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Le Diamond DA20 Katana est un avion-école biplace monomoteur à aile basse, conçu et fabriqué par Diamond Aircraft Industries (Autriche/Canada).

 

- Motorisation : Rotax 912 (100 ch) ou Continental IO-240 (125 ch sur version C1)

- Construction : Structure composite en fibre de verre et carbone

- Envergure : 10,87 m

- Longueur : 7,16 m

- Masse maximale : 800 kg (version européenne)

- Vitesse de croisière : environ 220 km/h

- Autonomie : jusqu’à 1 000 km

 

Apprécié pour sa visibilité exceptionnelle (canopy bulle), sa maniabilité et ses faibles coûts d’exploitation, il est largement utilisé pour la formation initiale des pilotes en aviation générale.

Montcalm est situé sur la commune de Vauvert (Gard)

 

Le domaine a été créé par Louis Prat, industriel marseillais, au moment de la lutte contre le phylloxéra. Il achète ce terrain pour y planter de la vigne. De nombreux mas y sont construits. Autour du château central se trouvent les chais et les bâtiments d'exploitation viticole. Le hameau comprend aussi les écuries et la remise de maître avec le logement des cochers, ainsi que les maisons des domestiques et des gardes-chasse, un four, une école, le château d'eau et la chapelle, située à l'écart du domaine. C'est une chapelle néo-romane de plan centré avec coupole à la croisée du transept, sans décor intérieur hormis les chapiteaux des colonnes et des vitraux.

De style néo-romane avec influence provençale, de plan centré, elle compte une coupole en son centre avec un élégant clocher qui la surmonte à la croisée du transept 2. Ses vitraux, d'Édouard Didron, datent de 1886. Ils retracent la vie de saint Lazare

La construction de cette chapelle date de la seconde moitié du XIXe siècle. Elle fait partie des dépendances du château de Montcalm.

Actuellement propriété d'une association diocésaine, elle est inscrite aux titres de monuments historiques, sur la base Mérimée1.

 

Montcalm is situated on the point Vauvert (Gard)

 

The estate was created by Louis Prat, an industrialist from Marseille, during the fight against phylloxera. He buys this land to plant vines. Many mas are built there. Around the central castle are the cellars and winemaking buildings. The hamlet also includes the stables and the coach house with the coachmen's quarters, as well as the houses of the servants and the game guards, an oven, a school, the water tower and the chapel, located away from the house. field. It is a neo-Romanesque chapel of centered plan with cupola at the crossing of the transept, without interior decoration except the capitals of the columns and stained glasses.

Neo-Romanesque style with Provencal influence, centered plan, it has a dome in its center with an elegant bell tower that surmounts it at the cross of the transept 2. Its windows, Edward Didron, date from 1886. They retrace the life of Saint Lazarus

The construction of this chapel dates from the second half of the 19th century. It is part of the outbuildings of Montcalm Castle.

Currently owned by a diocesan association, it is registered as a historical monument, on the Merimee1 base.

 

Montcalm está situado en el punto Vauvert (Gard)

 

La finca fue creada por Louis Prat, un industrial de Marsella, durante la lucha contra la filoxera. Él compra esta tierra para plantar vides. Muchos mas se construyen allí. Alrededor del castillo central se encuentran las bodegas y los edificios enológicos. El pueblo también incluye establos y la entrega de vivienda principal con cocheros y casas criados y guardas, un horno, una escuela, una torre de agua y la capilla, que se encuentra lejos de campo. Es una capilla neo-románica de planta central con cúpula para el cruce sin interiores, excepto los capiteles de las columnas y vidrieras.

estilo neorrománico con influencia provenzal, plan central, tiene una cúpula en su centro con una elegante espadaña que corona el crucero 2. Sus vidrieras, Edward Didron, fecha a partir de 1886. En ellos se describen la vida de San Lázaro

La construcción de esta capilla data de la segunda mitad del siglo XIX. Es parte de las dependencias del Castillo de Montcalm.

