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Cie. Willi Dorner presented the London premiere of fitting on May 24 & 25 as part of Greenwich Dances 2015. The performers were Esther Steinkogler, Henri Bruére-Dawson, Julien Degremont and Stéve Paulet. This whimsical and skilful work was first seen in 2012.
A short walk through the streets revealed five dancers jammed in awkward places by scaffold planks. The main event followed and was the construction (and rapid destruction) of a tower in and on which the dancers posed and performed.
All images © John Mallinson.
Audiology and Hearing Solutions, Inc
Our clinic specializes in routine and diagnostic hearing assessment, hearing in noise evaluations, hearing aid fitting, fitting of assistive listening devices such as FM systems, and counseling people with hearing impairment.
Address: 955 Main St, #306, Winchester, MA 01890, USA
Phone: 781-218-2225
Website: audiologyhearing.net/
Miss Ireland 2011, Aoife Hannon, poses in swimwear upon arriving in São Paulo, Brazil. She will spend the next 3 weeks appearing at events and preparing to compete in the 2011 MISS UNIVERSE® Competition on September 12 at 9:00 p.m. ET broadcast LIVE on NBC from Credicard Hall in São Paulo, Brazil. Vote your favorite contestant into the semifinals on missuniverse.com/members/contestants. HO/Miss Universe Organization, L.P. LLLP---RETOUCHED---
THE BISHOP'S PALACE AND BISHOP'S HOUSE
Overview
Heritage Category: Listed Building
Grade: I
List Entry Number: 1382873
Date first listed: 12-Nov-1953
County: Somerset
District: Mendip (District Authority)
Parish: Wells
Diocese of Bath and Wells
National Grid Reference: ST 55207 45781
Details
WELLS
Bishop's Palace and House. Begun in c1210 by Bishop Jocelyn but principally from c1230, restored, divided and upper storey added by Benjamin Ferrey 1846-54; north wing (now Bishop's residence) added in C15 by Bishop Bekynton, modified C18, and c1810 by Bishop Beadon. Local stone, roughly squared and coursed, with Doulting ashlar dressings, Welsh slate roofs, stone chimney stacks. PALACE EXTERIOR: the main palace now used for public functions and meetings is in 2 storeys with attics, in 7 bays. Plinth, string course between floors, wide buttresses with 2 offsets to bays 2 and 6, coped gables to bays 2, 4 and 6, paired octagonal stacks with openwork cappings to bays 3 and 5. Ground floor has 2-light trefoil-headed plate tracery windows to all but bay 4, similar windows to first floor with added quatrefoil windows with trefoil-arched labels, smaller versions of these windows to attic gables; central porch added c1824, has angled corner buttresses, gable with string and central panel of arms crowned with a mitre, the entrance through a moulded pointed- arched door flanked by two early C19 light fittings. The E wall is in 5 and-a-half bays, with large buttresses to 2 stepped offsets. The first 2 bays have lancets to the ground floor only, but bays 3, 4, and 5 have large 2-light windows with quatrefoil over, and lancets to the ground floor. The last half-bay has a corner stair-turret with stepped offsets. Far right is a deep gabled wing with a large stone-mullioned oriel above a panelled apron with shields of arms, carried on a deep moulded bracket, and with very large buttresses. A tower is set-back from this, adjacent to the moat, with 2 and 3-light cusped casements on 3 floors. PALACE INTERIOR: the original plan was with hall, solar, gallery and undercroft, the long range divided by a spine wall at each level; this remains the layout, with the addition of an upper floor (not inspected). The ground floor is entered through the central porch to a narrow gallery in 6 bays of quadripartite ribbed vaulting, carried on corbel capitals. In the central wall is a large C16 stone fireplace, brought in the late C19 from the former solar. The S wall has a doorway with Y-tracery to its head, and a corner door gives to Bishop Burnell's chapel (qv). The floor is of stone flags. At the N end is a very fine Jacobean open well stair with large square newels, including a double newel at the top landing, supporting carved griffons and with openwork pendants, panelled plaster soffite, painted dado panelling, and a compartmented ceiling with pendants. The undercroft beyond the wall is in 2x5 bays with a central row of Purbeck shafts to quadripartite vaulting, on faceted responds; there is a large stone fireplace of C15 design in the spine wall. The first floor, within Jocelyn's shell, has C19 detailing; Ferrey complained that much of the work to the ceilings was '.... done by an upholsterer from Bath....', but detailing is very rich, and good replica C19 patterned colourful wallpapers were installed c1970. On the E side is a suite of 3 rooms, with compartmental ceilings. The square room at the head of the stairs has a stone basket-arch fireplace with triple cusping, and retains some C18 panelling, and six 6-panel doors. The long central room has a 24-panel ceiling, and three C19 lighting pendants; at its S end a very rich pair of panelled doors opens to the square S room, in which are visible in the E wall remains of the original windows, which have been blocked externally. This room has no fireplace. The long gallery to the W of the spine wall has two fireplaces, dado