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Can you build with the brick separator? This is a small fighter jet I submitted for LEGO Ideas Activity: Separate & Integrate.
If you like it, you can vote here: ideas.lego.com/content/study_response/link/5fe273c2-9b27-...
This piece was done entirely on photoshop using a graphics tablet to digitally paint. It has the feel of a futuristic war where women are needed to fight. This features a fighter pilot who simply misses home.
"This ADU fighter is built for speed while being armed with simple but deadly missile and laser weaponry. This makes it ideal for high speed pursuit and elimination of UFOs."
A couple of years ago, almost immediately after disassembling my 7067: Jet Copter Encounter set, I started to build a fighter using the pieces from the set. However I never really got to finish the model until now. Fortunately I'm very happy with the result, and glad I kept it until I was finally able to complete it.
As always I've taken great care to make it robust and it is highly swooshable. In terms of play-feature it includes retractable landing gear, two concealed spring loaded shooters operated from above as well as two top-mounted stud shooters.
If you find anything you like/dislike in particular, please don't hesitate to share your thoughts so I can learn from it and improve myself :-)
Caged fighters 6, will be held at the one and only Leeds United, Elland rd, on the 11th Oct 2013, this show is set to be there Biggest show to date.
Caged fighters is back 15th March 2014.
Sesion Wedding fighter
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The fighter and the girl
The fighter and the girl
Sesion The fighter and the girl Mas imagenes de la serie en www.david-diaz.es More images of the series www.david-diaz.es
Caged fighters 6, will be held at the one and only Leeds United, Elland rd, on the 11th Oct 2013, this show is set to be there Biggest show to date.
Caged fighters is back 15th March 2014.
The rarest of starfighter class, the Strike Fighter is equipped with the freedom of Faster-Than-Light travel, giving it a unique tactical advantage over most fightercraft.
With no need for a carrier, Strike Fighters can respond to threats quickly and independently. This capability has made them perfect for operations in the lawless Outer Rim territories, where various Sol governments have colonial and business interests but no military infrastructure to rely on.
They are better armed than their carrier-based counterparts, with heavier shields to boot. With such capability comes a hefty price tag and costly maintenance budgets. The loss of just one of these ships, as well as it's usually elite pilots, is seen as a grave event. Many a commander has been demoted for frivolous risk of their strike fighter assets. The protection afforded these ships and their crews has led to a irate rivalry from regular pilots.
The British Albacore is the better shielded, quickest of the three pictured. The Tomcat is the best armed and most nimble. The Caracan features better armour and a sturdy construction all around. Each class is operational in the Galactic Rim, though rarely seen by civilian traffic. The Black Moon Union pirate group once took down two Tomcats (at the cost of 26 of their own ships). They rarely shut up about it.
From left to right:
- The Commonwealth Albacore
- The American Tomcat
- The European Union Caracan
Amongst the derelict potteries and crumbling factories of Stoke-on-Trent an old SAAB 96 survives, caged behind the barbed wire topped steel gates of the Price & Kensington Teapot factory in Longport.
Things that I found online to use for inspiration and thought I would share. Again, these are not mine! If I knew how to backtrack the creators not listed to give them credit I would. I hope that you enjoy!
Various Artists
Wednesday 6 November, 7:00pm - 9:00pm
George Orwell
168 Perth Road
Dundee, DD1 4JS
Join us for a curated evening of Artist short films from around the globe. Based on this year’s festival theme REACT; NEoN has selected a series of films covering topics such as gender, environment and immigration.
Featuring work by BOM Fellow Emily Mulenga and other artists Georgie Roxby Smith, Jenny odell, Elaine Hoey, Chloé Galibert-Laîné, Shelley Lake, John Butler, Kevin B Lee, shawné michaelain holloway, Jennifer Chan, Shelly Lake and Greg Bath.
Full screening notes:
Max Almy, Perfect leader, (1983), 4 mins. 15 secs.
A satire of the political television spot, Perfect Leader shows that ideology is the product and power is the payoff. The process of political image making and the marketing of a candidate is revealed, as an omnipotent computer manufactures the perfect candidate, offering up three political types: Mr. Nice Guy, an evangelist, and an Orwellian Big Brother. Behind the candidates, symbols of political promises quickly degenerate into icons of oppression and nuclear war.
Greg Barth, Epic Fail, (2017), 5 mins. 32 secs.
Epic Fail is an avant-garde essay that questions what happens when political discourse fails to connect with voters, and truth is impacted by fake news. Based on the political events that shook 2016, the film imagines a reality that is both forged and blurred depending on how we perceive it; using existential currents inspired by Jean Paul Sartre’s Nausea.
The result is a surreal political satire that revolves around a vote for world peace that has dramatic consequences.
John Butler, Xerox’s Paradox, (2018), 2 mins.
A new workwear collection for the age of intelligent supertasking. Xerox’s fear of a paperless office led to the GUI, which, in turn, led to an explosion in the amount of printed matter. Xerox’s Paradox is about technology’s broken promises. The more we automate, the harder we must work.
Jennifer Chan, *A Total Jizzfest*, (2012), 3 mins. 22 secs.
A sample of the richest, sexiest men in computer and internet history.
Chloé Galibert-Laîné, My Crush was a Superstar, (2017), 12 mins. 30 secs.