Actualmente propiedad de una asociación diocesana, está registrada como monumento histórico, en la base de Merimee1.

~~Le moulin Renard sur la Sarthe, le Mans.

 

~~Ce moulin à blé est construit sur un barrage formant la barrière des Moulins d'Enfer en amont de la Sarthe dans la traversée du Mans. IL est exploité vers 1850 par le Sieur Buon Lhermite. Celui-ci garde une roue pour la farine et utilise ensuite la seconde roue pour la fabrique de couvertures de laine.

 

~~Vers 1868, le moulin et la filature sont détruits par un incendie et le moulin reconstruit va être dévolu au chanvre. Cette exploitation appartient à Casimir Boulay puis à son fils et petit-fils jusqu'en 1935. Pendant la seconde Guerre, on remet le moulin en service pour entraîner un groupe électrique. Les habitants du quartier profitent ainsi de l'électricité obtenue.

 

~~Depuis 1964, le moulin sert d'habitation avec maison et jardin à un propriétaire privé.

 

J'ai enfin réussi à photographier le pont St Charles à Prague !

The Carreau Wendel Museum is the museum of the Wendel-Vuillemin coal pit, in Petite-Rosselle on the Saarland, Lorraine border. Though often in Germany, since 1945 it has been in Moselle department France.

 

The museum is an Anchor point on the European Route of Industrial Heritage.

 

The Wendel 1 pit was closed in 1989, Wendel 2 in 1992 and Wendel 3 in 2001. The first piece of coal was mined in Petite-Rosselle in June 1856, at the Saint-Charles pit. These pits are in France but surrounded on three sides by the national border with Germany. Several pits were dug between 1862 and 1889: Wendel 1, Wendel 2, Vuillemin 1 and Vuillemin 2. Emile Vuillemin was the consulting engineer for Charles de Wendel and Georges Hainguerlot's company- Compagnie Anonyme des Mines de Stiring. The coal produced was primarily used to fire the Wendel steelworks. The company became - Les Petits-fils de François de Wendel et Cie in 1889.

 

After the Second World War, the government required the industry to triple the Lorraine coal production within ten years. In the 1946 nationalising, the Wendel assets were assigned to public company Houillères du bassin de Lorraine. The Wendel 3 pit was dug in 1952, and in 1958 was equipped with the new wash house 3. The Wendel 1 and 2 pits were modernised and equipped with new headframes. After 1960, the coal recession hit: the company modernised wash house 1-2 in 1962 by creating a new module on top of the former wash house, adapted to the existing equipment. Operations and investment continued up until 1986 when central activities ceased. Some infrastructure continued to be used up until 1989 serving other pits in the Wendel franchise.

 

The museum is presented in several section. The simple tour shows the life of the miner and the hazardous working conditions. There is then an opportunity to take a guide tour down the workings seeing the machinery current when the last deep mine in France closed in 2004. There is an AM 100 heading machine, G210 electro-hydraulic loader, Electra 2000 shearer and ANF winning machine, roof supports etc.

Yup, same sh**, same wavelength, different development however. I like this fire carrot style; first time, never done before (by me). 😊

 

Man, almost overwhelming how many possibilities there are (now), even for doing "the same" thing, e.g. yellow foliage. But there are differences, nuances, or thing I like or don't (like fringing) to exploit or avoid. I'm trying to stay experimental as long as possible, and to not hone in on something too quickly, I'll do that soon enough I'm sure.

  

Nikon D3300 (APS-C / DX, fullspectrum mod)

Tamron 10-24mm f/3.5-4.5 Di ll VC HLD

heliopan SH-PMC deep orange 4x (22) filter

B+W 010 UV-Haze 1x MRC F-Pro filter

ISO100, 13mm, f/8, 1/500sec (-1,3EV)

(thus 19,5mm full frame equivalent)

handheld, manual focus, via optical viewfinder

The photograph shows several aspects of the lignite (brown coal) mining landscape around Leipzig, Germany:

 

The brown coal is exploited in open-cast mines, where the covering sediment is removed using huge stripping shovels / rotary excavators like the abandoned SRs 1000/1547 shown at the left. The SRs 1000 has a mass of 1200 tons and was able to move approx. 3'000 m² of sand per hour. It can now be visited in the Bergbau-Technik-Park museum.