panelling, and a ribbed panelled ceiling. The windows are in deep embrasures, and there are three 9-panel C19 doors. BISHOP'S HOUSE EXTERIOR: returns at the N end, being backed by the moat wall. It is in 2 parallel ranges, with a very narrow courtyard partly filled by C20 building, a cross wing containing a former hall, and opening to a porch at the S end, and a square tower on the NE corner. The S front is crenellated, and has 4 windows on 2 storeys with attic, all flush 2-light stone mullioned casements with cusped heads to the lights; at first floor 2 of the windows have C19 cast-iron small-paned casements, and there are 4 casement hipped dormers behind the parapet. To the left, in a lower wall with raked head are 2 similar casements, and set forward to the right, fronting the 3-storey N/S hall range is a low square tower with two 2-light plate-traceried windows as those in the adjacent Palace, and a round-arched C16 stone outer doorway with moulded and panelled responds and a large keystone with diamond embellishment. The porch is stone paved, with a stone bench to the left, and the inner doorway is a C15 stone 4-centred moulded arch with rosettes, hood-mould, and small diagonal pinnacles at the springing and key, above a carved angel keystone, containing a fine pair of early doors with panel, muntin and mid-rail, all with nail-heads. At the left end is a wide archway into the courtyard, on the site of the gateway seen in the Buck view. There are various lofty yellow brick stacks, including one very large stack to a coped gable in the rear range. BISHOP'S HOUSE INTERIOR: has been subdivided several times; in the front range are 2 plain rooms, then the inner hall to the porch, with the C15 doorway, a shell niche, and a stone arch matching that to the outer doorway of the porch; this gives to the main stair. N of the hall is a fine C15 oak screen with narrow panels and moulded muntins and mid-rail, and a central round-arched C20 doorway of C16 style. To the right is a large 3-light stone casement with transom, and to the left is a stone-flagged cross passage which runs through to a doorway at the moat end. The inner hall has 3 windows as in the outer hall, and the inner side of the screen has raised and moulded panels, and all members embellished, including small-scale chevron to the bressumer; the central C16 doorway has raised diamond keystone and enrichment. A dining room to the N has a peaked moulded wooden rere-arch, and opens in the NW corner to a small square study in the tower. This has a stone alcove in the N wall with a 3-light C16 casement, and in the corner access to a stone spiral stair rising the full height of the tower. There are many 6-panel doors, with raised mouldings, and with square centre panels. The main staircase is C20 with heavy turned balusters to the first floor, and a C19 straight flight with stick balusters in the upper flight. At first landing level the window contains fragments of mediaeval and C16 stained and painted glass; there is a second straight-flight stair between the ranges to the W. Rooms at first floor are generally plainly detailed; the N range had an extra floor inserted, and one bathroom has the lower part of one of the mediaeval oriels in its N wall. The second floor has a through corridor, and has many early 2-panel doors with raised mouldings. The square end room to the tower has a low relief plastered ceiling to a central rose, the window has early crown glass and a scratched date of 1822. Two of the bedrooms contain the upper parts of the oriels, and these have stone vaulted soffites, one including a carved angel keystone. Over the S range is a 6-bay collar and 2-purlin roof with original rafters, formerly with plaster; the space has 4 dormer windows. HISTORICAL NOTE: the complex building history, coupled with a splendid setting within its walled moat, makes this Palace an outstanding historic and visual document, with one of the most remarkable structures of the mediaeval period which '...represent the grandest aspect of the mediaeval way of life'.(Barley) The first-floor hall represents an outstanding example of its type, contemporary in date with those at St David's, Dyfed, and Southwark, London. (Buildings of England: Pevsner N: North Somerset and Bristol: London: 1958-: 312; Colchester LS: Wells Cathedral: A History: Shepton Mallet: 1982-: 227-244; Wood M: The English Mediaeval House: London: 1965-: 24 (PLAN); Bony J: The English Decorated Style: London: 1979-: PASSIM; Parker JH: Architectural Antiquities of the City of Wells: Oxford: 1866-; Barley M: Houses and History: London: 1986-: 60-63).
Listing NGR: ST5522445760
A KF-25 to 3/4" Compression fitting that I machined out of aluminum and cold rolled steel at Heatsync Labs
It was fitting that a couple of seniors stole the show on their last home game of their respective careers. Senior Laura Smith (Cheyenne, Wyo.) opened the scoring with a header goal off a cross from Junior Jennifer Nye (Lansing, Kan.) to give the Spires an early lead over the visiting Friends University Falcons.
Freshman Kara Stephens (Basehor, Kan.) continued her promising campaign with her team-leading seventh goal of the season after heading home another cross from Nye. The Spires would carry that lead into halftime.
