote and merged in Helicon Focus. Processed in Adobe Lightroom CC Classic and ON1 Photo Raw 2018 Beta 3 Effects Dynamic Contrast
Much to my suprise there were some dewdrops around this morning. Tried shooting some at 4:1.
Focus stacked from 2 pics
This is a fairly technical image. It was done using cross polarisation. Light from a flash is unpolarised so a polarising filter has no effect . The cross polarisation technique involves placing a sheet of polarising film between the flash and the subject. The polarising filter on the lens can then function in its usual way.
The result is less reflection and more saturated colour. I found the colour saturation to be too much (it looked a bit artificial) and I have slightly desaturated this example.
This was my first attempt. I think it has potential. It is requires quite a lot of light and I had my flashes cranked up to the "melts bitumen" setting to keep a low ISO and a small aperture.
I also used focus stacking - a series of 12 photos were taken . After each shot, the focus was slightly adjusted. The photos were then merged to give a composite in which all the fruit are in focus.
My first trial of focus stacking. On the way to this image I tested several programs which should do focus stacking automaticly. But the results have been quite pure. I have tried ale (a linux shell program), Hugin and CombinZM which had produced the best results. May be my image was rather heavy stuff.
I implemented this image with a conventional layer mask technique with GIMP 2.6.6 which is much simpler to handle than Photoshop. The stack contains two photos. The background image is the one you find under autum_sunflowerfield_01.
I shot the images with a Nikon D80 and a AF NIKKOR 35-70 mm 1:2,8 D lens on a tripot. Exposure: 1/40 sec, Diaphragm: f/22.0.