 

On the right there is the lignite-fired Lippendorf Power Station, which produces electricity and heat from 10 Mio. tons of lignite per year (2'000 MW, see also my photo Cloud Factory).

 

After exploitation of the coal, huge residual holes remain in the landscape that are filled with ground- and surface water, and are renaturated for recreational use, like the Markkleeberger See in the foreground. In this way, the newly emerging Leipzig Lake District (Leipziger Neuseenland) is formed.

 

Explored Sep 29, 2015 #75

 

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I'm editing some family photos for my sister's chritmas cards, and found this one among them. We had lots of pink beauties in the background of their portraits.

 

It's actually a white waterlily (Nymphaea alba), but the red waterlily variety (Nymphaea alba f. rosea) that was cultivated from Sweden, where it was discovered in the early 19th century. The discovery led to large-scale exploitation which nearly made it extinct in the wild before it was protected.

 

(Rød nøkkerose, som er variant av hvit nøkkerose, in Norwegian)

 

My album of flowers here.

 

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Château de la Belle au bois dormant, Ussé (Indre et Loir)

 

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Dans le cimetière de bateaux de Kerhervy (Morbihan - France)

Sur les rives d’une boucle de la rivière du Blavet, le cimetière de bateaux de Kerhervy abrite des épaves. Ces embarcations y ont été déposées à partir de la fin des années 1950.

Quand les moteurs et l’acier remplacent les voiles et le bois,une nouvelle génération de bateaux, répondant aux nouvelles exigences de modernisation et d’exploitation halieutique est construite.

La question du recyclage des bateaux ne se pose pas. Devenus inutiles, ils sont mis à la casse dans la vasière de Kerhervy.

Le lieu est avant tout une décharge qui raconte l’histoire de la pêche dans le pays de Lorient et plus largement, le rapport de l’homme à la mer.

 

The blue Shipwreck - II

 

In the Kerhervy boat cemetery (Morbihan - France)

On the banks of a loop of the River Blavet, the Kerhervy boat cemetery is home to a number of shipwrecks. These boats were deposited here from the late 1950s onwards.

As engines and steel replaced sails and wood, a new generation of boats was built to meet the new demands of modernization and fishing.

There was no question of recycling the boats. No longer needed, they were scrapped on the Kerhervy mudflat.

The site is above all a dumping ground that tells the story of fishing in the Lorient region and, more broadly, of man's relationship with the sea.

The French colonial administration of Indochina was determined to exploit the Mekong River to aid a route into China, and in doing so help counter British colonial expansion in Upper Burma. ... However, the key obstacle lay in southern Laos, where at Siphandon Islands, the river splits into numerous channels forming formidable rapids collectively known as the Khon (or Khone) Falls. Attempts in 1891, 1892, and 1893 to scale the falls failed; there are accounts of steamships ‘engines roaring and boilers near bursting, with hundreds of men hauling from the rocks on ropes and others pushing from the decks with pikes’ ...

 

Thus, alternatives modes of transport had to be found. One idea came in the form of a British tidal expert resident in Siam, Herbert Warington Smyth, who suggested, perhaps half-cynically, that a tramway ... should be built around the falls. The latter, he reckoned, ‘would satisfactorily cripple the French economy (Source: Wikipedia).

 

Well, the French did just that, building boat landings south and north of the falls and connectiong both by a railraod.