The Falcons would answer with a deflected goal to cut the lead to 2-1 shortly into the second half. But the Spires would respond as Senior Sofia Coelho (Santa Cruz, Calif.) hit a wonder goal that put the Falcons goalkeeper into the side netting.
A controversial penalty kick would bring the Falcons back once more, but the Spires defense would hold strong, preserving the Senior Day victory.
The Lady Spires finish up the season at Kansas Wesleyan in Salina, Kan. at 5 p.m. Tuesday, Nov. 5th.
For more about Women's Soccer at the University of Saint Mary, visit
there is a shop on the LES filled with pretty dresses for beautiful ladies, called mary adams the dress. mary is making sara's wedding dress. these photos are from her fitting today.
Aunque no parezca un acto de campaña, sí lo fue. Y precisamente ahí estuvo la gracia.
Ese mismo día, por si no tuviera bastante con mi labor de fotógrafo ocasional, habíamos presentado por la mañana el cierre de una investigación que, al final, resultó ser pionera en el mundo.
Aquella fue una gran jornada...
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My fingers are on my bra underwire - pretty spot on!
The waist seam is not at waist (My bad for lengthening the midriff pieces)
Abstract Series 138 - Treat Her Right at The Lizard Lounge, Cambridge, MA
Special Guests
Linda S. Viens, Tim Gearan & Jess Tardy
Treat Her Right
Origin: Boston, Massachusetts, United States
Genres: Blues, Low rock
Years active1984-1991, 1995-1998, 2009-10
LabelsRCA Records, Rounder Records
www.myspace.com/treatherrightband
en.wikipedia.org/wiki/Treat_Her_Right
Members
The late Mark Sandman
Dave Champagne
Jim Fitting
Billy Conway
Billy Beard
Treat Her Right is a blues rock group formed in Boston, Massachusetts in 1984. The band originally featured Mark Sandman on guitar, Billy Conway on drums, Dave Champagne on guitar, and Jim Fitting on harmonica. Singing and songwriting duties were shared by all but Conway. Champagne and Fitting reformed the band in 2009 with new members Steve Mayone and Billy Beard.
In addition to being the forerunner to the successful indie rock band Morphine, Treat Her Right is often credited with helping to spawn the punk-blues hybrid (sometimes dubbed cowpunk, among other titles) that achieved prominence in the early 2000s.
History
Career (1984–1998)
The band derived its name from the 1965 international smash hit by Roy Head and the Traits, "Treat Her Right." The group's self-financed and self-titled debut was released on a small Boston record label in 1986, and their first recording attempt was a modest success - Champagne's "I Got a Gun" and Sandman's cover of James Blood Ulmer's "Where Did All the Girls Come From?" received some play on college radio. "I Think She Likes Me" describes Sandman's experience in a Fairplay, Colorado bar where a woman came on to him. The group signed to RCA Records, who reissued the debut in 1988.
Tied to the Tracks was issued in 1989. Sales did not meet RCA's expectations. In the notes for their third record, the group writes, "RCA decided that if our little basement tape could do so well, why not spend fifty times more money and it will be fifty times better! (They think everything works like that.)" Treat Her Right were dropped from their RCA contract.
What's Good for You, their third album, was issued on Rounder Records in 1991. The ragged, live-in-the-studio sound was partly modeled on the model established by Chess Records, which had released many classic blues and early rock and roll records. Shortly after this third release, Treat Her Right disbanded.
The group reformed in 1995 under the direction of Rolling Stones backup guitar player Bob Anderson, but disbanded for the second time in 1998.
Other projects and post-breakup
Fitting later played with The The, The Coots and Session Americana. Champaign remained musically active, playing with groups such as The Jazz Popes. Sandman formed Morphine in 1989, which Conway joined in 1993. Although more blues-based than Morphine, Treat Her Right sowed the seeds of Sandman's later sound with its unusual instrumentation (Sandman's guitar with Treat Her Right was a three string custom model, making it sound more like a bass guitar) and slightly dark focus, most evident on the Sandman-penned songs.
Sandman died of a heart attack while onstage with Morphine in Italy in 1999.
Reformation (2009–present)
The Treat Her Right song "Rhythm & Booze" was featured on The Hangover soundtrack, released in 2009. In the summer of this same year, The Lost Album, a record of unreleased Treat Her Right material, was released by Hi-n-Dry. Shortly thereafter, Treat Her Right reunited to mark the ten-year anniversary of Sandman's death at the Mark Sandman Memorial Concert in September, and the band continued activity thereafter. Champagne and Fitting led the new version of Treat Her Right, joined by Steve Mayone playing low guitar and Billy Beard (previously of the Boston new wave band Face to Face) playing drums.
Discography
Treat Her Right (1986)
Tied to the Tracks (1989)
What's Good for You (1991)
The Anthology 1985-1990 (1998)
The Lost Album (2009)