This desktop documentary follows an ISIS fighter through a trail of messages, videos and postings to uncover his existence in both social media and reality. Part of Bottled Songs, a series of video letters investigating desire, power and terrorism in online and social media. The videos, recorded from the researchers’ desktops, depict and interrogate their subjects’ compulsive engagement in the production of everyday myths and fictions about themselves and others.
Elaine Hoey, Animated Positions, (2019), 9 mins. 47 secs.
This work draws reference from 19th century European nationalist paintings and explores the role of art in the portrayal of jingoistic patriotic ideals that have become culturally symbolic in the formation of the nation state. This piece re-animates the war like stances and positions of bodies found within these paintings, using character animation taken from the video game Call of Duty. The work challenges notions of nostalgia for the nation state, creating a contemporary critique of the underlying violence that underpins much of todays nationalistic ideologies.
Shawné Michaelain Holloway, GEAR-REVIEW(1)__BEGINNERS-VEST.MP4, (2016), 1 min. 55 secs.
GEAR-REVIEW(1)__BEGINNERS-VEST.MP4 is a response to internet’s “Gear Review” video genre. Using a video sourced from Youtube’s preparedness community alongside a video of the artist performing live for her leather community, this work asks questions about the ways we get to know, use, and care for our objects. Whether them for war, for sex, or both, we’re obsessed with function and feature, forcing fetish into the realm of the domestic and accessible.
Shelley Lake, Polly Gone, (1988), 3 min. 9 secs.
A day in the life of a robot.
Kevin B. Lee, The Spokesman, (2018), 12 mins. 30 secs.
The Spokesman investigates the online traces of John Cantlie, a British news reporter who was kidnapped in 2012 and later appeared in several Islamic State propaganda videos. Responding to Cantlie’s videos, Kevin analyzes Cantlie’s British accent and professional composure, constructed over many years of media appearances. Part of Bottled Songs, a series of video letters investigating desire, power and terrorism in online and social media. The videos, recorded from the researchers’ desktops, depict and interrogate their subjects’ compulsive engagement in the production of everyday myths and fictions about themselves and others.
Emily Mulenga, Now that we know the world is ending soon…what are you gonna wear?, (2019), 4 mins. 5 secs
Religious imagery and symbols of capitalist excess intertwine under the ever-watchful eye of CCTV cameras. Loneliness occurs even in the most crowded, noisy and colourful of rooms. Fractured identities span the online and offline worlds. Late-stage capitalism has left us with a disconnect from others and from a spiritual centre, and consumerism purports to fill the void; but never truly satisfies. There’s a condition of perpetual information overload in an oversaturated, neon, dystopian cityscape. There’s also a rabbit.
Jenny Odell, Polly Returns, (2017), 3 mins. 2 secs.
Polly Returns is based on Shelley Lake’s 1988 computer animation, Polly Gone, which features an isolated female robot doing everyday tasks inside a futuristic dome house. In my version, the robot has returned in 2017. The soundtrack is inspired by the original from Polly Gone, which itself was based on the soundtrack from The Day the Earth Stood Still.
Georgie Roxby Smith, Lara Croft Domestic Goddess I & II, (2013), 2 mins. 14 secs.
Georgie Roxby Smith’s hacked Lara Croft Tomb Raider video game shows the familiar icon for violent femme fatale bad-assery in the throes of orgasmic housekeeping, a scene that could be read as neo-Friedan, with her “domestic goddess” subject trapped between the banally physical and the extraordinarily virtual. The value judgments are unclear, the equation destabilized, as Croft joyfully irons shirts with a bow and arrow slung over her back, letting out cries that are undiscernibly battle grunts or orgiastic moans.
Photography Kathryn Rattray
Caged fighters 6, will be held at the one and only Leeds United, Elland rd, on the 11th Oct 2013, this show is set to be there Biggest show to date.
Caged fighters is back 15th March 2014.
This is not a trainer but apparently the real deal, the North American Aviation 50 fighter made for the United States Army Air Force in World War II. The brains of the time wanted them all Khaki instead of powder blue on top and whitish on the bottom. No stealth here! It seems like enthusiasts still prefer the older, powerful designs which are not being produced any more. "Hot the rod and spoil the child," said Walt Kelly, the originator of Pogo Possum, an aged syndicated cartoon strip. Kelly was a genius of the media. Perhaps you know a famous Kelly saying, "We have met the enemy, and he is us!" Pretty much applies after decades. Here is North American Aviation's World War II aircraft and that had a pretty beefy radial engine. They built 15,495 of the various versions starting first in 1935 according to Wikipedia. It was instrumental in winning the War of the Pacific. If I remember, that it was perhaps the most produced WWII aircraft.
I got a notice about an upcoming airport fly in and show. I checked with Ron and he said it would be worthwhile. I got out there a bit late and so I was rather hurried. The airport approaches were a disaster of activity but I headed around the back intending to park at Ron's spot but had to settle for a space six cars over from the best access to the show. I was not dissatisfied! I could quickly walk over to the activity and was happy with my fortune.
I, of course, saw the interesting sky streaming down from the hills so I tried to use it in the composition. I managed to incorporate that sky in some of my shots. I finally caught Ron when I was done and was glad to dodge the cleanup in the aftermath.