 

I found no source of the factual impact of this adventure on the French economy yet a nice description of how it was to travel with that steam engine in the middle of deep jungles:

 

The train, struggling and grating amid the clashing sound of steel, hauled us across the island, which is covered by teak trees and bamboos whose branches brushed our faces. The temperature was very high and the sun, filtering through the trees, roused noxious fever-vapours from the tangled undergrowth. Sweat caked my hair under my sun hat; the heat burned my arms through my clothes; and the mosquitoes took advantage of my predicament to attack me as they pleased, all over my hands and face…

—John Keay, Mad About The Mekong: Exploration and Empire in South East Asia

La Grande Saline de Salins-Les-Bains, comme toutes les salines de la région de Franche-Comté, utilisait les sources d'eaux salées comme matière première.

Le sel, "l'Or Blanc", était obtenu par évaporation artificielle, par opposition aux marais salants.

"Salins du Jura" doit sa renommée et son pouvoir dès le Moyen Age, au sel qu'elle exploite et dont elle fait commerce.

Différentes techniques se sont succédées dans le temps pour puiser puis pomper cette saumure (l'eau salée).

La résurgence de sources d’eau salée au fond de la vallée s’explique géologiquement par la présence d’un banc de sel gemme à 240 mètres de profondeur, lessivé par des infiltrations.

La Grande Saline de Salins-les-Bains a été reconnue le 27 juin 2009 au Patrimoine mondial de l’UNESCO en extension de l’inscription de la Saline Royale d’Arc-et-Senans en 1982.

Dans un souci de cohérence, l’ensemble des Salines de Salins a été classé Monument Historique le 8 décembre 2009.

 

Source : www.salinesdesalins.com/

  

Rennes-les-Bains est une station thermale consacrée au traitement des rhumatismes. L'exploitation des eaux thermales est connue depuis l'antiquité. On peut toujours y admirer les vestiges des thermes romains.

La commune est traversée par la Sals, une rivière dont la source est salée (60g/l deux fois plus que l'eau de mer) mais arrivée à Rennes les bains, elle n'en contient plus que 2 g/l du fait des apports d'eau douce de ses différents affluents.

C'est un village-rue de 200 habitants dont la traversée est difficile du fait de la fréquentation touristique. J'ai profité de la plus faible affluence de la fin d'année pour m'arrêter et prendre quelques clichés de cette station thermale au charme désuet.

 

Rennes-les-Bains is a spa dedicated to the treatment of rheumatism. The exploitation of thermal waters has been known since antiquity. You can still admire the remains of the Roman baths.

The town is crossed by Sals, a river whose source is salty (60g / l twice as much as sea water) but arrived in Rennes les Bains, it contains only 2 g / l because of the freshwater inflows from its tributary rivers.

It is a street village of 200 inhabitants whose crossing is difficult due to tourist frequentation. I took advantage of the least crowds at the end of the year to stop and take a few pictures of this quaint spa resort.

  

Nikon FE, Nikkor ai 50mm F2.0

Film Kodacolor 200,

Développement en kit Tetenal C41

La rivière Dachsteinerbach coulant le long du château du Baron de Turckheim à Dachstein (Bas-Rhin - Alsace)

 

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16-January-2025

 

Northeast of Stara (old) Baška, after passing a rocky ridge, the large bay of Baška opens up (without "Nova"/new, it is not used in croatian, only for the old names in Italian it is Bescanuova as opposed to Bescavecchia, precisely Stara Baška) whose over 2 kilometers long gravel beach separates the sea from the lower part of the consistent furrow (draga), first narrow, fluvial, V-shaped, then wide, detrital, U-shaped.

 

Baška is larger than Stara Baška, and more touristy due to the imposing resort that exploits the large white gravel beach.

 

In winter, however, it is very quiet and sparsely inhabited.

 

Unfortunately, (also) this winter does not offer much snow in the Alps (I hate photographing the barren Alps in the middle of winter...) and so I dedicate myself to the winter sea which is always fascinating.

or: So you spend big bucks for your photo/video gear and you give your images away "for the experience/exposure???"

.

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My cycling exploits continue. Before I went away there was a lot of press about the Mayor of London introducing a bicycle hire system similar to the one recently successful in Paris. When I arrived in Seville I noticed that they had one themselves. Seville is ideal for cycling - the centre has very little traffic and as everyone walks in the shade it leaves the sunny side of the avenues free to cycle on. Even I had a go - took me a while to work out the strange ticketing system and several attempts to get the bike moving, but I did manage two very short rides before I was defeated by my lack of skill, the cobblestones and the 40 degree heat.

"Well fitted"

 

Train journey to Hanoï (Gia Lam station)

 

Voyage en train en direction de Hanoï - Gare de Gia Lam (Vietnam)

 

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Thames Street Market

New Zealand

Mamiya 645 Pro with Agfa Optima film

Ryōan-ji (Kyoto - Japon)

Ryōan-ji (littéralement Temple du repos du dragon) est un monastère zen situé dans le Nord-Ouest de Kyōto, construit au XVIe siècle, à l'époque de Muromachi. Il fait partie du Patrimoine mondial de l'UNESCO, étant l'un des monuments historiques de l'ancienne Kyoto. Le temple appartient à l'école Myōshin-ji de la branche rinzai du bouddhisme zen.

 

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Le Monument international de la Réformation, généralement connu sous le nom de Mur des réformateurs (Genève - Suisse)

 

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As featured in the latest exploits of the Owen family in the Channel 4 TV series "Our Farm Next Door" The building was previously called "Smithy Holme".

Musée des Beaux arts de Dijon (Bourgogne - Côte d'Or)

 

Statue «Hébé et l'aigle de Jupiter» de François Rude.

 

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"Groix's memory"

 

Ile de Groix (Bretagne - Morbihan)

 

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Part of my 10 mile from home project....this is an area between Bramhope and Otley in North West Leeds, very close to Leeds & Bradford Airport.

 

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#‎Février H - Photo exploitant une source de lumière directionnelle qui vous “en met plein les mirettes"

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Obviously many 'western' images of African people are directly connected to exploitation and slavery. But it is often forgotten that there's also an idealist ideology that sees non-Europeans as good and free and noble, indeed as exemplary. This photo is part of the latter tradition. The insets provide some background.

In 1610 one Barthelomeus Moor (1573-1636) bought a piece of land on what is now the Rokin in Amsterdam and built a house there; the pictured decorative statement was probably added later in the style of Louis XIV. He'd been born in Antwerp and was one of many merchants, often Calvinist, who fled the southern Low Countries in the wake of their fall to the Catholic Habsburgs and the onset of religious persecution. They found religious freedom and independence from monarchy in the Dutch Republic. Around 1600 Antwerp's population had diminshed from about 100,000 to a mere 42,000, and something like 30% of the population of Amsterdam was made up of Flemish Dutchmen. Many of these immigrants were merchant families soon to become wealthy in the prospering northern Low Countries.

No doubt, the choice of Moor or his family for this sculpture was motivated by the meaning of his family name. But added to that are the connotations of freedom, independence and desire for trade imputed to non-Europeans exemplified by that self-conscious, proud 'Moor'. He could well be a Carib or else maybe a Guinean. The inset top right is after a drawing by John Gabriël Stedman (1744-1797) of a Carib family. The one on the left is in the first book on African Guinea (more or less present-day Ghana) by Pieter de Maarees around 1602. It depicts Dutch (?) and African merchants and traders. Note the similarity in head dresses of the 'Guineans', the Carib and our 'Moor'.

Excerpt from www.gfwadvertiser.ca:

 

One of the oldest faith communities in the Exploits Valley region is celebrating a special anniversary - St. Andrew's Anglican Church on Main Street in Bishop's Falls.

 

The congregation itself has a longer history, dating to the now-demolished Albert Hall where they used to meet, but the church building is almost as old. It is 90 years old, opening for worship on Dec. 11, 1921.

 

When the original church was founded in Bishop's Falls, the Anglican congregation had a population of approximately 70. It was a case of worshippers meeting in a public space first, then the motivation of fundraising and finding a spot to erect the structure.

 

According to an old Anglican church publication, services were held once a month in Albert Hall, loaned by the G. Albert Reid Company. However, the article stated, "the people wanted a church and both men and women had a meeting to talk ‘church.' The result of the meeting was that the women formed a sewing circle with 20 members, and Mrs. Dorman Mills appointed as president.

 

"The ladies sewed, the men went around and collected, and quite a nice sum was realized," said the article.

 

The meetings were held in January 1921, and the church was started in August. On Dec. 11, 1921, the church was opened "for divine worship," with the exterior finished and interior with the exceptions of furniture and the finishing touches also finished.

Dear community,

it is friday and time again to present to you my newest MOC. The creation is a small vignette which shows a part of the plot from chapter 13: THE JEDI.

 

!!!ATTENTION: MASSIVE SPOILERS!!!

 

Here is the background story:

Din Djarin prepares for landing as the Razor Crest exits hyperspace and arrives at Corvus. Half of the planet appears to be green and forested while the other half appears to covered in darkness with red scars. Djarin arrives at the city gate with the Child hidden under his cloak. The gunslinger Lang recognizes him as a Mandalorian hunter and allows him to enter the city after Djarin confirms that he is associated with the Bounty Hunter's Guild.

The Magistrate tells Djarin to come forward, asking if he is a Mandalorian. After confirming he is one, the Magistrate tells him that she wants him to kill a Jedi who is plaguing them. When Djarin responds that this is a difficult task, the Magistrate attempts to exploit the historical animosity between the Mandalorians and the Jedi. Djarin replies that his price is high.

Later Lang leads Djarin and the Child out of the city gate. Noticing the Child huddled in the Mandalorian's pouch, he asks about the creature. Djarin responds that he keeps it for luck. Lang quips that the Mandalorian is going to need plenty of luck where he is headed.

Djarin journeys deep into the woods in search for Tano, using the coordinates provided by the Magistrate. While examining the trails through his helmet visor, he tells the Child to keep his eyes open. He places the Child on a rock and looks around with his rifle scope upon hearing a snapping sound, then deciding that it was a false alarm after seeing the indigenous beasts afar.

 

Just then, Djarin is ambushed from behind by a lightsaber–wielding Tano. Djarin blocks the lightsaber strikes with his Mandalorian vambraces and forces Ahsoka to fall back by unleashing his wrist-mounted flamethrowers, burning her cloak. Djarin manages to trap her with his fibercord whips. However, Tano escapes by utilising a force jump, flinging Djarin midair using a branch as a pulley and forces him to detach the wire, freeing herself. Djarin lands onto the ground and draws his blaster. Before the fight can begin in earnest however, He informs Tano that he was sent by Bo-Katan Kryze, effectively ending the brief duel.

 

Seeing the Child, Tano says she hopes that it is about the Child. She appears to be both surprised and delighted.

 

Source: starwars.fandom.com/wiki/Chap...

 

Hopefully you enjoyed chapter 13 as I did and you like that small creation too, so please let me know your opinion about the chapter and the build as too in the commenst below.

 

Greetings Kevin

 

Here is a MOC SHOWCASE video on my YouTube channel, please have a look:

 

www.youtube.com/watch?v=G1Zy0bhN_qs&t=2s

"Surfers territory"

 

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An ancient quarry along the coast opposite the Cavo Grosso peninsula (in the background). The western coasts of the Mani have many outcrops of high quality, medium-grain white marbles which are chemically similar to the better-known marble of Paros. This site was probably being exploited at some time between the Archaic and Classical periods, though no dateable material is extant here.

Les salins d’Aigues-Mortes. Camargue.

L’exploitation du sel est une activité qui remonte à l’antiquité. La première activité des salins est attribuée à un ingénieur romain,Peccius. Autrefois récolté manuellement par les paludiers ( sauniers), le sel est recueilli de manière mécanique par des tracteurs à chenille munis de pelle à l’avant. Le sel ainsi récolté est entreposé sous forme de monticule de 10 à 15 m, les camelles.

Exploits River Central NL, Canada

Exploitant : Transdev Montesson les Rabaux

Réseau : Entre Seine et Forêt

Ligne : 21

Lieu : Ermitage Pont (Le Port-Marly, F-78)

Lien TC Infos : tc-infos.fr/vehicule/33513

Yeah, I'm exploiting his cuteness factor. Competing in Flickr 64 (formerly known as March Madness) against the oober talented Shelby and Maria. We're in round three, and have had more fun this week than we can all remember when! Wish him (and me) luck!

Forêt de Chevigny St Sauveur (COTE D'OR 2018)

 

<Website : www.fluidr.com/photos/pat21

 

"Copyright © – Patrick Bouchenard

The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved

"Motorcyclist Platoon"

 

Train journey to Hanoï (Gia Lam station)

 

Voyage en train en direction de Hanoï - Gare de Gia Lam (Vietnam)

 

Website : www.fluidr.com/photos/pat21

 

www.flickriver.com/photos/pat21/sets/

 

"Copyright © – Patrick Bouchenard

The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."

Exploits River Central NL, Canada

Situés sur la commune d'Aigues-Mortes, en Camargue, les salins couvrent une large partie des Marais de Peccais, au sud-est du village fortifié. Ils sont accessibles par la route

 

L'exploitation du sel à Aigues-Mortes est une activité économique qui remonte à l'Antiquité. La première activité des salins est attribuée à un ingénieur romain, Peccius, qui laissa son nom au marais de Peccais. Durant le Moyen Âge, alors que le village d'Aigues-Mortes est fortement influencé par l'abbaye de Psalmodie toute proche, l'économie est essentiellement tournée vers la pêche et les salins.

 

La production aux salins d'Aigues-Mortes est une production classique de sels de mer, localisée en bord de côtes méditerranéennes, sur un sol totalement plat. L'activité maximale se situe en période estivale, afin de bénéficier d'un ensoleillement optimal, pour une évaporation de l'eau et cristallisation du sel sous l'action conjuguée du soleil et du vent.

Le fonctionnement du salin se fait, par étapes, dans cinq types de bassins consécutifs, reliés entre eux par une circulation de l'eau. Les premiers bassins, les partènements, recueillent l'eau de mer pompée (taux de salinité d'environ 38 g par litre). Les bassins sont, en effet, situés quelques mètres au-dessus du niveau de la mer, et l'absence de marées importantes en Méditerranée oblige à l'usage de pompes. L'eau circule ensuite de bassins en bassins, son taux de salinité augmentant au fur et à mesure. Ce circuit, d'une longueur de plusieurs dizaines de kilomètres, amène l'eau saumurée aux bassins de réserve.

 

Formation des camelles

Les « tables salantes » (ou « cristallisoirs »), derniers bassins, permettant la récolte du sel, sont moins profonds que les précédents. Le taux de salinité atteint alors 260 g de sel par litre d'eau. Il s'agit de la partie la plus marquante de la production : d'une part, par la couleur des bassins, due à la présence d'algues microscopiques dans l'eau, la Dunaliella salina ; d'autre part le mode d'extraction du sel. Une fois la vidange de l'eau effectuée, une couche de 8 à 15 centimètres de sel, le « gâteau de sel » recouvre le fond des bassins. Autrefois récolté manuellement, par les paludiers (ou sauniers), le sel est recueilli de manière mécanique, par des tracteurs à chenilles muni de pelle à l'avant. Le sel ainsi récolté est entreposé sous forme de monticules de 10 à 15 mètres, les camelles que l'on voit sur le photo ci-dessus.

 

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